Lot’s wife
Perhaps her fate was not too tragic after all. I sometimes wish I could turn to salt, slip through your fingers, and dissipate into the vastness of the ocean.
seen from United Kingdom
seen from United States
seen from China

seen from United States
seen from Canada
seen from Türkiye
seen from Mexico

seen from Malaysia
seen from United Kingdom
seen from China

seen from Malaysia
seen from Russia
seen from United States

seen from Malaysia

seen from Malaysia

seen from Singapore

seen from United States
seen from United States

seen from United States

seen from United States
Lot’s wife
Perhaps her fate was not too tragic after all. I sometimes wish I could turn to salt, slip through your fingers, and dissipate into the vastness of the ocean.
In Memory of a Mother: By a Grown Man
Come out from that hiding place you made after those days
When the glass was not half-empty
And we hadn’t yet deciphered the hieroglyphics
Of the English language.
I pinky promise that I won’t hurt you,
You pinky promise that you won’t let me,
And of all the things I’ve learned in life, the most important:
Never go back on a pinky promise.
Is this a rhetorical question?
The doctor is sorry for being two minutes too late,
The journalist for having to type the obituary,
The psychologist for losing a patient,
And I for finding irony in putting our soles between our feet
And the dead of winter.
A child has lost his mother,
A husband, his reason to live,
And I – I believe that I have lost nothing,
That I will never lose anything…
“Daddy, does heaven have a phone?”
-Caitlin Vogt
You can tell a lot about a person by the way she sings the words wrong; what she thinks she hears in the lyrics. Often times, the song benefits from the amendment.
"I found this life along with some spare change in my pocket. And though it may seem insignificant, I just couldn’t bring myself to spend it all in one place."
These Old Bones
These old bones, they moan,
With the low, melodic tone
Of our own words on your stone
Where the new moss has grown.
…
Oh, these old bones; they’re slow,
How they fold and they roll,
and almost grow cold
on that knoll by the road.
…
But, these old bones, I am told,
Have already sewn themselves whole
Once:
before these old bones had known
the hold of your broken soul.
-Caitlin Vogt
The Last Night of our Acquaintance
I have drifted in and out of existence, and have gotten myself stuck somewhere in between.
Between the things I say and the things I mean.
I mean, I don’t regret following you in the dead of night, always three-odd paces behind you (and a half-pace ahead).
A head is a terrible place to get lost. But I have been chasing the idea of you for years. Down smoke-infested halls of unmarked bars, and in the face of every stranger I have never met. You, always a flicker out of the corner of my eye, always a glimpse behind my eyelids.
I still find myself, sometimes, on that last night of our acquaintance: those goodbyes of ours half-spoken…
Those lips of yours half-kissed.
-Caitlin Vogt
My First and Your Last
It was easy to love you
In the naked moonlight.
Your kisses weren’t promises,
Your caresses weren’t contracts,
But I still signed my name on the dotted line:
My first with your last.
-
It was easy to love you
In all that you weren’t.
Your imperfect body,
Your imperfect soul,
And your fractured ego:
The foundation of our makeshift romance.
-
But I learned that I did not love you
When I went away.
And I began signing my name:
My first with my last,
And I feel guilty knowing
That when you said you’d love me forever
You meant it.
-Caitlin Vogt
...
Although I haven’t been touched by you in years,
Somehow you still make your presence felt - in my dreams,
And in my poetry.