As expected, Hino’s obsession with dreary funerals continues.
Obligatory disclaimer for my anti-fans: This post is zeki criticism, vkm criticism, hino criticism, and anti ky. Please blacklist those tags accordingly.
Scanlations can be found in the usual places.
The Good
Gotta give credit where credit is due!
Hallelujah! Kaien Cross bites the dust (literally) at last! Praise the heavens! At last, one of the cancers of this story has been eradicated! Screw you, Hino, for trying to make him more than oozing pustule he was. (And LOL @ that guy facepalming in front of his coffin, who the hell is that anyway, I want his autograph? XD)
Kaien’s melodramatic “woe is me, what a shitty way to die” and then his pathetic “oh a girl is finally crying for me after all this time!” dramatics were hilarious. Like...how sad of a person are you that you’re relieved any girl is crying for you at your death?
Ren is a girl. I repeat: Ren is a girl. At last we can put to bed all that nonsense.
Ren is null!Zero’s and Yuuki’s child. I repeat: Ren is null!Zero’s and Yuuki’s child. Farewell, fantasies of test tube babies and clones and in vitro. Not only that, Ren was clearly conceived in the usual fashion of conceptions, not via any Zeusian head-births or immaculate conceptions.
Null!Zero lived to raise Ren. I repeat: null!Zero lived to raise Ren. At least the “null!Zero can’t have anything Kaname doesn’t get” rule no longer applies.
Kaname is too much of a chicken to look at the photo album of a man who worshipped him. Methinks nu!Kaname has received some intimations about how much of a shithead he was in the past. Makes me think better of him.
Kaname is actually interested in someone from the past who isn’t Yuuki and what that person might think of him. Also that he actually genuinely seems interested in finding out how much Ai suffered from Kaien’s loss and is trying to empathize for the first time in his life.
Ai finally showed up for a funeral. ‘Bout time, since she didn’t even bother to show up for Yori’s.
The little girl the Prince was living with is not the mayor’s daughter, thank god.
The mad scientist got a stylish cameo!
And that’s about it!
The Bad
Perhaps I should rename this section to “The Stupid”? I’ll have to consider it.
Hino forgetting her own lore and that pureblood blood can cure wounds and illnesses--see Shizuka with Ichiru. Ai was right next to Kaien--she didn’t need to offer him vamprism, she could have just fed him her blood. For him to die in such a stupid fashion, despite how great it is, is positively mind boggling given the established vampire lore in this story.
Hino retroactively trying to act like Kaien meant something to these characters when he’d routinely fucked them over in order to rescue his precious Kaname.
Yuuki boo-hooing over Kaien dying when she didn’t bother to spend any time with him during the 100 years of life she had to enjoy his company.
Kaname’s unexplained “curse” on Touma that came out of the clear blue nowhere with no foreshadowing or set up in order to “justify” Touma’s insane behavior. Hino’s just phoning it in at this point.
Touma is the Prince, snooze. Boring and obvious and a narrative dud.
The “Mayor” is useless and already under arrest, and why the hell does anyone even still care about him?
Kaien’s funeral was a joke and got more panels than Yori’s, which is ridiculous.
The timeline is fucked. Ai was acting last chapter like a bunch of time had passed between the mad scientist kidnapping and the Ren pregnancy being discovered, yet the little girl is still the same age. Either she’s a vampire or Hino has no clue what the timeline is.
Instead of talking about how excited they are to meet Ren, Yuuki spends most of her pregnancy screentime rehashing bullshit about Ai’s childhood with Ai. We already spent 6 chapters on Ai’s childhood Hino, you might want to give us some time to enjoy Ren for once yeah?
Yuuki whining about Kaien and Yori not being there is a complete joke. Bitch, please, you waiting seventy years to get in bed with your side piece is the reason they’re not there with you now. You have no right to complain because this is your own fault. You squandered the time you had with your precious people.
Null!Zero’s apparently barely there as a father figure since Hino didn’t care to show him in more than one panel with his child.
The Ugly
All of the ugly this chapter was packed in at the end, appropriately.
Hino just completely excised null!Zero from the family. In the montage of raising Ai images, Zero doesn’t even get a panel with Ai or Yuuki--he’s separated in his own itty bitty panel as if he’s still an outsider in his own family.
No sex scene, no waiting for the baby scene, no naming Ren scene for Zeki. That’s a pretty low blow to make us wait all that time and then skip over everything, Hino. Fuck you, too.
Zero’s and Ai’s little argument at the end would be cute if we’d actually gotten some fucking answers as to why Zeki didn’t get together for an entire human lifetime, but no, Hino doesn’t care to tell us why, we can just make the answer up for ourselves!
Whether Hino intends to “make good” on this implication or not (and my bet, given how gross Ai and Ren act in the future, is that she’ll make good on it), it is utterly reprehensible that Hino made Ai have a sexual attraction to a fucking innocent baby. We all know the VK/VKM world has established that vampiric hunger the way Ai experiences it in VKM 18 is sexual in nature. Hino trying to act like it’s cute there at the end is not ever acceptable. It was not even remotely acceptable when Kaname did it, and it’s not at all acceptable now just because the girls are sisters. Just like slapping Aidou, child grooming is not appropriate or laudable behavior. Ai having a sexual interest in her baby sister is not okay.
And last, but certainly not least, null!Zero and Yuuki approving Ai’s interactions with Ren without having any concerns is deeply disturbing to me. Hino trying to play this off as a cute and normal happy family is even more troubling. I’m very concerned about how this all is going to play out in the future.
General Aside
@vampireknightmeta brought up a few ways in which Hino might be able to salvage the story as it is now in our private conversations, but I will leave any public speculation on future positive developments to her should she choose to share them with the fandom at large.
At this point in time, I myself have no interest in speculating about potential positive narrative developments because Hino has shown time and time again that she’s happy to sink lower than even the lowest bar I set for her. I’d rather be happily surprised by Hino saving this story on her own and just laugh at her bumbling in the meantime rather than investing my heart into trying to uncover the “secrets” of the story of a repugnant and morally bankrupt failure of a writer. From now on, I’ll only be speculating about worst case scenarios, the worst I can possibly imagine, and maybe Hino will do even worse than that just to prove to me that there’s no low she’s above sinking to.
As such, if you’re looking for positive theorizing, you won’t find it here until I see some significant improvement in this sorry excuse for a story. Please look elsewhere for your hit of “positivity.”
Crackpot Theory Corner
Can’t end this debacle without some crackpot theories. Here’s what could happen that could make this story sink even lower than it has already sunk!
Null!Zero might actually get suspicious of Ai’s “attentions” to Ren, but he’s going to die before he can stop anything. =P Null!Zero does still seem to have some fatherly instincts.
Null!Zero is up next for being killed, probably next volume. We’ll probably have a funeral or two every volume, because that’s totally what everyone’s reading for!
In the chapter where null!Zero dies, we’ll have Ren dying in the future while protecting Ai or Kaname! Gotta kill off dem pesky Kiryuus!
When Yuuki meant “short time after Zero” when he died in VKM 4, what she meant to say was “null!Zero died 20 years after I screwed him and I put myself to bed for 900 more.” Hence, “short time.” Time’s relative, doncha know.
After Ren dies, Kaname and Ai will mourn, then resurrect Yuuki to ease their sorrow and the Kurans will live happily ever after.
Yuuki never intended to marry Zero, and that’s why she let Yori die before getting together with him officially so Yori wouldn’t have to know Yuuki loved Kaname and not Zero (why, only Hino knows). The wedding Yori and Aidou were waiting for will happen after they’re long dead with Kaname and Yuuki instead.
The baby from Yuuki’s dream is her second kid with Kaname, a boy who she’ll name Zero. Ai will imprint on her new brother and the horror will start all over again with a new generation, this time blessedly free of Kiryuus, who are all dead.
Oh, and the Vampire King will never be found, because who cares. ;)
I daresay, it’s not every day you get a chapter that delivers a satisfying meal to last two months within a mere three pages. It’s good to be right every now and then, and I must admit I haven’t been this delighted by a VKM story development since VKM 7-8.
Oh, and there’s Zero and Yuuki stuff to discuss too, of course.
If you haven’t read the chapter, scanlations can be found in the usual places.
Obligatory disclaimer for my anti-fans: This post is “zeki criticism” and “anti ky” (though probably fairly light on the latter). Please blacklist those tags accordingly.
Disclaimer - The Surface Layer
As with my post for last chapter’s release, I want to address the surface-level read here just in case any readers who are part of the anti-Zeki-critic crowd managed to make it past my first disclaimer. I’m well aware that if you take this chapter in isolation and ignore the context of previous chapters it is a relatively tame and typical shoujo chapter about a couple preparing to have sex for the first time. As I said in my previous disclaimer, in my opinion this interpretation does not hold up under contextual scrutiny or a more rigorous analysis. For the purposes of my own review of the chapter, I will be dealing exclusively with the contextual aspects rather than the surface layer. That being said, please proceed further at your own risk. (I will be so glad when Zero and Yuuki finally split so that I don’t have to write these disclaimers anymore. Patience, patience.)
“The Prince” Makes His Debut
Oh, boy, did we get a metric shitton of new information in the span of three pages. I had to do my happy dance for this chapter because Hino’s starting to pull out all the stops on the Vampire King plotline. Many more new questions have cropped up than have been answered, but I do believe we can finally reliably decipher some answers at this point. Now this is what I call progress!
One Mastermind or Many?
Before I get into the minutiae of what’s still up in the air and what isn’t, I want to tackle the biggest question this chapter emphasizes. It was a potential question last chapter, but it gets special attention this time around: Is the Vampire King organization tied to this new organization, headed by the Prince, or not? I’d like to break down the evidence for both arguments, and then I’ll declare where I stand currently:
Two Organizations, Two Masterminds: There certainly is compelling evidence for the idea of two (or even more than two) organizations. We know from earlier chapters there’s an anti-vampire organization, the Vampire King’s organization seems to focus specifically on acts of terror, and this Prince organization appears to have a focus on research. Added to this the idea that Yuuki and Zero both consider the two-organization approach as a possibility, and we have a compelling case here for two organizations that are operating at the same time.
Multiple Organizations, Headed by One King: The other option, of course, is that the Vampire King is the mastermind behind everything. This is a separate issue from whether or not the Prince is the same person as the Vampire King (more on that in the next subsection). Even if the Prince’s organization is separate, the Vampire King could still be operating in the lone-wolf fashion I described in my previous post on VKM 15. He could be merely passing on tips to these various satellite groups, who then act on the tips. That’s why we have everything from disgruntled kamikaze vampires (VKM 13) to threats against human children (VKM 14) to attacks on noble vampires (VKM 12) to specified research on vampires (VKM 15). All of this activity ordinarily wouldn’t be the product of the same groups of people, as the targets are specifically different. Sometimes nobles are targeted, sometimes human children, sometimes both humans and vampires. It’s too scattershot to be a cohesive organization, but that doesn’t mean it can’t be guided by an unseen hand moving the pieces in chessmaster fashion one step at a time.
At this time, I lean more toward Option 2 as to the truth behind all the activity. For one, this is a story--having too many terrorist groups is redundant and narratively cumbersome. For another, Zero doesn’t seem convinced about these groups being potentially separate when Yuuki brings up the idea (his expression indicates he thinks this is all connected, but he doesn’t necessarily want to share that thought with Yuuki). Additionally we still have the revelations from the mad scientist in VKM 15--he doesn’t know the goals or plans of the person he follows. We also don’t know if the person he referred to is the Prince he speaks to in VKM 16 or the Vampire King himself. On top of this, we can be reasonably certain Zero was a target for both the Prince’s group and the Vampire King’s; it’s suspect that two “separate” groups would be after the same person. So for now, until new information comes out, I’d say we have several satellite groups being operated from the shadows by the Vampire King.
The Vampire King vs. The Prince
This was the second highlight of the chapter for me (the first we’ll get to shortly). When I saw Hino did this, I wanted to dance in the streets. The potential here is enormous. I hope I can cover it all and not forget anything. We have a couple of options for the identities of the Vampire King and the Prince to play with here:
The Vampire King and the Prince are separate people: At this time, it is completely possible that the Vampire King and the Prince are separate people. (The Vampire King may be an empty throne situation where it’s just a name the real mastermind operates under.) There’s no indication in this scene that the Prince is or is not the Vampire King or that he is involved with the terrorist activity outside of this particular incident. He does have access to some significant resources, however, and does seem interested in using demolition tactics, like the Vampire King’s group. However, at this time this may just be because he’s using the Vampire King’s activities as a cover to hide his own group’s. If that’s the case, the Prince might be operating independently from the Vampire King, or perhaps he’s also an extension of the Vampire King and is just the leader of his own group.
The Vampire King and the Prince are one person: This is where the options get juicy. If the Prince is the Vampire King, we have potentially narrowed the list of suspects dramatically. The title “Prince” slaughters half the candidates for the Vampire King--a prince must be a young man who is unmarried and not old. This eliminates Kaien, Isaya, and all the ladies. These figures might still be involved in the organization, but they can no longer be the mastermind if the Prince is the Vampire King. The title also leaves us with only a handful of suspects: Aidou, Takuma, Kain, Zero, Kaito, and an as-yet unknown hunter/human/pureblood/noble. That’s a pretty significant drop in suspects if this is true. I think we can safely say that Zero and Aidou are not the Prince, which means if the Prince is also the Vampire King, they’re excluded from the Vampire King pool as well (but this is only if the Prince is the same--if the Prince is different, he could still be receiving orders from a King who is any one of the other suspects). Also, it appears “Prince” is just a nickname the little girl has given the Prince--it’s not necessarily the title he holds when he’s among adults. Unfortunately the mad scientist doesn’t address him by a title (perhaps he doesn’t know it--it seems the Prince is attempting to keep his identity hidden from the mad scientist, but not the little girl). With the title being merely a nickname, it’s completely possible that the Prince is also the Vampire King. Added to this is the fact that he clearly has the resources for a vast demolition operation as well as an elaborate rescue scenario--this person is clearly well-situated in society.
Right now I’m still leaning heavily toward the Prince being the Vampire King (or at least the defacto mastermind operating under the VKing’s banner). In my opinion, this chapter has really narrowed the field down to Takuma or an unknown character, but I’m not going to waste space here speculating on why I still feel Takuma’s the best narrative option (I’ll be doing a follow-up post here in a week or so to address Takuma). For the remainder of this post, I’ll operate under the assumption that we still have no idea who the Vampire King or the Prince are.
I will say the one interesting thing about the Prince title is that if he truly is the mastermind behind the Vampire King activities, it’s very fitting that the person who is doing all this in “honor” of Kaname doesn’t himself take the Vampire King title for himself and instead operates as the King’s “first-in-line”--a prince, so to speak. Quite interesting. Even if the title isn’t literal (it could just be the little girl’s nickname for the Prince), it’s still quite fitting on a meta level.
What We Now Know About The Prince’s Group
What this chapter does answer is a few questions about the Prince’s operations that we didn’t know in VKM 14-15. In VKM 15, I’d speculated that the mad scientist was running his own sideshow and had just been receiving tips from the Vampire King. It seems that’s not the case, and that he’s actually a part of the Prince’s organization, if only nominally. Obviously from his own testimony in VKM 15, he is not part of the Prince’s privy council and has no idea what the Prince is working toward (much less the Vampire King). He is therefore officially confirmed as a mook whose only use is his research abilities.
Another thing we can confirm is that whatever was going on with what appeared to be the Kaname parent metal last chapter, it was not Kaname acting on his own (unless he’s acting with this group, which leads to a potentially sinister implication given the Vampire King’s hypothetical goal surrounding Zero). Whoever was in charge of that metal, we can confirm two things: the mad scientist didn’t know what it was, despite it being part of “his group” and it was under the control or direction at the very least of the Prince. Whether it was “leant” to the Prince or under his control remains to be seen. This does lead me to believe the metal might actually be a vampire hunter weapon or a pureblood ability rather than Kaname’s parent metal itself, unless the Vampire King has found a way to harness it for his own use.
It’s also now clear that the Prince and his team are not interested in Zeki children--they are interested in Zero tissue. So the little girl’s smirk at the end of VKM 15 had nothing to do with Yuuki’s confession and everything to do with her knowledge that they’d obtained what they’d come for--the vial of Zero’s tissue. I’m pleased to see that there was a vial that was obtained, though how exactly I’m not sure. I’d say likely it was via the Kaname parent-metal-lookalike, since the Prince gives the vial to the mad scientist (who didn’t know about it) and the little girl comes in right after, which means it didn’t come from her either. Likely whoever or whatever was controlling the parent metal lookalike also grabbed the vial. So we know that either we’re working with a pureblood Prince or we’re working with someone who has the ability to manipulate that parent metal thing.
What We Don’t Know About The Prince’s Group
Unfortunately, as with anything Hino, the more answers we get, the more questions arise. Let’s start with the little girl. Is she a human? Is she a vampire? Was she the one controlling the parent metal thing, or was that a separate person? Who is her father? Is the woman serving her a vampire or a human?
Who is the Prince? The little girl wants him to stay home with her--is he a family member, or is he a migrant they’ve picked up? Is he a homeless person or someone in hiding? (We know two potential suspects who fit this bill to a T--Kaito would be in hiding, and Takuma is so homeless he hangs out by the Kanacube all day.) The Prince is clearly of high enough standing to be admired by the little girl and served by her family, so he at the very least has to be a Level C vampire if they’re humans, and higher in rank if they’re vampires. I’m not sure Kaito fits the bill for this one, but he might if he’d rescued the little girl and was her savior.
Who was controlling the Kaname parent metal thing? If it actually is Kaname assisting this Prince’s group, that means the Kaname-metal is in agreement with the Prince’s goals, which have something to do with Zero. If it’s someone manipulating the metal itself or the Kaname metal working with a person, the only real option for the Vampire King is Takuma. If it’s a pureblood ability, it could just be a pureblood assisting the Prince, or the Prince could be the pureblood assisting the Vampire King with his ability. If it’s a hunter weapon, we’re clearly dealing with Kaito or Kaien. Either way, we still have no answers about what on earth went down with the metal in VKM 14 or how that’s connected to this group or the Vampire King.
More Hints Toward The Zero Cure Or Zero Weapons
I must confess to feeling a bit of smug satisfaction that the only bit of tissue the Prince thought worthy of preserving was the fresh Zero sample. So much for their big ol’ “coverup” operation. I knew the line about Zero being the cornerstone of a new era was hogwash if this mad scientist was only interested in dissecting things for regular vampiric purposes. He’s Aidou’s rival, and the only way to properly rival someone is to have better research and “beat” them. Which means this scientist needs to find the cure before Aidou does.
I’m now of the opinion that the theatrics the mad scientist showed off in VKM 15 were merely that--theatrics. He seems much more composed and grounded in VKM 16, even if he’s still a bit of a ham.
I don’t see too many options for his actual research other than something Zero-related--it’s not like purebloods need their lives extended (so life extensions certainly aren’t what he’s working toward), and if he was trying to extend the lives of nobles or lower, he’d be using a pureblood’s blood. Even if he was taking the tactic of trying to turn all humans into vampires, purebloods would be better targets than a random hunter/vampire mix. So I’m of the opinion that he was mostly spouting nonsense at Zero and is actually after the Zero cure itself. The only problem with the cure bit is why he would need to take down vigilante vampires for his research if it’s just the cure. If the cure is his goal, then I would say he was lying about killing the vampires too--possibly that was all a set up to throw Zero off the scent in case things went down badly. (If that’s true, whoever this Vampire King mastermind is, he’s way way way better at chess than Kaname, lol.)
The other option I can see for the mad scientist’s research is that he’s trying to make a better weapon than what the forge offers, which seems rather counterproductive for a vampire to do to other vampires. However, that would explain why it’s necessary for him to harvest the organs of vampires--Kaname himself did his experiments that way (though he used his own tissue). But if Takuma is the mastermind here, this method would work as an alternative to Aidou’s cure and it would also solve the “Zero problem” in a way that neither Yuuki nor Kaname could argue with (in Takuma’s opinion). Takuma would have known that Kaname was interested in Zero as a weapon for sure (I’m still not entirely certain Takuma cottoned on to why Zero was special--only that Zero was special), and thus using Zero for weapons rather than Kaname would allow Takuma to sacrifice Zero and bring Kaname back without sacrificing Kaname’s goal/purpose.
