hi. hello. itâs been a long while.
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@technicoloring
hi. hello. itâs been a long while.
Birds scream at the top of their lungs in horrible hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird.
k cobain
All we are not stares back at what we are.
W.H. Auden, from âThe Sea and the Mirrorâ (via oofpoetry)
Look, itâs spring. And last yearâs loose dust has turned into this soft willingness. The wind-flowers have come up trembling, slowly the brackens are up-lifting their curvaceous and pale bodies. The thrushes have come home, none less than filled with mystery, sorrow, happiness, music, ambition. And I am walking out into all of this with nowhere to go and no task undertaken but to turn the pages of this beautiful world over and over, in the world of my mind. * * * Therefore, dark past, Iâm about to do it. Iâm about to forgive you for everything.
Mary Oliver, A Settlement (via yesyes)
Do not fall in love, darling. Rise in love.
Iâm still learning to love the parts of me that no one claps for.
Rudy Francisco (via suspend)
what does 'zeitgetfĂźhl' the title of your blog mean?
âsense of timeâ in Germanâ I donât even speak German and so it is all very pretentious but I decided on that title when I was 17 and it still sounds pretty to me so I canât quite let it go yet
The weather bureau will tell you what next Tuesday will be like, and the Rand Corporation will tell you what the twenty-first century will be like. I don't recommend that you turn to the writers of fiction for such information. It's none of their business. All they're trying to do is tell you what they're like, and what you're like â what's going on â what the weather is now, today, this moment, the rain, the sunlight, look! Open your eyes; listen, listen. That is what the novelists say. But they don't tell you what you will see and hear. All they can tell you is what they have seen and heard, in their time in this world, a third of it spent in sleep and dreaming, another third of it spent in telling lies.
Ursula K. Le Guin, introduction to The Left Hand of Darkness
does this sentence not cleanly sum up the future of the entire universe or what
Julie Beck, The Atlanticâ â Whereas on Facebook, the friend relationship is reciprocal, you donât have to follow someone on Twitter who follows you (though it is often polite to do so, if you are the sort of person who thinks of Twitter more as an elegant tea room than, I donât know, someplace without rules or scruples, like the Wild West or a suburban Chuck E. Cheese).â
31 years ago today, the Breakfast Club met for detention.
Such a small, pure object a poem could be, made of nothing but air, a tiny string of letters, maybe small enough to fit in the palm of your hand. But it could blow everybodyâs head off.
Mary Karr, Lit (via enoughblue)
We donât have a future together. We only have right here, right now.⨠To the ego, thatâs incredibly depressing. But to recognise the utter preciousness of this moment liberates me from the need to possess or control you. In this timelessness, we truly meet.
Jeff Foster (via spiritual1enlightenment)
I can no longer tell you whether Milton put the sun or the earth at the center of his universe in Paradise Lost, the central question of at least one century and a topic about which I wrote 10,000 words that summer, but I can still recall the exact rancidity of the butter in the City of San Franciscoâs dining car, and the way the tinted windows on the Greyhound bus cast the oil refineries around Carquinez Straits into a grayed and obscurely sinister light. In short my attention was always on the periphery, on what I could see and taste and touch, on the butter, and the Greyhound bus. During those years I was traveling on what I knew to be a very shaky passport, forged papers: I knew that I was no legitimate resident in any world of ideas. I knew I couldnât think. All I knew then was what I couldnât do. All I knew then was what I wasnât, and it took me some years to discover what I was. Which was a writer. By which I mean not a âgoodâ writer or a âbadâ writer but simply a writer, a person whose most absorbed and passionate hours are spent arranging words on pieces of paper. Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what Iâm thinking, what Iâm looking at, what I see and what it means. What I want and what I fear. Why did the oil refineries around Carquinez Straits seem sinister to me in the summer of 1956? Why have the night lights in the bevatron burned in my mind for twenty years? What is going on in these pictures in my mind?
