#wolfmen

[the1andonlyvoid]

Spring hunters.

[maverick-werewolf]

Revised Werewolf Fact 2, "Full Moon"

October is a great month to revise another Werewolf Fact. This one got a great makeover!

I've heard some people claim that werewolves in folklore have no relation to the full moon or to the moon at all. Some even say they have no relation to night as opposed to daylight, and they pin all these concepts squarely on Hollywood and modern media. I say those people need to do more research.

The revised Werewolf Facts will be shared with my patrons first as I prepare to polish them and publish them in book form. However, I want to make sure everyone knows I'm still doing nonfiction work (especially since I hope to keep everyone excited for my upcoming folklore collection), that Werewolf Facts will return in a big way, and that they will be so much better than they were before - so I wanted to share this one publicly very early!

This is very much a ROUGH DRAFT. This is not yet ready for wide publication (such as in my official Werewolf Facts masterlist and in the upcoming book), and it'll undergo further revisions before I do that. Please remember this is rough and DOES NOT REFLECT EXACTLY WHAT WILL BE FOUND IN THE WEREWOLF FACTS BOOK COMING SOMETIME IN THE NEXT FEW YEARS.

But this is my starting point!

Expect many more updates ahead. And before you ask, yes, I am technically supposed to cite myself if I pull anything from my own works - I'm not being egotistical. Weird, right?

Enjoy!

---

The full moon and the werewolf are inseparable. Today, some media tragically shies away from it, ashamed of holding to tradition, yet the iconic imagery of a werewolf howling at the baleful visage of the full moon will always persist in the subconscious mind, as it has for so many ages. So, what is the connection, how old is it really, and where did it come from?

Werewolves being associated with the moon, and specifically the full moon, is an old association indeed. Although perhaps best known for an early appearance in film with the movie Frankenstein Meets the Wolf Man (1943), the idea of a werewolf turning beneath the light of the moon appeared in stories long before.

One could naturally discuss in depth the age-old concept of moon-induced madness - "lunacy" - and studies and arguments on how the moon phases affect human and animal behavior and aggression levels, not too unlike how they affect the tides. However, I'm not here to dive into those matters; I'm here to talk about werewolves specifically.

Examples abound in folklore and are well-documented by the two foremost werewolf scholars, Sabine Baring-Gould and Montague Summers, as well as assorted folklore stories besides. Associations with the full moon and moonlight existed among, and were not limited to, the Gauls, legends from France, and Italy; an association with moonlight is also alluded to in tales from Russia and ancient Rome. The following is by no means an exhaustive list, but the aforementioned examples will be detailed, as follows...

Beginning with several examples found in Summers' work on werewolves, he states point-blank when discussing several werewolf legends, "In the first place, the transformation is effected in the moonlight" (Summers 155). He goes on to discuss, in particular, a set of tales around Palermo, which is located in Italy...

"In Palermo they say that as the moon waxes to her round the werewolf begins to feel the craving; his eyes sink deep and are glazed (si cci'nvitrianu), he falls to the earth wallowing in the dust or mud, and is seized with fearful writhings and pangs, after which his limbs quiver and contract horribly, he howls and rushes off on all fours, shunning the light, especially (they say in Menfi) torches, candles or lanthorns [sic]. The lycanthrope dashes to and fro, and he will bite anyone whom he may meet in his wild courses. His hideous cries may, however, be heard from afar and all hasten to avoid the wolf-man" (Summers 163-164)

Quite the graphic description of a man turning into a "wolf-man" (interesting quote, as well) under the light of the full moon. And yes, I personally love this quote. This represents, perhaps, one of the most directly classical werewolf descriptions that has survived to this day. We really have to thank both Baring-Gould and Summers immensely for protecting tales such as these from being utterly lost to time.

Not yet done discussing the legends from Palermo, Summers also says, "A certain wealthy man, the scion of a noble house, at the full of the moon was seized with lycanthropy [...] [they] wondered who this dread werewolf might be, seeing that my lord's face and features were so convulsed and hideous lupine as to be unrecognized even by those of his intimacy and own household" (164-165).

These are certainly not every single example Summers gives of a relation between werewolves and the full moon, nor is it every example of a relation between werewolves and the moon, or moonlight itself, in general. Indeed, Summers gives quite a few cases in which werewolves are connected to the moon in more ways than one - but most often by a full moon inducing their beastly transformation, after which they utterly lose control.