Ultimately, I don’t care if the Vampire King or the Prince or Takuma want Zero for a cure or to create a weapon to replace Kaname and rescue him from the forge while removing Zero as a “threat” to Kaname’s monopoly over Yuuki--the result narratively is the same: it’ll force Yuuki to have to step in and start making some hard choices, and it’ll give Zero some serious temptation and a dilemma to work through.
But sadly, that’s all we have to work with today. Time to move on to the less interesting parts of the chapter.
Zero - Dilemma & Decision
Before I begin this slog, I just want to preface this with my relief that Zero’s bizarre descent into cutesy gabbiness and virginal blushing in VKM 15 was merely a fluke due to the dangerous situation and not a permanent shift in character for no reason. He’s back in good form this chapter, and is a welcome sight to see again. He’s still not quite where I want him to be narratively, but I feel we’ve made some significant steps in the right direction, and I’m optimistic that the next two chapters will start taking us toward a better destination.
For now, I’m going to split Zero’s section into three parts, because they really do have to be dealt with separately.
Maintaining The Status Quo
My greatest fear last chapter was that Zero would jump on Yuuki’s offer, especially given all the blushing and flustered emphasis Hino was putting on the scene. I rely heavily on Zero’s moral compass in this story, because as far as I can tell he (and Ai, thanks to him) is the only one who even has a moral compass. He’s already in the doghouse for VKM 13 and I was not okay with the idea of him taking advantage of what is clearly sheer stupidity on Yuuki’s part out of desperation.
Therefore, I was quite pleased with how Hino handled the aftermath of Yuuki’s disastrous proposition. It’s scary how good my instincts are when it comes to this character though, haha. My spidey senses are always on point with him. ;)
Just to recap on my issues from the previous chapter for those who’ve forgotten or didn’t read the last post:
I posited that Zero was not acting tsundere with Yuuki here, but rather that he was wary she wouldn’t be able to deliver on her declaration.
I was concerned that Zero would give in to temptation and not act wisely in response to what is clearly stupidity on Yuuki’s part.
As expected, the first point played out almost to a T the way I’d theorized, and thanks to that the second was put on hold for a time. That being said, oh boy, there is a lot of subtext for Zero in this scene, and most of it is not looking promising for a hot night under the sheets any time soon.
First up, Zero’s initial reaction to Yuuki’s declaration is expanded on a bit--clearly he was surprised and flustered by her implication. He’s also embarrassed, which would be cute outside of the context. Unfortunately, I think his embarrassment here is more about his own reaction and how he’s losing his cool about it rather than how happy he is. His expression when he talks about his surprise is wistful rather than joyful--he’s clearly wishing he could take her seriously. And then she blows it with her response by going along with his line and trivializing what she just said, which confirms for him his suspicions and ruins the moment for him.
What follows is definitely dark. Zero’s expression changes from wistful to downright devastated. Seriously just behold these two expressions and tell me this is “joy”:
That expression on the right is mindboggling for a man who just received good news. He looks like someone killed his cat. You could argue that the expression on the left is serious due to the topic--they’re discussing the potential of the Prince and VKing’s organizations for being separate, but the expression on the right has nothing to do with anything serious; all Yuuki’s doing is scolding him about something that ultimately never mattered.
What we see in this second half of the scene is evidence of what is really going on in Zero’s head after hearing Yuuki’s little declaration--he’s not at all happy with how things are going or how she’s reacted to her own words. We can see evidence of downright despondency and melancholy forming here--honestly, his expression on the right is very Kaname-esque. Meanwhile Yuuki’s cheerfully ignoring his distress and--worse--she even tries to pretend she doesn’t hear him when he attempts to address the issue. She cuts him off and tries to avoid him.
What’s worse I think is that even though she’s the one who should be apologizing to him for throwing this out there on a whim and hurting his feelings for no reason, he’s the one who reaches out to her and reassures her that he knows she didn’t mean anything by it and that he knows she wasn’t serious. Just unpack that for a minute. This woman not seven chapters ago asked this man to “date” her officially and then not four chapters ago asked him to sleep with her, and yet he still doesn’t believe she intends to move their relationship forward. That’s the height of pathetic, tbh. He’s clearly lost all hope that they’ll ever move out of this stagnation and it doesn’t even cross his mind to even try to see if she’s serious; he just immediately writes her comment off and tries to keep her from avoiding him over it.
Yuuki’s response to this does seem to surprise him a bit and to ease a bit of his frustration with her. But it’s clear from his expressions following her request that he’s already given serious thought to this topic and already knows his own answer. And damnit, Hino, you just had to use the “closed eyes with a smile” thing to act like that’s his real smile of joy and like hell that variant of it is. Don’t think you’ve fooled this reader--I’m not fooled by either of Zero’s bullshit eyeclose smiles this chapter. I know my boy, and neither of those smiles are from the heart. They’re both reassurance smiles.
What I do find interesting in this scene is that it’s brought Zero’s vivid inner life back which I’d been concerned Hino had forgotten about in VKM 15. We can see that Zero’s still going through a lot of inner turmoil, and much of the VKM 9/10/12/13/14 themes return here. What’s ultimately frustrating is how resigned Zero seems to be to this status quo between him and Yuuki, and how little motivation he has to move it forward. Though hopefully the later scenes in this chapter are indications that he’s decided to move forward himself finally.
A last note on this scene--I was quite happy to see Zero getting frustrated/angry with Yuuki here. All those filters he’s kept up for her all these years are starting to fail him in the aftermath of VKM 13, and he’s not going to be able to play the VKM 9 game anymore. I’m looking forward to the whole sham falling apart, hopefully soon. Then we can finally see the real Zero emerge and be himself again.
The Decision
Oh Graveyard Scene, How I Love Thee. Seriously, the graveyard scene is the best Zero scene yet in all of VKM. It doesn’t have a ridiculous appearance by fragment!Ichiru nor does it have Zero clinging to Ichiru’s grave like a puppy either--it’s a legitimate grave visit where a decision is clearly being made. And UGH! The staging! Is! Perfect! I cannot believe how well the subtext is conveyed via nontextual panels. But first, I’ll have to break down the two potential interpretations for this scene and then explain why I’m leaning toward one rather than the other.
So there are two possible directions Zero’s graveyard decision will go, and without VKM 17 and beyond there’s not enough evidence to say for certain. The two routes are as follows:
Route 1: Zero decides to give it a try - This route is more evident if you take the final scene of the chapter into consideration rather than from the graveyard scene itself. We can see Zero is brooding over something incredibly serious at the graveyard. When Maria comes upon him, she asks if he’s concerned about the Prince’s group. Zero’s answer tells us that, whatever he’s been thinking about, work isn’t the crux of the issue. The only other option at the moment is his relationship with Yuuki and her declaration. The only hint we get about what decision he’s come to regarding this is his vague “Is it okay?” line. “Is it okay?” can mean a whole host of things, but taken with the kiss at the end of the chapter, it could potentially mean that he’s asking Ichiru if it’s okay to finally take a step forward and try going for a real relationship with Yuuki by increasing their intimacy or he’s merely asking himself if it’s okay to finally take that step forward. In this scenario, the decision Zero has likely come to is that this is the last chance for Yuuki and him--if, after this, Yuuki can’t move forward, Zero will have to walk away. Thus his question here is likely to Ichiru and asking Ichiru if it’s okay for him to try this even if it will fail, thus making it impossible for Zero to fulfill Ichiru’s wish for him. This can be further supported by Zero’s reaction to Maria, where he is relieved that even if he fails with Yuuki, Maria’s still around to carry on Ichiru’s final wish to “live on and accomplish the goal.”
Route 2: Zero decides this is the end - Zero has a specific MO in the original series--when he’s about to make a drastic decision, he impulsively does something romantic to Yuuki. Usually the “drastic decision” involves potentially dying or leaving her in some way. We see this several times in the original series--when he’s going to confront Shizuka, he holds Yuuki’s hand and tells her she was the reason he was able to live on. When they part in Night 46, he kisses her and abandons her. In Night 87, he seduces her and kisses her only to send them back to status quo immediately after. I’ll get into Zero’s kiss at the end of VKM 16 more when I get to that section later on, but any time Zero suddenly attempts intimacy is a time to be suspicious as a reader, especially if there hasn’t been proper build up to it (which there was not in VKM 16′s last scene, which I’ll demonstrate in that section). On top of this little fact about Zero, we have the subtext lurking in the graveyard scene. It is a melancholy scene. The staging is melancholy, the shots are melancholy, the screentones are melancholy. Remember, this Zero (VKM’s Zero) already knows Ichiru exists inside him--there’s no real reason to be brooding at Ichiru’s grave when he has Ichiru’s fragment; this was already resolved back in Night 59. Yet Zero is clearly brooding here. Why would he be brooding when he’s contemplating moving his life forward with the woman he loves? That’s a really weird thing to brood about. Even if you were sad that Ichiru wouldn’t be there to celebrate your happiness with you, the sheer amount of weight and heaviness Hino gives to these panels doesn’t match with that being Zero’s only issue. I would suggest given all of this that the graveyard scene is actually Zero coming to a decision to end his relationship with Yuuki in some way, and that he’s silently asking Ichiru for forgiveness and permission to not fulfill Ichiru’s last wish. In this scenario, the “Is it okay?” line is about Zero asking Ichiru if it’s okay for him to not fulfill Ichiru’s wish, because he tried his hardest and it just isn’t working.
Obviously, given how much I wrote above, I’m personally leaning toward Route #2 as the route Zero’s going to take coming up here in the future. I have a few reasons for that:
Maria asks Zero if he’s bothered about the Prince’s group, and the panel of Zero shades him in the melancholy screentone and he hesitates when agreeing that that “too” is something that bothers him. This could potentially be an indication that he knows something more about the Prince’s group--or is intending to do something more about the Prince’s group--than he’s letting Yuuki or anyone else know about. Potentially Zero’s about to do something life-threatening, like face the Prince entirely. Potentially Zero himself has received some kind of letter or invitation asking him to come alone. We have no idea how much time has passed between this scene and VKM 15′s events--enough time at least for results from the investigation to come back to Yuuki.
Zero has a very bizarre reaction to Maria bringing up Ichiru’s last words (I don’t think she knows they’re Ichiru’s last words, it’s just that they’re eerily similar to what Ichiru said). Hino highlights his eye widening when Maria says this. Now, if he’s going to try to fulfill Ichiru’s wish a la Route #1 by moving forward with Yuuki, there’s no reason for him to have this kind of reaction to Maria--instead he’d just smile, like he does a panel later. But if he was intending not to fulfill Ichiru’s words, if he was intending to sacrifice himself or leave Yuuki because the relationship had failed, then Maria suddenly saying something reminiscent of Ichiru’s last words would shock Zero momentarily because it would be almost like a reproach--he’s running away from his duty.
Zero seems comforted by Maria “taking on” the burden of Ichiru’s last wish, and his final line is wistful--why would he be wistful about the idea of someone carrying on his legacy if his plan was to knock Yuuki up per her request? His conversation with Maria seems to imply that he’s hoping Maria will carry on Ichiru’s legacy, and that Ichiru’s lucky he has someone who can (because presumably Zero isn’t going to be doing that for Ichiru or having someone carry on Zero’s legacy).
What I see in this scene isn’t a man contemplating his potential for a happy future with the woman he loves. I see a man contemplating how his relationship has hit the end of the line and--whether due to throwing himself into work and potentially dying or merely using all of that as an excuse to end things with Yuuki--deciding that the relationship is never going to be anything more than it is and that it’s time to let it go.
Now, obviously he doesn’t do anything like break up with Yuuki in this chapter, and I don’t think that’s his intention. We know from VKM 15 that he’s very concerned about her PTSD due to abandonment. Whatever he’s planning, he’s going to do it in a way that (he hopes) won’t trigger the PTSD. But I do believe the graveyard scene is him making a decision that they’ve reached the end of the line--and whether he’s going to at least try one last time or not, this is the end of this phase of their relationship.
The Fissure
The final Zeki scene is rage-inducing, I swear. If I wasn’t still ticked at Zero about VKM 13, I’d be raging right now. As it is, I’m still pretty unhappy with the stunt Yuuki pulls on him in this scene, though I’m pleased with what I see coming from him.
Yuuki just cuts him and cuts him and cuts him without a care in the world in this scene. First, she jokes about how she’s “happy” that “someone” cares about his safety--digging up an issue that’s been lurking in the background since Zero’s reaction to Aidou’s concern for his wellbeing in VKM 12--that no one cares about Zero’s wellbeing. Then she compounds this by saying Maria cares about the things Zero cares about--meaning Yuuki doesn’t. Worse, she then freaking offers Maria to Zero!
Zero rightfully gets pissed and makes it very clear that he thinks Yuuki’s attitude about this is insulting. I loved his retort to her--derisively asking if the reason she’s stayed by his side is only to say he should go find someone else. His frustration with their relationship and with being unvalued, unloved, and unwanted is really starting to show at last and it’s great to see. Even better is how he responds to Yuuki’s preposterous attempt at self-pity--he stonewalls her entirely and instead responds with a vague line about how his happiness has increased “tenfold.” Tenfold! What a ridiculous thing to say after your girlfriend has just told you to go date another girl! Worse, he’s not even looking at Yuuki when he says this, which is not how Zero operates when he’s being honest about his feelings (see VKM 1′s confession for the difference, and even in that one he was filtering for her). This is a classic move when you’re lying. It’s all clearly a load of bull, and Yuuki questions it. Zero then gives the second bullshit fake smile of the chapter and affirms he’s happy.
So what the hell is going on here and how does it all fit in with my theory from the previous subsection that Zero intends to put an end to this? Well first of all, we have to keep in mind a few things Zero does in this scene which he hasn’t done since Night 89. First is that he stops putting up with Yuuki’s bullshit and starts mocking her. This is something he hasn’t done since they were equals and he wasn’t desperately waiting for her to deign to sleep with him. So something big has changed here, and it wasn’t Yuuki’s declaration because in the first scene of the chapter he was still playing the VKM 9 game. The change happens after the graveyard scene, not the first scene.
Second, he questions her reason for staying by his side. This is another “what am I to you” question. He wants clarity on why she’s sticking to him if she just wants to throw him at other women. When Yuuki’s response is to descend into self-pity, he doesn’t indulge her anymore--instead he cuts her off and stops the pity fest.
But still, his happiness line, even if it’s a lie, can be read as reassuring her of his love. But is it really? In light of the fact that it’s complete bollocks, I would say this line is less about Zero’s happiness and more about him closing up loose ends. This is the happiest he’ll ever be in his life--if he’s about to sacrifice himself in pursuit of the Vampire King, or if he’s intending to switch his focus to bringing Kaname back, or if he’s intending to find a way to end the Zeki relationship without activating Yuuki’s PTSD, then this is the best he can offer her without raising her suspicions. It’s not like a sudden love confession would be appropriate here; she might cotton on to whatever it is he’s about to do. He’s trying to communicate something to her here, but at the same time he’s not indulging her self-pity fests anymore--none of that implies he’s intending to move forward with her or stay with her permanently.
A boyfriend who wanted to move his relationship forward with his insecure girlfriend would have listened to her pity fest and reassured her that he wasn’t interested in anyone but her (which is clearly what she was hoping he’d do). But he doesn’t do any of that. If he’s not going to play the game with her anymore (the game they’ve played together for 70+ years), then something is over even if he’s not making it explicit yet. What that is, I don’t know. It could be anything at this point. I just know his reaction doesn’t seem at all positive for a Big Romantic Move, despite the kiss at the end (more on that in the final section).
Yuuki - Deflection & Avoidance
I really don’t want to spend too much time on this person. She’s infuriating this chapter, and I’d rather dwell on the more positive things. Still, I’m grateful Hino confirmed for me that I’ve been correct in my interpretation of this character--she is a complete mess who needs to get herself sorted ASAP. It’s a relief to see Hino at least knows Yuuki’s a mess, but the real question is whether she knows how to fix the mess or not. Time will tell there.
As expected, the reason Yuuki was shocked about her declaration to Zero in VKM 15 wasn’t because she wanted to bear his children and wanted to move their relationship forward. She’s shocked by the realization that her declaration means she’ll have to be the one to bear his children, and she didn’t mean that at all. Worse, she tries to run away from owning the consequences of her request and basically forces Zero to placate her, which pisses me off to no end.
Then she tries to cover for herself by paying some lip service to having a child with Zero being “special” and how she wants to consider it seriously, but we can tell by her reaction later in the chapter that this is complete hogwash. Honestly, I’ve never been so frustrated with a heroine in my life. She continually sinks lower than the low bar I set for her. It’s just not even amusing anymore.
But we do have to address the final scene. Rather than giving serious thought to what she said about having a child with Zero, Yuuki’s first instinct is to shove Zero off on to some other girl. This shows quite clearly that she hasn’t given any serious thought to the situation at all. I mean honestly, Zero’s reaction is mild compared to what it should have been. One little snide comment is way nicer than Yuuki’s behavior deserves. She’s too busy pitying herself to see what he’s going through or to care about anything outside of her own insular wound-licking.
Honestly, when she asked if Zero was really all right with her, I wanted to scream. The answer is clearly no. You are a shit girlfriend, a shit friend, and a shit person! Why Zero puts up with you I cannot remotely comprehend at this point, you offer literally nothing in the relationship and he does all the heavy lifting. For Pete’s sake. I really hope Hino moves Yuuki out of this pity party stage ASAP because the time for this is long over. Yuuki’s been feeling sorry for herself ever since Night 89 and at this point it’s not cute or understandable or precious at all. At some point you have to buck up and take control of your life no matter how many bad choices you’ve made or how many Twu Wubus you’ve lost.
Well, the less said about this, the better.
The Poem
I don’t have much to say about the poem, honestly, because there isn’t much context and I know Japanese poetry is tricky in general, so I’m not sure how reliable any of the translations are just due to the difficulty of poetic language in general.
As far as I can tell, though, the poem is infuriating. It seems Yuuki’s under some bizarre assumption that she and Zero made a pact to lock their feelings for each other up and “entrust” them to the future, where they’ll “maybe” bloom into something. This is absolutely insane considering Zero’s trajectory throughout VKM and what he verbally says to Yuuki multiple times throughout the chapters. Yuuki has to be absolutely insane in order to believe that Zero ever agreed to lock up his feelings. VKM 5 is definitely not Zero locking up his feelings, nor are VKM 3 or 9 when he tries to talk to her about love. I have no idea how she got this idea into her head, but it’s frustrating as hell and I can’t wait to see it dispelled and the scales to fall from her eyes.
The other infuriating thing about this is that Yuuki used Ai as an excuse not to move forward with Zero or address the problems between them. Given the state Ai’s in because of this, that was a shit move on Yuuki’s part.
Ai - Burden & Forbearance
The Ai scene hurts me in so many ways that I wanted to throttle Yuuki when I read it. I’m so, so, so angry about what Yuuki has done to her daughter I don’t even have the words for it. Where do I even begin with this.
This child, this precious bean, has suffered an unrequited love for over 50 years. An unrequited love that, by the way, her mother is completely aware of. This precious bean puts herself to sleep because she is tired after only 50 years of life. Talk about the archetype of the devouring mother--Yuuki has stolen her daughter’s whole future from her simply because she can’t figure her shit out with Zero. Ai cannot move on until Yuuki does.
Worse, Yuuki’s sitting there next to her daughter who is clearly in pain to the point of putting herself to sleep to escape it and she has the nerve to ask Ai if it’s okay if she pretends Ai’s happy. The child is in pureblood stasis sleep which purebloods only do to stave off complete and utter misery. How the hell would you be able to think your precious daughter is happy in such a situation?!
Worse, worse, precious Ai wakes up and reassures her mother with a fatass lie. The child has to parent the mother. Being a Cancer zodiac sign, this makes me rage.
