I didn't discover The Clone Wars fandom until 2021 and only started watching the show in mid-2023 (finished a few months ago), and I want to discuss and analyze all sorts of odds and ends—years after most people watched. This includes cool stuff in episodes I think some fans understandably skip when doing re-watches and therefore no longer remember well, but I’m digging into one of them anyway. So, have a long post about S2:E11, "Lightsaber Lost," and then come talk to me about it if you’d like!
This episode is saying three things at once, and the closer you get to the symbolic message meant for mostly adult audiences, the wilder things get.
The literal plot: Ahsoka’s lightsaber is stolen, and she recovers it with the help of a Jedi elder who teaches her life lessons along the way.
The morality tale for young viewers: gun control (a bold choice).
An eerie interlude for older viewers: A pair of brief scenes—only 45 seconds or so in length combined—communicate the future purge of the Jedi order via symbolic visual storytelling and a speech that’s being broadcast in the background. No dialogue required.
I'm going to focus on this third bullet point, but I also recommend a re-watch for the gun control angle. (Hint: if you think the writers are only arguing for handling guns responsibly, you haven’t taken the Jedi’s current context into account; also, the writers aren't referring to literal in-universe guns—Ahsoka’s lightsaber is the gun.)
Back to the episode’s message for older viewers: Split over two scenes, the audience watches Ahsoka chase a bounty hunter in possession of her lightsaber, then the bounty hunter partially damage and destabilize an enormous levitating billboard so she can get away from Ahsoka, and finally Ahsoka tumble down and precariously cling to the billboard’s screen. The billboard shows Palpatine delivering a—likely prerecorded—speech that is meant to sound supportive of the Jedi, but is instead priming Coruscant residents to believe anti-Jedi rhetoric; just before this two-scene sequence ends, Palpatine also begins to explain why he needs more executive power in order to support the Jedi.
It's great to pinpoint an example of Palatine's propaganda, but what does the visual storytelling communicate, with this speech for a backdrop?
Note: the text of Palpatine’s speech, shown in captions in the following screenshots, is not in alt text as that would chop the speech up between image descriptions, and is instead in a single paragraph after the final screenshot.
Palpatine's Speech
"I have no doubt that the Jedi are doing their very best to ensure the safety of every citizen in the Republic. The accusations that the Jedi created the Clone War to give themselves more power over the government is absurd and I will not stand for it."
Ahsoka as Symbolically at Palpatine's Mercy
After a scene break, Palatine's speech picks up mid-sentence and we see just how small and vulnerable Ahsoka is compared to Palpatine's soaring and vast projection. She appears entirely at his mercy, and somewhat at the mercy of Coruscant as well.
Palpatine's Speech, Resumed
"…Count Dooku and his droid army. To support the Jedi's efforts in the war, I ask the Senate to pass these new laws, giving more jurisdiction…"
The Genocide to Come
As this speech is broadcast to Coruscant, the seemingly trustworthy and dependable Chancellor of the Republic symbolically collapses beneath Ahsoka and leaves her stranded over a chasm. All while Palpatine spreads propaganda that will eventually convince the public to support her people's genocide.
Perhaps the best way to describe this is:
An unarmed Ahsoka struggles to hang onto the edge of a high precipice, that precipice is a symbol for Palpatine—and in a few years, Palpatine will shove the entire Jedi order off the edge of a much higher cliff.
Given how the sheer visual scale of Palpatine in this second scene represents the power he can wield over the Jedi—as the staging emphasizes Ahsoka's relative smallness and her physical vulnerability—it's clear the Jedi will not be able to rescue themselves when this future betrayal comes; Palpatine has amassed too much power and put too many plans in place. And no one who's bought into Palpatine's propaganda will try to catch the Jedi when they go over the edge.
Ahsoka’s Survival
Ahsoka’s individual survival of Order 66 is signaled here by her ability to get off the levitating billboard, but nothing about the staging suggests this comes down to unique skill—any number of well-trained Jedi could have gotten out of her predicament when the right opportunity (a single speeder that veers out of its lane and passes unusually close to the screen) presented itself.