Further examples connecting the full moon, and moonlight itself, to werewolves can be found in the single best source for werewolf folklore that still exists: Sabine Baring-Gould's The Book of Werewolves...

Baring-Gould details on page 115, citing the writings of Gervaise of Tilbury in his work Otia Imperalia, “Vidimus frequenter in Anglia, per lunationes, homines in lupos mutari, quod hominum genus gerulfos Galli vocant, Angli vero wer-wlf, dicunt: wer enim Anglice virum sonat, wlf, lupum."

In my own edition of Baring-Gould's work, I translated this passage as, roughly, “We have frequently seen in England, through means of the moons, men are changed into wolves, a race of men the Gauls call gerulfos, but the English specifically say wer-wlf: for in English wer sounds like man, wlf, a wolf" (115n45).

Similarly, Baring-Gould gives a mention of legends in France: "In the south of France, it is still believed that fate has destined certain men to be lycanthropists—that they are transformed into wolves at full moon. The desire to run comes upon them at night" (119-120). Here, we see specificity about the full moon yet again, and this time from an entirely different region than previous examples.

Also coming from France, Baring-Gould mentions "the Périgord," wherein "[c]ertain men, especially bastards, are obliged at each full moon to transforms themselves into these diabolic beasts" (120).

Though less specific regarding the full moon, Baring-Gould also mentions tales from Russia, saying that one who wishes to become a werewolf (here called an "oborot," meaning "one transformed" [132]), will need to recite an incantation that includes the lines, "On the empty pasture gleams the moon, on an ashstock lying," and, prominently, "Moon, moon, gold-horned moon" (133), as though addressing the moon itself when reciting the spell, asking it for protection and transformation.

In terms of popular culture, the previously mentioned Frankenstein Meets the Wolf Man (1943) helped bring the full moon and werewolf connection to the forefront with the alteration of the curse from the film's predecessor, The Wolf Man (1941), in which the werewolf rhyme specifies...

Even a man who is pure at heart And says his prayers by night May become a wolf when the wolfsbane blooms And the autumn moon is bright

However, the werewolf transformation's specific timing was altered in Frankenstein Meets the Wolf Man (1943), in which the rhyme instead says...

Even a man who is pure at heart And says his prayers by night May become a wolf when the wolfsbane blooms And the moon is full and bright

However, much earlier, in 1935, the film Werewolf of London had werewolves that transformed beneath the full moon, but it is much lesser-known.

Thus, it is quite obvious that a connection has long existed between the werewolf and the full moon. This is not some newfangled concept, and there's a reason they are so endlessly iconic. Indeed, even in the mind of those who do not turn their thoughts often to werewolves, the sight of the full moon may inspire them to recall these sundry legends - as it should be.

Works Cited:

Baring-Gould, Sabine. The Book of Were-Wolves. 1865. Justin & Maegan Stebbins, 2023.

Stebbins, Maegan. The Werewolf: Past and Future - Lycanthropy's Lost History and Modern Devolution. Justin & Maegan Stebbins, 2017.

Summers, Montague. Werewolf. 1933. Mansfield Centre, CT: Martino, 2012.

And as always...

Happy Howl-o-ween!

( If you like my werewolf blog, be sure to follow me here and check out my other stuff! Please consider supporting me on Patreon or donating on Ko-fi if you’d like to see me continue my works, including my folklore blog and writing my own novels, werewolf and otherwise. Every little bit helps so much. You can find all my stuff in my pinned post! )

[anim-ttrpgs]

Eureka: Investigative Urban Fantasy has all kinds of werewolves.

[swedebeast]

A brave White Glove elite guard and the devilish Federal Expeditionary paratrooper, from Firelock 198X.

[udarrthebestudarr]

Wolfmen drawing for @the1andonlyvoid

Back during artfight I had drawn one of your wolfman characters but I had messed up their face shape without realizing. I wanted to try drawing the face more accurate.

[odditiesnoctobermidnightroad]

Favorite popular werefolk Ice Cream flavors:

Cotton Candy

Peanut Butter Buffoon

Bacon Lovers

Blueberry Forever

Sweet Potato

Caramel-Cream

Goji-Mochi

Nightly Nightshade

Bloody Pudding

Monkshood-Munch

Bell Pepper Chill Pepper

Paprika Pepper w sweetened Buffalo Chips (dried dung)

Tamarillo-Twist

Pepino-Goji Sherbet

Vanilla

((A daily reminder that werefolk in Oddities can not eat chocolate, beans, most nuts, coffee or anything with grapes. Unless maybe you're a werebear but don't show off.))

