#wga

[monsteronthehill]

exactly!

[lg5]

It's crazy that these strikes are happening given that all the writers and actors are asking for is less than 0.3% of the revenue these studios make.

[dynared]

Strike is on. Actors will be joining the writers on the picket lines. This is the first strike in 60 years for SAG, and essentially shuts down the entire US film and television industry.

[deadsprout]

At first Netflix said, come write for us. We’ll save your cancelled shows and write about whatever niche story you want. Our algorithm says people will watch it!

Then a few years later they said, regardless of our promises or contract obligations we are cancelling shows after two seasons without telling anyone. Turns out no matter how loved a show is, we get less subscriptions after the second season.

How many subscriptions did we bring you? Netflix won’t say.

So writers started writing two season shows. Just give us two seasons, Netflix. Like you promised.

Then Netflix said, oops sorry! Turns out your show didn’t premiere at #1 and the views in the first day weren’t what we wanted so we’re cancelling your second season.

What were the numbers? How many people watched our show? Netflix doesn’t say.

Then, they did something extra special. They started taking shows and splitting their first season into two halves. Inside Job was not two seasons. It was one season split in half.

Oops! Sorry! The second half of your first season didn’t do as well as the first half, so now your show is cancelled!

Why? How many people? How much money? These companies are making cash hand over fist and they refuse to tell people the truth: people loved your show. Loved it. But some corpo exec wanted an infinite money making machine. Do you know how long shows are in production for before you watch them? Years. Like, 5+, even 10+ years. And Netflix gives it less than a week before they decide whether you’re getting cancelled.

Support #WGA Support #SAGAFTRA

[gingerswagfreckles]

Hey y'all. With the Writer's Guild of America on strike, you might be hearing a lot more about something called "residuals," which are payments that the writers get for the studios continuing to air their work on reruns and such. Already I'm seeing people trying to frame the union trying to bargain for better residuals as greedy and unreasonable, so I just wanted to give you guys a peek into my dad's full, 100% real residual payments for writing some of the most watched episodes of American late night television.

Yeah lol. If u hear anyone trying to frame the conversation around residuals as writers being greedy, please do me a favor and punch them straight in the face ❤️🙃🙃

[kingsonne-zedecks]

Does anyone have an update on where things are at with the writers strike? It's disappeared from my various feeds and algorithms.

[re-bee-key]

I pointed this out in a Discord server I'm in and thought Id share here:

Bob Iger announced that Disney is going to absorb Hulu, and Hulu will no longer exist next year. All shows will move to the Disney+ app.

Disney also announced they were going to remove shows and movies periodically from their streaming services.

I believe both of these moves are because of the Writers Strike.

Disney knows its going to lose the strike. There is too much public support. Specifically, the WGA is going to win writers getting more residuals from streaming.

So if Disney takes shows off of streaming, they dont have to pay the writers the residuals.

They are going to use excuses like "not enough funding for the server capacity" or "not enough views to warrent keeping the show". These are BULLSHIT. Its all greed. Its only GREED.

Pay attention to what happens in the following weeks.

And keep supporting the writers' strike.

[fuckyeahgoodomens]

Precious man (not in black!) sighted ❤ (x,x)

Neil Gaiman: Hi, I'm Neil Gaiman. I'm wearing the first red T-shirt I've worn since 1987. Because I'm a member of the WGA. I'm on strike. I care so much for the things that I've written but I'm out here right now not working and here until we get a good contract because I care about the future of the WGA, the future of young writers. I want a world in which no AI writes scripts or attempts to. I want a world in which young writers get to learn how to make television. And I want a world in which we are fairly compensated for the things that we put up on streaming.