In both “Lightsaber Lost” and "Victory and Death" (S7:E12, see below), her survival involves flinging herself through open air (and into an out-of-place flying vehicle), a nice nod to Ahsoka’s association with flight and Morai, though I feel like that’s a coincidence (?) as of season 2. Or maybe not. I have no idea if Ahsoka’s symbolic associations—flight in the case of “Lightsaber Lost,” rather than Morai specifically—were planned out in advance.
What About the Propaganda?
Returning to season 2, we come to the final big-picture takeaway of the "Lightsaber Lost" scenes: I’ve referred to Palpatine’s speech as something that plays in the background because Ahsoka doesn’t pay attention to his propaganda, even though it’s literally in her face. What does this mean if we treat Ahsoka as a stand-in for the Jedi, and Palpatine’s speech as a stand-in for his growing threat to the Jedi?
In these scenes, Ahsoka first doesn’t pay attention because she’s trying to stay alive in precarious circumstances, just as Jedi across the galaxy are kept distracted from the big picture by trying to keep themselves, their Padawans, their troops, and civilians alive as war swallows up the galaxy. Then, Ahsoka is distracted by tracking the bounty hunter who has her lightsaber; in the context of this episode (which asks, ‘who should be allowed to use a lightsaber, and when?’), Ahsoka’s lightsaber also comes to represent Jedi’s efforts to fight the Clone Wars as ethically as possible. It presumably takes more time and effort to fight a war when you’re concerned with morals, at least when the opposition is perfectly happy to commit war crimes.
By tossing the Jedi into a war, Palpatine keeps them too busy to systemically search for the Master Sith (in addition to Sith stuff diminishing the Jedi’s ability to use the force), as their time is eaten up by upholding the equivalent of the Geneva and Hague Conventions (etc.) when almost no one else is, by protecting as many other lives as possible, and by staying alive.
And The Clone Wars communicates all of this in a minute! Though I’ll admit my final point about Ahsoka’s lightsaber representing ethical combat is a stretch. I love it when TV shows and movies make full use of visual storytelling, and The Clone Wars is fabulous at it.
Whew—and that’s that! I’m grateful if even a single person has read this far and would love to know what you think, but regardless, I had fun analyzing this episode and organizing my thoughts about it. Cheers to the Clone Wars fandom.
The Clone Wars: Interpreting Key Scenes About Attachment in Seasons 1 & 6
In which Anakin goes full damsel-in-distress, and Ahsoka and Yoda repeatedly save his bacon
Attachment—every Star Wars fan’s favorite stress-free topic, right?? Well, I’m pleased to offer you a measured post that analyzes the thoughtful and generous-hearted explanation of attachment provided by The Clone Wars in the season one episode "Jedi Crash" (S1.13) and the season six episode "Sacrifice" (S6.13). "Jedi Crash," chock full of teachable moments as it is, both demonstrates and has characters explain a particular nuance of the Jedi’s in-universe beliefs about attachment, while the more mature and subtle "Sacrifice" shows Yoda implement this belief without explicitly addressing attachment as a topic.
So, what nuance does the pair of episodes explore? The Jedi are not in the business of sacrificing lives. Not the few, not the one, even for the many. Not if there is any other good and just path left open to them—no matter how difficult that path may be. Which is actually to say, the only life a Jedi is truly prepared to sacrifice is their own.
This refusal to sacrifice others relates to the Jedi Order’s beliefs about attachment because characters who Jedi personally care about are regularly in peril throughout The Clone Wars and other parts of canon, and sometimes as the “few” rather than the “many.” "Jedi Crash" and "Sacrifice" show how Jedi navigate having personal relationships and upholding their commitment to saving as many lives as possible.