They can ALL eat plenty of nightshade though.

[twistedtummies2]

Top 15 Werewolves

If there is a specific trifecta of truly classic monsters - a Terrible Trio as iconic together as they are separate - it would undoubtedly be Count Dracula, Frankenstein’s Monster, and the Werewolf. The interesting thing there is that, while “Dracula” and “Frankenstein” are specific creations, the werewolf is more woolgathering. (Ha-Ha! Sheep puns for the win!) There is no Bram Stoker or Mary Shelley novel for the werewolf that everyone looks to for inspiration and remakes, reimagines, or re-adapts over and over again. Yet, at the same time, the idea of the werewolf is older than either Dracula or Frankenstein and his progeny: werewolf myths can be traced back all the way to Ancient Greece. That’s older than even most vampire legends! And that, dear readers, is probably why this list proved…challenging. I could go on and on about the symbolism of the werewolf, the themes present in most werewolf tales, the appeal and evolution of the concept, and so on…but I’m not going to right here in this introduction, for two reasons. First of all, because I will have ample room to bring those things up throughout the countdown…and second of all, because I just want to state OH MY FREAKING GOD, YOU HAVE NO IDEA HOW HARD IT WAS TRYING TO MAKE THIS LIST. This was sincerely one of the most frustratingly tricky lists for me to sort out that I’ve ever made. There are multiple reasons why, but it ultimately comes down to two major ones: first, much like with vampires, I haven’t seen every single werewolf-related thing under the Sun. So I knew there were a lot of really popular werewolves that I couldn’t rightfully include simply because I don’t know anything about them. Second, for the ones I DID know, it was hard to figure out what would make certain characters count, and what would help determine who ranked higher than others. There were just a lot of different factors to consider. Just as there were two major issues that made this difficult, I ultimately made my choices based on two points. First, I decided to exclude characters who were anthropomorphic wolves, but weren’t necessarily werewolves: to qualify, the characters in question had to either shapeshift from a more human form to a more wolf-like form, or - if they were in the same form all the time - the human side had to be more the focus. Second, I simply asked myself one question: “What characters do I think of most when I think of werewolves?” That was really the plain and simple point, and I tried to approach my rankings based on that: this is not a list of the “hottest” or the “coolest” werewolves, and it is not a list of the most sympathetic or the scariest werewolves, nor is it - for a change - a list about which ones I’d rather play or write for the most. I’m still not sure the ranking here is in any way definitive. If there are wolf characters you don’t see here that you really love (I KNOW there WILL be, frankly), the chances are high that I either just don’t know them, or they just didn’t make the cut because, again, this was a very difficult list to sort out in general. If you don’t like it, make your own. :P With that said…in honor of Halloween, here are My Top 15 Favorite Werewolves!

15. Grimm, Caesar, and Douglas Wolf.

From the games “A Villain’s Twisted Heart,” “Ozmafia,” and “Lost Alice,” respectively. I decided to include all three of these characters in the same spot because a.) I like all three of them roughly the same, and b.) all three of them have a lot in common. Grimm, Caesar, and Douglas are all “anime boi” type characters, all of them originate from fairy-tale themed romance games from Japan, and all three of them are their universe’s version of the Big Bad Wolf from “Little Red Riding Hood.” All three also start off the stories they appear in as villainous characters: brutal, vicious, murderous monsters, who will gobble you up as soon as look at you. However, in all three cases, as their stories in the games go on, you do see more sympathetic sides to them; in the cases of Grimm and Caesar, you even have the option and ability to fall in love with them. Douglas remains a villain to the end, but that’s about the only EXTREMELY major difference within the trio, at least that’s worth noting for this countdown. While I love all three characters, and the obvious eye candy cannot be ignored, I frankly don’t tend to think of “sexy anime guys” first when I think of the word “werewolf,” so I decided to place them very low on the list. Sorry, for any (if any) who were hoping they’d be higher.