On top of all this! Ai tells her mother that she’s happy but she’d be happier of her mother was happy too. Rather than telling Ai she’s happy, Yuuki just goes “oh, I see.” She doesn’t even reassure her daughter in return. Even if you want to argue that Yuuki’s spent 70 years boo hooing over her twu wubu being an ice cube, this is utterly ridiculous. Yuuki should at the very least be able to tell her daughter she’s happy. Instead, we have Ai lying to reassure her mother, and her mother not even trying to return the favor.
The whole scene is infuriating, and that leads us into the last bit before hopefully VKM 17 will save us from all of this nonsense.
Zeki - Lies, Damned Lies, and Statistics
Before the Ai scene, we get something interesting from Zero and Yuuki--both of them lie to each other about their happiness. Zero says he’s happy, and Yuuki says she is too. Their body language, however, and the paneling and screentones used for them are clear indications that neither of them is telling the truth. The lies have reached the end of the line and neither of them will be able to keep them going anymore.
What’s interesting here is that Yuuki can lie to Zero but not to Ai. She doesn’t reassure Ai that she’s happy--she is truthful with Ai. With Zero, however, she does lie. And likely she lies because she senses the truth--that he’s slipping from her and she’s losing her grip on him. With Ai she doesn’t need to worry about that--Ai belongs to her by blood and can’t leave her. But Zero can and is starting to show signs that he just might.
So then we come at last to the big scene of the chapter--the kiss. I will say upfront that this is the best kiss we’ve had since Night 87. It’s a beautiful kiss, well-drawn, and the lead up to it is perfect. There are two possible interpretations for the kiss, and they align with the two routes I mentioned above in the Zero section. At this point, both are valid:
Route #1: Testing the waters - If Route #1 is the way Hino’s going with Zero, then this scene is fairly simple--Zero is testing the waters to see if Yuuki’s finally ready to try moving forward with him.
Route #2: Saying farewell - If Route #2 is the way we’re going, Zero is seeing how much he can get out of his last kiss with Yuuki because he has nothing to lose anymore. He doesn’t have to worry about her VKM 5 rejections anymore. He’s back in a Night 46 position.
My personal take on this scene is that Route #2 is the way we’re going, and the reason I say this is because, much like with Kaname and Yuuki in Night 89, the context for the kiss in VKM 16 isn’t conducive to a romantic moment. Hino breaks it up a bit with Yuuki’s flashback, but if you remove the flashback you get this order of events:
Yuuki tells Zero to go find someone else.
Zero asks her if that’s the reason why she’s stayed with him.
Yuuki asks if things are really all right with her.
Zero doesn’t respond and instead says he’s happier than ever.
Yuuki asks if he’s happy.
Zero lies and says he is.
Yuuki lies and says she is too.
Zero kisses Yuuki.
That is the context that leads up to the kiss. These two characters both mutually lied to each other (and know they mutually lied to each other) right on the heels of Yuuki telling Zero to find someone else. In essence, the answer to “thinking seriously” about having children together is: “Nope, not happening.” That’s not exactly the best lead up to a kiss.
So I personally would rather have the kiss be a farewell kiss than a trial kiss because a trial kiss indicates Zero’s desperate and is pushing things, which is antithetical to his reaction to Yuuki throughout the earlier parts of the chapter.
A final, major problem I have with the kiss is this: If Yuuki’s been capable of kissing Zero all along, why the hell has she been holding out even basic intimacy like this from him? I’m not saying she should sleep with him, but she could have at least given him some form of physical affection throughout the 70 years, even if they both mutually agreed to stop before anything erotic began. This has to be addressed because now PTSD is no longer an excuse for her.
It’s interesting that all her excuses (and the excuses fans give for her behavior) are being stripped away by the narrative. Makes me more hopeful we’ll get a legitimate atonement arc in the future.
What The Future Brings
All that’s left now is for what’s coming next. It really depends on what direction Hino’s going to go with Zero. Yuuki mentioned this chapter that he has work right after this, which means he’ll be heading out for “work” after having kissed her. I suspect what we’ll get (assuming we pick up right here in VKM 17) is Zero pursuing the VKing leads he has while Yuuki’s on cloud nine at home thinking about the kiss.
My personal speculation right now is that one of two things is going to happen over the course of VKM 17-18:
Zero is going to leave Yuuki at the end of VKM 18 for some reason.
Zero is going to find out something serious at the end of VKM 18 that’s going to change his relationship with Yuuki regardless of his intentions in VKM 16.
I think this is the end of this “phase” of the Zeki relationship. We’re about to enter a new phase, and the end of Volume 4 seems a great place for it. If Hino follows the classic Zeki pattern, any time she gives us something “good,” it’s right before all hell breaks loose. And honestly, this time I’m quite ready for hell to break loose. It’s been a long time coming.
Hello. :) I'm really learning a lot about how to read characters, plot, themes, etc. from your posts. Thank you! 🖤 Can you do a character analysis on Zero, please?
I’m delighted my posts have been of use to you, my friend! =) It’s always a pleasure to hear that my work has been helpful to those who share their own precious time reading it. =)
A character analysis on Zero is a fairly tall order though, given how many facets there are to his character, fufu. But I can give you a “brief” overview of his character over the course of the original series and the sequel, and I’ll link you to a few other posts I’ve written on him if you’re interested in exploring further. =) I’ll be placing the majority of this post under a cut, since it got a bit lengthy. ;)
Note to readers on mobile: Please switch to a laptop or desktop computer to read the remainder of this post, as tumblr “read more” functionality doesn’t work for mobile.
The Man, The Myth, The Legend
On the surface, Zero is a challenging character to engage with for a reader. He’s rough around the edges, he pushes people away, he’s actively acidic to everyone who tries to come near him, he’s not charming, he’s brutal, and he has a huge (very justified) chip on his shoulder about vampires and purebloods in particular. But, in a story where vampires are romanticized, the reader is naturally not going to be sympathetic to his viewpoint because the reader is being selectively shown only the “pretty” sides of vampirism.
Since this is how Zero is introduced, in contrast to the charming princely Kaname, it’s easy to see why on first impression (and first impressions are the only things that stick with most casual readers, which given most readers’ busy lives is what most readers are) Zero seems to be a huge headache and too much of a hassle, not a good candidate for a romantic relationship. Kaname is the dreamy choice, the ideal boyfriend, the sweet/kind/caring/obsessed only with his love interest type of guy. Zero, on the other hand, is dead set on revenge and dripping with anger and pain, not at all interested in wooing the ladies or being charming.
It’s an easy choice for a reader to select who to root for, until it isn’t. Let’s explore why. ;)
Zero, VK Arc 1 [I]: The Knight of Bandages
Zero begins the story as a surly tsundere who is always cross and impassive, who constantly disagrees with our heroine’s starry-eyed wonder of the alluring members of the vampiric Night Class. It’s easy to brush Zero off as unnecessarily “emo,” and many do–but when we break down everything that gets revealed about this boy, it becomes clear that he has good reasons for being the way he is:
The reason he pushes people away is because he knows he’s been turning into a vampire for four years and wants to protect them from himself. (We see this from him as early as when he first arrives to Kaien’s home right after the Shizuka incident–in Night 44, he hints at his fears of what he might one day do to Yuuki.) He struggles alone with this for four years. The reason some readers gloss over the meaning and importance of this silent struggle is because the story is told from Yuuki’s viewpoint, and she had no idea it was going on.
After he attacks Yuuki the first time (when his instincts go out of control) he tries to commit suicide. When Yuuki stops him, he tries to leave her. Yuuki stops him again, and promises him she’ll kill him if he’s ever out of control. Then Yuuki is the one who creates their drinking pact–she is the one who initiates the Forbidden Act with Zero, and that’s why he continues to drink from her throughout Arc 1. But Zero tried to leave her twice in order to protect her, first by killing himself and then by walking out. At last he leaves his life in her hands both literally and metaphorically; she’s given a bracelet that can subdue him and she’s also given a gun that can kill him (though of course her Artemis can too). During arc 1, Yuuki is in full control of Zero’s life and her own body, so she is not his victim, despite what he claims and what some readers may wish.
The reason Zero hates vampires is because Shizuka murdered his family unjustly and then turned him into a vampire rather than allowing him to die as a human with his family. Now, it’s important to note that before the Shizuka incident (and even afterward–as we see when Zero shoots a Level E to protect Yuuki and a kid early on in Arc 1) Zero was sympathetic to vampires. This is actually one of the reasons Yagari gets his eye gouged out–Zero hesitates to act against Yagari’s Level E fiancee due to his natural sense of compassion.
Zero’s prejudice against vampires doesn’t form until he has a personal reason to hate them–and even then, his prejudice never spills over into anything unlawful. The only Pureblood he intends to kill with his own hands is Shizuka. As we see during the Shizuka arc, he always intended to kill Shizuka and then kill himself. Although he hated purebloods and vampires on the whole, he never intended to commit genocide against them at any point. It wasn’t until Yuuki inserted herself into his life and made herself important in his life that he changed his mind.
So as you can see above, Zero was always a hurt, damaged person from the beginning of the story. The important thing to keep in mind is that he was made this way–he started out being a kind, sympathetic person who didn’t hate vampires and rather sympathized with them. Zero’s hatred is something that resulted from circumstance rather than from Zero’s own nihilism and despair.
The good thing is, and this is something I think Zero detractors frequently miss, is that the story never justifies Zero’s position. The story is sympathetic to his plight, but it always makes sure to a.) never let him go so far with his hatred that he begins acting out genocide and b.) always attempts to redirect him in ways that are more productive (such as connecting him to Yuuki, and later to Aidou and the other Night Class students, as well as having him learn from Ichiru, Shizuka, and the other Level Es he encounters).
The first arc really emphasizes Zero’s empathy. He has a deep ability to understand people’s pain, and his empathy for the Level Es he meets (as well as Yuuki, the nobles, and the purebloods) is constantly at war with his anger and desire for vengeance and his righteous pain.
So the first arc is about setting up Zero’s situation and his flaws as a character and the obstacles he needs to overcome to grow (as all good heroes do):
He needs to learn to accept vampires as being as nuanced as humans, with the potential for both evil and good within each of them.
He needs to let go of his anger and desire for vengeance.
He needs to find a reason to live and forthrightly move his life forward into the future rather than devoting it to the past with the hope of ending it all.
Now Zero begins the process of addressing this right after the Shizuka arc–he accepts that he wants some kind of a future with Yuuki in it, he does not go through with killing Shizuka and himself (when he does shoot Shizuka, it’s because she’s after Yuuki, not for revenge), and he is beginning to understand vampires better thanks to his own experience, his experience with the Level Es, his bonding with Aidou, and his reunion with Ichiru. Of course, he’s still not perfect yet–when Kaname frames him for Shizuka’s death, Zero accepts the framing because he knows in his heart he was willing to kill her. He also is still dead set on Yuuki not becoming a vampire, despite the decision being her own to make.
Because this is the beginning of the story, his situation needs to get worse before it can get better. The Rido section of Arc 1 rises to fulfill this need.
Zero, VK Arc 1 [II]: The Fallen Avenging Angel
Kaname throws a wrench into the works when he turns Yuuki during the Rido mini-arc at the end of Arc 1. Zero had been afraid Kaname was intending to do this to her all along, but he wasn’t prepared for the truth: that Yuuki herself all along had been a pureblood, not some innocent human child Kaname’d taken a fancy to. This puts Zero into the suicidal descent into nihilism and despair that is his darkest point in the series (at least until VKM 13) and is the point in which many people rightfully point out that he makes a great many mistakes.
Zero makes three egregious mistakes in this part of the story:
He refuses to accept Yuuki and rejects her despite her attempt to reach out to him.
He points his gun at Yuuki twice (once in Night 37, and once in Night 43).
He threatens to kill Yuuki (and then all the purebloods) in Night 43. He reiterates this in Night 46 when he pushes Yuuki away for the final time.
Now, these are certainly horrible offenses, but they’re not insurmountable thanks to character development. All heroes must reach a “low point” before they rise, and this is Zero’s low point. I think his situation here is very understandable if we step outside of our natural sympathy with the main character/protagonist (Yuuki) and think about the situation from Zero’s perspective:
Zero had only recently found the strength and the desire to live, and that was thanks to Yuuki (the human girl he loves and who he’s struggled against loving because he fears he’s unworthy of her due to him being a vampire–this is all stuff he reiterates to Kaname when he tries to convince Kaname not to go through with the forge plan in Night 92).
He finds out very suddenly that Yuuki was actually a pureblood all along (one of the very beings who destroyed his life and the lives of many of his friends). He has no idea if she was “in on” the “plan” or what’s going on or what the circumstances were–only that the girl he loved may never have “existed” at all (we will see him struggle with this in the future).
Now this doesn’t justify what he does to Yuuki in Night 37. But think of it this way: Yuuki had Kaname and the Night Class kids there to help her work through her transition and help reorient her and normalize things for her. Zero had no one helping him understand this–Kaien and Yagari, who both arguably “knew” the full situation, just lock him up and leave him to brood over it alone. They don’t sit him down, explain what happened, and help him work through his understandable feelings of anger, betrayal, and hurt.
But, as we see when Kaname approaches Zero’s jail cell to taunt Zero about how he’s won everything and Zero’s lost everything and is still going to serve Kaname anyway, Zero by Night 39 is already beginning to soften toward Yuuki again. His thoughts continue to turn to her, and he is clearly torn about what to do regarding her. Had events unfolded differently than they are about to, Zero might very well have sorted himself out in that jail cell and gone out to help Yuuki willingly and stand by her side and sort their friendship out amicably if he’d been allowed some time to process alone.
However, Hino drives the knife into Zero’s side one last time. On the heels of losing the girl he loves, he loses his brother as well. It makes me laugh a little how people are so sympathetic to Yuuki moping for 70 years over Kaname’s “death,” but Ichiru’s legitimately traumatic death in Zero’s arms is something Zero’s supposed to “magically” get over instantly and become Yuuki’s lapdog for…reasons. The same sympathy people extend to Kaname’s behavior about the Hooded Woman when he lashes out at Yuuki due to a 10K+ year old emotional wound or to Yuuki for being unable to function 70 years after Kaname’s “semi-suicide” is rarely extended to Zero who suffers a similarly tragic loss and is forced to stand up and fight and function anyway. Yuuki wasn’t asked to fight after Kaname’s “death”–she was babied and allowed to just stand around moping. Yet Zero is expected to “buck up” and “fall in line” instantly as if his brother’s death is meaningless. Honestly it’s preposterous to me, but hey, what do I know.
After Ichiru dies in Zero’s arms, Zero loses his last reason to live. Remember, before Yuuki came into his life Zero was suicidal. Without Yuuki, and without Ichiru, Zero returns to being suicidal. This is confirmed by Zero himself in Night 44 when he finishes his flashbacks of Yuuki–he flat out tells her he would be completely fine if she killed him then and there. Internally, he asks her and Ichiru why they both want him to live on. It’s implied that he has no idea why he should live on when the people he love are “gone.” This ties us back to the things he needs to learn as a character and reinforces them–how to live forthrightly and walk toward his goals and dreams despite the hell surrounding him.
When Zero is reunited with Yuuki in Night 42, he’s coming right on the heels of the fresh loss of his brother (which she doesn’t even know about until Rido taunts Zero in front of her). Zero acts cold toward Yuuki, but he still does what he can subtly to keep her free from the fight. Even though his manner is rough (he pushes her off a building), it’s no more rough than what Yuuki does to Aidou (she also pushes Aidou off a building), and Yuuki herself cuts Zero’s face in her anger over her family and over him not letting her help him. At this point, Zero is at his lowest–he’s gone cold and isn’t even hot anymore. Rido is easily dispatched between Yuuki’s first blow and Zero’s final, leaving them to a staredown where Zero breaks down in front of her. His leading statement to her makes it clear (or should make it clear) that even now he’s conflicted over her–he flat out says he wants to put an end to it all, and that if he does so, surely his murdering her will be forgiven (which implies he knows full well she’s innocent and that she is not to blame for this) and he reassures her that she’s done nothing wrong. This is the point where Zero at last switches to genocidal thinking–that if he were to wipe out all the purebloods, it would all be over. It should be noted that Zero is not the first to think this: Kaname, Kaien, and Yuuki have all at one time or another considered genocide. To hold this against Zero while forgiving these other characters seems silly to me, and so I won’t hold it against him here, especially since he never carries it out. Thoughtcrime <<<<<<< actual crime.
When Zero and Yuuki part ways, Zero first comforts her, confirms she wants to be with Kaname, checks to make sure she’s okay now that she’s got her memories back, and then encourages her to return to the man who can walk the same span of time as she can. He then erects a wall between them: if she comes near him again, he’ll kill her. At this point in time, we don’t know if this is an empty threat or not, and so it’s a legitimate criticism to hold this against him (but it is a criticism which ultimately will not pan out).
As these two part ways at the halfway point of the story, we’re left with a Zero who has at last hit rock bottom (at least his first rock bottom). He’s lost literally everyone remaining in his life that he loved in the span of a single day. He still has yet to address the issues from the Shizuka arc, and he’s now added one more:
He needs to learn to accept vampires as being as nuanced as humans, with the potential for both evil and good within each of them.
He needs to let go of his anger and desire for vengeance.
He needs to find a reason to live and forthrightly move his life forward into the future rather than devoting it to the past with the hope of ending it all.
He needs to accept that Yuuki is Yuuki, regardless of “what” she is.
Now, before we move to Arc 2, I want to say one last thing about Arc 1. If Zero’s story ended here, in Arc 1, I would say his critics have a leg to stand on as to the fact that he’s a bitter, resentful, angry young man who isn’t worthy of Yuuki and who is prejudiced against vampires (though not without good reason). However, it’s up to Arc 2 to demonstrate whether or not Zero continues to fall (a tragic hero a la Hamlet) or corrects his course of action and begins to rise (a regular heroic arc). If he begins to rise and address the issues I’ve identified above as his character flaws, that indicates growth on his part, and indicates that he is moving forward as a person. If someone grows from where they were, they should be judged by where they are now and by how far they’ve come from where they were rather than where they once were. This is common sense. Let’s see if it applies to Arc 2.
Zero, VK Arc 2: The Hampered Hero
You can tell the form a character’s arc is going to take by how a creator introduces them. In Night 49, Hino tried to obscure Zero’s trajectory by showing him attacking a Level C servant of a pureblood we never found out more about. Before Night 50 came out, it was legitimately reasonable for people to speculate that Zero was going to become the new villain that Kaname and Yuuki would have to destroy.
In Night 50, however, Hino subverts this introduction to show us that Zero was protecting a child, who he kindly returns to her mother. This is a direct parallel to Kaname protecting Yuuki at the beginning of the story, only Zero’s variant is legitimately altruistic because he does not intend for Mii-chan (the little girl) to “repay” him in the future (as we will see in VKM 10, when he meets Mii-chan as an old woman who has had a happy life).
Hino’s choice to show Zero rescuing a small child rather than leaving him in more ambiguous state makes it clear Zero is still our hero, despite where his character arc is “beginning” in Arc 2–his introduction makes it clear he’s still struggling with the situation from Arc 1. This is something he’ll struggle with throughout the entirety of Arc 2, until he at last comes to terms with things on his own.
Before the vampire soiree where he meets Yuuki again, Zero begins a round of narrative criticism given to him via side characters: Kaien and Yori both hold him accountable for his perspective on Yuuki, and both of them will stand in his way if he means any harm to Yuuki. Zero, of course, has already set aside his desire for genocide before Night 50 even begins. He has decided to play within the “rules” of the Hunter Association–meaning he will not hunt down purebloods unless they’re “on the list” and have become a legitimate threat. It’s clear he still hates Kaname (with good reason), and he’s still torn about Yuuki, but he’s no longer suicidal and homicidal–he has grown past that over the course of the year.
Zero is then handed a watchdog, Kaito, to “keep him in line” and make sure he doesn’t get out of control. Kaito is not Zero’s friend. He is a spy for the Hunter Association because Zero is a rogue element now. So Zero is under constant surveillance once Kaito is set on him. This means the likelihood of Zero being honest and opening up about himself becomes lower. Hino also shuts us out from his mind, which means his thoughts and feelings are a mystery to us.
