The fact that I know of there two instances where someone says "That's my girl" about Velma lives rent free in my head
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The fact that I know of there two instances where someone says "That's my girl" about Velma lives rent free in my head
Scooby Doo needs more mysteries that revolve around lighthouses
thinking how so many mysteries take place on the full moon or near enough that it looks pretty much like a full, if its not referred to as such. And I just think there's gotta be some interesting chronology calculations there. Like there's gotta be gasps of like a month between mysteries. Not all of them, but a fair amount I think.
In some of the animated shows I've watched there's a thing where a character will be proven to have done a crime. Then the police slap handcuffs on and it's implied (and sometimes shown) it's away to prison. Which isn't how it works or how it shouldn't work.
But in the cases I'm thinking of, it's shown clearly that the culprit is guilty so the idea of a legal proof feels supercilious; we know the character has committed a crime; we've seen evidence; the character may even be described as confessing ("I would have gotten away with it").
All this is to say: would any and how much of the evidence presented by the gang be applicable in a legal conviction?
The gang's goal in solving mysteries is more to solve what this weird thing is — which includes how the uncanny thing is done, followed by who and why.
Someone like the Creeper could be convicted, as the whole plot is him trying to get back incriminating evidence. A lot of the music's plots might have merit due to multiple witnesses. But something like Cutler, how does that work if he's been declared dead? And what about Buck Masters who was kidnapping dogs; is he going to prison or just community service like Marcy?
Which reminds me that WNSD was a lot more flexible about what the actual outcome of the mystery reveal. Culprits we're not immediately carted away to prison, which is retrospectively maybe unique for any series which included the "rubber mask" culprit".
forever amused that Legend of the Vampire is about a music festival sabotaged by a vampire, and Music of the Vampire is a musical movie about a vampire showing up in a bayou town
Will always love how Daphne decides to keep the mustache not the beard at the end of "Poodle Justice" and when she's clearly supposed to be over 18 in The New Scooby Doo Mysteries and the 13 Ghosts she only uses a mustache
Thinking how Daphne's "a nice man like Mr. Magnus " shows her inexperience with the usual type of culprit and some residue of trust of other rich people.
Anyway, all this to say I think Daphne, across the franchise, has the most interesting that-you-can-put-together character development.
While it wasn't always the best it might be, I appreciate the WNSD era of movies going international so often. (And giving the gang different clothes!)