It takes until the season six episode for the show to fully explore this topic, as it’s a bit bleak in the context of a pending genocide committed by a Jedi (Anakin) who both fails to grasp the concept of personal sacrifice and who falls for the trap of a false dilemma in the context of attachment. Please read the following definition, as false dilemmas also play a role in a test Yoda faces in "Sacrifice."
Definition: False dilemma
"A false dilemma, also referred to as false dichotomy or false binary, is an informal fallacy based on a premise that erroneously limits what options are available. The source of the fallacy lies not in an invalid form of inference but in a false premise."
I’m going to spend most of my time on the more complex and beautiful "Sacrifice" (S6.13), but "Jedi Crash" (S1.13) still has interesting things to say and provides an important foundation for both this essay and "Sacrifice" itself.
Season 1: Young Ahsoka Grapples With the Meaning of Attachment
Fans who take it upon themselves to explain the Jedi Order’s canon approach to attachment often nod to a series of conversations between Ahsoka and Aayla in S1.13, or what I think of as the Intro to Attachment episode. I’ve seen some fans make their task harder by leaving out a crucial implication of the following statement, spoken by Aayla: "Don't lose a thousand lives just to save one."
What are fans missing about this statement in the context of "Jedi Crash"?
Nothing about it says a Jedi's first goal shouldn't be saving 1,001 lives in this hypothetical scenario. Save both the one life and the thousand. Just don't lose a thousand to save one. It's a shame that some fans out there in the attachment trenches don't seem to have picked up on this distinction, because I instead see folks using the following as an example: Jedi should be willing to sacrifice one life to save the thousand. That's not the first step!
Step one: aim to save all lives. Step two: if forced to choose by circumstance, prioritize the many over the few, even if the few includes those a Jedi loves.
In the opening scenes of "Jedi Crash," Ahsoka saves Anakin's life by going back for him when he would otherwise have died in the explosion of Aayla's Venator, and she then contributes to saving a group of lives that were simultaneously on the line as Anakin's hung in the balance. The narrative doesn't criticize her decision to return for Anakin, as step one—"aim to save all lives"—is an option at the time and the correct path to take.
It is only when prioritizing Anakin's wellbeing would condemn many other people that the show, via Aayla, criticizes Ahsoka's choices. After Ahsoka rescues an injured Anakin, she doesn't want to leave his side to provide some of the help I mentioned in the above paragraph; she also doesn't want to divert power from Anakin's life support to the smaller ship the group is escaping on. Without that diverted power, the ship would have crashed into a star—and everyone aboard would have died. Because Ahsoka is simply an overwrought teenager and not actually evil or foolish, Aayla manages to talk sense into her and Ahsoka helps the ship avoid the star and land on an unidentified planet.
This is not her last brush with attachment in the episode; Ahsoka doesn’t wish to leave a still-injured Anakin behind—to be guarded by Rex—when Aayla orders the bulk of the group to search for assistance, even though Ahsoka staying with Anakin would rob the group of her skills at a time when they’re in serious need of help.
Aayla again gets through to Ahsoka, and they proceed to have their conversation about attachment while on the road; this conservation includes Aayla’s key line, "Don't lose a thousand lives just to save one."
How does a still-learning Ahsoka reply to this line? She says, in a doubtful tone, "Maybe, but that doesn't mean that I can't try to save his life."
Ahsoka, you’re right, that doesn’t mean you can’t try to save his life, but you’ve got to apply some parameters so you don’t condemn a bunch of other people instead—meaning you also need to listen to Aayla.
Crucially, we later see that by setting aside her obsessive worry for Anakin and taking "step two" as I outline it above ("if forced to choose by circumstance, prioritize the many over the few") on the planet the escape ship lands on, Ahsoka actually accomplishes "step one": everyone lives! Anakin survives—the one life—because they find a village that's home to a medic, and Ahsoka helps save their GAR contingent and the villagers (as of the next episode)—the thousand.
Ahsoka: "You were right all along, Master Secura."
Aayla: "About what?"