14. Keaton, from Fire Emblem.

Yet another “anime boi” character. (Don’t worry, if you’re not a fan; they won’t be in great abundance from this point on.) I’m not SUPER familiar with the Fire Emblem universe as a whole, but I AM fairly well-versed with at least one character, and that is Keaton. He is the leader of a pack of lycanthropes referred to as “Wolfskins”: a tribe of barbaric, man-eating hunters living in the mountains of Nohr. They are able to shapeshift from an appearance that looks basically human, but with some wolf-like traits, to huge, hulking, grotesque monsters that are even more wolfish in form. At first, Keaton is an enemy of the main characters, but he ultimately becomes an ally and a friend and joins forces with the heroes on their journey. Keaton is one of those characters I love who effectively has two different sides to his personality: on the one hand, he’s a bloodthirsty sadist who makes no secret of the fact he enjoys tormenting his prey, and even collects the bones of some of his victims. On the other hand, however, once he comes to trust you and care about you - which is absolutely possible - he suddenly becomes flat out adorable: just a scruffy, silly puppy dog who likes to act all big and scary, but really is a softy. The funny part about this is that neither side is a facade for the other: Keaton is both a savage beast and a sweetheart, and that dichotomy is just so interesting to see at work.

13. Eddie Munster, from The Munsters.

From Japanese gaming guys, to suburban USA; what a segue. “The Munsters” was a 1960s sitcom series, inspired by the popularity of “The Addams Family,” which was going on around the same time. Though it only lasted two seasons, the show made a big impact, largely due to its interesting premise: it featured a family of Universal Monsters, interacting with the normal folks of the American town around them. While the original Wolfman - here called “Uncle Lester” - did appear in a couple of episodes, the most prominent werewolf character of the series was Eddie Munster: the daughter of Herman Munster (Frankenstein’s Monster) and his lovely bride, Lily (Dracula’s Daughter). How they gave birth to Eddie is beyond me, but regardless, Eddie is probably the friendliest and most adorable werewolf you could ever meet. The character didn’t start off that way, though: in earlier ideas for the show, including an unaired pilot, Eddie was a vicious, bratty little gremlin. However, by the time the show officially aired, the character had changed into a loving, happy young fellow who simply enjoyed spending time with his dad and was never seen without his beloved werewolf plushy, Woof-Woof. The character was originally played by Butch Patrick on the TV show; like other Munsters characters, Eddie has been reimagined and reinterpreted a few times over the years, but not a single version has really had the success that the original had.

12. Jiro, from Kamen Rider Kiva.

And now we return to Japan, though this time in the world of live-action media. I’ve mentioned “Kamen Rider Kiva” a couple times this month, and on other past occasions, but for those who don’t already know: the long and the short of “Kamen Rider Kiva” is a Japanese superhero show themed around Universal Monsters. One of the main characters of the series is our resident anti-hero, Jiro - a.k.a. Garuru - the last of the Wolfen Race. Most of his most prominent appearances take place in the past scenes of the series, set in 1986. For much of that section of the series, Jiro is an antagonistic presence; unlike Universal’s Wolfman, he isn’t a tortured soul tormented by his animal nature, but instead a cynic who sees the world of humans as corrupt and filled with folly. He enjoys devouring people whole, especially young women, and is as seductive as he is dangerous. However, as the series goes on, he shows more and more of a noble side to his character. By the time of the present day in the show, Jiro has changed his ways, and now works alongside Riki (the Frankenstein Monster character) and Ramon (the Creature From the Black Lagoon) to assist the main protagonist, Wataru, on his quest to defeat the vampiric Fangires. In his human form, Jiro was played by Kenji Matsuda. As Garuru, he was played by Seiji Takaiwa.

11. Man-Wolf AND Werewolf By Night, from Marvel.

Just as Marvel has had many wizards and vampires, it is also home to multiple werewolves. And just as I credited two vampires from the comic company in the past, I’m going to credit two werewolves. First, there’s Man-Wolf; a recurring foe of Spider-Man. The Man-Wolf is actually John Jameson, the son of J. Jonah Jameson. John is an astronaut, who was transformed into the monstrous Man-Wolf thanks to a mysterious ruby he found while exploring the Moon. (As you do.) The jewel was grafted to his skin, and though it was eventually removed safely, John has returned to his Man-Wolf form off-and-on throughout comics history. Next, there’s the Werewolf By Night. A couple of people have held this title, the first and most famous being Jack Russell: a man whose entire bloodline is plagued by the curse of the werewolf. Initially a drifting beast of ambiguous alignment, the Werewolf By Night now uses his lycanthropic abilities to battle other supernatural terrors and criminal powers. While neither character is a household name, both have shown up in other media multiple times; Werewolf By Night, for instance, recently got a very interesting short film adaptation in the MCU, where Jack Russell was played by Gael Garcia Bernal. As for Man-Wolf, while John has appeared multiple times, his werewolf alter-ego isn’t QUITE as common. His most popular appearances have been in cartoon shows like “Spider-Man Unlimited” and “Ultimate Spider-Man.”

