This film presents a family story that develops against the background of crucial historical and socio-political events. It is told from an intimate and original perspective of an insider and outsider at the same time, a witness emotionally involved in the lives of the film’s protagonists. Without being overly didactic, it reflects on different, sometimes paradoxical and sometimes clashing, meanings of freedom in relation to the filmmaker's family family, which gives her film the narrative complexity, both intimate and political. The film proposes an idiosyncratic format to the genre of an autobiographical documentary; it employs various artistic and narrative strategies of working with an archive of photographs and home movies, thereby providing an argument for the indisputable power that images have in shaping one’s memories.