Him ✨
seen from United States
seen from Netherlands
seen from Germany
seen from United States
seen from Chile
seen from United States
seen from Germany

seen from United States
seen from United States
seen from Canada
seen from United States

seen from United Kingdom
seen from Canada

seen from Poland

seen from Chile

seen from Poland
seen from Japan

seen from United States
seen from Thailand

seen from Türkiye
Him ✨
the longer the hiatus, the more snatched his waist gets
paris is not ready
Ooh alright, so it looks like one of the main themes of this story arc is shaping up to be the idea of the "self" as an intentional performance. Last chapter had a whole section devoted to the origin of Vanitas's oft-present false smile, showing how Dante and Vanitas (under Dante's prompting) have learned to use false, performed positivity as a way to market themselves to the world and achieve their ends. This new chapter opens with a group of Chasseurs discussing the idea of the world as a stage, and it also introduces mask imagery for Ogier as we delve deeper into his character for the first time.
Even before the arc's plot really got going, we had the bonus chapter about clothes and Domi's speech about costumes therein.
This is an arc, in part, about the ideas of performativity and affectation.
Dante's family tree
According to the theories, this is where we stand so far.
Humans
Dhams
Vampires
RAKE HIM OVER THE COALS, DOMI! ⚔️
Toxic yaoi we expected:
Toxic yaoi we got:
Neither ships are bad to like, but I seriously feel like no one expected Charles and Ogier to have something going on.