10. Ethan Chandler, from Penny Dreadful.

“Penny Dreadful” was a Showtime series that was made in homage to the various characters and tropes of “Ye Olde Gothic Horror.” The main cast consisted of a combination of original characters, as well as figures from famous works of dark classic literature, such as “Dracula” and “Frankenstein.” Ethan Chandler - played by Josh Hartnett - was sort of in-between. At the start of the series, Ethan is a gunslinger working as a performer for a Wild Bill style traveling show. He leaves show business - albeit reluctantly - after being offered a job as a bodyguard by the two main protagonists of the series, Vanessa Ives and Sir Malcolm Murray. Ethan thus joins them on their quest to find the vampire that kidnapped Sir Malcolm’s daughter and Vanessa’s friend, Mina, and thus the series is set in motion. However, things take a turn when it’s revealed Ethan has some dark secrets of his own: his real name is Ethan Talbot, and he is - what else? - a werewolf. (Interestingly, while Ethan’s true name was inspired by the Wolfman, Josh Hartnett’s werewolf makeup was inspired by an earlier Universal werewolf, the Werewolf of London.) As a man, Ethan is a charming, heroic, attractive fellow, albeit not one without flaws. When he becomes a werewolf, however, he turns into a feral, monstrous beast that has no other purpose but to kill. As a werewolf, Ethan recognizes neither friend nor foe, simply lashing out in bestial fury at anything and anyone that enters his path. As the series goes on, Ethan’s werewolf nature becomes more and more a focal point of his character, eventually leading him on a journey back home to America, where he must try to come to grips with the ghosts of his past. While Ethan’s actual werewolf form didn’t show up very often throughout the show, this just made the moments where he gave in to the beast within all the more impactful and interesting.

9. Jon Talbain, from Darkstalkers.

I’ve brought up Darkstalkers two or three times throughout this month, and it seems I must do so one last time. For those who don’t already know, this classic fighting game series was a tribute to the Universal Monsters, with characters inspired by Count Dracula, Frankenstein’s Monster, the Mummy, the Creature From the Black Lagoon, and others. Jon Talbain is our resident werewolf of this universe, and while I actually only recently got into this series and its lore, I actually knew about Talbain for a long time. The character seems to be one of the more popular in the franchise, and I’d seen a great many pieces of fanart featuring him long before I actually looked into the games and spin-off materials. Talbain is a bizarre combo of the Wolfman and Bruce Lee…no, seriously. Those were the two separate influences on his character. Talbain has been plagued by the werewolf’s curse since birth: his parents were a human and a werewolf respectively. He has lived as an orphan most of his life, as his mother died in childbirth, and his father apparently left early on. Talbain finds his lycanthropy a curse, as he is shunned by human society, which he has since formed a bit of a grudge against. While not necessarily evil, Talbain sees humanity as corrupt, prejudicial, and untrustworthy; he doesn’t go out of his way to hurt people, instead hoping to find a way to fight his primal urges, but he has no love for humanity as a whole. Now, that’s all well and good, but your probably wondering where the Bruce Lee side of things kicks in: to try and keep his powers in check, Talbain took to studying martial arts, and his moveset in the games, and his taunts, are inspired by Lee’s, with a bit of supernatural spookiness thrown in here and there. I think it’s the exposure to the aforementioned fanworks, before even learning much of the universe, that gets Jon so high in the ranks; I always liked the character’s design and the bare basics of what I knew from those pieces, and learning about him AS a character has only intensified that interest.

