Mars, AKA The Shoujo Manga with Too Much Emotional Baggage for One Woman to Carry
SPOILER WARNING!!!
The Roman god of war, Mars, was said to love violence and conflict--he was known as the embodiment of bloodthirst. Unlike his Greek counterpart Ares, however, who was considered to be more destructive in nature, Mars was seen as more of a protector, a bringer of peace.
With a title like Mars, one has to wonder what side of the Roman god is going to be showcased in the story: the bloodthirsty divine or the righteous guardian? For a shoujo manga, you’d expect it to go the latter, but upon reading Fuyumi Souryo’s fifteen-volume teenage melodrama, the answer to that question turns out to be much more complicated than you think.
The actual story itself has nothing to do with the literal god named Mars--he’s only explicitly shown in the first volume as a statue, which our playboy prince charming, Rei Kashino, approaches and kisses on the mouth. Kira Aso, our introverted and artistic leading lady, is infatuated with this sight and asks Rei to become a model for her to sketch during her free time. From that moment onwards, their relationship blossoms, and they both bring out things in each other that would have never been brought to the surface if they had never met.
While it has its fair amount of stereotypes what sets Mars apart from its contenders is the way the main couple is portrayed. Rei and Kira are individually appealing characters, and their qualities are only enhanced as they grow closer throughout the story.
Our leading man Rei is the first character that truly jumps off the page from the get-go. A motorcycle-riding playboy who couldn’t care less about school, Rei’s a boy with deep-rooted issues and a devil-may care attitude. He has an unmeasurable sense of justice, and while he has a sense of morality, he won’t always uphold it when the situation tests him. If he gets a bad feeling from someone, he will immediately turn to hostility--but only when the event pertains to something he wants, or something he cares about. He understands what the “right” thing to do is, but he doesn’t care. As long as he isn’t stopped by Kira or someone else’s plea, he will fix the problem in a way that satisfies him.
This type of violent behavior would usually be associated with a sociopath, but upon further inspection that turns out to not be the case. Most of Rei’s questionable actions come from a post-conventional reasoning, and it’s apparent that whenever he acts out it’s because he’s either been deeply hurt by something in the past or he’s afraid to lose what he cherishes in the present. I’m not at all justifying his actions, but the point is that Rei has never been a true monster, and whatever monstrous aspects he had to him were eventually blurred away by Kira (who was the first person to ever love him that wasn’t incredibly toxic.)
The main difference between a sociopath like Masao Kirishima and someone like Rei, is that Rei is just a teenager who’s been hurt one too many times and only knows how to self medicate using violence. He had never been policed for his actions in a proper way. As we learn in the last volume, his memories were altered during his time in the psychiatric ward to lessen his trauma. Once you look beyond his blunt and aggressive exterior, Rei is the most genuine character in the entire series. He’s just a teenage boy that’s been through too much hardship that he never deserved, and was never emotionally mature enough to handle all of it. He’s rightfully angry at the world--until he meets Kira.
It took time for our heroine to shine like her male counterpart did, but a few volumes in, Kira becomes a show-stopping character. Originally an immovable introvert only interested in painting and nothing else, Kira grows into her own loving, hopeful person. One of the things I appreciated the most about Mars was it’s portrayal of mental illness--nothing is never outwardly said, but it’s obvious that Kira had been going through not only anxiety but a deep, dark depression she can’t bring herself back from. The way Kira thought about death, the way she always put others needs before her own, etc, made her real and relatable to me on a personal level. I’ve had those same issues my entire life, and seeing Kira slowly and surely come into her own throughout each volume wasn’t just satisfying, was inspiring.
The most tantalizing reveal about Kira and why she acts the way she does is when we learn that she was raped by her stepfather in middle school. Not only did she start isolating herself after the incident, she began to live in her head, where a more sinister, damaged and unhinged Kira would imagine killing herself and those around her. This is an extremely serious subject to dive into--and Mars doesn’t cover up the darkness behind it. It’s not romanticized, it’s ugly and depressing, and the worst part is that we never get the feeling that Kira will ever fully recover from it. Yes, she learns to become intimate with Rei because she trusts him--but it’s implied that in the deepest, darkest parts of her soul, that horrible memory will continue to live on.
The first thing that struck me, and my favorite aspect of the entire series, was how genuine the relationship between Rei and Kira felt--several times in the story there’d be a break where they would just talk, and not talk as in they’d tell each other things that would move the plot forward, or with a clear purpose in mind--they have actual conversations. They talk about each other’s hobbies, about their existential crises, things that actual teenagers talk to each other about. With every heart-to-heart comes another glimpse into who these two are as people, and it becomes apparent that they cherish and remember every word they say to each other. It’s clear that these two characters grow because of each other, and turn one another into the best versions of themselves. They’re honest and authentic with each other in ways only adolescents can be. As two teenagers who’ve never had anyone to be their shoulder to cry on, their relationship just feels right, and their marriage at the end of the series is one of the most wholesome and satisfying things I’ve read in a shoujo manga.
Up until now I’ve sung praises to Mars for the two main characters and their dynamic, but unfortunately, besides a few exceptions, the rest of the characters in the series are either uninteresting, unlikable or just straight up garbage human beings. To keep it short, just seeing Shiori, Kurosawa or Harumi on every panel would get me peeved. Masao Kirishima was the last straw for me, however; once I got deep enough into his arc I ended up putting down the series for a few days, because I couldn’t stand his presence (not to mention the ONLY canonically LGBT character just HAD to be an evil psychopath who wanted to kill people for pleasure…..REALLY……) but I’ll throw in a head-canon saying that these characters only exist for me to appreciate the main couple more (which it did) so I could look over it.
By far Mars’ biggest problem is it’s tone. Soap operas can be fun, don’t get me wrong, and there are plenty of times where Mars gets it right--but also plenty of times where it becomes overbearing. The series was probably best to read week by week when it was being released in Bessatsu Friend magazine; it’s not hard to imagine Souryo stuffing in enough melodrama in each chapter before it’s release in order to keep reader’s interest. Marathon-reading it is very much a different experience. And it doesn’t help that It’s clear that this is a product of its time. A lot of popular shoujo manga in the 90s tended to stretch the drama, i.e. the insane level of bullying, the evil side characters insisting on keeping the main couple apart, etc.
Using an example from Mars, Rei reveals he used to have a brother, who is actually dead, and when Kira asks how he died, before Rei can answer, a man jumps off a building and the police are called. Rei has a panic attack after seeing this, and it’s implied that his brother died from suicide. Then, we go back to the high school where it’s revealed that a character named Kurosawa also attempted suicide, and is currently getting treatment. Then Rei and Kira go out on a date. ALL IN ONE CHAPTER. If you got exhausted reading that, try reading that page-to-page in one sitting. It was entertaining, sure, but it took me out of the immersion every now and again.
I can shit on these aspects as much as I want, but without them, Mars wouldn’t be Mars. It’s apart of its charm, in an odd way, and it only enhances everything the series does right. At times, it’s as if Mars is drowning you in it’s depressing conflict and weighing you down with it’s emotional baggage, enjoying every second of your agony--but in the end it always comes back around, making wrongs rights and surprising you with its tenderness. That’s why I think this manga has the perfect title. I doubt Fuyumi Souryo intended for this, but in its own roundabout way, I believe Mars is an allegory for the Roman god, and a good one that you definitely shouldn’t miss out on.
And I’m giving this one a STAR rating.
(Check out my other manga analyses here, and my standards here.)
(Follow me on twitter @/choerrychrist)
