#sound tech

[lightningmcqueer28]

follow me I'm hilarious

[theloverislost]

gang i’m about to LOSE MY MIND

two weeks before tech week

TWO. WEEKS.

our director goes “actually let’s not do steampunk aesthetic anymore”

B R O

AHHHHHHHHHHHDHAHDHAJDHSHJSAKHSHSHD

SO MANY DEPARTMENTS HAVE DONE WKRK BECAUSE WE THOUGHT WE WERE DOING STEAMPUNK

WE SAID FROM THE VERY BEGINNING THAT WE COULDN’T DO THIS BECAUSE WE DIDN’T HAVE ENOUGH TIME

BUT N O W WHEN WE’VE STRESSED AND DKNE SO MUCH WORK

HE FINALLY AGRESS WITH US???

AND he’s making us reassign mics and remark the entire script?? he cannot be serious rn

[moonthemagical]

when the old mic pack you find at the back of a cupboard that hasn't been used in ten years works great first try >>>>>

[awalkinthecold]

sound is one of the most vital parts of filmmaking and theatre tech. and funnily enough, everyone knows this except for people on sound.

[scribblechicken]

soundcheck!

[princeloww]

i haven't been given my cues or a correct script so so far my job in this play is to randomly play the beatles

[charliechowder]

Punk Technician aesthetic?

[wiiildflowerrr]

On the Road with 5 Seconds of Summer: Sound engineering for the Meet You There tour, 2018.

This is mainly for those who are *really* into the techy side of putting on a 5SOS show... although this made me laugh:

'...Mixing 5SOS has some really unique challenges elucidated Phil! For many of their young fanbase, it could be their first show, so it’s essential to make it memorable. While their intense excitement and screaming can engulf the room … he can’t mix too loudly “or their fragile hearing is toast”...'

Karen Ringland, Production Manager (as in, 🍌 "What the fuck, Karen?!" "Yeah, Karen - what the fuck?!")

Touring crew L-R Pavan Grewall, Sam Proctor, Marc Peers & Phil Gornell