8. The Three Werewolves from Van Helsing.

Yes, once more we return to Stephen Sommers’ less successful attempt at managing the Universal Monsters, following his generally more lauded work with “The Mummy.” A critical and box office failure, “Van Helsing” - a tribute to classic “Monster Mash” movies of the 40s - nevertheless gained a cult following, and while it has its fair share of detractors, it also has a decent number of fans. I suppose you can count me as among them, since I do consider the movie to be something of a guilty pleasure; it’s completely over-the-top and insane, and that’s part of the fun. While characters like Dracula and the Frankenstein Monster are prominently featured, the film chooses not to adapt the Wolfman specifically, and instead gives us three different werewolves! The first is an unnamed, somewhat older-looking lycanthrope, whom Dracula sics on the last members of the Valerious family: Anna, one of the main protagonists, and her brother, Velkan. Although Velkan succeeds in slaying this werewolf, it is at the cost of becoming a werewolf himself. In his werewolf form, Velkan ironically becomes a puppet of Dracula, until he is slain by Van Helsing. But the cycle continues, as Van Helsing himself ends up bitten by Velkan in the process. This leads to a climactic final battle, where a werewolf Van Helsing duels the demonic King of the Vampires. While the CGI in this movie is notoriously “meh,” I’ve always loved the actual character/creature designs, and the three werewolves of this film are among the first I think of when I think of werewolves in general. Incidentally, Will Kemp - the actor who plays Velkan - is most well-known as a dancer; I say this because he later appeared in a ballet version of “Peter and the Wolf.” Somehow, I doubt this casting choice was a coincidence.

7. The Colony, from The Howling.

“The Howling” was a 1981 horror movie, based on a bestselling novel of the same name. I actually HAVE read this novel, for a change…BUT, I’ve only read it once, and it was a long time ago, so I really don’t remember a whole lot about it, sadly. As a result, I can really only judge the movie, but thankfully the movie is pretty good. The film is considered one of the key essential werewolf movies ever made, as it took the concept in a very different direction from most. In many past werewolf movies, the focus of the story was on the singular, outcast werewolf, who was usually depicted as a tragic figure: possessed by a literal inner monster they couldn’t really control. “The Howling,” however, changes things up: the story focuses on a young husband and wife, traumatized after an encounter with a sadistic serial killer called Eddie Quist. To try and recover, they head to a place called “The Colony,” a secluded countryside resort. It turns out, however, that the people who live at the Colony are all werewolves, and among their ranks is none other than Eddie and his family. There is nothing remotely tragic about most of the werewolves in the Colony: instead, the idea of the animal within is taken in a more twisted direction. This pack of wolf-people believe they are superior to the human race, and gleefully embrace their dark sides with wicked abandon; to become a werewolf, in their minds, is to embrace the carnal, primal, powerful sides of themselves. They are truly free and in control of the world around them. It’s an interesting and genuinely scary direction to go with the concept, and the film led to multiple sequels…none of which I’ve seen, and my understanding is that most of them suck, sadly. But hey, at least one of those sequels had Christopher Lee in the mix, so I guess they can’t be ALL bad.

6. Leon Corledo, from Curse of the Werewolf.

When Hammer studios gained Universal as a North American distributor, they were given access to use more characters and concepts from the classic Universal Monster franchise for their films. Their one and only werewolf feature, “Curse of the Werewolf,” is usually overlooked, sadly, with many dismissing it as just being Hammer’s version of “The Wolfman.” I find this incredibly saddening because - while certain story elements are shared between the films - the two movies are extremely different, and this film takes the concept of the tragic monster in its own unique direction. Played by Oliver Reed (in his first starring role for a motion picture), our werewolf of the hour is Leon Corledo. His lycanthropy is a supernatural affliction that has infected him since birth: his mother’s tragic and extremely brutal life and death have apparently led to his blood being tainted with some evil curse, which manifests itself in the form of werewolfism. Leon gains a taste for blood at an early age, and struggles to keep his vicious, predatory side at bay. As he grows older, Leon finds that the love of a beautiful woman is able to tame his inner monster, but his struggle with his cursed nature remains a hard one. Reed’s first starring performance remains one of his best, in my opinion, mixing powerful ferocity with a gentle vulnerability. While the explanation of the werewolf’s curse is a bit bizarre, the actual trials poor Leon must endure are among the most harrowing of any movie monster.