Over the course of the next few chapters, Zero reunites with Yuuki and Kaname. It’s clear he’s still very mixed up about Yuuki and very emotional when it comes to her (and the same from her to him). But he continues to keep up his facade of a wall between them–she is his enemy, and he is hers. After the ball, however, we find out from a discussion with Kaito that Zero is waiting and watching Yuuki to see if the new vampiric version of her will degenerate into typical pureblood vices. Until then, he’s giving her the benefit of the doubt. This is an incredible change from a year before, and this is all before he’s even interacted with her much.
At this time, Zero also is struggling with his own vampiric nature, his lingering feelings for Yuuki, and his brother’s death. We see this play out when his desire to hunt Sara nearly escapes him, and when he breaks down at his brother’s grave and speaks to his brother’s fragment. Talking with Ichiru begins the process of helping Zero accept vampires, himself, and Yuuki. Right after this, Zero rescues Yuuki from Touma. Rather than harming her, he takes her to a Hunter safe house and waits for her to wake up. His body language clearly is open to her her biting him, and though he tries to play it cool when she realizes her near-mistake, he’s deeply affected by the moment they exchange. This scene makes it clear his feelings are no more dead than hers, despite his insistence on keeping the wall between them. After this, he and Aidou bond a bit, and Aidou tries to encourage Zero to go after Yuuki, since Aidou’s in the best position to know what’s best for both of them.
It’s Yuuki’s return to the academy that pushes Zero’s growth the most. Here are the things her return accomplishes:
Zero begins working with the Night Class to help Yuuki in secret (he encourages Aidou to stand by her side).
Zero reveals to Maria that he’s never blamed Yuuki for the events of Arc 1.
Zero remains kind to Maria.
Zero tries to help Yuuki when he realizes she’s struggling with her thirst. Although he does use a rough manner, it’s merely because he’s trying to keep a wall between them.
Zero helps Yuuki to rescue the Night Class from Sara’s pills.
Then Sara drops the bombshell on Zero: Kaname was responsible for unleashing Shizuka on his family. It’s here that Zero at last breaks down and opens up to Yuuki again–the last bits of his wall come crumbling down:
He reveals he tried to see human Yuuki as dead, but can’t keep up the act anymore.
He takes Sara’s blood only to power up to help capture Kaname for Yuuki.
He stands by Yuuki’s side in the fight against Kaname with no intention to kill Kaname, only capture him for her.
Despite having never seen Yuuki’s butterflies, he respects their power.
He returns to encouraging Yuuki (telling her not to lose focus when Takuma grabs him, protecting her from the forge going out of control, patting her on the head when she isn’t able to stop Kaname from leaving).
The only part of Zero’s wall left intact by the time he and Yuuki leave together in Night 86 is the wall protecting his love for Yuuki. We find out in Night 86 that Zero sees very clearly what Yuuki is in his life: she’s both a walking disaster (the fiancee of the man who helped destroy his life) and the person to whom he owes all his happiness in life. He doesn’t blame her for the former, and he wants to explore what’s “real” about the latter. But before they can do that, Yuuki betrays him and takes his memories from him.
It is in this final memoryless section that Zero completes his character growth. Without his memories, we get to see who Zero is “without” Yuuki. We find instead of an angry, bitter young man, a compassionate, thoughtful, kind person who is sympathetic to purebloods. Although Zero pulls a gun on Yuuki immediately upon waking, Yuuki herself knows he won’t shoot it. All of Zero’s threats are empty, and the more often he threatens, the emptier his threats become, until the point where Ruka can create an illusion of Zero shooting Yuuki and Yuuki doesn’t believe it’s true. Zero is, as Yuuki dubs him, a Mr. Nice Guy, and this holds true even when his love for Yuuki is removed. He still struggles to pull the trigger and instead prefers to bark.
When he and Kaito arrive at Kaname’s mansion, he’s genial and open. He reluctantly accepts Takuma’s offer of tea, and while he’s sitting with Kaname and Yuuki, he mildly remarks to Kaname that Yuuki appears uncomfortable. He then leaves to give them their privacy, a thoughtful gesture. He’s not openly antagonistic toward Kaname (much to many a Zeki’s annoyance), because he no longer remembers what was done to him. And, as he sees Yuuki struggling, he increasingly becomes agitated on her behalf, even to the point of railing against Kaname without knowing why. All of this indicates where his heart truly has settled at this point in the story–he’s a person full of compassion who has accepted both himself as a vampire and the vampires in his midst. Without the pain of his past and his losses dogging him, he’s able to be the person he was meant to be.
When he regains his memories at last, after he rescues Yuuki from being turned into a human again, he carries this newborn freedom from his pain with him. Here is where he fulfills his character’s arc and reveals he has at last come to terms with his four faults:
He needed to learn to accept vampires as being as nuanced as humans, with the potential for both evil and good within each of them. He accomplished this throughout Arc 2–being an ear for Aidou, helping the Night Class students, rescuing Yuuki from being turned human, reuniting the human/vampire Yuuki as one person in his mind, protecting Sara from Kaname.
He needed to let go of his anger and desire for vengeance. He chooses to try to reach out to and to save Kaname despite having full knowledge of what Kaname did to him and his family. Although he does not forgive Kaname, he does make peace with him.
He needed to find a reason to live and forthrightly move his life forward into the future rather than devoting it to the past with the hope of ending it all. Zero chooses to be true to his feelings and to live and fulfill his goal as Ichiru told him to, which is to stand by Yuuki’s side and be honest about his feelings with her.
He needed to accept that Yuuki is Yuuki, regardless of “what” she is. Zero does this twice: first when he stops viewing human Yuuki as “dead,” and second when he rescues her from being turned human in Night 91.
By the end of his journey, Zero has transformed completely as a person. No longer is he bitter, angry, and resentful, out for vengeance with a side of suicide. Instead, he’s looking toward the future, showing compassion toward his enemies, and trying to be true to himself. His personality is still intact, of course–he will always be a stoic kuudere who trends toward the snarky side. But what truly matters is that he changed and he changed for the better–the young man who cries out to Kaname to change his mind is light years away from the young man who said he’d end it all and cut off Kaname’s hand in Night 46. Like or dislike Zero’s personality as you will, but there’s no doubt he grows to become a better person by the end of the story. Although he misses out on a few beats of the heroic character arc thanks to Hino’s tragically retconned ending, he does still achieve the growth necessary to place him back on the hero’s pedestal, rather than the anti-hero’s or villain’s.
It’s up to VKM, of course, to take his journey home.
Zero, VKM: The Struggling Saint
When VKM’s first special chapter was announced, it was announced as Zero’s story. I thought at the time this only covered VKM 1, but now I’m of the opinion that VKM itself is Zero’s story. The other characters feature of course, but unlike VK (which was Yuuki’s), VKM is Zero’s. As such, I have a few theories about Zero’s unfinished heroic business from the original series, which I’ve already speculated about in previous meta. I’ll just link them here for anyone who hasn’t seen them yet and might be interested:
Takuma as witness to the “salvation” Kaname rejects
Zero as “salvation” in VKM
Rather than getting into that, I want to go into briefly how Zero’s character has continued to grow since the original series:
He accepts Yuuki’s love for Kaname (his enemy) unconditionally.
He accepts Ai (his enemy’s child) unconditionally.
He waits nearly 70 years for Yuuki to look his way with very little complaint and no emotional blackmail.
He considers killing all the purebloods to give Yuuki Kaname back, but decides against taking the easy road because he wants to give Ai a better future.
He reforms the Hunter Association’s practices so that they give fair trials now before sentencing vampiric criminals.
He’s close friends with many of the Night Class vampires.
The biggest thing Zero does is in VKM 1. He tells Yuuki he regrets what he did to her in Night 46 and that he wishes he could go back and do things differently. This addresses the legitimate criticism of his behavior during the Rido mini-arc–Zero regrets his actions and wishes he could go back and change them. But since he can’t, what he can offer Yuuki instead is what he does offer her: unconditional love and a reassurance that he believes her existence in his life is a blessing.
Zero in VKM has overcome his faults, but has reached a new plateau where he will once again have to grow–this time, he must learn how to negotiate to have his own needs met in a relationship while still meeting the needs of his partner. This is a skill he’s never learned, and the last one he needs to actualize himself fully. It may have taken him over a human lifetime to learn this lesson, but hey, who’s counting? ;) In the meantime, I think it’s clear how far he’s come, and that of the three main characters, he’s come the farthest and in the most positive direction. =) If anyone has earned his happily ever after, it’s Zero, and I’m sure he’ll receive it one way or another. Only time will tell.
I’ve written a ton about Zero’s character arc and trajectory in VKM, so I’ll stop here for now. If you’re interested in my other perspectives on him, I’d recommend checking out these posts:
Meditations on Kiryuu Zero
Zero’s flaws in VKM
Zero as Ai’s acting father
My VKM chapter reviews for more detailed information on each chapter.
I hope this ridiculously long post has been of service to you. =) Please do stop by again if you’d like me to clarify my thoughts further. Thanks for dropping by!
We’re starting the year off on much more solid footing than we began last year--with VKM 13.5 and now VKM 14, the story seems to be headed in a better direction than before. I, for one, am relieved to see this, and hope this trend continues for the remainder of the story. We only take small steps forward this chapter, but the good news is, as far as I can tell, we don’t take any steps backward either.
The irony hasn’t escaped me that not three days after I complained about Hino’s storytelling tanking, she put out what is arguably the best action/suspense chapter she’s written since the end of the Rido arc. Either someone put a bug in her ear, or we’re headed in a direction that she’s actually excited about writing. Whichever it is, this is a distinct improvement to the lackluster writing and artwork we’re accustomed to, and it’s a welcome change. The old girl’s still got it in her. Let’s see if she can keep it up.
That being said, let’s get to it. Scanlations can be found in the usual places.
Obligatory disclaimer for the sensitives: This post is “zeki criticism” and “anti ky”. Please blacklist those tags accordingly.
Marking Time
The first thing that struck me when I saw the opening page of this chapter was the teaser line. I couldn’t figure out what it was about the line that gripped me, other than the obvious: it’s clearly a reference to the significant amount of time Zero’s been waiting for Yuuki to say something to him. But when I was flipping through volume 19 the other day, I realized what it was that had caught my attention--this teaser line in VKM 14 is a direct reference to Zero’s request from the original epilogue of Night 93, a request that apparently narratively is still unanswered from Yuuki.
So this teaser line is a callback to that chapter, and it also tells us several things:
Zero is still waiting for Yuuki’s reply to his request from Night 93.
VKM 9′s confession was not the answer to that request.
We are not going to be ignoring the events that took place at the end of the original series in order to move Zero and Yuuki’s story forward.
We will likely be revisiting the original series to sort out why Yuuki still hasn’t given Zero an answer after all this time.
While it’s disheartening to recall how long Zero’s been waiting for a response to his request in Night 93, at the same time I’m quite heartened by the fact that he (and Hino and her editor) does not consider his request properly responded to by Yuuki. This is a huge relief to me as someone who was not happy with Yuuki’s manner of confessing to Zero in VKM 9. One of the weights from my shoulders as far as this story is concerned has been lifted with this reference, at least for now. I’m now hopefully optimistic that we’re not finished with the revelations on Yuuki’s side about her past and her past choices, and I’m also more hopeful that we might actually get a legitimate confession from her about her true feelings for Zero in the future.
So as far as I’m concerned, this little teaser line was a great way to start the chapter. If this was all the chapter contained, I’d be happy enough, but lucky for me this is only the beginning of the goodies.
The Usual Suspects
This chapter really expanded the possibilities for the suspects behind the Vampire King bombings, but it also threw some of my theories right out the window, which is rather interesting. There’s a lot to unpack on this side of the plot, so buckle your seat belts and get ready for the ride.
We begin the chapter with a secret meeting in the underground area between Maria and Kaien. @jadedmemories mentioned to me that if we take the title page as a canon “scene”, it’s quite possible Zero was listening in on what Maria and Kaien were discussing, as in, potentially he doesn’t trust either of them. It’s an interesting possibility, and one worth keeping in mind as future chapters unfold, I think. For now there’s not much to be done with the information.
It’ll probably be easiest if I separate this section by suspect and work through what we know and don’t know of each one. I made a funny list of suspects here for anyone who wants a more thorough review of each one, but for now I’m only going to discuss the most likely suspects and the ones that are relevant to this chapter in particular. First, we’ll start with some general observations:
The Vampire King’s True Purpose
Before this chapter came out, I was hesitant to make any guesses as to what the Vampire King mastermind was aiming for. But with three bombing incidents under our collective belts, a few potential purposes are starting to rise above the others.
With only the first two incidents, I was torn as to who the target of the Vampire King’s ultimate “message” was--I thought it could be Zero, Yuuki, Zero and Yuuki together, or the general efforts of Yuuki/Zero/Aidou/Takuma/Kaien to make the world more accepting of vampires.
With this third incident, I believe the target of the Vampire King’s message is either Yuuki or Zero specifically and individually. The rest is smoke and mirrors to give the group legitimacy and to act as a screen for the true purpose. I’ll break down the two options for now and explain which one I’m leaning toward currently, but we can’t make any positive conclusions until we get more information:
Target A: Yuuki - Yuuki being the ultimate target for the Vampire King’s mastermind is on the surface the most sensible conclusion. The name “Vampire King” itself is a direct reference to Kaname that would strike her heart more than any other’s. The first attack happened to Yuuki’s friends, the second attack happened to her pseudo-partner, the third attack both threatened something she holds dear (children’s safety) and also stole her pseudo-partner from her (Zero’s kidnapping). If she’s the target, the Vampire King likely a.) wants to use Zero’s safety as leverage to stop her from doing something (likely the cure research, since she’s in charge of Aidou) or b.) wants to separate her from Zero for some reason or c.) wants to harass her and cause her pain out of a misguided attempt to “get even” for Kaname’s past actions, since she’s connected to him.
Target B: Zero - Although I think the Yuuki option has potential, ultimately my gut is telling me Zero is the true target of all of this insanity. And by target I mean he’s both the person to capture (literal target) and the person to whom the message of the group is meant to be delivered. The group’s name “Vampire King” will still reach Zero just as much as it would reach Yuuki--Yuuki, in this variant, is the “bait” to get Zero involved, rather than vice versa. So the first attack happens to Yuuki’s friends, which gets Yuuki involved, which gets Zero involved. But the second attack is deliberately for Zero, and the vampire who commits the action has an insult specifically for Zero, despite Zero not even knowing the guy. The third incident, in this scenario, is actually a decoy and a set up--whoever the Vampire King mastermind is, they know Zero will be in charge of the investigation, so they pick a target he’s sensitive to (children) and set up landmine explosives in an obvious location where he’s sure to be the first to try to help anyone who gets caught up in it. They may or may not plant info with Kain to get Kain to bring Yuuki (though right now I think Yuuki’s presence was a mistake and unintended by the Vampire King mastermind), and then while Zero’s distracted “saving” whoever gets caught up in the mines, he either dies or gets kidnapped (the true objective). If this is true, then the kidnapping is actually to get Zero before the Vampire King mastermind to allow the mastermind the opportunity to talk to him without a certain nosy pureblood’s interference. Likely, if Zero is the true target, the Vampire King mastermind is going to use Zero’s desire to save people as leverage to get Zero to do something for him/her: either a.) stop Aidou’s research, b.) separate Zero from Yuuki, or c.) help Aidou’s research to get Kaname back sooner, depending on the ultimate goal. They’d get Zero to help them by blackmailing him, using a threat against future targets as bait. Then they’d likely release Zero so that he can return to Yuuk on his own, but with the blackmail hanging over his head. For an example of how fun this type of plotline is, see Sherlock BBC’s The Great Game episode.
The reason I’m currently leaning toward Zero as the ultimate target of the mastermind is simply because Yuuki’s for the most part a fairly passive character and because of how long it’s been since the forge was created. If the mastermind was after Yuuki because of some grudge over Kaname, well, it’s been 50-70 years depending on how old Yori was when she died. That’s a long time to hold a grudge against someone who’s just related to the person in question. It’d be far better to just plan an attack against the forge itself, if the forge was the problem. As for other reasons to go after Yuuki’s loved ones, there really aren’t any other than maybe a bored Pureblood wanting to start a war and stop the coexistence efforts. Even if that’s true, this particular style of Vampire King activity doesn’t seem particularly effective toward that end. Especially when it’s highlighting the vampires as the problem, rather than simply being a declaration against Yuuki herself or her comrades.
If Zero is the person the mastermind is after, we have a lot more room to play. Zero has more enemies than Yuuki, and more people with animus toward him for his role as a Hunter and as Yuuki’s pseudo-partner. Zero also has unresolved pot threads about his special status as the only hunter twin to ever be born a twin, not to mention Takuma’s secret in reference to the Shizuka incident. On top of that, it’s been made very clear that his relationship with Yuuki is not approved of in most quarters, and the hunters (who would go after Yuuki, rather than Zero) for the most part seem accepting of his situation, thus they’re unlikely to be part of the problem. Zero also is potentially a cure component, which may be a factor, and he’s part of the reason the hunters aren’t killing vampires anymore (so if this is an action by the anti-vampire faction, Zero might be a prime target as an agent of improving the lot of criminal vampires and thus seen as an enemy to their agenda).
Again, at this time this is only speculation at best; we simply don’t have enough information to make any firm conclusions either way. I’m honestly not sure anymore how smart Hino is, so perhaps the most obvious conclusion is the best in this situation.
Kidnapped!
Zero’s kidnapping this chapter brings up a few questions:
Was the purpose of the bombing threat a decoy to lure Zero out and to kidnap him?
Is Zero’s kidnapping part of the Vampire King’s plot or is it from a second party?
Was Zero the intended target or was he captured by accident?
If Zero was the intended target, why? If he was captured by accident, who was the real target?
Did Zero orchestrate his own kidnapping for a reason?
It may seem kind of silly to bring up the idea that Zero might have had himself kidnapped but given how peacefully he departs from Yuuki’s side, it’s quite possible. There’s no sign of a struggle, and although he does look over his shoulder before he disappears, his expression isn’t anxious or shocked. Whatever he sees isn’t unexpected.
I’m not sure how likely this is, however, but if his kidnapping was a genuine kidnapping that leaves even more questions. Why was he not shocked to see the person kidnapping him? Why didn’t he struggle? How did the kidnapper surprise him and knock him out without a struggle or even a word of warning to Yuuki? How did Yuuki not notice another person was there?
There are a couple options I can think of. One is that the person who approached Zero was one he expected to be there (limiting our options to Maria, Goggles Guy, or Mimi), who perhaps covered his mouth with something like a chloroform-soaked cloth to knock him out. The other is that a person didn’t approach him--a pureblood blood creature did, such as Sara’s spiders or Kaname’s bats. If it’s the latter, he could be easily whisked away the way Kaname did for Yuuki in Night 60 or the way Touma did with his bats in Night 59 and 60. This would imply a pureblood is working with the Vampire King, though they may not be the mastermind. We know Yuuki has a hard time sensing the pureblood creatures, as it took her a few minutes to figure out the fake Kaname back in Night 76; it would be entirely possible for a pureblood to whisk Zero away quickly using these creatures rather than their physical selves.
All of this brings up some very interesting questions, which unfortunately we’ll have to wait two months (or perhaps more) to get answers.
Suspect A: Kaien
In my review of VKM 13, I mentioned Kaien as a potential suspect. After VKM 14, I’m leaning toward him being a red herring, as much as this pains my Kaien-detesting heart. =P
On the surface, he’s still a great candidate for mastermind of the whole operation. Here’re the points in his favor:
He meets Maria in secret and spills a “secret” to her.
He has time to plant the bombs.
Although he’s not at the scene of the crime, that could be because a.) he already planted the bombs, b.) the Zero kidnapping isn’t part of the Vampire King activities, or c.) he planted the bombs and his associates kidnap Zero, leaving him free to attack other towns.
At the mayor candidate rally, he talks about his ideals and runs off with a suspicious bag in his hand. (Thanks, @jadedmemories for pointing that out to me.)
