#scotish

[aarvmrl]

This freaking vibe is everthing

[blossom6875]

tell me why I’m writing my Abolish Fic right and whenever I mention Scott (a lot) and he sounds like a wife missing their husband at war 😔 (I’m gonna make them marry eachother/hj)

[oliverdant]

Warning: Jack Lowden’s Scottish accent may cause uncontrollable swooning… and laughter.

[gojicorps]

Idris, if you weren't insufferable I'd love to use you more 😔

No, fr most of the cast kinda gates him, but he'll get better with time. It's more because he's trying too hard most of the time.

[tilbageidanmark]

Sunset in Edinburgh

[dstylez-stores876]

Sculpted

[nestorsullivan]

[glamourthegod]

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ

꧁𓆩༺✧༻𓆪꧂ A Bit Of Unicorn Folkore

༊࿐ ⊹ ˚. The myth of the unicorn did not arise from a single culture or a lone moment in time. Instead, unicorn-like creatures emerged independently within the artistic and spiritual traditions of many ancient peoples. If you follow the stories from the Indus Valley to the storied courts of China and through the ink-stained scrolls of Greek and Roman chroniclers, you can see how each civilization shaped the unicorn’s reputation in stories of faerie tales, mythology, and folklore. Tracing these origins reveals not just how legends are born, but how they travel and transform, carrying fragments of wonder with them through the centuries. The unicorn takes on a vivid and complex life within the tapestry of medieval and Renaissance Europe; a shape-shifting symbol, a creature of fae, mythology, folklore, and deep Christian allegory. Artists painted it with grace, scribes inked it into bestiaries, and preachers wove its image into sermons that echoed through stone cathedrals. By the end of the Middle Ages, the unicorn had become both a real presence in medicine and trade and an enduring emblem of spiritual purity.

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ Allegory, The Virgin, and the Bestiary;

Medieval imagination thrived on allegory, using the visible world to illuminate spiritual truths. In this era, the unicorn often appears as an elegant creature, delicate and aloof, capable of being tamed only by a virgin maiden. This tale, widely illustrated in illuminated bestiaries and tapestries, transformed the unicorn into a powerful symbol within Christian belief. The act of the unicorn laying its head in the virgin’s lap wasn’t just a sweet story, but a loaded metaphor for Christ’s incarnation; God made flesh, tamed by the pure vessel of Mary. Such scenes filled Gothic manuscripts with drama and meaning, helping bind together concepts of chastity, faith, and holy power. They worked within the symbolic grammar of the age; The unicorn’s single horn became a physical sign of undivided loyalty, desired both in nuns and knights. Priests valued the unicorn’s willingness to approach only a virgin to Christ’s birth, drawing clear parallels for worshipers who read or hear the tales. Bestiaries, which cataloged real and mythical animals, depicted unicorns as unruly yet docile in the face of innocence, hinting at Christian moral values triumphing over base instincts.

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ

Unicorn Horns, Myths and Medieval Medicine; In the bustling markets and shadowed apothecaries of the Middle Ages, unicorn horns were more than just symbols; they were coveted objects, sought for their supposed powers. Merchants traveled far, trading what they claimed were real unicorn horns, though most were cleverly disguised narwhal tusks from the Arctic north. Magical properties were attributed to these long, spiral horns. They were believed to; detect and neutralize poison; saving kings and noblemen from assassination, cure fevers and epilepsy when ground into powder and swallowed, and shield against the evil eye, thanks to their apotropaic shape. Kings would pay immense sums for drinking goblets inlaid with a “unicorn” to thwart poisoners’ plots. The marketplace swelled with mysterious objects, elaborate stories, and even legal documents certifying the authenticity of unicorn relics.

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ

Unicorns and the Fae; Intersections in European Folklore

The unicorn holds a unique crossroad in the story-rich worlds of fae, mythology, and folklore, especially in the traditions of Scotland and Ireland. Unicorns aren’t just pretty figures tucked into tapestries or rare books. They stand beside faeries, selkies, and changelings as living symbols of purity and mystery, woven into the same mythic fabric that gives us tales of shimmering faerie lands and elusive, shape-shifting spirits. Unicorns have touched the stories and beliefs that shaped Celtic identity, and their alliance with the fae isn’t just poetic, but a true meeting of worlds in the folk tradition.

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ

Heraldry, Symbolism, and National Identity; Scotland’s Use of the Unicorn and Its Meaning in Heraldic Tradition;

Scotland’s bond with the unicorn runs deep, both in heraldic tradition and national story. Since the 12th century, the unicorn has stood as a royal symbol, one that adorns coats of arms, government buildings, and ancient castles to this day. The unicorn, fierce and untamable, became an emblem for a people renowned for their defiance and desire for freedom. Heraldic unicorns are often shown chained, their wildness subdued not by force, but by a king’s divine right. Scotland’s unicorn not only stands beside the lion (England’s heraldic beast) but sometimes seems locked in an eternal struggle, echoing centuries-old rivalries and the untamed landscape these stories emerge from.

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ

༊࿐ ⊹ ˚. Over time, enlightened thinkers grew skeptical. New discoveries and scientific progress in the 17th and 18th centuries bred a general mistrust of extravagant claims. Naturalists correctly identified sources like the narwhal and rhinoceros, placing unicorns squarely among legendary creatures rather than catalogued species. The persistence of belief, against all hard evidence, says much about the pull of wonder in tale and mystery. (Unicorns in Folklore; From Ancient Origins to Modern Fantasy/Techno Tink Media)⠀⠀

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ

⠈⠲⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠘⢷⣄⠀⣠⡀⢀⣠⣴⣶⡤⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠈⣿⣿⣿⣿⣿⣿⣿⣿⣷⣦⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⢛⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⣰⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⠛⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠸⣿⣿⡟⠋⢀⣿⣿⣿⣿⣿⣿⣿⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠙⠇⣠⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⡆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⢰⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⢀⣴⣶⣦⣤⣼⣿⣿⣿⣿⣿⣿⣿⣿⣟⠛⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⣰⣿⣿⠛⠿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣶⣤⣀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⢀⣿⣿⣿⠆⣠⣾⣿⠿⢻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣦⡄⠀⠀⠀⠀⠀⠀ ⣼⣿⡿⠻⠂⢹⣿⣷⡄⠀⠹⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣦⣤⣤⣤⣀⠀ ⠀⠀⠀⠀⠀⢼⣿⣿⡿⠁⠀⠀⠙⠛⠿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡟⠁⠀⠀⠹⣧ ⠀⠀⠀⠀⠀⠘⣿⣿⡇⠀⠀⠀⠀⠀⠀⠘⣿⣿⣿⣿⣿⣿⡿⠋⠀⠀⠀⢀⣰⡟ ⠀⠀⠀⠀⠀⠀⠈⠉⠀⠀⠀⠀⠀⠀⠀⠀⢿⣿⣿⣿⣿⠏⠀⠀⠀⣠⠶⠛⠉⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⣾⣿⣿⣿⣿⡄⠀⠀⣸⣅⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣤⣾⣿⡿⠁⠙⣿⣿⡇⠀⢸⣿⣿⣇⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢰⣿⣿⣿⡿⠏⠀⢀⣿⡏⠀⠀⠀⠉⠛⠋⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠸⠟⠛⠁⠀⠀⠀⣼⣿⣇⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣼⣿⣿⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠰⣿⣿⠿⠀

꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ ꒰ྀི১ᯠ 𓇮 ᯄִ໒꒱ིྀ⠀⠀⠀⠀