Designed by Nikola Djurek and published through Typonine in 2008.
It’s a delicate, high-contrast design that stands apart from other stencil faces that tend to feel heavy and blocky.
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Designed by Nikola Djurek and published through Typonine in 2008.
It’s a delicate, high-contrast design that stands apart from other stencil faces that tend to feel heavy and blocky.
See this Instagram photo by @meeteva • 21 likes
I bought a 70x100 cm typographic poster “Nine Looks” designed by Hrvoje Živčić and Dario Dević for Typonine and now I just can’t wait to frame it.
Typotheque welcomes Typonine’s font collection
After a decade of close collaboration, Typotheque and Typonine type foundries are joining forces.
Typonine’s entire award-winning collection of typefaces will be available exclusively on Typotheque from now on.
AUDREE
www.typonine.com
Designed by Nikola Djurek with Marko Hrastovec in 2013
Per style, 9 EUR
Identitet
Audree type system designed Nikola Djurek with Marko Hrastovec for Typonine
Audree is type system with several hundred styles. Choosing between fifteen different serif shapes, two construction models, high or low contrast, and adding stencil or inline effects results in unique, expressive variations of Audree's letterforms.
Applying different parameters to same basic shapes isn't new, but Typonine.com's online application allows you to access each possible permutation and create your own version of Audree. The value isn't only aesthetic, but also didactic — by experimenting with serifs, construction and contrasts, one can learn how these variables affect the shape of the letter.
via Typonine and ILT
Balkan typeface
A new project from Typonine unites Latin and Cyrillic scripts in one typeface. (via The Daily Heller)