That being said, here are the reasons I feel he’s a red herring now:
Yuuki got caught up in the mess, which I don’t feel he would have intended, and surely he’d know that this particular style of target would get her attention.
The target was a bunch of kids, which isn’t his style--although he has no problem putting teenagers in danger, he still looked after and cared for Yuuki and Zero as children and likely wouldn’t threaten kids.
Although we don’t find out Kaien’s secret, we do find out that he asked Maria to reach out to the Academy alumni, which (while perhaps a decoy) implies whatever he’s working toward is ultimately altruistic or at worst benign in nature and something he thinks other people will support.
Hino made a point in VKM 11 of showing Kaien has some regrets about how he handled his life, and she reiterated this in VKM 6 when he was talking with Yori’s dad.
His motives for committing these attacks (especially now that human children have been involved) seem fairly weak and counterproductive to his other stated goals.
All in all, while it’s still certainly possible that Kaien could be the ultimate mastermind or part of the Vampire King group, in the end I think he’s probably a red herring whose activities will end up helping Yuuki and/or Zero in the end. He does have access to a pureblood, Isaya, who could have helped him kidnap Zero, but there are also other purebloods who could do the same thing with potentially more motive.
Suspect B: Maria
Hino conveniently decided to bring Maria back after all this time in VKM 14. I don’t think she was brought back just to resurrect Yuuki’s limp jealousy over a man she’s been pushing away romantically for over 50 years. Depending on whether or not Maria has a role to play in the Vampire King group, the reason for her return will change.
It is possible she’s part of the Vampire King group, and we’re meant to suspect her. If she is a part of the group, however, I don’t believe she’s the mastermind. Before we get to that, let’s start with why she might be a potential suspect:
She randomly decides to help patrol the tunnels despite this being out of character for her, which Zero (being the most intuitive character of the cast) immediately points out.
She has a secret meeting with Kaien where she’s framed suspiciously.
When she talks about people being on the move thanks to the academy in the first scene with Kaien, Hino puts her speech bubble over the crime scene from later in the chapter. The framing is rather ominous.
She’s working with a human we’ve never met before, who has some ambiguous connections to the former academy.
We know nothing of her whereabouts during the last few years since Night 93. We only know at some point there was a scene where she sadly watched Zero walking away, which was during the original Night 92 epilogue and where she had her original hairstyle. When that scene was and what it was about, we still don’t know.
Hino makes rather a big deal out of her wish to protect “what” she loves like Ichiru. This might imply that, if she is involved with the Vampire King, she is doing it out of misguided altruism.
She’s clearly still interested in Zero romantically, even if she’s not actively pursuing him.
She and her human partner were patrolling the area near where the landmines were, yet neither of them noticed the landmines.
Her human partner has a suspicious line about suspicious things “lying around” right before Yuuki and Mimi step on the landmines.
It’s quite possible that the reason Zero isn’t shocked or startled by whoever approaches him from behind is because it’s Maria herself, who he expects to be in the area. He likely wouldn’t struggle against her initially if she was the one who kidnapped him.
I think it’s certainly possible Maria might be involved with the Vampire King, but it’s also possible that she’s not and her partner is, and that it’s a huge coincidence that she happened to be there at the time. If the latter, then her role will likely be to cause some small trouble for Yuuki and make Yuuki question some things about herself, as Maria’s role has been since arc 2.
If Maria is involved in this whole business, she’s certainly not the mastermind. She doesn’t have nearly the motive or connections to mastermind this. While she does care for Zero and has certainly worked with shady figures in the past (Shizuka), she usually is on the side of right or good--though she was Yuuki’s rival for Zero, she still helped her against Kaname and Sara. The only way I can see her being involved in this is if the mastermind has convinced her that Yuuki is bad for Zero and needs to be separated from him (hearkening back to her wish to protect the things she loves like Ichiru). Maria doesn’t love the kids at the kindergarten, and as far as we know she only cares about two things: Ichiru (who is inside Zero) and Zero. This makes it likely that the thing she wants to protect is Zero. If that’s true, then it’s quite possible she’s involved in his kidnapping.
However, it’s also possible that she (like Kaien) is merely a red herring. If she is just a red herring, then her open and honest confession of her goals and feelings is actually in the story to serve as a foil to Yuuki, who lies about hers. Maria’s open and honest affection stands in contrast to Yuuki’s inability to be truthful about her own feelings, something she’s struggled with for the entire story. Even if Maria isn’t involved in the Vampire King organization, she still serves a vital purpose in both making Yuuki reassess herself in the canon itself and also stands as an ideal to contrast Yuuki for the reader.
Suspect C: Goggles Guy
Maria’s human companion, who I have dubbed Goggles Guy in lieu of a proper name, has a few points in his favor as being partnered to the Vampire King group, but if he is partnered with them, that opens up a whole different can of worms as to why a human would be partnered with Level C and potentially noble/pureblood vampires to sow chaos and drag the vampires through the mud. His involvement with the Vampire King group muddies the waters of potential motives, but he’s suspicious enough that I can’t write him off simply because he makes things difficult.
Points in his favor as a potential member of the Vampire King group:
We’ve never seen him before, yet he knows enough about the tunnel threat to volunteer for the vigilante group.
Although his story about his grandmother may be true, we know nothing about the remainder of his background. He could potentially be from a hunter family and be bearing some kind of grudge.
Hino has him speak a suspiciously prescient line about suspicious objects being set up and returning to an “original objective.” On the surface, this line is innocent, but as a foreshadowing technique it may implicate him as the very one who set the landmines.
This is intuitive on my part, but Hino drew his goggles to be deliberately provoking--whenever a character’s eyes are hidden, that’s usually a sign to pay attention. There was no reason to remove his goggles when we first meet him and then put them back on his face right as he speaks his most suspicious line.
If the above points are true, he is, just like Maria, probably a pawn being used in the Vampire King mastermind’s ultimate plan. This guy just doesn’t seem to have enough going for him to be a mastermind in his own right, and certainly not one who could organize kamikaze Level Cs/Ds to bomb themselves.
But as with Maria and Kaien, Goggles Guy may also ultimately be a red herring. Points against him:
His motive for joining the vigilante corps seems legitimate and sincere; Hino doesn’t use any paneling or screentone tricks to make his story feel suspicious.
Even if he’s an angry member of the anti-vampire faction, it seems strange that he’d join an organization that utilizes vampires and looks down on humans (if we assume that the second suicide bomber was an accurate representation of the people involved with this group).
He’s a human, and should have more trouble kidnapping Zero than a vampire might.
His motives seem weak, despite how suspicious he looks.
We know nothing of this guy, which narratively renders him fairly innocuous, much like the evil purebloods in volume 19. Hopefully Hino isn’t going to repeat that mistake again.
Of the characters presented this chapter, Goggles Guy is the most likely to be involved in some way, though I doubt he’s anything more than a pawn ultimately.
Suspect D: Mimi
The last suspect really highlighted by this chapter is Mimi. I’ll cover the other options in the last sub-section together. Mimi’s only appeared in two chapters so far--VKM 6, where she annoyed Yuuki at the vampire lounge and later attacked Yori with the yankee doodle vampire, and now in VKM 14. Of the potential suspects this chapter, I feel she’s the weakest, but she is the last known person to have seen both Zero and Yuuki, and that can’t be discounted entirely.
Points in her favor as an accomplice to the Vampire King plot:
She has a known animus against Zero in particular and humans in general (Yori).
She’s a petty criminal and knows the tunnels very well.
She appeared suddenly this chapter after not being mentioned at all for a while.
She’s in the last panel showing Zero and Yuuki fighting the bomb. It’s quite possible she’s the one who runs up to Zero and knocks him out.
That being said, I really don’t think she’s involved at all. Reasons why I lean this way:
Mimi’s dumb as a box of rocks and can’t keep her mouth shut for two minutes flat.
Her narrative role appears to be filling in as the Yuuki sidekick character since Aidou is being used for other purposes and Zero has been removed.
She’s being used to help Yuuki articulate her thoughts in a sincere way, and these conversations would be seriously undermined by villainous activity.
She steps on the damn landmine. What conspirator steps on the landmine? Yes, it offers authenticity, but there was no guarantee she’d escape unscathed unless it was a dud she stepped on which we know it wasn’t.
Unless she’s speed running in that last panel that shows her head, she’s too far away to be the culprit who kidnaps Zero. The shot we see from behind her is also potentially a perspective shot of the person who DID attack Zero, and who IS running past her to get to him (hence the angle and speed).
Hino never paints her suspiciously in the chapter, unlike Kaien, Maria, and Goggles Guy.
There’s an interesting moment where Mimi points to Zero with Maria/Goggles Guy and demands to know why he’s not on Yuuki’s team and is on Maria’s. This is a potential narrative device foreshadowing the arc that’s about to come, with Zero “on the Vampire King’s side” due to blackmail, and Yuuki/Mimi having to figure out why. A device like this normally isn’t used for or by villainous characters.
It may be my bias toward Mimi talking here, but honestly she’s the most refreshing character in this story since Ai lost a lot of her charm and flatlined, and I’d hate to see her used for villainous purposes when there are plenty of other, superior candidates.
Suspect X: Everyone Else
I won’t go too deeply into the other options for the Vampire King mastermind this chapter, but a quick list of characters who are still potential masterminds despite not being directly involved this chapter:
Ai - Ai’s an unlikely candidate, but since we know she can wake up and go back to sleep, it’s entirely possible she’s somehow involved, rendering this whole Vampire King thing a big sham. Given how violent it has been so far, I think she’s an unlikely choice, but we can’t rule her out yet.
Isaya - Isaya’s not normally an active character, but he can be in the right situation. Perhaps he’s off his rocker.
Takuma - My favorite option, and the one who appears the most innocent and has the most potential for juicy narrative twists. He’s not in this chapter of course, but “someone” had to tip Kain off on what was going on, and we don’t know who that someone was.
Kain - An unlikely option, given he was one of the earliest victims, but still possible since he’s the one who gave Yuuki the intel.
Kaito - With the return of Maria, the first of the two anti-Zeki characters, it’s not a stretch to imagine Kaito might return as well to be a foil to Zero, especially if in the interim between Night 93 and VKM 14 Kaito was attacked and turned by a pureblood. Kaito has a distinct animus against vampires and purebloods, and he is not supportive of Zero’s relationship with Yuuki. There’s also a scene in Night 93 of Kaito watching over Zero hugging Yuuki which might feed into this possibility. Hino hasn’t shown us what happened to Kaito for a reason, and what that reason is may be relevant to this new plotline.
Other random purebloods/nobles/level cs/humans/hunters - The Vampire KIng mastermind could certainly be someone we’ve never met yet. I would be disappointed if this were the case, but it’s entirely possible. Who knows who or why this group has been cobbled together.
So as is evident, we have quite a bit of potential for who the Vampire King culprit is. Hopefully the next few chapters will give us some new information, but for now we can enjoy the speculation. ;)
A Breath of Fresh Air
Mimi is a complete delight this chapter. She brings back some much-needed humor in a natural way. She’s not enabling Yuuki or interested in babying her. She’s dumb, but has a sharp intuition, if pointed incorrectly. Hino’s incessant need for comedy plays off well with this character, in a way it didn’t with Ai. As someone who is uninvolved in all the drama of Kaname’s interference in everyone’s lives from the previous series, Mimi has a refreshing outlook that helps break the story away from the bleak shadow Kaname cast over all the characters.
I love Mimi’s assessment of Zero. It tickles me pink that she thinks he’s a cheater and off wooing all the ladies and that he “seduced” Yuuki. This just shows how off-base she is, but I do believe she is picking up on his dissatisfaction with his current relationship, and is just reflecting it back to Yuuki in her own unique way. What I love about her perception of Zero is that she has no idea that in reality he never even tried to steal Yuuki--Yuuki chose him, Yuuki latched onto him, and Yuuki wouldn’t let go of him. The only “seducing” Zero ever did was simply be a hurt and fragile boy who stood in front of Yuuki on a dark night. The rest was all Yuuki. But of course Mimi wouldn’t know any of this, so it’s cute to see her misread the situation. ;) It also is a nice reminder of how charming, handsome, and attractive Zero is--that he is a catch and one who rightfully should have his pick of the ladies, even if Hino won’t give that to him because, well, they’d clearly outshine our “heroine,” who wouldn’t be able to compete with a proper rival. =P
I also love that Mimi has no reverence for Yuuki at all, despite dubbing her “Yuuki-sama.” She also cuts through Yuuki’s bullcrap in a way none of the other characters seem capable of in recent chapters. She honestly is a better friend to Yuuki in this single chapter than Yori was in the past 13--and I don’t mean better as in better person, but simply better in the fact that real friends don’t enable bad behavior for an entire lifetime, and Yori enabled Yuuki whereas Mimi reminds her to stop moping and dwelling and just do what she thinks is right. It’s so refreshing, and I’d love to keep this girl around for a while.
Her simple foolishness is charming and fun in a way Yuuki’s false obliviousness is not anymore, and it acts as a good contrast to Yuuki’s fake attempts at playing such a character. With Mimi around, even more than when Ai was near, Yuuki is forced to step into the adult role she’s meant to have and stop playing the eternal child who doesn’t know her adult responsibilities. All I can do is tip my hat to Mimi and thank her for channeling the true spirit of the Eternal Fool, the very person who lights the way for heroes to become heroes. All heroes step through the Fool’s Way first, and it’s long past time for Yuuki to get her own journey started. If Mimi can light the way for her, I’d be quite pleased.
Welcome Home
I won’t cover Maria as a potential suspect in this section, but I do want to talk about her role as a character and why she has returned at this time to the story. This section will assume Maria is not a suspect, but even if she is, her function in this chapter doesn’t change all that much, it just gains additional layers. Assuming she’s innocent, though, she still brings some interesting and much-needed layers to the table.
Maria is an active foil to Yuuki this chapter. In many ways, she is Yuuki’s superior and is closer to living as Yuuki’s “ideal” than Yuuki is, and this is a factor that I feel is not lost on Yuuki. Here are the ways that I feel Maria is acting more heroically than Yuuki this chapter:
Maria finds out on her own about the terrorist attack using her own intelligence-gathering abilities. (Assuming she is innocent of being part of the Vampire King plot, of course.) Yuuki, on the other hand, is sitting on her thumbs at home and the information has to be brought to her. Maria is active, Yuuki passive.
Maria is acting in the memory of her beloved and without his direct involvement and without any direct recognition from anyone. Yuuki only acts when she feels social pressure to do something, because it looks good in front of her friends.
Maria helps form and collect the members of the vigilante group. Yuuki sneaks around and drags uninvolved parties into danger.
Maria takes action despite the risks to her. Yuuki remains passive and uninvolved despite having immense power and political clout.
Maria is honest and forthright about her reasons for stepping in. Yuuki is cagey and unable to articulate why she is doing what she’s doing.
Maria’s activities bring the sincere admiration of Zero, while Yuuki’s bring only his irritation and concern.
Maria responds to Zero openly and sincerely, while Yuuki remains unable to express her true feelings honestly, despite knowing she should follow Ruka’s example.
Maria is acting out of a sincere desire to help, Yuuki to get attention and show off.
Again, the points above are assuming Maria is not a suspect. If she’s a suspect, some of the sincerity of her actions is diminished, but her role as a foil to Yuuki still remains intact because Yuuki believes she’s sincere.
I was chatting with @vampireknightmeta about why Maria comes across to me as sincere this chapter and why Yuuki doesn’t, and she brought up a brilliant point about the difference between the two (and the difference between Zero and Yuuki). I felt her point was very relevant and explains the difference well: Yuuki is the type of person who deep down knows that her natural inclination is not to do the right thing, and so tries to “act” like a good person. Maria (if she’s not acting duplicitously as a member of the Vampire King group) and Zero are the type of people who instinctively do the right thing because they are good people. They don’t have to act like good people, they are. This isn’t to say Yuuki isn’t a good person or doesn’t have the potential to be a good person--rather, it’s the difference between a person who follows laws because they’re “afraid” of the consequences of breaking them (and who, if there were no consequences, would do the acts that the laws warn against) and a person who follows laws because they genuinely believe the laws are good and are of benefit to themselves and others (and even if the laws never existed would choose to follow them on principle). The outcome is the same--both types of people follow the laws and would be viewed as “good” and “innocent” by bystanders looking in, but in their hearts the two are very different--one type is genuinely good and altruistic, the other is not but wishes they were.
I do believe Hino is trying to help Yuuki grow into such a person, a person who--although she is fully capable of great evil and great caprice--deliberately chooses not to be because in her core she truly has embraced altruism and genuine love. This hearkens back to VKM 3, where Yuuki talks about the seed of desire and her fears about it. Yuuki has never truly faced herself and the darkness within herself and the darkness she’s capable of creating, and because she hasn’t incorporated her shadow, she can’t actualize her full potential as a person the way Zero and (potentially) Maria can. Until you face your shadow, you don’t really know who you are, and I believe Maria’s return to the story (assuming she’s not part of the Vampire King plot, or even if she is) is meant to help Yuuki identify where she’s failing as a person, and why her relationships never unfold correctly. Maria’s role is always to help Yuuki course-correct, and I believe she is reprising that again this time. She represents a woman who isn’t relying on a man as a crutch, but who is using a past love as inspiration for moving forward, a direct contrast to Yuuki who is both using one man as a crutch and using a past relationship as a reason not to move forward.
By using Maria as a foil, Yuuki’s flaws as a heroine come into stark relief, and we can see more clearly where she needs to go and what she needs to do in order to achieve the happiness that surely she desires somewhere, deep down inside.
Closer to Shadow than Light
I’m feeling pretty darn ambivalent about Yuuki this chapter, and this section will reflect that ambivalence. There are aspects to what we saw unfold this chapter that I enjoyed and am pleased to see, and there are other things that I’m not so pleased with when I pull back to the macro level. Unfortunately they’re all kind of meshed together, so I’ll have to talk about them together. If anyone reading this is the kind of person who is defensive of Yuuki, I’d recommend just skipping this section and going to the next one. There’s a lot to deal with here, and I’m not going to be going easy on the girl.
Yuuki is more talkative and friendly this chapter than she has been in any chapter since Night 89. It almost seems like she’s had a personality transplant, honestly. She is actively trying to learn a new skill with Ruka, she opens up about herself and her feelings to Kain and Mimi, she’s more proactive and adventurous, she even openly admires and talks about Zero. It’s like we’ve been transported back in time to the Sara mini-arc, where she was running around doing her Night Class restoration thing. She treats Kain and Mimi better than she’s treated anyone since Night 89--she’s genuine and honest with both of them. While this is nice to see in general and is certainly a step forward from the lifeless doll she’s been recently, for me it feels like too little too late and makes me genuinely angry on behalf of Zero, Ai, Aidou, and Yori. Yuuki’s been dishonest and cagey with all of the people dearest to her for decades, yet all of sudden she’s now blabbing everything about herself to two people who aren’t even her friends. It’s frustrating that she’s kept this habit from her teen years, and it’s a sign of how little she’s grown in the decades since the final volume of the original series. And this is just the tip of the iceberg that is the mess that is Yuuki in VKM 14.
When we first encounter Yuuki in this chapter, she’s in her own home having a cooking lesson with Ruka. This fact is glossed over lightly due to the scene beginning in medias res, but it brings up some interesting questions:
Why is Yuuki suddenly interested in cooking? She’s never been good at it or interested in it in her over 70 years of life.
Does Zero know about these lessons, or are they a secret?
I wouldn’t find this lesson remarkable if this was during Ai’s childhood or right before or right after Yuuki and Zero became official. But it’s arguably several months after VKM 9′s official announcement, and the timing is suspicious for Yuuki to suddenly take an interest in being domestic where before she was content to leave it to the servants/Ruka (when taking care of Ai) or leaving it to Zero. It seems too coincidental that this sudden interest in being a more attractive and useful partner comes directly on the heels of VKM 13′s final scene; we don’t know how much time has passed since then, but clearly whatever transpired afterward led to Yuuki taking a sudden keen interest in improving herself. I’ll discuss the ramifications of this more later on, but for now it’s fair to leave this as a point of interest.
