#souseki

[idk8373737]

Normal Kids when they see their parents stressed: are you OK? I made you a card. can we play? 

Normal parents : I’m fine. It’s nothing darling. 

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Kid Dazai noticing that Natsume is stressing with something:May I be informed on what is on your mind? 

Natsume: i’m working on a system that will keep Yokohama safe, so I can enjoy my retirement and give you all the attention you need.

Small Dazai: What’s stopping for making that? 

Natsume: the port mafia were more like their current boss is too reckless and is going to die soon. There’s an underground doctor that will be a good replacement for him, but I need a way to keep an eye on him.

Dazai: if you don’t mind me asking, what is this doctors name? And where would he most likely be.

Natsume: the doctors name is Ōgai Mori, and he usually goes shopping near the river with the lovely bridge downtown. Why do you ask? 

Dazai: No reason

Also Dazai, who proceeds by jumping off said bridge into the river in order to be saved by Ōgai Mori to become close to him and pretend to be his wardso he can keep an eye on the port mafia for Natsume with the help of manipulating reality::D

[limnides]

Kusamakura

“Shelley's poem about the skylark immediately leaps to my mind. I tried reciting it to myself, but I can remember only two or three verses. One of them goes: We look before and after And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest     thought. Yes indeed, no matter how joyful the poet may be, he cannot hope to sing his joy as the skylark does, with such passionate wholeheartedness, oblivious to all thought of before and after. In Chinese poetry one often finds suffering expressed as, for instance, "a hundredweight of sorrows," and similar expressions can be seen in Western poetry too of course, but for the nonpoet, the poet's hundredweight may well be a mere dram or so. It strikes me now that poets are great sufferers; they seem to have more than double the nervous sensitivity of the average person. They may experience exceptional joys, but their sorrows too are boundless. This being the case, it's worth thinking twice before you become a poet.”

[marktwainsuggestions-blog]

Meow. (You crossdress for a girl's orphanage and you spend nights cruising the river with a large black fellow. Don't test me.)

Holy shit that is actually a good one old man. /whistles appreciatively/ 

[idk8373737]

ive been damn inlove with dazai natsume father child pairing for at least 2 years now maybe i have never found anyone else with this in mind i feel like ive just stumbled across a gold mine with u!! they make me think of simon and marcy and honest to god theyre my everything keep up the great work!!

Thank you so much and as a little thank you enjoy this.

I’m debating if this should be part of Natsume and his book kit Osamu or is separate AU I’m thinking about of Dad Natsume and is dumb kit Osamu( Who is not the book).

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Taneda: Ah, Master Natsume welc- Who’s that?

Natsume who currently has little feral Dazai in his arms: Is something wrong, why did you stop speaking? 

Taneda: Oh no, who is that in your arms?

Natsume: Oh this, this is Osamu, he’s going to be my son after you get me the papers and files to officially make him my son.

Taneda: Y-your son!?

Osamu: yes I’m going to be his son. Are you deaf or something? Now please hurry up and make a legally family. 

Natsume: Be nice please, and yes, this is why I asked to meet. I wish to officially make Osamu my son.

Taneda: A-Ah all right very well.

[idk8373737]

Natsume: What happened to your hair? It’s supposed to be white. It’s now Brown. 

Dazai: oh that, it’s a side effect of me, locking up my powers.

Natsume: Can you please explain it more detail my child?

Dazai taking off his left shoe and sock and revealing scars that say That this being will be a human that has the ability to nullify other peoples ability by touching them or by touching their ability, and no longer can write reality unless the person he cares most for named Souseki Natsume say ‘ I am not in safety ‘ the the phrase before will not become true: I’m tired, their are many holes because of me and because of me there have been so many deaths. I hurt people. I don’t want to hurt you.

Natsume: you know, Brown hair truly suits you. Do you want to go and get sea food? And no matter what you won’t be able to hurt me. 

Dazai: Yes please, and I know. . . thanks dad.

[idk8373737]

AU where Book Dazai is adopted by Natsume Souseki

So the book has existed centuries and been used for war. Until someone grabbed it and hid it it is passed down from sensei to student.

Until Natsume, every sensei had two students, one that will keep it, and the other one as aback up, he was the back up student.

The first student lived a normal life and fell in love, but they a lover died, as well as their unborn child. Driving them mad, causing them to write in the book to give them a child named Shuuji Tsushima.

Shuuji Tsushima didn’t help their Mother’s mental health, it made it worse.

She begged him to bring back her husband and her unborn child when Shuuji Tsushima couldn’t she chose to somehow force him do it with a knife.

Months of trying to force Shuuji Tsushima to bring back her dearest ones. She chose to end it all, including the child she made with the book.

But before she could succeed in killing her creation,

Natsume barged in her house, her friend and fellow student.

He as able to save the child, but not his friend. 



[bsd-bibliophile]

The last lines of I am a Cat by Natsume Souseki, translated by Katsue Shibata and Motonari Kai.

[bsd-bibliophile]

“If you consider this story a joke, it can be called a joke.  But, again, if you consider it as a prophecy, it can be just that.  That which lacks logic is often found to be an accepted fact when repeated, and right under your nose.  There is also the tendency to accept a frothy dream as an everlasting truth.  Some other people, hearing a new and different idea, right away take it as a joke.”

–Natsume Souseki, I am a Cat Translated by Katsue Shibata and Motonari Kai