I'm one of 8 people who will defend "The New Mutants", because you can see the layers of studio Tomfuckery which went on in it. The film isn't good, but it's got a great core idea: the director wanted to make "Nightmare on Elm Street 3: The Dream Warriors", and the studio went:
"Horror won't sell, make a Marvel."
So reshoots.
Trailer for "It" comes out.
"Oh man, horror is BIG! Make it a horror!"
I can then only imagine the director sarcastically fawning:
"WHAT A BRILLIANT IDEA! I NEVER THOUGHT OF THAT!"
So reshoot after reshoot after reshoot happens.
And yet, the core concept, when the film comes out, is good! 5 kids with super powers locked in a building, confronting their nightmares and each other.
The whole thing is encapsulated by the scene between Da Costa and Cannonball:
The former is doing laundry, and about to throw his shirt away, the latter notices, asks if he is going to do that, and the former gives it to him with a smile like it's nothing. Done. Character's established.
LITERALLY the next scene:
"That's Guthrie, he grew up poor, that's Da Costa, he's rich."
Come the fuck on, movie!
The tone's fucked, from layers of meddling. Like, had you told me it was about a nightmare bear doing battle with a fire man, a human cannonball, a teenage werewolf lesbian and her girlfriend with dream walker powers and a Russian magician and her pet pterodactyl, I'd be like:
"FUCK YEAH!"
But then, the tone is "we're a Marvel movie and a horror movie and a romance"
Fuck me.
I defend it, I'm one of 8 to do so.