Mitumba Deity, Shinique Smith, 2005, Brooklyn Museum: Contemporary Art
© Shinique Smith Size: 48 x 50 in. (121.9 x 127 cm) Medium: Fabric, clothing, twine and cardboard
https://www.brooklynmuseum.org/opencollection/objects/188122
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Mitumba Deity, Shinique Smith, 2005, Brooklyn Museum: Contemporary Art
© Shinique Smith Size: 48 x 50 in. (121.9 x 127 cm) Medium: Fabric, clothing, twine and cardboard
https://www.brooklynmuseum.org/opencollection/objects/188122
@shiniquesmith 🎨 Inflamed with golden hues of Love, 2019 and Codex, 2019 #SupportBlackArt #ShiniqueSmith #BlackArt #BlackWomenArtists #Sculpture #Painting https://www.instagram.com/p/CDWd4RqBJGm/?igshid=1nsct2oakpxjo
Shinique Smith’s “Mother Clara Hale’s Garden” (2013) at the Mother Clara Hale Bus Depot, is inspired by the loving and generous nature of Mother Clara Hale, who for more than 50 years, cared for children in need and helped transform their lives. Smith collected clothing, fabric and inspiration from children’s drawings from the Central Harlem community to create her original artwork, which was transformed into a monumental mosaic installation by Mosaika Art & Design. Using large scale painterly gestures, Smith weaves together everyday materials with an awareness for responsible consumption in her new exhibition “Indelible Marks” now on view at the UBS Art Gallery.
Gravity of Love, Shinique Smith, 2013, Brooklyn Museum: Contemporary Art
© Shinique Smith Size: 84 × 84 × 2 1/4 in., 40 lb. (213.4 × 213.4 × 5.7 cm, 18.14kg) Medium: Ink, acrylic, paper, and fabric collage on wood panel
https://www.brooklynmuseum.org/opencollection/objects/211616
Thanks @curbed, for featuring 3 #MTAArts projects in your “Best Public Art in NYC” roundup!
Sol LeWitt’s “Whirls and twirls (MTA)” (2009) at 59th Street-Columbus Circle; Max Neuhaus’ “Times Square” (1977-1992, 2002-present) at Times Square-46th Street, street level; Shinique Smith’s “Mother Hale’s Garden” (2013) at Mother Clara Hale Bus Depot.
Four #MTAArts artists’ work can be seen in the newly opened exhibit “Sedimentations: Assemblage as Social Repair” at The 8th Floor gallery. The show concerns artists who reuse artifacts of our existence to reinterpret the cycles of creation, consumption, and waste. Included are Shinique Smith - Detail from “Mother Clara’s Garden” (2013) at Mother Clara Hale Bus Depot pictured here; Jean Shin at Lexington Ave.-63rd Street (Q,F) & Broadway LIRR station; Michael Kelly Williams at Intervale Ave. (5); Maren Hassinger at Central Park North-110th St. (3).
To kick off Women’s History Month here’s a look at Shinique Smith’s mosaic collage, made up of cast-off materials from the surrounding community, at Mother Clara Hale Bus Depot in Harlem. Inspired by Clara Hale, a humanitarian who helped transform the lives for orphaned and sick children for more than 50 years, Smith said “We are all connected by childhood dreams and memories threaded through clothing and the things we consume and discard.”
You can see Shinique Smith’s work at The Armory Show, Pier 94, David Castillo Gallery, March 2-5
Join artist Shinique Smith in conversation with curator Naomi Beckwith for the thirteenth Annual Robert Rosenblum Lecture.