Joan Didion, Slouching Towards Bethlehem (via clairefoley)
SNOW AND DIRTY RAIN, Richard Siken
Close your eyes. A lover is standing too close to focus on. Leave me blurry and fall toward me with your entire body. Lie under the covers, pretending to sleep, while I'm in the other room. Imagine my legs crossed, my hair combed, the shine of my boots in the slatted light. I'm thinking My plant, his chair, the ashtray that we bought together. I'm thinking This is where we live. When we were little we made houses out of cardboard boxes. We can do anything. It's not because our hearts are large, they're not, it's what we struggle with. The attempt to say Come over. Bring your friends. It's a potluck, I'm making pork chops, I'm making those long noodles you love so much. My dragonfly, my black-eyed fire, the knives in the kitchen are singing for blood, but we are the crossroads, my little outlaw, and this is the map of my heart, the landscape after cruelty which is, of course, a garden, which is a tenderness, which is a room, a lover saying Hold me tight, it's getting cold. We have not touched the stars, nor are we forgiven, which brings us back to the hero's shoulders and the gentleness that comes, not from the absence of violence, but despite the abundance of it. The lawn drowned, the sky on fire, the gold light falling backward through the glass of every room. I'll give you my heart to make a place for it to happen, evidence of a love that transcends hunger. Is that too much to expect? That I would name the stars for you? That I would take you there? The splash of my tongue melting you like a sugar cube? We've read the back of the book, we know what's going to happen. The fields burned, the land destroyed, the lovers left broken in the brown dirt. And then's it's gone. Makes you sad. All your friends are gone. Goodbye Goodbye. No more tears. I would like to meet you all in Heaven. But there's a litany of dreams that happens somewhere in the middle. Moonlight spilling on the bathroom floor. A page of the book where we transcend the story of our lives, past the taco stands and record stores. Moonlight making crosses on your body, and me putting my mouth on every one. We have been very brave, we have wanted to know the worst, wanted the curtain to be lifted from our eyes. This dream going on with all of us in it. Penciling in the bighearted slob. Penciling in his outstrechted arms. Our father who art in Heaven. Our father who art buried in the yard. Someone is digging your grave right now. Someone is drawing a bath to wash you clean, he said, so think of the wind, so happy, so warm. It's a fairy tale, the story underneath the story, sliding down the polished halls, lightning here and gone. We make these ridiculous idols so we can to what's behind them, but what happens after we get up the ladder? Do we simply stare at what's horrible and forgive it? Here is the river, and here is the box, and here are the monsters we put in the box to test our strength against. Here is the cake, and here is the fork, and here's the desire to put it inside us, and then the question behind every question: What happens next? The way you slam your body into mine reminds me I'm alive, but monsters are always hungry, darling, and they're only a few steps behind you, finding the flaw, the poor weld, the place where we weren't stitched up quite right, the place they could almost slip right into through if the skin wasn't trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the wy they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isn't a kingdom then I don't know what is. So how would you catalog it? Dawn in the fields? Snow and dirty rain? Light brought in in buckets? I was trying to describe the kingdom, but the letters kept smudging as I wrote them: the hunter's heart, the hunter's mouth, the trees and the trees and the space between the trees, swimming in gold. The words frozen. The creatures frozen. The plum sauce leaking out of the bag. Explaining will get us nowhere. I was away, I don't know where, lying on the floor, pretending I was dead. I wanted to hurt you but the victory is that I could not stomach it. We have swallowed him up, they said. It's beautiful. It really is. I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube... We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.
it's just that my seasonal affective disorder's really been acting up lately
Me: Guess where I'm going for spring br--
Every single person in my life: WE ALL KNOW YOU'RE GOING TO THE CARIBBEAN IT'S ALL YOU HAVE TALKED ABOUT IN THE ENTIRE MONTH OF FEBRUARY
Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. Read in order to live.
Gustave Flaubert
you look very pretty today