Scene from Goethe's Faust
Artist: Hendrik Frans Schaefels (Belgian, 1827–1904)
Date: 1863
Medium: Oil on panel
Collection: Private Collection
seen from Russia

seen from Australia

seen from United Kingdom
seen from Bulgaria
seen from Malaysia
seen from United States

seen from United Kingdom
seen from United Kingdom
seen from Türkiye
seen from South Korea

seen from Malaysia
seen from Malaysia

seen from Malaysia
seen from China

seen from Mexico
seen from Netherlands

seen from Malaysia

seen from Germany
seen from Sweden
seen from Australia
Scene from Goethe's Faust
Artist: Hendrik Frans Schaefels (Belgian, 1827–1904)
Date: 1863
Medium: Oil on panel
Collection: Private Collection
The Ides of March, painted in 1883 by the British artist Sir Edward John Poynter, is a dramatic history painting that captures the chilling tension of Act II, Scene II from William Shakespeare’s Julius Caesar. The scene is set in a grand, dimly lit Roman palace on the eve of Caesar’s assassination. In the foreground, Julius Caesar and his wife Calpurnia stand with their backs to the viewer; Calpurnia is shown in a state of distress, urgently gesturing toward the dark, stormy sky where a bright comet streaks across the horizon—a celestial omen that she believes foretells her husband's death.
Poynter masterfully uses light and shadow to heighten the sense of impending doom. To the left, a bust of Caesar is illuminated from below, casting a towering, ghostly shadow against the wall that visually mimics his imminent downfall. The architectural precision of the polished marble floors and massive columns creates a sense of cold, imperial weight, contrasting with the vulnerability of the two figures. This masterpiece, currently held at the Manchester Art Gallery, serves as a powerful visual representation of the intersection between political power, supernatural warnings, and personal tragedy.
🌿🏛️🗡️
we're all characters in a play. unfortunately that play seems to be a tragedy. where do you fit in?
Another quiz I feel very normal about 🥺
Marguerite and Faust in the Garden
Artist: Ary Scheffer (Dutch, 1795-1858)
Date: 1846
Medium: Oil on canvas
Collection: National Gallery of Victoria, Melbourne, Australia
Description
Scheffer’s work has been criticized as being overly sentimental, but his emotionally charged images struck a chord with the public, and he was one of the most popular artists of his day. Scheffer was inspired by the clarity of composition, and the direct approach to narrative, of Italian painting from before 1500. He frequently drew inspiration from great works of literature, such as, in this painting, Goethe’s Faust. Here Faust is seen courting Marguerite, watched by her neighbors Martha and Mephistopheles. The mocking expression on the face of Mephistopheles points to the tragic consequences that will result from this courtship.
Gretchen in Front of the Statue of the Virgin Mary
Artist: Adam Vogler (Austrian, 1822–1856
Date: 1856
Medium: Oil on canvas
Collection: Private Collection
Description
"Gretchen in Front of the Statue of the Virgin Mary" depicts a pivotal, tragic moment from Goethe's Faust, where the seduced, pregnant Gretchen prays to the Mater Dolorosa (Sorrowful Mother) for help, identifying with Mary's suffering as she faces shame, potential death, and losing her child.
A few weeks ago I published in AO3 my first work there: The Monologue.
It is a short, tragic play with only one nameless character, and it follows him through his memories, touching subjects like alcoholism, internalized homophobia and survivor's guilt.
The synopsis is as follows:
"When he wakes up in a strange room with different objects that make him remember episodes of his life, he thinks he's dreaming, but can't wake up.
He talks to himself about the memories these objects bring until he can get back to the real world.
If he can get back."
Do you still feel that turbulence in your soul?
Euripides' The Bacchae