id rather not link my personal spotify but this is what ive got so far (bare in mind im super new to paul + the beatles so this playlist can still grow, also some of these are cowritten by John and also some of these are kind of filler to just make the playlist a good length) the first pair is I Saw Her Standing There and I Think He Knows and honestly I think I mostly did it caue I wanted something more uptempo in the mix and these are both light-hearted fun love songs. They also both mention the age seventeen lol. then I've got She Loves You/ How You Get The Girl: both advice songs about winning someone back who you've wronged.
You Won't See Me/Forever & Always: both these desperate PLEASE COMMUNICATE WITH ME songs but also I'm not sure what I would tell you if I was able to see you and I'm really worried about how this is going to end
Then I've got Eleanor Rigby, to which I've assigned two songs actually, mirrorball and epiphany. They're just all these kind of like high-concept, existential songs. mirrorball explores this type of person (akin to "the lonely people") and epiphany is just kind of also honing in on these two people with a very kind of isolated experience of life.
Then LMAO so I interpret Maxwell's Silver Hammer as Paul's response to being called a softie who only plays granny music. Like "OH??? Is THIS granny music??" while keeping the music on brand. So I assigned it Blank Space cause of that kind of satirical element I hear in it + no body, no crime cause making murder seem fun.
okay the next one is Lovely Rita, betty which is weird lol, don't quite get it myself. I guess just the idea of having these named characters and I guess there's also a bit of a funny tone in Lovely Rita ("When are you free to take some tea with me?") like there is in betty ("Will you kiss me on the porch in front of all your stupid friends?")
Penny Lane and Christmas Tree Farm. Just both kind of fantasizing about one's childhood home.
She's Leaving Home and champagne problems. Both about someone just up and leaving and completely blindsiding the person they left and lowkey ruining their lives. But also the other person towards the end begins to realize that maybe there were signs that this was gonna happen.
Oh! Darling is sonically really close to Lover (Taylor even says the bassline in Lover is Paul-inspired so I'm relatively sure this song was a direct influence) but contentwise it reminds me of Cornelia Street cause of the PLEASE DON'T LEAVE ME!!! THAT WOULD BE THE WORST THING ON EARTH element to it.
then Yesterday and this is me trying just kind of both have this just contemplative vibe, this regret about how things played out and feeling like you lost control of things.
(insert Honey Pie /dorothea here)
and then lastly I've got Here Today / marjorie that are both this tale of memories and grief and feeling like someone is talking to you through the song you're writing.
Anon really did this for us, enjoy everyone!














