Sand Pebbles German lobby cards

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Sand Pebbles German lobby cards
Celebrating 10 years of Kasumuen Records at the Gasometer, Collingwood
((( Sand Pebbles, The Antagonist - track-by-track )))
Side 2, Track 4: Honey Rush
I am an artist, a very good liar. I talk about the gods, I’m a non-believer.
It was inspired by something author Ursula K. Le Guin once said.
The music has its roots in a De Wolfe Music library track, Viva La Tamla Motown, recorded by The London Studio Group that consisted of Big Jim Sullivan and Jimmy Page.
See you at The Bridge Hotel, Castlemaine, Saturday July 13
Sand Pebbles · Song · 2008
@ghostmafia
((( Sand Pebbles, The Antagonist - track-by-track )))
Track 3, Side 2: Russian Ending
A Russian ending, in literature or cinema, is where it all goes pear-shaped, and the protagonists die/suffer some disastrous end. Like, say, in Bonnie & Clyde, The Wild Bunch, Romeo & Juliet.
The song touches on the Titanic as a disastrous meet-cute between ice and ship. It also speaks of an incident that occurred in Oregon in 1970 where a beached sperm whale was filled with dynamite and blown up to dispose of it. All that happened was that onlookers were covered in burning blubber. A real Russian ending for that beautiful creature.
Not to be confused with a French kiss, a French exit, or a Dutch Treat.
Luna’s Britta Phillips duets with Andrew.
The UK’s greatest comedian, culture magpie and music critic par excellence Stewart Lee (stewartlee.co.uk) has tipped the hat to The Antagonist in his column for Idler magazine. Pumped! (Apart from him mistaking Andrew’s guitar prowess for Chris’s meaty low end bass)