We begin the scene with Kain informing Yuuki of the next potential plot of the Vampire King group--to plant bombs under the sewers of the kindergarten and daycare centers. Why this group would broadcast their plans should be the real issue for the investigators--that alone should have been a red flag that their goals weren’t the bombing itself--but that aside, Yuuki gets herself worked up into a rage over the issue of children being targets. There’s an distasteful element of hypocrisy in Yuuki’s sudden desire to protect children that bothers me deeply as a reader. Yuuki declares very forthrightly that she won’t forgive anyone who targets children. Yet this is the same woman who spared not a single moment of regret for what Rido did to her real baby brother, the real Kaname, and free-passed and ignored what Kaname’s own crime of targeting Zero and Ichiru as children. For her to run around screaming that she won’t forgive anyone who targets children now, when she’s already done such a thing in the original series, is less than convincing and is outright distasteful in my opinion. I can only hope Hino recognizes this herself and doesn’t think Yuuki’s outrage in this scene is merely a cute way to show how altruistic and kind Yuuki is--because if that’s true, then that shows that Hino (and Yuuki) both think only criminals one doesn’t know are evil, and that the criminals one does know are excusable especially if they’re romantic interests, and that is reprehensible in the most vile manner. It’s okay for Kaname to target two innocent twins for Yuuki’s sake, but it’s not okay for the Vampire King group to do the same for their own reasons. The hypocrisy is a little too thick to be ignored on this one, and I hope Hino has Yuuki get called out on this later on in VKM.
On top of this, Yuuki’s outrage is rather out of proportion to the threat, especially with so many good people (including the man she supposedly cares about) on the case. It’s clear something more is going on beneath the surface than concern over the safety of children. Even Ruka, who is one of the most maternal characters in the story besides Yori, has a much more reasonable reaction to the news--she calls the perpetrators out for being despicable, but doesn’t let it steal her chill. Yuuki flies off the handle melodramatically and is rightfully stopped by Kain--she’s out of control, and her involvement isn’t going to help matters. Ruka’s solution works out well for Yuuki, but it read more to me like an adult stepping in to keep the peace rather than a genuine compromise. Still, Yuuki trying to be proactive is better than Yuuki sitting on her thumbs, so baby steps I suppose. The most damning news, and likely the real reason why Yuuki wants to get involved, is because Zero didn’t tell her this was going on and concealed it from her. She’s upset that he’s not involving her in the case, but also knows she has no right to get her nose out of joint because it’s his job. Sneaking in and sniffing around gives her an excuse to keep an eye on him. Trying to protect children is most likely a cover up for her real reasons for going. Yuuki always tries to look good in front of others to hide her real motives; typical pureblood activity.
This scene with Ruka and Kain isn’t just to establish Yuuki’s reasons for trespassing into Zero’s territory; it’s also meant to serve as a mirror, with Ruka and Kain’s relationship reflecting Zero and Yuuki’s. Remember, Ruka and Kain are a settling relationship, the one Zero and Yuuki should be if Yuuki genuinely loved Kaname and is just moving on with Zero as her second best option. If Ruka and Kain, who are a settlement pairing, are shown in a more positive light than Yuuki and Zero, it should serve as a red flag to a careful reader.
And that’s exactly what Hino does with this section--Ruka, the woman who settled for Kain, is shown behaving like a proper wife to him. She gets upset when he dismisses the importance of their time together as a married couple, she encourages him to do his best at his work, she expresses her explicit faith in and admiration for his abilities, and then she sends him off to do his duty while going about her day, having absolute confidence that he’ll return to her in the end. This woman, a woman who held favor for Kaname for nearly as long as Yuuki, is capable of being such a wife to a man she settled for, a man she clearly cares deeply about but who wasn’t her first choice. If Yuuki’s issues with Zero are simply her failure to move on from Kaname, she should be more like Ruka, not less.
Instead, Hino casts Yuuki unfavorably in contrast to Ruka. Unlike Ruka, Yuuki has no faith in Zero as a partner. Though she does admire him behind closed doors, she never openly speaks of her pride in him when he’s present, as Ruka does to Kain. She doesn’t appreciate his hard work or his efforts, she doesn’t nag him for time together, she doesn’t support his endeavors. Instead she frets over his safety and looks down on him because he’s not immortal like she is. She doesn’t trust that he’ll return to her, as she admits to Mimi later on in the chapter. Where did all this fear and distrust come from? It certainly didn’t come from the original series, at least not before she herself destroyed their bond in Night 88--she held a deep trust for Zero before then and didn’t fear for him during the Sara arc. In fact, she even said as much openly to him back then--she “wasn’t worried about him” even as she sent him to drink Sara’s blood. That same girl now has no faith in this man at all, despite all he’s done in the meantime. Something has gone terribly wrong, and from her conversations with both Kain and Mimi, she knows it too, even if she’s unwilling to face why.
Yuuki has her first semi-breakdown around Kain in this chapter, but she’ll break down around Mimi as well. She admits that she’s all scrambled, because she knows she should be more like Ruka but can’t quite get herself to that point. Instead of taking the time to sort herself out, she focuses on irrelevant things that won’t solve the real problems--such as interfering with Zero’s investigation. She basically says that rather than deal with the snakes in the garden, she’d rather go out and hunt the wolves howling outside the walls. This section reveals her real intentions for going out on this case--she’s not interested in protecting the children, but in preventing Zero from being involved. This mindset, as her own narration implies, will come back to bite her in the future. From some point in the future, she admits that during this period all she could do was eliminate the immediate fires, rather than preemptively planning for them.
What’s interesting about the way Hino frames this discussion with Kain (if it can even be called a discussion; it’s more like Yuuki talking to herself in front of Kain), is that Kain is clearly uncomfortable with Yuuki suddenly blabbing to him about her inner worries. This tells the reader a few things:
Yuuki and Kain are not normally close enough for these kinds of conversations to be normal.
Yuuki’s starting to crack under some kind of internal pressure to the point where she’s talking to people she normally doesn’t talk to.
Notice she doesn’t talk to Ruka about her worries, despite the fact that Ruka is a far better option for this sort of discussion than Kain. In the past, she did the same thing to Yori--when Yori tried to ask her about herself, she’d clam up (as she does in VKM 13.5) or deflect. Yuuki hasn’t talked about herself openly in decades, and so for her to start blathering her true thoughts now, well, that can only imply something...unusual...has triggered this sudden need to talk to everyone who’s not involved with Zero.
She does another thing that’s rather interesting during this whole scene with Ruka and Kain--she brings Zero up when no one else brought him up. Kain never once mentions Zero, only the hunters in general. Yuuki brings him up twice on her own when no one asked her to. This also implies that whatever it is that’s spurring her into action, it’s related to him and nothing else. Coming on the heels of VKM 13, I smell a rat that’ll need to be buried in future chapters.
This all would be more than enough to chew on if the chapter ended there, but there’s still more to unpack once Yuuki gets herself into the sewers. She’s joined by Mimi, the culprit of the attack on Yori in VKM 6, who has “reformed” (so she says) thanks to Yuuki’s intervention. Mimi’s a charming girl, and she brings some of Yuuki’s flaws and failures as a person into stark relief for anyone with a knowledge of the original series.
The first thing we find out about Mimi is that Yuuki’s helped her get her life back together after her crimes, and Mimi’s grateful to her. Yuuki flat out tells Mimi that the only reason she helped Mimi was to keep her from returning to her criminal ways. When Mimi acts like she probably hasn’t, Yuuki asks her if she’s really gotten her act together.
While this is a cute scene on the surface, and if this was any other character (Zero, Aidou, Yori, or Ai, for example) who helped Mimi, it would be just a funny character-building scene for Mimi; unfortunately Yuuki’s past history with a certain other criminal highlights another aspect of her hypocrisy this chapter: she judges Mimi for her unlawful actions, but she refuses to hold Kaname accountable for his--instead she blames herself, rather than Kaname, for his crimes in order to excuse him and absolve him of them. For her to judge Mimi, whose crimes are much lower on the scale of criminality than the man who fathered her first child, is a pretty classless and hypocritical move as far as I’m concerned. I’m sure Hino just meant this scene to be a cute example of Yuuki helping people, but it was a fairly tasteless choice in my opinion. As I said earlier in the Kain section, I can only hope Hino knows how tasteless this is going to come across and accounts for it with a reckoning later.
While Mimi herself is adorable, Yuuki is fairly gruff and curt with her in the first part of their scene together; it’s clear she doesn’t like Mimi and finds her to be useless at best, irritating at worst. Mimi’s worth as a character won’t appear until later, but we can already start seeing the role she’s going to play for Yuuki in the upcoming chapters: she’s taking Aidou’s place, since Aidou is now a serious character who can’t play the fool for Yuuki, while Zero is gone from Yuuki’s side. Mimi is here to point out the things Yuuki won’t say, and to hint at resolutions to the things Yuuki is running from, just as Aidou was before her during the second arc of the original series.
When Yuuki realizes Zero is one of the three people she’s sensing in the tunnels, she aborts her mission rapidly--her hope to capture the culprits before Zero gets involved is immediately quashed. She tries to backpedal before Zero notices her, but of course no one escapes the greatest hunter who ever lived, and certainly not two girls as blockheaded as Yuuki and Mimi. But the mere fact that Yuuki tries to avoid Zero highlights a few issues right away:
Yuuki doesn’t want Zero to know she’s there.
Yuuki didn’t tell Zero she’d be there.
Yuuki knows she shouldn’t be there.
Interestingly, earlier on in the scene with Mimi, Mimi mentioned that running into the association members is what she really doesn’t want to do, likely because they’re the most dangerous for vampires. Yuuki carefully ignores her comment, but we see here that Yuuki had the same intention, if for very different reasons.
Hino uses screentones to show Zero’s none-too-happy about the appearance of his pseudo-girlfriend in the tunnels. He and Yuuki look like they’re about to get into it, but then Mimi distracts Yuuki by insulting Zero, which pisses Yuuki off. Any ensuing argument is cut short by the sudden appearance of Maria, who Yuuki clearly hasn’t seen in a while. The two teams chat for a bit, and Yuuki grows increasingly tense the longer the discussion goes on.
As I mentioned earlier in the Maria section, Maria is another foil for Yuuki, much as Ruka is, in this chapter. Beyond being a general foil, she highlights some of Yuuki’s deep insecurities specifically about Zero. Yuuki’s jealousy in this chapter, while funny on the surface, actually serves to highlight some of the true sources of her real fears about Zero, the ones she conceals behind fear for his safety, which is a more appropriate fear than her real ones. The first moment that worries Yuuki is when Zero openly admires Maria for doing something brave that is out of character for her. Zero then tells Yuuki about information he learned from Maria, implying that he and Maria have a “world” together that Yuuki’s not a part of (of course, this only because Zero just ran into Maria, so this is just Yuuki’s perception, and Zero’s being very upfront and honest).
Yuuki watches (as does Mimi) this little world Zero and Maria are creating between them and becomes increasingly anxious with each moment. Mimi serves to highlight this for the reader, because Yuuki’s unwilling to let her true feelings be known other than some leaky facial expressions. Zero makes a comment showing he resents Yuuki hesitating about whether or not he’s cheating (the guy has waited patiently at least 70 years for this girl to have a real relationship with him; he’s no cheater and she shouldn’t be fretting over that--it’s insulting to him), and Maria quickly steps in to try to resolve the issue. Of course, the manner in which she does it just digs the hole further--she elicits a gentle response from Zero that continues to create a “world” around them that Yuuki isn’t a part of.
Maria’s interactions with Zero establish a few things for Yuuki:
Zero honestly compliments Maria, yet he doesn’t compliment Yuuki or appreciate her efforts.
Zero respects Maria, yet he doesn’t seem to respect Yuuki.
Zero openly shows affection for Maria, but not Yuuki.
Maria is open and honest with her feelings for Ichiru and Zero, while Yuuki remains closed.
Zero relies on Maria, but not on Yuuki.
Yuuki is diminished standing next to Maria; her efforts to be helpful all pale in comparison to Maria’s. Zero’s admiration and affection and attention are all directed toward Maria; Yuuki is an irritation and an afterthought to him (from Yuuki’s perspective, though of course that’s likely not true in reality). Zero is warm and affectionate and openly speaks about his beloved brother with Maria. The reality of all of this makes Yuuki surly, and she brushes Zero off with a curt goodbye rather than wishing him well as Ruka wished Kain earlier. Even now, Yuuki’s still failing to fully take her place at Zero’s side.
Maria stands as a symbol of what Yuuki should be: a woman who openly speaks of her affection for the ones she loves and who acts to protect not only the ones she loves but all the things she holds dear. Yet Yuuki’s failing to do any of this, and this is why Maria receives the reward Yuuki wants--Zero’s affection, respect, and admiration. But Yuuki hasn’t done anything to earn those things from Zero, and we’ll see this continues to be true even to the very end of the chapter.
Before I leave this section, I just wanted to mention one thing I found incredibly irritating about Yuuki’s reaction in this section. Yuuki’s spent 70 years moping over a guy who is “dead” in name only by Zero’s and Yuuki’s own choice in VKM 8; Zero’s spent the same amount of time silently holding his own losses in his heart without complaint. The reason Zero is affectionate and kind to Maria in this chapter is because of her connection to his own loved one, and he actually has a chance to talk about his loved one with another person who loved him, unlike Yuuki. Yuuki can’t even handle this much; she’s too busy focusing on herself to see how good this is for Zero, how healing it is for him, and how much he’s needed this. Yet, she gets to mope about Kaname and talk about Kaname to her daughter and all Kaname’s friends and Zero, but can’t even afford a single tiny conversation about Zero’s brother to Zero because *egads* Maria has feelings for Zero and Zero might find a girl who lets him talk about his interests more attractive than a girl who whines to him about his mortal enemy in nearly every conversation for the past however many decades. It’s absolutely preposterous and honestly I hope Yuuki pulls her head out of her rear sooner rather than later because I’m getting hellaciously tired of her narcissistic naval gazing.
That aside, we come to the most revealing part of the chapter--after this new stress on her psyche, Yuuki breaks down to talk to yet another person she’s not close to, because apparently that’s how Yuuki works through things. She admits to Mimi that she knows her fears for Zero’s safety are potentially overblown, but that she can’t seem to have faith that he’ll return to her. Mimi, being a bit dumb but a good girl at heart, thinks the solution is as simple as Yuuki just letting go and having faith, rather than focusing on her anxiety. But obviously Yuuki’s anxieties aren’t about Zero dying--oh, no, they’re about him leaving. Yuuki clearly is aware she’s not the best girlfriend and that there are other women who are superior to her, and that if she doesn’t take action soon, after VKM 13, Zero might actually start to consider at other opportunities that are definitely out there. Maria clearly still is an option, Yuuki’s own daughter is an option, and we know from VKM 5 that Zero has had other opportunities. This is the first positive sign that Zero’s outburst in VKM 13 has made Yuuki realize not all is well with him, and that the status quo is no longer good enough to lead him on into the future. Her “restart” plan is starting to fail, and she has to figure out why. This is the real reason she’s talking to random people like Kain and Mimi, rather than her friends or Zero--she doesn’t want anyone to know how bad things have gotten, or how close she senses Zero is of realizing he doesn’t need her or her Kaname baggage anymore.
She clinches this with a thought that Zero smiled for Maria. That means Zero hasn’t smiled for her in a loooooong time if she is struck by his basic polite smile to Maria. He probably hasn’t smiled since Ai grew up, as we see in VKM 10 that Yuuki loves his smile for Ai and thinks that things are well because of it. But Yuuki doesn’t make him smile, and rightly so--she’s honestly a terrible girlfriend, and worse--a terrible friend. She can’t even do friendship properly with Zero anymore, much less the relationship and intimacy he clearly needs. For her to get envious over Zero smiling politely and even a bit fondly at another girl, she has to have robbed him of his smile for so long that even that sad sorry state of a smile seems brilliant to her. It’s pathetic, but perhaps it’s the wake up call she needs to get her act together.
Sadly, we don’t get any more reflection from her because of course Mimi just has to step on a landmine, and Yuuki follows suit. This yet again highlights the fact that Yuuki can’t seem to do a single thing right and always needs Zero to save her--far from saving him, he’s the one saving her. Mimi wonders if Yuuki will save her, to which Yuuki replies in the affirmative. But in Yuuki’s mind, her first instinct is to panic--rather than immediately dealing with the threat and expelling Mimi herself, she stands frozen, trapped in thought, until she senses Zero coming for her.
Despite my complaints about Yuuki in this chapter, this section is my favorite. Her fear and her love for Zero are actually palpable in this scene, more than we’ve seen since Night 88. She actually seems to care about Zero’s wellbeing here, which is more than could be said about her in previous chapters. Unfortunately, her care for his wellbeing has a darker underbelly--she stands around wasting time yelling at him rather than being useful and dealing with the threat before he gets there.
Mimi is clearly in danger (the bombs could actually kill her, unlike Yuuki), and rather than immediately getting Mimi out of the blast zone (the way Yuuki will do as soon as Zero arrives), she stands around shouting at Zero like a spoiled child. Their bombs could go off at any minute if Mimi or Yuuki moves at all, yet Yuuki’s wasting time yelling at someone who isn’t even at her side yet or in danger. Clearly it doesn’t matter to her if Mimi’s head gets blown off, so long as she “proves” that she can protect Zero. It’s foolish and stupid, and it just goes to show how much growing Yuuki needs to do and how useless she is unless she has Zero as a crutch.
When Zero reaches her side, instead of thanking him for coming (because, as always, his presence calms her mind and helps her focus), she goes all tsuntsun on him and snaps that she was going to deal with it herself. But she clearly wasn’t dealing with it--she was panicking and frozen and wasting time yelling at him and spinning her useless brains instead of focusing and doing something. She comes across not as a capable woman who is a good partner to Zero but rather as a petulant child who was testing Zero to see if he’d come running for her despite her protests. And as she surely knew, he came running to her side to save her, abandoning Maria in the process despite Yuuki playing the “bigger person” and telling him to stay by Maria’s side. If she were truly the capable woman she wants to pretend she is, she’d have already begun dealing with the bomb before he arrived to support her--that would have earned his admiration and praise. Instead, she’s uselessly standing around until he’s at her side, and then suddenly her brains work. Magical.
I do want to stress that it’s not at all that I truly believe Yuuki isn’t capable of courage, bravery, and being a useful member of the team. It’s the very fact that I know full well she’s capable of great courage and bravery (the Rido arc, the Sara arc) that makes her behavior this chapter so grating on my thinning patience. That’s the very reason why her behavior is so frustrating here--as soon as Zero is at her side, she instantaneously transforms into the capable woman she’s always been. She gets Mimi out of danger and starts dealing with containing the blast. If she’d just do this and trust Zero to support her and back her up, she’d find she likes herself a lot more, I think. That’s how they’ve always worked together, and for her to forget that after all these years shows how far she’s fallen.
There’s a weird moment when they’re bickering with each other where he touches her arm and her eyes go wide with shock. This to me says they’re really on the rocks if she’s shocked that he’s touching her. Their bickering itself only reveals surface-level issues which by now I think is clear aren’t their real issues. Yuuki does reveal she resents Zero not telling her about the investigation, so likely she’s upset that he’s not wanting her as a partner in crime anymore. But given how reckless and unreliable she is, and how for a long time she made them do things separately due to their bench agreement, it’s hard to blame him for not being a mind reader and knowing she wanted back in on the action. Really she’s just being unreasonable, and she knows it.
Of course, Zero then disappears before they can work through anything. Whether he’s been kidnapped or he disappeared of his own volition remains to be seen, but whatever is about to happen is surely to test Yuuki at last. It’s time for her to face being alone without a man to use as a crutch--no Kaname, no Zero, no Aidou. She might even grow from the experience. Wouldn’t that be something extraordinary?