Ahsoka: "If I had stayed with Anakin, we probably wouldn't have found this village in time to save him [from his injuries]."
Season 6: The Morality of Sacrifice
Season six's "Sacrifice" (S6.13) isn’t overtly about attachment, but it provides a case study for the “save all lives whenever possible including people you personally care about” model laid out by "Jedi Crash" without belaboring the point. By which I mean, there’s no heavy-handed dialogue.
Like the season two episode I analyzed in my first meta post, “Sacrifice” is saying three things at once, but unlike in “Lightsaber Lost,” these narrative strands are closely intertwined.
The literal plot: Yoda faces and passes a test so he can learn to be a force ghost.
The dramatically ironic metaphor: the time of the Jedi in a galaxy far, far away and in the galaxy we call home is drawing to a close (one week after The Clone Wars’ fifth season ended in March 2013, Lucasfilm announced the show was being cancelled; the show's sixth and then-final season was released in March 2014).
The morality tale for all ages, but particularly older audiences: We can’t control the advent of certain painful and inevitable endings, but we can control how we respond to them. The choices we make, the way we live, even the way we die—they matter. (Anakin is going to fall.) (And someday, Anakin is also going to return to the light.)
I will only be analyzing small portions of the first and third points, but wanted to lay out all three, if simply to show just how much this remarkable episode has to say.
“Sacrifice” concludes a three-part arc in which Yoda must pass a series of tests proving him ready to learn the secrets of Jedi-style immortality from the deceased Jedi Master Qui-Gon Jinn, who says he lives on, ghost-like, as part of the living force. "Sacrifice" contains Yoda’s final and most dangerous test.
In the episode’s climactic scene, Yoda faces the cloaked master Sith in a vision, and believes he has a chance to either discover Sidious’ true identity (i.e., that he’s Palpatine) or defeat him and thus help end the war for the good of the galaxy. He can’t do so, however, while also focusing on keeping a now-unconscious Anakin from falling to his death. If Yoda prioritizes Anakin’s life in this moment—by taking the time and energy to place him somewhere safe—instead of immediately pursuing Sidious, does that mean Yoda is attached to Anakin? Or is saving Anakin’s life part of an ethical path forward Yoda must discover? Let’s find out as we face Yoda’s test alongside him!
Long stretches of this episode have little or no dialogue, and understanding “Sacrifice” often depends on interpreting characters’ facial expressions and actions, and analyzing symbolism. This makes the episode hard to summarize, and the act of summarizing risks becoming an act of interpretation. As I want us all to start on the same footing, I’m going to provide direct quotes from the canon starwars.com summary alongside screencaps, rather than write an overview myself. I also just like the official summary: it’s very evocative, and likely draws from the script.
Summary
In this episode, Yoda travels to the "Valley of the Dark Lords" on the abandoned Sith world of Moraband. He tussles with some Sith spirits, and then…
'In the dark tomb on Moraband, Yoda enters a large chamber where the ancient Sith would sacrifice Jedi. The five Priestesses emerge before him and warn Yoda that the next trial is not of their doing — it is instead created from the absolute darkness of this place, and it is not under their control.'
'On Coruscant, in a ceremonial chamber lined with statues, Sidious leads Dooku to a sacrificial altar basin. Sidious knows that Yoda is on Moraband. The Dark Lord explains that the strong Force-bond between Yoda and Dooku can be exploited to reach out through a ripple in the Force.
'Producing a knife, Sidious cuts Dooku's hand, allowing a single drop of blood to fall into the water-filled basin. He and Dooku together zap the water with their Force lightning, while Sidious recites an ancient Sith incantation in the Balc tongue. Sidious dips his face toward the basin. He now wields the power of dark illusion, and will lead Yoda into a trap.'
'In the Moraband execution chamber, Yoda sees the withered form of Sifo-Dyas chained by lightning shackles to stone pillars. He begs to be released, offering in exchange the identity of the Sith Lord. Sifo-Dyas' mad eyes shine red and yellow. Yoda refuses the offer. Sifo-Dyas suddenly transforms into a cackling Sidious, and Yoda is surrounded by chains of energy.