5. Jack Howl, from Twisted Wonderland.

Well, if you know me, and you know about this game, then this really shouldn’t have been a surprise. For those who are not aware already, however, “Twisted Wonderland” is a Japanese-made mobile game themed around Disney Villains. The premise has the main character getting transported to a parallel universe, where they end up staying at a School of Dark Magic, with different houses themed around seven of those villains. Throughout the game, you encounter characters based around “The Great Seven,” as well as some other Disney characters. Jack Howl, however…he’s an anomaly. Jack isn’t really based on ANY Disney character in question. He seems to be more a tribute to just…ALL the wolves Disney has given, with references to the pack from “The Jungle Book” and the more vicious predators from “Beauty and the Beast” both being made at different points. While these may have inspired Jack, he is, in essence, a totally original character. Jack is a bona-fide werewolf, able to shapeshift from a sort of “beastman” form (pictured here) to a massive silver-white timberwolf. He is also quite possibly the most adorable werewolf in history since Eddie Munster. While he looks tough and tries to act standoffish and surly, Jack is basically just a big puppy dog. Despite his constant insistences that he doesn’t really care about anyone and isn’t out to make friends, he gets attached to people quickly, is always eager for praise from those he respects, and has a strong code of personal honor (which often gets him into trouble as much as it gets him out of it). In short, he’s a big softy who tries to seem meaner than he really is: always a fun character, in my books. It’s more my love for the game, as a whole, that lands Jack so high up in the ranks, but I’d be lying if I said I didn’t have a warm spot in my heart for this wolf-eared sweetheart.

4. Professor Lupin, from The Wizarding World of Harry Potter.

While there are a couple of werewolves in the Harry Potter universe, by far the most famous is Professor Remus J. Lupin. In the third book of the series, “The Prisoner of Azkaban,” Lupin is introduced as…well, quite frankly, the only GOOD Defense Against the Dark Arts teacher Hogwarts has ever seen. He’s supportive of his students, friendly to his peers, and ends up forming a close bond with Harry. This is partially because Remus and Harry’s father, James, were best friends in school. As a result, Lupin feels a certain responsibility towards Harry, trying his best to keep him safe. Ironically, however, it turns out that Professor Lupin is a potential danger to Harry and his friends, himself: it’s revealed that Lupin is a werewolf, and he goes from one of the main protagonists of the story to a major antagonist in the climactic chapters of the novel. Much like with Ethan Chandler and many other classic werewolves, once Lupin transforms, he changes from a good and amiable man to a bloodthirsty monster, who recognizes no friends. While Lupin has a special potion or medicine he can take to keep the wolf at bay, it is only a temporary fix. If he runs out, or just accidentally forgets to take it, you can imagine the consequences. As a result of this terrible tension, Lupin ultimately resigns from his teaching duties at Hogwarts (continuing the running gag, if you want to call it that, of Defense Against the Dark Arts always being the class with the worst luck), but he remains a major character in later books. The same goes for the movies, where Lupin was played (as pictured here) by the great David Thewlis.

3. David Kessler, from An American Werewolf in London.

This is yet another “essential werewolf movie” in the ranks, which made a big impact on lovers of the concept back in the year of our Lord 1981 - the same year as “The Howling.” (I’m sensing a pattern.) However, while “The Howling” took the concept to its frightening extremes, by making the werewolves murderous monsters without a shred of human decency, the titular character of “An American Werewolf in London” is both one of the most tragic werewolves ever put to the screen, while also being one of the most utterly horrifying. The story begins with young David Kessler (played by David Naughton), an American graduate student, on vacation in Yorkshire. He is accompanied by his friend, Jack Goodman. While backpacking across the Moors, the two are attacked by a werewolf. Jack is savagely killed, while David is bitten and forced to become a werewolf himself. As the film goes on, David is haunted by the ghosts of Jack and his own victims, as they try to convince him to commit suicide, since only the death of the werewolf can free not only David from the curse, but also release their souls. While the film has a deliciously dark and wicked sense of humor, it is still, at its heart, a horror story, with a somber ending and a very disturbing edge. The realization of David’s werewolf form, and the transformation he undergoes, is widely regarded as one of the most horrifying in cinematic history. I am heartily inclined to agree.

