"Mrs. Gibri, from Tripoli, Libya, and her neighbor, Mrs. Feeri, from Hungary, new immigrants, stroll in front of house, Beer Sheva." 1956
Found on Wikimedia, from the National Photo Collection of Israel.
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"Mrs. Gibri, from Tripoli, Libya, and her neighbor, Mrs. Feeri, from Hungary, new immigrants, stroll in front of house, Beer Sheva." 1956
Found on Wikimedia, from the National Photo Collection of Israel.
hannukah part one
Source
that.jewish.activist: this isn’t my usual activism post, but rather it’s a little post about the history of kaifeng jews
(post description provided under the cut)
tunisian synagogues:
The now abandoned synagogue of Matmata.
the Or Torah (lit. “Torah’s light”) synagogue in Tunis’ historic jewish quarter (and previously ghetto) Hafsia/Al-Hara. it stands abandoned and desecrated.
the Mishkan Ya’akov (lit. “Yaakov/Jacob’s seat”) synagogue in Zarzis. it was built around 1900 by Zarzis’ relatively small Jewish community, and in 1982, the Torah scrolls were destroyed and the building damaged in an arson attack. it has been rebuilt by the 100 Jewish people left in Zarzis.
Le Grande Synagogue De Tunis, designed by Victor Valensi, was built in 1937. not 5 years after its completion, it was looted by the axis forces.
El Ghriba (lit. “the miraculous”) in Djerba. it was built in the late 19th century where a 6th century synagogue once stood. the Jewish community in Djerba is over 2,000 years old, and El Ghriba is believed to be built with stones from the first temple. Jews from all over Tunisia and the Tunisian diaspora pilgrim to El on lag ba’omer. last year (2020) the festivities were cancelled due to covid but this lag ba'omer there were about 7000 pilgrims.
does anyone know how to directly donate to the Synagogue of the Breslover Hasidim in Uman?
okay jews i need your thoughts:
have you noticed that jewish poetry tends to follow a specific style?
like i’ve noticed jewish poetry tends to tap into collective memory a lot. and often there is a dreamlike quality to it. most recently i read “Night Feeding” by Muriel Rukeyser and it felt very ancestral, reminiscent of like The Red Tent by Anita Diamant