'The Jedi Master suddenly awakens in the hold of a gunship, flanked by clone troopers of the 501st and Anakin Skywalker. Yoda is disoriented; he is in the midst of a mission. Anakin explains that a rogue shuttle slipped past the Coruscant security grid, and has been tracked to the industrial sector.'
Summary of the summary: They believe Dooku is on the shuttle, and traveling to meet the Sith Master. At last they can discover who is behind the war! Yoda orders the 501st to pursue, and they follow the shuttle to an abandoned building in a Coruscant industrial district. ‘The Sith must not be allowed to escape. They must be executed.’ Anakin duels Dooku while Yoda pursues Sidious. Anakin ends up injuring and then beheading Dooku, just as he will in the future.
I'm now going to flip the order of the screenshots (plus the one gif I could find) and the quotes from the official summary as we take a detailed walk through the episode's climactic sequence. Putting them in this order really adds an element of dread.
'Sidious flees to a catwalk extending from the tower, and Yoda gives chase. The Dark Lord lights his blade, the two Masters engage in a whirling duel. Anakin rushes out to help Yoda, but runs headlong into a Force grip wielded by Sidious.'
'Sidious blasts Anakin with Force lightning, sending the young Jedi crashing to the catwalk in a heap.'
'He then blasts Yoda, who blocks the lightning with the Force. The discharge of energy rattles the catwalk.'
'Sidious uses his lightsaber to cut the support beams of the catwalk.'
'The structure starts to collapse.'
'As it cants forward, Anakin's unconscious body slides towards a deadly fall.'
'Yoda halts his pursuit of the Dark Lord to catch Anakin with the Force.'
'Sidious cackles at Yoda's predicament. Sidious tells Yoda to let Anakin fall, and thus thwart all of the Dark Lord's plans. Yoda refuses.'
Palpatine: "Can you save him? Why not let him go? Let him die, and you can stop all that I will do."
Close Reading and Analysis
Palpatine taunts Yoda with the choice before him—though it isn't a true choice, of course. This is a vision controlled by a Sith, and Palpatine’s goal as the vision’s mastermind is to weaken Yoda by undermining his moral code and drawing him to the dark side. Regardless, the vision feels real to Yoda, and he’s been presented with two options: save Anakin, or let Anakin die so he can “stop all that [Palpatine] will do.”
The choice serves two storytelling purposes: as presented by Palpatine, it represents temptation and a test for Yoda, while the broader narrative presents it as a teachable moment for the audience. Is it right to prioritize the life of a single person in this moment, when Yoda thinks there’s a chance he could stop the Sith?
Yoda: "No! Sacrifice all I am ready to do. The future is not yours yet. Tempted I will not be."
We get our answer when Yoda says “No!” and lets himself be hit by Palpatine’s force lightning without defending himself, so he can instead focus on moving Anakin to safety; only when Anakin is safe does Yoda go after Palpatine.
When Palpatine taunts Yoda about the choice he needs to make, he actually establishes a false dilemma, “an informal fallacy based on a premise that erroneously limits what options are available." Yoda begins to pass his test by finding a third way forward. He has one other good and just path left open to him, and he takes it—and the path proves difficult indeed.
'Yoda hurls his lightsaber at the remaining struts of the catwalk, collapsing it, sending he and Sidious tumbling to their certain doom. Yoda grapples with Sidious as they fall, the Dark Lord cackling all the while.'
This third path allows Yoda to first save Anakin—in a matter of seconds—and then pursue the Sith, but the circumstances of his showdown with Palpatine are now more dangerous than they might otherwise have been, given that in the leadup, Yoda took a full blast of Force lightening without attempting to block it, and the catwalk sustained further structural damage.