2. Bigby Wolf, from The Wolf Among Us.

Let’s take a brief tangent to discuss the fairy-tale of “Little Red Riding Hood.” Many scholars and historians have suggested that the classic fable may actually be one of the earliest examples of werewolf fiction. After all, people certainly believed in werewolves at the time, and how many normal wolves can wear human clothes, speak human language, or are large enough to swallow a little girl and her granny alive? Whether this is true or not, it is not uncommon for reimaginings of the story to envision the Big Bad Wolf as a werewolf: I already discussed three such examples with the “Anime Boi Trio” at the start of the countdown. They, of course, are not the only instances: enter Sheriff Bigby Wolf, the main character of the video game “The Wolf Among Us,” based on the “Fables” comic series (which I have not read). The game is essentially a noir-styled murder mystery story, with Bigby as our resident hard-boiled detective of the hour. In typical fashion for such an archetype, he smokes, drinks, and is equal parts grumpy and sarcastically snarky. However, unlike most such examples, he’s also a werewolf: a rarity for film noir. (Unless you count Sam Spade. No way someone that cool is human.) Bigby is able to transform from a human form, to a sort of half-human form, to the “werewolf form” shown here, and finally to a giant feral wolf that’s bigger than an elephant. The story of the game once again plays with the idea of our protagonist battling his inner demons, but with a different twist: Bigby can’t change what he is, nor does he really wish to. HOWEVER, his struggle is more with his villainous past and the darkness still inside him. He’s the Big Bad Wolf, the bogeyman of many legends; that’s a hard thing to deal with when your job is to save lives and try to make amends. Being a Telltale game, the players can choose just how nasty or how nice Bigby really is, but regardless of which direction they take him, he nevertheless seems sincere in his desire to do right. It’s an interesting twist on both the fairy-tale figure and the idea of the werewolf.

1. Larry Talbot, a.k.a. The Wolfman.

Our number one pick is the entire reason WHY I set up this list the way I did. As I said before, this countdown was never about the “sexiest” werewolf, or the scariest werewolf, or anything else like that. It was simply about what character or characters came first to mind when I thought of that word. And, let’s face it…for both myself and a lot of other people, Larry Talbot - the Wolfman - is that character. The 1940 film, entitled “The Wolf Man” with a space in the middle (contemporary spellings go back and forth between that and it all being one word), pretty much established the classical lore of the werewolf that so many of us recognize today. And while it was not the first movie to tackle lycanthropy, nor to depict its protagonist as a tragic figure who was more fallen hero than true villain, it was the first to make an especially potent impact. It is because of this character and this movie that werewolves are so particularly recognized today, and the influence of this one figure cannot be overstated. Lon Chaney Jr. and his performance are an important part of why; several other people have played the Wolfman in remakes and reimaginings of the character and story (such as Benicio del Toro and Jonathan Gries), but Chaney’s performance remains the most iconic, and the one that set the bar for how so many other werewolves would be portrayed. Larry Talbot is a good and fairly normal guy who finds himself transformed into a monster against his will, and while the stories of other famous Universal Monsters got warped and went into crazy territory as the series continued, the Wolfman actually remained fairly consistent throughout his run, helped by the fact that Chaney was the only person to play the character through the entire franchise in its original years. While the films and his makeup/costume do show their age, they’re nevertheless still classics for a reason, and I doubt very many of the other characters on this countdown would even EXIST if he hadn’t set the standard. For that reason above all else, Lawrence “Larry” Talbot takes the cake as My Favorite Werewolf. Case dismissed.

HONORABLE MENTIONS INCLUDE…

Dr. Wilfred Glendon, from Werewolf of London.

Predating the Wolfman, this is one of the earliest werewolf films, and almost as iconic. While it has its merits, however, I think that actor Henry Hull’s performance in the main role is a bit stiff and stagey, which brings the character down a peg.

Cornell, from Castlevania.

Despite being a huge Castlevania fan, I’m weirdly not very familiar with Cornell, by virtue of the simple fact I haven’t looked that much into most of his appearances in the franchise. Ironic, isn’t it?

Free, from Soul Eater.

This anime/manga series is basically what you’d get if you put Tim Burton in charge of…well…an anime/manga series. Free is a recurring figure, and he’s a lot of fun, but I just tend to think of other characters first. This may partially be because it’s been a long time since I rewatched this show…I’ll have to get on that in the future. :P 

There are a TON of other werewolves I could name, but after this point they kind of all conglomerate into a lupine glob of interest. Again, sorry if characters you loved didn’t show up. Who are some of YOUR favorite werewolves? Feel free to name your picks below!

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Paul Hyett's Howl (2015) utilized both prosthetic makeups and VFX for its 'feral people' style werewolves. VFX was used for some facial closeups and distance shots for their triple-jointed legs.

As for why he chose the design, Hyett stated, Hyett stated, 'I didn't want big furry, snout ones (…) I thought, feral people that have been bitten by something and start to evolve and mutate over the years. I didn't want to go through the silver bullet, howling at the moon, full moon transformation (…) Once they're bitten, they start to transform, and they never go back'.'