John, Paul & the Shangri-Las
Whatever happened to
The life that we once knew?
It's fairly well known that these lines from the bridge of 'Free as a Bird' are adapted from the lyric of 'Remember (Walkin' in the Sand)', written & produced by Shadow Morton and performed by the Shangri-Las. Where the Beatles, in lyrics begun but not completed by John, call up shared memories, Mary Weiss sang of "the boy that I once knew". That John reused these lines to voice his own preoccupation with an unresolved past adds much tenderness to 'Free as a Bird'. Being a Shangs fan, there are a couple of other connections that I just wanted to write about.
The Shangs looking dangerous.
Today
I love you more than yesterday
'I Know (I Know)' from Mind Games (1973).
Although the melodies are completely different, the Shangri-Las song 'Love You More Than Yesterday' seems to find an echo in the most emotive lines in the bridge of John Lennon's 'I Know (I Know)'. The song was a B-side to their 1966 spoken-word ballad 'Past, Present & Future' (which, incidentally, took Beethoven's 'Moonlight Sonata' as its theme, like the Beatles' song 'Because' after it). Quite rightly the nod to 'Yesterday' is what strikes us most, but I'm not at all sure that the similarity to the Shangri-Las title is pure coincidence. We saw in Get Back how easily song titles and lyrics were used by John and Paul in the current of their talk.
It proved difficult to find John speaking about the Shangri-Las, despite the Beatles' enjoyment of records by other girl groups like the Shirelles, and they're not among the artists on John's famous 40-disc mobile juke box that he brought when the Beatles went out on tour. (Only one woman, Fontella Bass, appears among the discs. The juke box doesn't even include 'Angel Baby' by Rosie and the Originals, whose fresh, unrefined first-love sentimentality appealed to him so much he covered it.) It's a little easier to find something from Paul on the subject however.
Mary and Betty Weiss from the Shangri-Las, photographed by Jini Dellaccio in 1966 (left: screenshot by @ohhellno on tumblr*; right, my screenshot, both from the documentary Her Aim is True, about the photographer).
Of course he calls out "Shangri-Las versus The Village People!" at the beginning of 'Mr. H. Atom'. But glorious as that is, perhaps more informative are the occasions where Paul has spoken of his enjoyment of the Shangri-Las' style, and the way he appreciated Linda's voice in this mode.
If she’s a singer, she’s very much a Shangri-Las type singer; I don’t think any of them could get into opera, but I prefer them to opera. Linda wouldn’t put herself up as a great vocalist, but she’s got a great style. I think anyway.
'McCartney Gets Hungry Again', Musician, Feb. 1988
I've always maintained that she has a kind of Shangri-Las type of appeal.
'Can Paul McCartney Get Back?' Rolling Stone, June 1989
When you know how warmly Paul regarded their style, you can't miss the similarity of Linda's spoken intro and closing of 'Wide Prairie' ("I was in Paris, waiting for a flight..."), answered by Paul, to the chat in Shangri-Las songs like 'Give Him a Great Big Kiss', where the other girls ask Mary Weiss whether her guy is tall ("Well, I gotta look up!") or if he's a good dancer.
On the 20th September 1964, the Shangri-Las performed on the same bill as the Beatles, at a benefit concert in New York for a cerebral palsy charity. Mary Weiss explained that Mary Ann Ganser was jostled backstage as one of the Beatles sought them out:
“She turned around and it was Ringo. So that was some contact, anyway. I almost wanted her to take his drumsticks.”
'Weiss Leads Again', the New York Sun, September 2007.
This seems to be the only documented contact between the groups, although if you know of others, or further instances where John or Paul spoke about the Shangs, I'd love to hear about them. The music that the Beatles listened to has been written about extensively, and there's almost a canon of influences that's become pretty standard. Given their admiration of their performance, and seemingly in John's case, of Shadow Morton's words**, I hope for some recognition of both Lennon and McCartney's creative responses to the Shangri-Las.
(* Many thanks to @ohhellno for letting me use this great screenshot.)
(** The interest was of course mutual, as Morton produced the Beattle-ettes single 'Only Seventeen', supposedly a response to the Beatles from the girl's perspective, with hand claps and cries of "Yeah! Yeah! Yeah!" The single, by an untraced group, was released in 1964. In summer the same year his first songwriting hit, 'Remember (Walkin' in the Sand)' was the breakout success for the Shangri-Las. It was racing up the Billboard Hot 100 as the Beatles toured the States in the second half of August. By the time they had a day off in Key West, on the tenth of September, it had reached the top ten, one place below 'A Hard Day's Night'. If John or Paul tuned to a pop radio station, they'd have heard it. The song peaked at number five.)
from the Billboard Hot 100, week ending 12th September, 1964.