My post’s introduction covers Yoda’s choices in broad strokes: “The Jedi are not in the business of sacrificing lives. Not the few, not the one, even for the many. Not if there is any other good and just path left open to them.”
There are still nuances to unpack, however, so let’s turn to a crucial moment of dialogue from the episode:
Palpatine: "Can you save him? Why not let him go? Let him die, and you can stop all that I will do."
Yoda: "No! Sacrifice all I am ready to do. The future is not yours yet. Tempted I will not be."
I want to touch on one part of this exchange: The writers chose to have Yoda say he is ready to sacrifice “all” when we’ve established he is quite unwilling to sacrifice Anakin.
This dialogue suggests Yoda has set firm limits around the concept and ethics of sacrifice. He is both willing to sacrifice whatever meets his definition of “all” and clear Anakin isn't part of this “all”—given that he almost literally holds Anakin’s life in his hands during this scene and could therefore easily sacrifice Anakin. Instead, Yoda chooses to focus on keeping Anakin from falling.
So how does Yoda define “all”? Heartbreakingly, he exemplifies another point I made earlier: “… the only life a Jedi is truly prepared to sacrifice is their own.” This episode signals over and over again that it is about both sacrifice and choice—and the ethics thereof. Yoda can make the choice to sacrifice himself to defeat the Sith, but it would be unethical and un-Jedi to sacrifice Anakin, a young person in his care, and yes, someone he personally cares about.
This means it isn’t a sign of attachment that Yoda takes the time to save Anakin. It is instead a sign of boundless love, generosity, and sacrifice. It is the action of a true Jedi.
Even the Sith Master himself confirms this when he leaves the vision and says to Dooku, "We have failed to break Master Yoda. He is strong. We will need more time if we are to defeat him and the Jedi."
I have to take a moment to note one of the great uses of symbolism in this episode: Palpatine engineers Anakin's literal fall that Yoda protects him from in the previous sequence, and it presages Anakin’s later fall to the dark side. Except Anakin will of course go on to make choices that are meaningfully the opposite of Yoda’s when Palpatine tempts Anakin and presents him with a false dilemma in Revenge of the Sith.
Conclusion
And with that note, it’s time to start wrapping up this very long post. Ultimately, there are three key things I really like about the way “Jedi Crash” and “Sacrifice” present the Jedi’s beliefs about attachment: they canonically and clearly make space for Jedi to have warm, healthy personal relationships, and go so far as to say it would be a dark act for Yoda to sacrifice Anakin; they counter some of fandom’s most cruel headcanons about Yoda (I’m not getting into that here); and they provide a useful framework to evaluate Anakin’s choices in Revenge of the Sith.
In the film, Anakin had a third and more difficult path available to him that he chose not to take. Rather than choosing between Padme’s survival or the Jedi and the Republic—the two sides of his false dilemma—he should have tried to simultaneously save Padme’s life, the Jedi Order, and democracy.
Given that Anakin himself is responsible for Padme’s death and the fall of the temple, his choices have enough impact on key events to determine whether or not this third path results in a brighter future—one where many more people survive, Padme and at least some Jedi among them. This third path, this brighter future, must be in reach from a narrative standpoint for Anakin’s test to be a true one. But while Yoda and Luke pass similar tests (Luke a few decades in the future), Anakin fails his, and so Padme, the Jedi, and democracy die—due in part to Anakin’s inability to master the nuanced beliefs about attachment and self-sacrifice laid out by “Jedi Crash” and “Sacrifice.” Side note: Jedi first aim to save as many lives as possible, and so no true Jedi would have argued against saving Padme’s life regardless of her relationship with Anakin.
Back to "Sacrifice," as Yoda awakens from his Sith-led vision...
'The serene Priestess welcomes him. He has passed this challenge... As the Priestess disappears in a glow of light, Yoda sees the future, including the moment of his death and his own last words.
