『So... This guy's been clingy』
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beginning << page 47 - 48 < . > page 51 - 52
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『So... This guy's been clingy』
page 49 - 50
beginning << page 47 - 48 < . > page 51 - 52
"you'll believe in anything"
(and its mike listening to will talk about the painting, internalising it and doing his best to become the heart of the party)
"and i'll believe in anything"
(and its will believing he can control the hive mind, like a puppet master, like vecna)
and then vol 2 came out and we all went to hell --
So question you two officially signed all the necessary papers to ensure your stay in your preferred places on May 11th. Everything was good to go and approved thanks to him. So why keep him beyond that point why not send him back or eat him right then. Up to that point he just had the experience of getting increasingly paranoid that he's about to get serial-killed by a nobleman. Had you let him go then he would simply go home and thanks to his immense relief he would probably shrug all this off like I'm sure the shaving incident was just an aristocrat thing. So if you had let him go then or ate him, he would have never seen you crawl down the walls or almost get drained. Is his blood that necessary for your departure day.
Because he was not yet dismissed from his usefulness. The documents, yes, those were completed. But language, tone, the delicate rhythms of English civility...these things are not learned by book alone.
I had long studied London from afar. I required someone from within it. Someone to speak with, to correct me, to let me hear how a man from Exeter shapes his vowels.
Had I sent him home on the eleventh, I would have gained only property. But I intended to walk among English people unseen, and for that, I required fluency in intonation and cadence... He gave me that. And more.
Besides...it pleased me to keep him.
The writing of this scene start to finish. I mean, what is this like five, seven page scene? And it's like, I don't think there's a wasted beat. No, it's every in the turns. It's so good. It's so good...We'd be sitting there at a table read with network executives. There's usually three or four that come to the table read and they would've been sort of forced to hear a kid actor delivering lines that are basically mocking them and calling them idiots to their face directly...and like you know, I mean, I, this is the kind of stuff that Michael would do...And it's kind of brilliant because they you know standing up for the show against network executives. I mean, it can be extreme And, you know, it doesn't always have to be conflict based. But yes, in our case it was very conflict based. And there was a lot of challenges. And there was a lot of pushback. And so this was like kind of a, a, a brilliant chess move writing wise to like do this because it's too funny to not cont put on the show. But it also yeah, it's, it's brilliant. -Rider
Dick using his acrobatics to escape his restraints and fight Shrike + his men (Nightwing Vol.2. #57
Defying Kurosaki-kun
Available digitally (included in ComiXology subscription)
Mmm… now that’s a thought. Will you guide me through it? Tell me what a good girl I am?
-V
I will surely guide you to your orgasm but I won't let you reach that high easily. I wonder if you're the type to beg, beg for me to make you cum. Hmm.