Talk Berty to me: You better work Brecht
I continued to work really hard on my plays and poems. Notably, I developed my 'Man Equals Man' project, which then became the first product of the 'Brecht collective' (a group of friends of mine who I depended on). My collaborative approach to producing artistic pieces, along with aspects of my writing style of theatre productions, made my work notably a part of the Neue Sachlichkeit movement, if I do say so myself.
Again, I worked and worked, meeting Charlie Chapman in the process (great guy, by the way). After the production of 'Man Equals Man' in 1926, I started studying Marxism and socialism a bit more.
A year later, I became part of the 'dramaturgical collective' (ostentatious name right?), which showed plays that linked to 'epic, political, confrontational, documentary theatre'.