'... soon, Yoda stands beneath the great tree at the Jedi Temple. Mace Windu and Obi-Wan Kenobi approach Yoda, so he can report to the Jedi Council. But Yoda cannot say much of his journey. He senses the war's end approaching, and knows there is no victory to be had in the Clone Wars. But another path to victory lies ahead for the Jedi, a path that is unknown to the Sith.'
At this point perhaps a year before the genocide of the Jedi, Master Yoda's learning-to-become-a-ghost journey and a vision of his death — "There is another Skywalker" — combine to give him good reason to believe some hope remains for at least a few Jedi and their allies.
Here's what Yoda says to Mace and Obi-Wan, and it's crucial that they're the only other characters in this scene: “Yes, open to us a path remains that unknown to the Sith is. Through this path, victory we may yet find. Not victory in the Clone Wars, but victory for all time.”
These three Jedi, the leaders of their people, can choose a narrow, barely there third path on behalf of the Order, and they must take it — no matter how agonizing it proves to be. No matter how much they must sacrifice to walk it. (And in the meantime, they’re not shirking other major duties: they’re still fighting for the best possible present and future for the Order and the galaxy, still leading the Clone Wars and trying to find out Sidious’ identity.)
As the episode “Sacrifice” draws to a close, it visually highlights a three-petaled flower that symbolically blooms as a sign of new hope for the Jedi who will soon travel this third path. Each petal represents one of the Skywalkers who will finally see the Sith defeated and democracy restored to the galaxy: Leia, Luke, and Anakin/Vader, in the moments he returns to the light.
They will one day anchor the end of the pathway, each connected to the others (through biological and sometimes chosen relationships) as the petals are connected in the flower, and that’s plenty of symbolism to be getting on with, but then! The flower ends up being an even stronger sign of hope and connection, as the three petals are also a metaphor for Yoda, Mace and Obi-Wan.
These three Jedi anchor the beginning of the pathway with hope clutched in their hands, each connected to the others by shared culture, shared experiences, friendship, and respect. And in the final days of the war and during Order 66, they go a step beyond connected: they are united by the bravery they each demonstrate, the sacrifices they each make, and the impact they each have on the galaxy.
And so, this lovely episode closes on a scene of sacrifice, hope, and human connection.
I gained some new followers—hello!—after sharing my "A Clone Wars Episode Deep Dive" post, and wanted to let folks know that I do have another Star Wars meta post in the works. Have a few paragraphs from the intro as a teaser in the meantime:
Symbolism and the Anakin-to-Vader Transition in Revenge of the Sith and The Clone Wars
The scenes in Revenge of the Sith and The Clone Wars that show Anakin becoming and being Darth Vader also feature an interesting narrative transition: the audience watches the character of Anakin Skywalker, who can usually be interpreted literally (as well as symbolically), transform into the character of Darth Vader, who is primarily symbolic. Narratively speaking, original-trilogy Vader doesn’t really exist as a literal person with a normal, day-to-day life that’s implied to unfold when he’s off screen, while prequel-era Anakin does.
[You have to wait to see what I think about all of that]
...
To set the stage for analyzing the epilogue of “Victory and Death” (The Clone Wars S7.E12), let’s quickly explore what’s happening when the episode's dialogue ends at minute 15: Ahsoka and Rex desperately jump out of the 332nd’s Venator—marking the final time they will serve aboard a Republic ship with their troops—and watch the ship proceed to crash, as all souls aboard are lost. As the crash unfolds, Anakin has already left the Republic and its ships behind to fight for the Empire.
While we’ll see all three characters again in “Victory and Death," and even at the same graveyard, none of them will speak. Removing the dialogue isn’t just a structural choice that creates greater room for visual storytelling—the quiet also symbolizes this pivotal end point they’ve reached. Ahsoka, Rex and Anakin will never return to the story that was told on Republic Venators over seven seasons; childhood, tens of thousands of Jedi and clone lives, and the age of democracy have just come crashing down through fire and smoke. The quiet also literally expresses Rex and Ahsoka’s shock and grief.