The thing that bothers me a bit about how Hino’s handling Yuuki this chapter is that this sudden “action heroine Yuuki” is too little, too late. Yuuki’s failed as an action heroine since the second arc of the original series began. This girl spends more time sitting on her rear than she does helping anyone in this story or doing anything useful. Most of her “activities” are pointless and result in no lasting consequences. It’s honestly laughable that Hino wants to try to go back to the Yuuki who stood against Kaname and Rido at the end of the first arc of the original series, but we’ll see. Maybe she’ll surprise me. I doubt it though.
The Solitary Sun
The flip side of Yuuki this chapter is Zero. While Yuuki’s thoughts are laid bare for us to see, Zero’s are, as I predicted, hidden. No surprise there, because Hino probably doesn’t want any Zeki fans to run away, and a peek in Zero’s head would probably send the remaining readers bolting for the hills. Better to stick with Yuuki for now.
However, we have enough clues to theorize where Zero’s headspace potentially is this chapter. We learn that he’s actively hiding intel from Yuuki, including information about the vigilante groups, which Maria (her rival) is a part of. While the likelihood of him cheating is low, this does demonstrate a lack of reciprocal trust in Yuuki’s maturity and judgment.
It’s likely that Zero’s concealing of intelligence from Yuuki is partially motivated by the outcome of VKM 13. There are a few hints that he’s still unhappy about the unresolved issues from VKM 13--he becomes angry with Yuuki the minute he sees her in the tunnels (inappropriately so; despite Hino trying to play it off as a comedic moment, there’s really no reason for him to be that angry at an immortal woman taking part in vigilante activity), and he’s the first one to bring up Yuuki’s VKM 13 request that he not die during their bickering fest as they disarm the bomb.
Given that Yuuki wanted to avoid him this chapter and he’s displeased to see her, this implies he’s at the very least been stewing on VKM 13 for an indeterminate amount of time, even if he hasn’t yet taken any action or made any decision about them as a couple yet as a result of it. It does appear that publicly he’s still holding his position in their relationship--he’s openly bothered by her pause before she rejects the idea of him cheating, and he openly calls her the woman he loves during the bomb disarming. However, these also may be signs that internally he’s starting to wonder about their relationship and is over-emphasizing it in order to keep legitimizing it. His doubts may be crumbling the foundation of the relationship beneath his feet faster than he can rebuild. Not once in all of VKM has Zero called Yuuki the woman he loves. For him to be saying this now, on the heels of VKM 13, strikes me as a red flag, and not of the “Zero’s about to be kidnapped” foreshadowing flavor. If Zero’s pulling out all the stops and openly declaring his feelings before he’s happy with Yuuki, we’re at the end of the line. This strikes me as the last desperate push to make things right before they all fall apart and he has to at last admit the experiment was a failure. But we’ll see. The kidnapping might give him a reprieve.
I don’t have any evidence for this, but his behavior with Maria vs. Yuki this chapter brought up some questions for me. He openly admires Maria’s courage, despite her actions being against her regular character. Yet when Yuuki does the same thing, he doesn’t admire her actions or her attempts at bravery--he doesn’t encourage her, as he does Maria. I’m not sure if he’s doing this deliberately or if he’s just tired of Yuuki in general and thus can no longer be a supportive figure in her life. I think what he admires about Maria too is that she’s putting her life on the line in a genuine way, a way Yuuki can’t do because she’s a pureblood and thus doesn’t have to fear those things anymore. That’s something Zero may deep down wish he still had--the ability to walk the same lifespan with Yuuki, and to take risks together with her, as opposed to being the only truly vulnerable one of the two of them.
I also was struck by how he handled the moment when Maria was explaining how she had to insist he abandon her. Zero’s obviously a kind person, but it was a surprisingly manipulative move on his part to express his concern in the manner he did in front of Yuuki. It reminded me a little of an insecure man slyly trying to make his girlfriend jealous more than a sincere question. The rest of his interactions with Maria felt platonic and sincere to me, but that particular moment struck me as odd.
Overall, in the initial scene with Maria, Zero doesn’t give Yuuki much warmth at all. Mimi even picks up on it, though she immediately assumes he’s cheating (in other words, she misreads the energy, but the energy does exist). He’s deliberately warm and supportive to Maria. This might be genuine, or it might be manipulative on his part, I’m honestly not sure yet. A Zero who is capable of what he did in VKM 13 is a different Zero than i’m used to, and so he may have some new snakes in his heart than before. Hence, he might be capable of new behaviors that he wasn’t capable of previously. If Zero is sincere in his admiration of Maria, it shows that he can tell the difference between her efforts and Yuuki’s. He knows exactly what Yuuki’s up to (spying on him and snooping), but Maria (as far as he’s aware, of course) seems to be genuinely working toward a higher cause, which Zero admires.
That also says something about the state of how Zero feels about Yuuki that is truly heartbreaking for me. Zero used to admire her straight-forward gaze and her inner courage and strength and kindness throughout all of the original series. For him to now be at a point where he’s not even acknowledging what she’s trying to accomplish, that leads me to only two conclusions: 1.) he doesn’t believe her sincerity due to his suspicions about her true motives, or 2.) he’s so angry with her he can’t appreciate her right now. It could also be a combination of the two, which is particularly unfortunate.
The other thing I feel is lurking under the surface in Zero’s interaction with Yuuki this chapter is a sense that he feels resentful of her inability to trust him. He wants her to have faith in him and his abilities, as she once did when they worked together in the original series. I think he resents (on multiple levels) her obsession with his death--she’s not appreciating his life and is myopically focusing on something that may or may not come to pass. This comes out in his deep frustration with her at the end of the chapter; he hates the idea of being her damsel in distress that she has to rescue simply because she happens to be the longer-lived of the two of them. He still has his pride as a man and wants to protect her with his own skill, even if she’s technically stronger than him.
Some of this comes back to what I feel his true issues are lurking deep beneath the surface, which I mentioned in my review of VKM 13. His real issues center on a deep insecurity about his place in her heart versus Kaname. Kaname, on the surface, is a far better partner for her--he’s immortal, like she is, he’s older than she is, he’s more mature than she is. Zero is all these things as well, but he’s not “immortal,” only long-lived. If Zero is beginning to fear that Kaname (and Kaname’s lifespan) is what’s really at the center of Yuuki’s “fears” about Zero’s lifespan, then his outburst at the end of VKM 14 may be due more to his own insecurities than any genuine fear about the trouble Yuuki might get herself into. Of course, he loves her, so he doesn’t want her to suffer, but if he had faith in her (as he wants her to have faith in him), he’d know she could get herself out of any scrape she got herself into. So this to me indicates he’s really worried about something else, and that her “arms getting blown off” is more of an excuse than the real reason.
I want to do a write up on this separately at some point, but for a long time now (since before the original series ended), I’ve had this sense that Zero is the real shoujo heroine of this story, and that the traditional “character roles” have been gender-reversed. This chapter added fuel to that suspicion, because normally the shoujo heroine is the one who gets kidnapped so the hero can come valiantly rescue her. However, I don’t think this particular kidnapping is going to play out that way--honestly I still believe this kidnapping is meant to isolate Zero so a deal can be struck with him; I don’t think Hino wants him to be seen as the damsel in distress. But with everyone targeting him in particular, and with the purebloods wanting him in the past, and with him being labeled as special far more than Yuuki ever was or has been, the chips are stacking in his favor that he’s the “real” shoujo heroine of this story, and thus many of the heroine character beats are going to him rather than to Yuuki. This makes for a difficult road for Yuuki as a heroine, because she’s not traversing the masculine beats very well--she’s just not capable enough. The Hooded Woman was a much better character for those sorts of beats, but Yuuki’s just too damaged, fragile, and flawed to play them out correctly. We’ll see how it unfolds, but for now I’ll keep mulling this over.
Ships Passing in the Night
I don’t want to talk too much about Zeki as a couple, simply because they’re in a very frustrating spot and I’ve already labored over them enough separately. However, I do want to point out a few things about their situation together this chapter that struck me.
First is that I think it’s fairly clear that underpinning the whole chapter is VKM 13, which indicates a lack of resolution on the part of that chapter. I think it’s safe to say that nothing was resolved between them, and that Zero’s words to Yuuki (that her fear was her own curse on herself, rather than anything legitimate) hit home to her, while Zero is confirmed to not be buying any of the snake oil she’s selling with her “fears” for his life. We can see this in how they both behave in the chapter:
Zero’s behavior:
Zero’s the easiest, because the best way to prove he didn’t buy what Yuuki was selling in VKM 13 is to look at his behavior. If he’d bought into her fears as legitimate, he’d be doing a couple things this chapter that we don’t see:
He’d have told her what was going on with the investigation.
He’d have asked for her help in securing the scene of the crime.
He’d be making sure she was emotionally okay with the idea of him doing his job.
He’d be kinder to her for sneaking around to check up on him.
He would be taking precautions to ease her worries.
Zero does none of this in VKM 14. Instead he:
Hides what he knows about the investigation from her.
Gets outright angry when he finds her in the tunnels.
Is not taking any precautions to protect himself, and is instead protecting other people.
Throws her “curse” and her “worry” in her face in the middle of their bomb disarmament.
Flat out rejects her worries by pointing out that he hates the idea of her getting her body parts blown off, implicitly admitting that he’d rather die than witness that.
This all points to Zero not buying what Yuuki was selling in VKM 13, which I think puts to rest the idea that his “behavior” in VKM 13 was in any way shape or form genuinely a response to her fears and a “taking on” of her fears--he was mocking her then and taking out his frustrations on her, not “empathizing” with her or giving her what she wanted. If he genuinely felt her fears were legitimate, he’d be taking them into consideration in this chapter. I feel the case is closed on that at this time; now all we have to wait for is to find out what he was really upset about in that chapter, because now we know he was upset about something unrelated to her preposterous anxieties.
Yuuki’s behavior:
Yuuki’s behavior this chapter implies the opposite of Zero’s, another point in favor of Zero’s accusation that her curse was her own and not legitimate during VKM 13. If she felt her behavior in VKM 13 was legitimate and that her fears were legitimate, we should see some different outcomes from her this chapter:
She would be angry at Zero for getting involved in another case despite her fears. She would be upset with him for not taking her feelings into consideration. (Ironically, this is why she comments to Kain that she should be “worried” like Ruka--the fact is, she isn’t worried for his safety; her fears have nothing to do with whether he’ll get blown up or hurt or killed--they’re about something she’s not willing to face.)
She would be hunting Zero down in the tunnels openly to yell at him and drag him off the case.
She would immediately deal with the bomb herself without shouting at Zero when she and Mimi step on it, because that would prevent him (and Mimi) from being in the blast zone if she handled it promptly.
Instead of this, what we get is the following:
Yuuki suddenly wants to improve her cooking skills! (That’s a bit of an odd reaction to fearing for your man’s life.)
Yuuki has a sudden “need” to be part of the investigation just because she overhears what the target is, when she wasn’t interested before other than in passing.
Yuuki suddenly starts talking to random people about her issues, as if she realized she needs to work through them and get to the bottom of them. (She even flat out admits she’s a mess and can’t work through that mess easily.) This alone confirms she knows she’s full of horse manure and that Zero was right when he called her out in VKM 13.
She immediately has anxieties about Zero and Maria, despite all she and Zero have been through since the original series. Her anxieties aren’t even about Maria--they’re about Zero!
She envies Zero smiling at Maria! If her true issue was his safety, who he smiles at shouldn’t bug her in the slightest because she has a good relationship with him and is being genuine and sincere with him.
She admits to Mimi that she doesn’t even have faith he’ll come back to her. This is not about him dying--this is about him leaving her.
We see from Yuuki’s actions this chapter the first true hints (which her actions in VKM 12 support) that she’s afraid Zero is finally fed up and is thinking of leaving. That all she’s done to string him along and “keep” him is no longer enough--her blood’s not enough, sleeping in bed holding hands isn’t enough, being “platonic friends” isn’t enough. He has finally hit the end of the road with her “I won’t let you go but I won’t do anything with you” declaration in VKM 9.
What she’s afraid of isn’t Maria per se--Zero isn’t going to leave her for Maria. But what about some other girl she doesn’t know about? There are thousands of women for Zero to choose from--thousands who, like Maria, would openly appreciate him and react warmly to his advances rather than shutting him out and clinging on to the memory of a man who hurt him deeply. Yuuki’s real fear isn’t that he’ll die--it’s that he’ll live, but not with her.
Yet for her to keep Zero, she has to “clean up the mess,” which she herself admits is “hard.” So instead of doing the real work of dealing with her own issues, she goes off to play investigator and spy on Zero and play “hero” when she has no right to. Basically, this kidnapping is quite good for her, in my estimation, because it means she’ll have to start facing those things she doesn’t want to face--the real reasons Zero is unhappy with her and their relationship isn’t progressing. What’ll come of that is anyone’s guess at this point.
Zero and Yuuki’s mutual issues from VKM 13 bleed into their teamwork this chapter--although they still work together well, it’s not seamless like in their younger days. Yuuki trying to test Zero doesn’t help much, either--your partner isn’t going to respect you if you’re testing their loyalty when you yourself have been disloyal for 70 years. Seriously, why is Yuuki always one step forward, fifty back, I have no idea. It’s very frustrating for a reader, and I can only imagine how frustrating it must be for Zero to have to live with that.
Ultimately, I’m pleased as punch they’ll be separated for a while. But more on where we’re going from here next.
Past Reflections Echoing into the Future
If VKM 13 was VKM’s version of Nights 61-64, VKM 14 picks up as the inverse of the Kuran Manor mini-arc’s Nights 65-67. I suspect the parallels will continue into the future, which is why I expect Zero to “return” of his own “free” will after he’s been blackmailed by the Vampire King group’s mastermind to act “against” Yuuki (and thus parallel the Rogue Kaname mini-arc from the original series).
Because Zero was kidnapped, unlike Kaname in Night 67, this gives a different general atmosphere to this parallel to the original series, but ultimately the point is to separate Yuuki from the crutch she’s leaning on (Zero now, Kaname back then) and send her on a journey of self discovery, which hopefully this time will actually lead to growth rather than regression as it did in the original series in Volume 19.
I see us being set up for a new arc where Zero’s return gives Yuuki initial relief, but because he’s being blackmailed he has to protect her by pretending to break things off with her. In this process, he will likely say quite a few “true” things that actually do reflect his true feelings--the best way to fool your enemies is to fool your loved ones, and the truth is the best way to accomplish that. So while Zero is saying these things to keep her safe and in the dark about what he’s about to do for the Vampire King (and in order to keep other innocents safe, because Zero’s lovely and altruistic like that), Yuuki will “believe” what he’s saying, because he’ll be speaking the truth from his heart at last.
I suspect we’ll finally see that he has been afraid that she truly loves Kaname, despite what her blood tells him. We may see that he’s been contemplating bringing Kaname back for her again once the cure is in place. We may see that he’s open to the idea of disappearing from her life, because he feels he’s brought her nothing but misery. We may see that he feels Kaname was wrong in Night 93--that he doesn’t believe he and Yuuki were meant to be at all. All these fears and more are what could potentially be revealed on Zero’s side via this arc, and I would feel so relieved to see him finally speak these oppressive thoughts he’s clearly been suffering under for so long.
Even if none of this comes to pass and Hino has other less interesting reasons for these events, Zero’s kidnapping is the best thing that’s happened to this story since Night 87. Even though I didn’t get Zero walking out on Yuuki (which I would have preferred), the kidnapping still forces them to separate and (hopefully) will force Yuuki to begin to examine what’s wrong in herself and her relationship and why it’s gotten to this point in the first place.
This will work especially well if Zero does come back and is forced to act cold to her in order to protect innocents due to blackmailing from the Vampire King group’s mastermind. This would force Yuuki to have to examine how much she trusts Zero, how much of his words are true, and what all of it means for her. It’s a far greater test than what Ruka put her through when she gave her the illusion of Zero shooting her--because everything Zero will say to her here will be truth--perhaps incomplete truth, but still truth that she needs to acknowledge and deal with at last.
As for what else is coming our way, perhaps we might finally start seeing some movement on the cure. I’m quite looking forward to how that plotline mixes with this one, if indeed that’s what Hino intends for these two plotlines.
All in all, I think we’re still on track for things to unfold happily for our two star-crossed lovers, as long as Hino stops setting us back with detours. It’s time for Yuuki to get her act together and decide which man she wants in her life and what she actually wants for herself. It’s time for her to decide she prefers happiness to misery, whether or not she deserves it, and that Zero deserves happiness from her if she wants to stay with him or freedom from her if she wants to be true to Kaname. And since we know that he dies in her arms, I’d say chances are higher for the former happening than the latter.
A few months ago, I wrote up a list of possible culprits who might be the true identity of the Vampire King character who is now menacing the VKM world. In my list, I covered everyone except the most likely suspect, one my dear friend @vampireknightmeta pointed out to me as a joke. Once it was out in the ethers, it became readily apparent that there might be more to the crack thought than meets the eye. After some brainstorming with the usual suspects, and after a good deal of pondering and the pertinent and timely release of VKM 13.5, the theory seems solid enough to offer it up to the universe.
Takuma, the Vampire King? It’s more likely than you think.
On the surface, Takuma is a relatively unlikely candidate for the Vampire King. He’s a comic relief character who was Kaname’s number one toady and spends his life obsessing over his ice-cubed friend. At most he’s a figure worthy of pity, but hardly the type to orchestrate any kind of mischief. Even during the original series, he was always a lackey rather than a mastermind. How can a lackey do any damage without the mastermind to guide him? There’s also his easy-going personality to contend with as well.
So before we can even discuss how Takuma might be the Vampire King, or why he might choose to bear that moniker, we need to look first into what would motivate him to even consider this in the first place.
Deeper Desires: Resentment and Longing
We know from the original series that Takuma was the kind of person who wore a mask of cheerfulness to cover his insecurities. While Hino didn’t delve too deeply into why, exactly, he used this particular coping mechanism, she did spend a great deal of time expounding on his fascination with purebloods and his desire to be necessary to them.
Takuma has a bad case of pureblood-fixation. While at first he merely seems like Kaname’s best friend and the one noble who actually sees him as a person, rather than as an object of worship (as Ruka, Aidou, and even Yuuki do), we find out during the Sara arc that he’s for the most part no different than the rest of them--he is a fly drawn to Kaname’s fly zapper light, and later to Sara’s.
We learn during the Sara arc a few key things about Takuma that are never fully explored: one is that Takuma had his suspicions about “when” Kaname’s plans for Zero began, and that those plans did not begin after Zero was brought to Kaien’s home; and the other is that Takuma is deeply envious (to the point of outright saying so to Sara) of Zero being “necessary” to the purebloods while he himself is not.
This all culminates in a surprising moment when Takuma briefly takes Zero hostage during the fight with Kaname in Night 84. Kaname becomes panicked and tries to reason with Takuma, which clearly bothers Takuma as, well, Kaname never takes the time to reason with anyone over anything. Takuma’s response to Kaname’s attempt to negotiate is incredibly telling--we only get to see a bit of his back, and the panel itself is covered in dark screentones. Takuma was both not expecting Kaname’s response and deeply hurt by it.
Due to Sara’s untimely death and ultimately Kaname’s cubification, we never get to see what was truly going on in Takuma’s mind during these chapters. His sadness when he watches Kaname leave to throw his heart into the forge could be anything--it could be a pure-hearted sorrow for Kaname, or it could be mixed with envy that Zero is the one Kaname’s sacrificing his life for (it is, after all, Zero’s weapon breaking that is the catalyst for Kaname’s choice, not Yuuki).
Admittedly, if we stop here, there isn’t much evidence that Takuma would become an active agent again in VKM. However, VKM itself has some...rather interesting moments with Takuma that are suspicious in light of VKM 13.5 and the Vampire King’s appearance.
The first moment in VKM that always stuck out to me like a sore thumb is Takuma’s cheerfully passive aggressive line to Zero in VKM 1. Zero is late to join the baby congratulations party, and Takuma asks him if he has any fond memories of Kaname he’d like to share. On the surface, this is an innocuous comment...until you realize Takuma knows the full depth of what Kaname means and did to Zero. Takuma knows everything--he knows what Kaname did to Zero’s family, he knows what Kaname did to torment Zero during his years with Yuuki, he knows that Kaname set Zero up to kill Rido, he knows what Kaname did to Zero through Yuuki and he chooses to say this line anyway, which shows just how little regard he holds Zero and Zero’s feelings.
