Cate as Lottie in yellowjackets?
oh yes yes yes what a deliciously unhinged pair—two unstable girls, trauma-drenched and crowned by circumstance, walking parallel tightropes over madness. spiritually synced, if you will hehe.
the chosen girl — burdened by power, elevated by suffering
both cate and lottie are anointed, not by choice, but by trauma and power. cate’s telepathic abilities make her the ultimate manipulator, yet she never feels in control. lottie, blessed (or cursed?) with visions and an eerie spiritual intuition, becomes the center of a survivalist belief system she didn’t exactly ask for.
they each start out quiet, almost background—cate’s the pretty girlfriend of the golden boy, lottie’s the rich girl with a pharmacy in her purse—but something traumatic breaks them open. and when they step into their power? they command. they terrify. they gather followers without even trying, because people sense it—the gravity of their pain turned to prophecy.
a cult of softness — masking the rot
cate’s slow transition into leadership in gen v, especially post-shetty, is borderline religious. she whispers comfort with one hand and wipes your mind with the other. she becomes the mother, the martyr, the redeemer—soothing voices, gentle hands, and a smile that says drink the kool-aid, baby. lottie? same flavor. her honey-sweet, woodland mystic vibes lull the yellowjackets into following her because she makes herself what they believe they need. but underneath?
they both have god complexes dressed up as caretaking.
cate says, “let me help you.” but it means “let me decide for you.”
lottie says, “we’re safe here.” but it means “we’re safe if you do what i say.”
mental illness, baby — but make it mystical
cate dissociates. cate spirals. cate breaks and keeps going. her trauma is so deeply stitched into her psyche that even her powers are a form of self-harm—every touch that helps someone else chips away at her. and lottie? lottie spirals too. hallucinations and breakdowns that bleed into prophecy. her unmedicated visions morph into divine directives in the woods, and later, in adulthood, into a full-blown cult with wellness branding and sacrifices.
neither of them ever truly recovers, because they don’t want to return to a self that existed before the trauma. that girl was powerless. that girl was afraid. and now? they’ve transmuted the pain into myth. into meaning. into control.
mothers without mothers — mommy issues, galore.
cate’s mom is a hollow husk of emotional abuse. lottie’s parents sent her to a psychiatric hospital instead of listening. both women are forged in the absence of maternal safety—and end up becoming maternal figures themselves, twisted through the lens of survival. cate protects her friends like a big sister-mother hybrid. lottie leads her followers with the serene, terrifying calm of someone who has nothing left to lose.
they love in obsessive, overcorrecting ways. their nurturing is possessive. their comfort has teeth. because it's all they've ever known.
divine feminine — twisted into something dangerous
they are the girls people want to follow and fear at the same time. the kind of beautiful that feels predatory. the kind of broken that burns. there’s a sensuality to both of them—cate’s touch, lottie’s visions, the way they both pull people in like gravity wells. and it’s not just charisma. it’s belief. they make people believe. in peace, in protection, in power. even if the cost is their sanity—or yours.
so cate in yellowjackets? hell yeah.
she’s lottie-coded to the bone. give cate a few months stranded in the wilderness and a few blood rituals, and she’s got girls carving symbols into trees and whispering her name into the dirt. she's soothing jordan into submission, gently erasing emma’s pain with a brush of her fingers, keeping sam docile and devoted. she calls it healing. but really? she just likes being needed. likes being believed in. it fills that bottomless ache.
and when someone challenges her version of truth? when someone threatens to leave?
cate, like lottie, would let the wilderness decide.
but cate isn’t just lottie. she resonates with so many of the yellowjackets. she’s an echo of all of them—each one a facet of her fragmented soul. the survivor, the manipulator, the romantic, the monster. cate, if dropped into the woods with the yellowjackets, would either become the high priestess of their new world or the final girl no one saw coming.
cate is ultra complex (imho the most complex character in gen v and likely the entire universe of the boys) : manipulative but vulnerable, high-functioning but hollowed out, desperate to be adored yet terrified of being truly known.
i see her in jackie taylor — the queen bee in denial
sister souls in a glittering, doomed pageant. jackie was the golden girl, adored and admired—but she never quite understood the darkness humming beneath her crown. she wasn’t built for the wilderness, not really. and neither was cate, at least not at first. but cate would see herself in jackie’s hunger for control, her fear of being irrelevant, her need to be loved without having to earn it.
i see her in shauna shipman — the masked monster
oh, this one hurts. shauna is quiet, bookish, underestimated—and seething beneath the surface. sound familiar? cate knows what it’s like to be polite and well-spoken and utterly unhinged inside. to love someone so much it ruins you. to lie, to kill, to seduce, to manipulate—and still be a victim.
they both do unforgivable things to protect themselves and the ones they love—and hate themselves just enough to keep doing it.
i see her in misty quigley — the mad protector
misty and cate are two sides of the same feral loyalty coin. misty sabotages the black box to keep the group together. cate wipes memories to stop people from leaving her. misty has that wide-eyed eagerness that masks a deep, unhinged craving to be needed. cate, too, longs to be indispensable. to be the one you can’t live without. and if she has to cross a moral line to get there?
well. that’s just love, right?
they both weaponize affection. they both cling. they both break things to make them stay.
cate could easily spiral into adult misty energy, too. hyper-competent, secretly deranged, emotionally stunted, addicted to connection? checks all the boxes.
i see her in natalie scatorccio — the broken, bitter survivor
there’s something quietly devastating in how adult nat floats through the world—angry, numb, drowning in grief. cate, in a yellowjackets timeline, might grow into her. the one who tried to do good and failed. the one who watched the darkness eat everyone alive. the one who still dreams about it.
natalie fights against her own myth. cate would too. she’d hate the idea of being worshipped, even if she orchestrated the altar. she’d hate what she became.
both girls carry pain like a weapon. natalie stabs outward. cate turns the blade on herself.
i see her in van palmer — the loyal cynic
van is one of the only characters who truly believes in Lottie’s visions…while simultaneously laughing about it. she’s tough, sardonic, protective—and willing to go all-in when she chooses someone. cate isn’t as funny as van, but that ride or die loyalty? that desperate desire to keep the people she loves close no matter how warped the world gets?
i see her in taissa turner — the girl who sleeps in pieces
the perfectionist. the overachiever. the girl who does everything right until the lights go out—and then becomes someone else entirely. another high-achiever losing her grip on reality. another poised public face vs. the rotting dreamscape underneath.
cate is made of this same duality. the poised girl in the cardigan, the broken one beneath. taissa bites sleepwalkers. cate wipes minds. both are terrified of what they’re capable of when they’re not pretending.
there’s something deeply cate-coded about taissa staring into the dark and seeing her reflection blink back wrong. about taissa breaking the rules she wrote. about hiding from herself.
and cate? cate lives in that in-between. between being a hero and a monster. between loving and consuming.
so in the mythology of yellowjackets, cate dunlap is not simply one archetype. she’s not a mirror of any one girl. she’s the space between them. the glinting, gold-edged portrait of what happens when you make a girl feel godlike and disposable all at once.