ive been trying to be less shameless abt being a pervert and liking sexual things for a while now but it still makes me feel gross and undesirable
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ive been trying to be less shameless abt being a pervert and liking sexual things for a while now but it still makes me feel gross and undesirable
Hey Jason, speaking of all the Dream-related crit on your blog, do you know any other blogs that post crit like you?
Not anyone who still likes Dream lmao, all the other crit blogs hate his guts
Trump and melania both tested positive for covid, like to charge and reblog to cast for covid to end them
Unsavory!!!
No ok but I don’t like the guy, he has pickpocketed my sims numerous times and got away with it every time >:(
I do like the fact that he like-likes Mrs. Crumplebottom, but I would probably ship it even more if he wasn’t such a sneak~
But yeah that’s about it
hello i just followed you so please pardon me if this is a “yes no shit” moment but have you read the essay monster theory by jeffrey jerome cohen? if so what did you think?
Yes, I have! It’s probably one of my favourite essays on monsters and the collection it comes from is amazing. (One of the other contenders would be Allen S. Weiss’ ‘Ten Theses on Monsters and Monstrosity’: also, googling this I found he also wrote a book called Feast and Folly: Cuisine, Intoxication, and the Poetics of the Sublime, which I need to get my hands on immediately.) I should amend the last ask and add it. I don’t know if I have any particular thoughts aside from “I would eat this like Anne Carson tried to eat Lives of the Saints as a child” but I love the ending:
matelli’s sculpture work with the fruit is about the duality of “accelerated entropy and arrested entropy” (artist’s words)!! in juxtaposing a deliberately worn down figure with pristine, immortal fruit he’s trying to insinuate a dialogue about eternal youth and decay. also the fruit is just painted aluminum and is lowkey terrifyingly realistic
Ah, thanks for telling me about the artist’s intent! I’m one of those people who will try to read every plaque in a museum, so I appreciate the info. Rambling based on a contextless picture is probably not the best idea!
I suppose I would appreciate some of these works more if I saw them in person… I went to an exhibition of Abstract Expressionists recently, and the difference between photos and what I could see in person was extraordinary, in terms of the variation of color, the details of paint application (I love impasto), and the size/scale of the works. It’s interesting that you can see some artworks much better in person; whereas with others (like tiny cameos or a black-figure vase protected behind glass), high-resolution images can provide greater detail and a more accurate look at the work.
The Unsavory vibes
Swedish House Mafia - One (Your Name) official video