We don’t see much of Takuma after this, probably for good reason, and the next time we revisit him is in VKM 10, when Zero and Yuuki arrive to “greet” the Kana-cicle and announce they’re officially dating. Oddly, Takuma makes a point to “joke” about not approving their official status. Hino again plays it off as a comedic moment, but given Takuma’s personal history and loyalty to Kaname and his known passive aggressive nature and mask-like personality, it’s hard to take his “jokes” at face value--there’s always an element of truth lurking beneath them. Yuuki “belongs” to Kaname, and Takuma has never once disagreed with this--he is no Zeki fan, unlike Aidou and now Ruka. He doesn’t care about anyone’s happiness but Kaname’s.
The next interesting tidbit we get is a scene at the end of VKM 10, where Takuma questions Aidou about his research and about whether or not Aidou thinks the Kaien cure will bring Kaname back. This is a clear statement of intent--Takuma is interested in Aidou’s research for the sake of Kaname’s resurrection, not for any other reason. This gives Takuma a motive for wanting a cure created, which is more than any other character has at this point (Yuuki already has a way to help Kaname with no cure needed).
Even with all of this though, including Takuma’s resentment toward Zero and his longing to have Kaname back, there isn’t much to conclude that he might be the Vampire King. It seems a lot of trouble to go to for no reason. What could Takuma possibly gain from it all, and what is he looking to accomplish if he is, indeed, the Vampire King?
The Motive: Rescue the King, Return the Queen, Slay the Knight
It’s important to remember that Takuma is Kaname’s #1 lackey. Whatever he does is in service to Kaname--he even mistakenly believed that Kaname wanted him to keep an eye on Sara in order to rationalize Kaname flat out abandoning him for a year and not even searching for him after his battle with Ichiou. This person, even if he has a clear view on Kaname in some respects, is remarkably blind to the realities of Kaname’s relationship with him.
It’s also important to remember that Takuma does not support Zero and Yuuki. He is first and foremost supportive of Kaname and Yuuki. Unlike Ruka and Aidou, Yuuki’s feelings and desires don’t seem to matter much to Takuma; they only matter while Kaname is gone. Thus, Yuuki “moving on” from Kaname is “okay” so long as Kaname is always placed at the top and receives his proper due from Yuuki.
The only reason Takuma gave up on Kaname in the first place was because Kaname loved Yuuki and Yuuki appeared to love Kaname back. It’s been reiterated multiple times that Takuma has “suki” for Kaname--love. Yuuki herself acknowledged Takuma’s love in arc 2. His feelings are deeper than friendship for Kaname, and while he was willing to step down for Yuuki because she was the one Kaname wanted, he may not be so pleased to see her running off with the very man who was a thorn in Kaname’s side.
Now, all this preface out of the way, VKM 13.5 reveals a few things about Takuma that now add context to his behavior in previous VKM chapters and paint a more sinister tone over his future.
We learn from VKM 13.5 that Takuma is obsessed with Kaname--he will only leave the Kana-cube’s side for brief trips and for meetings. We also learn that Takuma is fully aware of all the wrong Kaname committed but doesn’t care because Kaname confided his crimes in Takuma, thereby making Takuma special by proxy. This feeling of being “chosen” by a pureblood (and chosen over Zero in particular) is not something Takuma’s going to let go of lightly because it’s all he has. As Aidou gently points out, Takuma has no love interest and no family. He’s not in a good place.
Worse, Takuma is fully aware of what a mess he’s become and he doesn’t care. Kaname “belongs” to him right now, and he’s going to watch over him and keep him all to himself. However, he admits that watching over Kaname is good enough for now. “For now” implies that perhaps one day that won’t be good enough. It’s a very deliberate choice on Hino’s part to include that. Chronologically, this chapter takes place nearly 50 years before the Vampire King appears. 50 years is a long time to sit in front of a cube reading manga and stagnating while watching your friends move on with their lives.
Now, with this context, we can look at how Takuma might feel about Yuuki and Ai in particular. Yuuki and Zero, by VKM 13.5, have already benched themselves and their relationship is platonic. Zero, in this scenario, is no “threat” to Kaname or Kaname’s belongings--Yuuki and Ai. Takuma doesn’t need to view Zero as a problem at this stage, because Zero brings comfort to Yuuki (Kaname’s “widow”) and joy to Ai, but he doesn’t threaten what “belongs” to Kaname in any significant way. Yuuki shows no interest in wanting to move on with Zero or have his children, therefore Takuma has at least one for sure companion in his long solitary wait for Kaname’s resurrection. He probably assumes (incorrectly) that Yuuki is awaiting the moment of resurrection as well, and that she’ll (like him) run to Kaname the minute he returns to her, discarding Zero as the dirty side piece that he is.
But 50 years pass, and then suddenly Zero and Yuuki appear before Takuma declaring that they’re going to “become official.” Takuma is clearly shaken by this, though he covers it well enough and tries to come to terms with it by thinking about how happy it will make Aidou--but clearly this isn’t something that sits well with him. And why would it? If even Yuuki, Kaname’s widow, is willing to move on with her life, what does that say about Kaname and by extension Takuma? It says they’re old news and they’ll be forgotten. For a Kaname sycophant, this is tantamount to treason. Even “good natured” Takuma, stewing there in silence in front of the Kana-cube, imagining Yuuki and Zero are now “moving forward” and all that that entails and what it means for Kaname, surely will snap at some point from the internal pressure.
I don’t think it’s any coincidence that this is the moment when Takuma begins vocalizing his desire for Kaname’s resurrection in VKM 10, and that that is the very same chapter Zero and Yuuki try to establish what “moving forward” even means. For if Takuma can bring Kaname back before Zero and Yuuki get anywhere, Yuuki can return “where she belongs” (to Kaname) and Kaname will lavish love and praise on Takuma for rescuing his relationship from the clutches of the dastardly Zero (who, lol, Kaname loves, but whatever).
This brings us, of course, to the ever so convenient “timing” of the Vampire King’s appearance--he appears very soon after Zero and Yuuki begin to be official, and his targets are pinpointed at people who are related to Yuuki. Also interesting is that Takuma “disappears” from VKM 11-13--he’s not even featured at Ruka and Kain’s wedding. Out of sight, out of mind. A perfect place for a terrorist.
If Takuma is the Vampire King, the particular timing and targets we’ve already seen make a great deal of sense:
The first targets are Kain and Ruka in particular. No human is injured, only Kain.
The name chosen for this “new menace” is the Vampire King, a direct reference to Kaname. While Takuma may not wish to vilify Kaname’s “good name,” if he’s trying to send a message to Yuuki and/or Zero, using a term for Kaname is a good start. It may also be that he wants this plan to honor Kaname, and thus uses Kaname’s title--one that is also sure to instill fear in the humans and make them more likely to work with Takuma’s plan (which obviously is meant to cause no real damage to the humans, just stir them up and cause chaos).
The second target is Zero, and the perpetrator deliberately insults Zero before blowing himself up. Zero was the only target, and one specifically requested. The perpetrator waited for Zero to arrive before he blew himself up.
Zero brings up in VKM 13 that they don’t know the identity of the perpetrator, and that he could be a disgruntled hunter or a pureblood. Zero conveniently doesn’t mention that it might be a noble. Nobles and lesser vampires aren’t even on Zero’s radar. That’s a scary blind spot.
Why would Takuma want to become a terrorist? For multiple reasons:
To keep Zero and Yuuki busy long enough that they don’t start having children, making it impossible to cleanly return Yuuki to Kaname.
To separate Zero from Yuuki in order to get Zero to do something only Takuma knows about. (Something related to his secret that he learned from Kaname.) This might include revealing to Zero that Zero is the key to the cure, and that Zero should willingly sacrifice himself for the “greater good.”
To preserve a world where purebloods still exist, because purebloods are Takuma’s reason for existing--if all the purebloods take the cure, Takuma will have nothing left.
There are probably more that I don’t even know yet and don’t have the brain capacity to figure out. But ultimately, Takuma would want to be a hero to Kaname in particular--slay his enemy (or at least neutralize him), become “necessary” to his lord by rescuing him, and restoring to his lord the lady who he lost. As a knight figure (Kaname’s knight on the black side of the chess board), this would be the perfect challenge for Takuma, and it would ensure that the black knight goes up against the two white knights (Zero and Aidou) for something more interesting than a spot of tea. ;)
The Method: Gather the Troops
But Takuma’s not a pureblood, so how on earth could he orchestrate a terrorist attack where level C (or D) vampires are willing to blow themselves up for him?
Well, simple. Takuma (and the Ichijou family) are highly influential nobles, and there are still plenty of potentially disgruntled purebloods who a.) might like a stab at Kaname and b.) might not be happy with this more “peaceful” time period and the idea of losing it. Depending on what Takuma’s working for (a cure or simply the resurrection of Kaname), he might be able to gain an ally in one of the disgruntled purebloods we didn’t get to meet. An alliance would be very like the Ichijou family--after all, his grandfather formed an alliance with the head of the Hunters in arc 1. And while Takuma says he regrets what his grandfather did in VKM 13.5, that doesn’t mean he’s wise enough to avoid repeating his grandfather’s mistakes.
In VKM 9, Hino made a random point during Zero’s narration of highlighting Takuma’s appointment to the new council. It wasn’t something Zero was even present for, but Hino felt the need to include it in the chapter highlighting Zero’s despair. This tidbit, of course, tells us that Takuma does have significant influence over the vampires, as he is the head of the new council. He has access to important people, and we know from VKM 13.5 that he does utilize that access via meetings.
So, if we assume that after Yuuki and Zero announce their official status and after Aidou has his first string of failures with Kaien’s blood samples, Takuma for whatever reason reaches out to a pureblood we haven’t met or simply gathers a menagerie of disgruntled Level Ds/Cs/nobles who are prepared to go to the extreme to preserve vampiric society underground. Either way, he certainly has the resources and the potential motivations to put such a plan in action.
With all the perpetrators of the plan blowing themselves up, it would be virtually impossible to trace them back to Takuma as their source unless Takuma wanted to send a specific message to Yuuki (or to Zero) himself. But so far this plan has targeted only vampires near Zero and Yuuki’s vicinity. Until we get more instances of the Vampire King attacking people outside of Zero and Yuuki’s circle, the likelihood of the culprit being someone they know is high.
Takuma has been the lackey of two purebloods playing their chess games. Surely he’s picked up enough knowledge to play a few of his own by now.
Wrapping Up
Obviously this is all speculation and hypothesis at this point, and is just as likely to be wrong as anything else. However, Takuma being the Vampire King solves several problems with this storyline and adds some new depth that wasn’t there with any other option:
It’d be a great mirror to have Takuma turning into his grandfather (and ironically he mentions his grandfather this chapter and Hino randomly reminded us about his grandfather in VKM 11), who became corrupted due to his disdain over vampire society.
Takuma has a lot of unresolved resentment in regards to Zero that this plotline could help resolve.
Takuma is a spare character who, like Kaito, has no real function at this point and no potential love interest to share a happily ever after with. He’s too drawn to villainy to be of any use.
Takuma would be the perfect foil to highlight Zero’s insecurities about Yuuki and Yuuki’s feelings for Kaname because Takuma does not support Zeki and would actively support Kaname instead for Yuuki. This would be a fantastic way to reveal Zero’s worries about Yuuki’s affections without having to have a confrontation with Yuuki narratively.
This would also be a great opportunity to tie up the loose ends about Zero’s special nature, Kaname’s original interest in Zero, Kaname’s real plans for Zero, Takuma’s knowledge of Kaname’s plans, and what Takuma’s “secret” actually is.
This frees Kaien up to be going on his adventures for Juri’s sake in order to bring back whatever is necessary to stop Takuma and thus finally regain his place as Zero and Yuuki’s proper guardian and atone for his mistakes in the original series.
If Takuma is the Vampire King, it would explain why a.) Kaname’s cube-site becomes rundown and abandoned and b.) Takuma is nowhere to be found when Kaname awakens (if he was still alive/free, he’d surely want to be by Kaname’s side).
My ideal variant of this theory, of course, would be that Takuma knows Kaname planned to sacrifice Zero for the cure and that he’s patiently tried to allow Aidou to find a better/more life-preserving way but after nearly 100 years gets impatient and decides to take matters into his own hands. What I would love, if Hino won’t give me a specific Zero and Yuuki break up, is if Takuma kidnaps Zero (and Yuuki thinks Zero just left her, and so she doesn’t search for him), and reveals that he’s aware of all Zero’s insecurities about Yuuki and preys on them in order to get Zero to agree to willingly become the cure, then release him to take on the task.
This would be a fantastic obstacle for Yuuki and Aidou because a.) when Zero is returned to them, they won’t understand why he’s suddenly aloof and unwilling to open up to them and b.) Yuuki will mistakenly think Zero’s pushing her away because he’s done with her and will have to find a way to reach him with her true feelings, not knowing that he’s planning to die in order to restore Kaname to her and remove himself from the picture. (An exact repeat of what Kaname did in Vampire Knight, but with more altruistic intentions, paralleling the situation once again.)
But, this is Hino, so likely this is too cool for her to accomplish. =P Still, it’d bring a lot of fantastic and much-needed drama to this dry, dull storyline and would certainly be far more fun than Random Pureblood B attacks Yuuki because she’s pwerfect. *sigh*
Sorry if this question is a bit dumb, but do you think there's any reason why Zero isn't mentioned as Ren's father in the overview for VKM, but Yuuki and Ai are shown to have a relation to her? Honestly, all this mystery surrounding Ren is a bit worrying for me, and I wouldn't put it past Hino to pull another Amazingly Epic Plot Twist™, such as Zero actually not being Ren's dad. I wish I had even a little bit of faith in Hino OTL.
Your question isn’t dumb at all, my friend! It’s quite a good one, and one I’m sure you’re not the only one who’s concerned about. =)
Full disclaimer: When I am in my more bitter and resentful state of mind as far as this story is concerned (which is more often than not), I am a full proponent of the “Ren-is-an-alien-clone-of-Ichiru-after-Zero-dies-before-Yuuki-screws-him-and-is-the-result-of-Yuuki-feeling-bad-that-Zero-died-before-she’d-sleep-with-him” theory and that Zero blissfully never meets the thing. =P I miiiiight not be the best one to ask these questions, fufu. ;)
But, on my more positive days, I have more faith that things will work out in the usual way such things do with no alien clones necessary. ;) Here’s the brief rundown of why I’m not worried about the Ren situation:
Hino likely doesn’t want the Zero fans to get complacent and assume things will work out for them (to keep their interest so they don’t get bored and abandon the story perhaps).
Hino likely wants to string the Kaname fans along so that they’ll read the whole thing to the end. Ren’s last name would ruin the whole game.
Ren’s last name will give away whether or not Zero and Yuuki marry. (Kuran = no marriage, Kiryuu = marriage)
Leaving the child’s father unknown also leaves it unknown whether or not Yuuki ever sleeps with Zero at all, which should be a hint to all Zeki fans that Yuuki sleeping with Zero is A Big Deal for this story. ;)
Ren’s gender is being kept a mystery along with her parentage and last name, which means she’s a question that needs to be answered before the story can close.
The rest of my thoughts you can find in these three posts below if you haven’t had a chance to check them out yet:
On why Ai and Ren are named the way they are
On the likelihood of a Zeki wedding
On Ren’s possible narrative role
I hope these above posts might help put your heart at ease on this matter if my silly bullet list doesn’t. ;)
It should be noted too, before I close, that Lala summaries are unreliable. Before Yuuki was revealed as a Kuran, the Lala summaries called her “Cross.” They now refer to her as “Kuran.” So it’s not like these last names have never changed before in the history of VK. ;) I tend to view the summaries as “descriptions of what we know now.” Yuuki never married Kaname, so Ai as a bastard child takes Yuuki’s last name (which, thanks to incest, is the same as Kaname’s by chance rather than by design). I think it’s also important to note that in the VKM volumes themselves, neither Ai nor Ren is given a last name, and they’re both only called Yuuki’s children with neither of them being attributed to either of the male leads.
your analysis of vkm is amazing!I'm just a little confused that if zero had known about the twins clue at the beginning why he didn't devote himself to it?(I know it's unfair I just confused…) and I can feel zero's despair but he still said yuki"the woman he loves"clearly in vkm14,if he really fell into despair would he say that?also now he knows to be gentle with a girl other than yuki,I like his gentle smile when he talked with Maria but I still feel stange that zero would smile at others…
I’m so sorry for keeping you waiting as long as I have, gentle friend! To answer your questions:
@Zero’s knowledge: If Zero knew about why Kaname was interested in how he and Ichiru escaped the twin curse, he would only know what Takuma knew. Takuma likely only knew that Kaname was interested in the twins before Zero was turned into a vampire. Once Zero was turned into a vampire, Kaname stopped showing any interest in him outside of wanting to use him as shield for Yuuki. Likely this is because Kaname thought Zero’s genetics were no longer of any use to experiment with, now that he was a vampire (and Ichiru, remember, everyone thought was dead until he resurfaced, so Kaname wouldn’t even have Ichiru to experiment with). So Zero wouldn’t know that Kaname may have toyed with the idea during the Pureblood slaughter section of arc 2 of experimenting with Zero as a cure option again. Takuma wouldn’t know this either, as he was not at Kaname’s side at the time (nor would Ruka and Kain, as Kaname didn’t share his plans with them). Because Kaname dropped the twin cure idea (as far as Zero would know, because that’s all Takuma knows), Zero would have no reason to offer his blood to Aidou–he’s already a vampire, and thus of no use to Aidou. This is assuming that this is the information Zero held back in Night 76, which is still debatable. Again, it was (as almost everything I write is) speculation on my part in an attempt to figure out what was actually going on with all the loose ends in the story and how they might fit into what we’ve seen so far in VKM. =)
@Zero being unsatisfied with Yuuki: Just because you’re unsatisfied with someone doesn’t mean you’re going to turn into Rido the next day. Zero’s at the beginning of the despair spiral, not the 3000 years later section. Rido didn’t stop loving Juri because he fell into despair, Shiki’s mother didn’t stop loving Rido because she fell into despair, Kaname didn’t stop loving Yuuki or the Hooded Woman because he fell into despair. Falling into despair and being unsatisfied with a relationship has no bearing on whether or not Zero loves Yuuki–it’s about whether Yuuki is responding to him properly in the relationship (she’s not) and whether he’s receiving any benefit out of the relationship (he’s not). Even if he loves Yuuki to the end of time and back, if he’s receiving nothing from the relationship, he’ll fall into despair. Kaname did the same with Yuuki during arc 2 of the original series–as soon as he realized Yuuki couldn’t give him what he wanted out of the relationship, he began falling deeper into his dark sides. Zero’s paralleling Kaname here, and so he’s in the same boat. I think my future post on VKM 14 will help elaborate on where I feel Zero’s headspace is in VKM 14, so I’ll just leave this here for now. =)
@Zero being kind to Maria: Zero’s always smiled gently at others when he’s got his issues under control. Check his smile out for little Mii-chan in Night 50. ;) His best smile in the series, imho. Zero’s a kind person, and he’s at a point in his life where he no longer has to hide behind a tough and stoic exterior to conceal his inner hurts. He’s long overcome all that. If Yuuki would be a real partner to him, he’d probably be smiling even more in VKM than he already is. But Zero’s smiles for Maria in VKM 14 have more to do with them mutually reminiscing about Ichiru and what he perceives as her long-term attachment to his brother, which is something he appreciates with all his heart. I think it’s far better for a man to be able to be kind to everyone; men who are only “kind” to their love interests and no one else tend not to be the best partners in the end. One should judge a man’s character by how he treats people he doesn’t want to take to bed, not how he treats people he does. In that, it’s a relief to me that Zero is kind and gentle with people who are vulnerable and kind, even if those people aren’t Yuuki (who is neither anymore).
I hope that helps clarify a bit for you? If it doesn’t, please feel free to ask me about anything else. =) Sorry again for the wait, and thanks for dropping by!