THE Steve Harrington face™
AnasAbdin
Show & Tell
ojovivo

Kaledo Art

roma★
Stranger Things

祝日 / Permanent Vacation
Keni
noise dept.

Origami Around

❣ Chile in a Photography ❣
occasionally subtle
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Kiana Khansmith
NASA
Alisa U Zemlji Chuda
Not today Justin
i don't do bad sauce passes
almost home
Cosmic Funnies
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@tayizcray
THE Steve Harrington face™
adhd is so funny it's like being possessed but with myself
me, desperately: can we please get something done?!
my inner demon, who is also me: IF YOU LIKE PIÑA COLADA
Stop just asking "is it normal?" and start asking "is it harming anyone?" Lots of harmful things are normalized in this society and lots of things considered weird or rare are completely harmless. Whether something is considered normal or common shouldn't be the deciding factor in whether it's okay
Like a lot of disabled and neurodivergent and mentally ill ways of living and expressing yourself are both not normal and not harming anyone and it's the last part we should focus our attention on
@heterodox-heterographer you've hit the nail in the head
Reblog if you love “—” and have never used ChatGPT
I love this so much! Both for the comical side of improv and for the genuine thought behind Husk wanting to threaten but at the same time not threaten Angel in that moment.
The culmination of Alastor's plan to break his contracts with Rosie and Vox is my favorite scene in the finale, maybe the entire season, and one of my favorite things about it is that, when Vox touches Charlie's shoulders and breaks his end of the deal, you can actually feel all of Alastor's frustration and sense of vindication in his voice.
"You just couldn't help yourself, could you? You fucking creep. You're always doing that, and I hate it!!!"
I felt that, man. I'm SO happy for you, Alastor. I'm so happy you got to lay waste to that fucker before he called his pet shark to help him.
Husk: “Surely there’s nothing in this fancy lounge that can convince me to reverse my decision to leave the hotel.”
Angel Dust:
I've just noticed this, but am I the only one who thinks that Pentious' sinner form has a rather similar shape to the murderer's silhouette in this scene?
Plus, if we want to go a bit further on the train of thought, we know that his sinner form has a lot of eyes on it and if we want to use Emily's dialogue here, it appears to suggest that he can't even close them all, despite his best efforts.
With all that in mind, his sinner form was basically to that every single time he saw his own shadow, his own silhouette on something, it would remind him how his own inaction on that day eventually led to 5 more women being murdered by that man.
It's brutal shit if the line of thinking I'm going down here makes sense ngl, must've been eating him from the inside for basically the entire time he was in hell with that form ngl.
But here's the stomper
They take a big steppy
what a good smol horse!
someone taught that cat dressage
Some visual details in Frankenstein (2025) that live in my head rent free:
When Victor goes to sleep after thinking his project failed, the sheets on his bed are crimson red, making it seem like the aftermath of a bloody childbirth.
Victor's ivory anatomy miniature is of a pregnant woman, foreshadowing that his scientific pursuits will be about creating life; it also shows that his scientific interests are forever linked to his attachment to his mother, who dies in childbirth.
Elizabeth's wedding gown has a fluttering lace design like the antennae of butterflies and moths, echoing her butterfly motif and her search for something she cannot explain (the moth's attraction to the light).
The Creature examines a skull in the middle of an old battlefield, not knowing at that point that he was born from bodies like the ones around him, or that unlike them, he cannot die. It's a brief moment of the undead contemplating the already dead, and it also echoes Elizabeth's introduction, where she, a doomed character, contemplates a skull that Heinrich Harlander specifically calls a memento mori (a reminder of the inevitability of death).
Haven’t really seen anyone talk about this, but the 2025 movie introduces the concept of the Creature’s name as Victor, which is so interesting to me.
Heinrich refers to him as Adam but that’s not what he calls himself. In fact he doesn’t give himself a name in the movie (there’s no “I ought to be thy Adam”). When the Creature meets Victor for the first time, Victor points to himself and says “Victor” then the Creature also points to himself saying “Victor.” Then Victor says “yes yes of course you are.” At face value this just looks like a child mirroring a parent and Victor patting himself on the back for conquering death but if you think about it it can be read as Victor giving the Creature the name Victor. Victor Frankenstein the father and Victor Frankenstein the son.
The Creature being Victor also adds a dimension to the ending as forgiving “Victor” becomes both forgiving his creator and forgiving himself for being born. Victor Frankenstein asks the Creature to give the name “Victor” back to him because it meant nothing to him when his father gave it to him. This dynamic with his father is perpetuated by Victor himself when he gives the name “Victor” to his creation which at their first meeting meant nothing to him. Victor was his father’s creation and their relationship ended there. Victor was the creator of the Creature and their relationship ended there. By having the Creature who bears the name given by Victor give it back to him he is accepting their father son relationship post creation and acknowledging the pain of the son, ending the cycle of abuse and neglect. “Victor” meant nothing as a creator and a creation, but “Victor” means everything as a father and a son.
And all this extra stuff is absent with the name Adam.
Tldr this is my petition to call the Creature (Frankenstein 2025) Victor thank you for coming to my ted talk
My issue with the 'Frankenstein should've had a female director' and the 'this is Frankenstein for men' arguments is that they completely erase the cultural elements of Guillermo Del Toro's adaptation, which is based on his personal interpretation of the novel combined with his own culture and upbringing, to a point of being almost autobiographical for him.
There can be multiple Frankenstein adaptations in existence, but to essentially reduce this film to 'Frankenstein For Men', because the film focuses on abuse cycles from father to son, with references to the cultural dynamics that Del Toro himself grew up both in and around, is not... it.
And to also erase the fact that so so many women felt represented by this film, with the implication that the film in itself 'should have been made by a man' is also not it either.
The insistence that this adaptation's existence is 'wrong' is just such a strange thing.
And with the main criticisms of the film being linked to viewers not understanding Del Toro's style of storytelling or even the cultural elements of the film, it makes one wonder sometimes if this 'criticism' doesn't come from a good place.
The film world- especially Hollywood- needs directors, writers, and filmmakers like Guillermo Del Toro for this very reason. Art is a teacher, and the world is its student.
no dude it's so cool how attached you are to that character who is singled out and ostracized due to the external monstrousness that clashes with their internal spark of humanity. and i love how drawn you are to themes of horror and love, nature versus nurture, otherness, isolation, and the abject. i bet you have normal feelings about your own personhood
Actually I'm not done thinking about Frankenstein sorry
The fact that Harlander only saw Victor's science, his creation, as a means to preserving himself. His own name.
The fact that Victor had only thought so far as the creation itself, and not what comes after. That the perfection in his mind began and ended with the act of creation.
How men only see (pro)creation through the lens of carrying on their legacy.
And when told no, that the creature will not be Harlander and his legacy? He seeks to ruin it all. And when the creature seems too slow, too difficult, too painful for Victor to deal with? He tries to destroy him.
Because to them, if what is borne from that isn't a perfect vessel to carry on their name, if it does not serve them, then the only answer is violence.
While Elizabeth immediately gazes upon the Creature with compassion, wonder, and understanding. She offers him patience, nurturing and affection unconditionally. She accepts him as he is because her concern does not lie in a legacy or what he can do for her but in the miracle of his existence alone.
Because women, the givers of life, appreciate the miracle that is life. She asks and expects nothing from the Creature. Only that he should live and live well.