Regan Vest - Danish Cold War Museum, Rold, Denmark - AART
Løftet til vores kunder er lige så ambitiøst, som det er enkelt. For vi går til ethvert samarbejde med ambitionen om at skabe positiv effekt
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Regan Vest - Danish Cold War Museum, Rold, Denmark - AART
Løftet til vores kunder er lige så ambitiøst, som det er enkelt. For vi går til ethvert samarbejde med ambitionen om at skabe positiv effekt
Ohhhh what a beautiful day 🙊😍
THEY LET YA BOY CLIMB ALL OVE RTHIS HUNK OF METAL
Militracks Overloon 🏁🇳🇱 Saturday | Tiger II in Action | The Most Feared Tank Of World War II
•the universe gave me a relentlessly loyal heart
I could love through lifetimes
-butterflies rising
War Childhood Museum, Sarajevo
John Singer Sargent - Gassed [1918]
Sahne, sanatçı tarafından tanık olduğu Ağustos 1918'de Batı Cephesinde hardal gazı saldırısının ardından geldi. Hardal gazı, gözlerin yanı sıra yaygın yaralanma ve yanıklara neden olan gelişigüzel bir silahtır. Tablo, kurbanların yönetimi, göreceli koruyucu giysi eksikliği, gaz saldırısının etkisi ve kapsamı ile rutin doğası hakkında ipuçları veriyor. Tuval, büyük bir beceri ile hafifçe boyanmıştır. Sargent, izleyiciyi kör olan erkekler arasındaki dokunsal ilişkilere çeker. Erkekler tıbbi çadırlara götürüldükleri için bir kurtuluş önerisi var, ancak genel izlenim, sırada duran erkeklerin ifadeleriyle vurgulanan kayıp ve acı çekiyor.
[İmparatorluk Savaş Müzesi, Londra - Tuval üzerine yağlıboya, 231 x 611.1 cm]
John Singer Sargent - Gassed [1918]
The scene is the aftermath of a mustard gas attack on the Western Front in August 1918 as witnessed by the artist. Mustard gas was an indiscriminate weapon causing widespread injury and burns, as well as affecting the eyes. The painting gives clues about the management of the victims, their relative lack of protective clothing, the impact and extent of the gas attack as well as its routine nature. The canvas is lightly painted with great skill. Sargent draws the viewer into the tactile relationships between the blinded men. There is a suggestion of redemption as the men are led off to the medical tents, but the overall impression is of loss and suffering, emphasised by the expressions of the men standing in line.
[Imperial War Museum, London - Oil on canvas, 231 x 611.1 cm]