GERALT and EMHYR + facial scars

oozey mess

#extradirty
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$LAYYYTER
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祝日 / Permanent Vacation
Today's Document
KIROKAZE
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin

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@tendergeralt
GERALT and EMHYR + facial scars
⚔️🩸🐴✨
quick sketch
the reddit witcher community can be a pretty rancid place, but the idea of Ciri undergoing the mutations (at least in part) because she knows they will make her sterile is *chefs kiss*
like, the majority of her story is people wanting to get her pregnant against her will so she could birth a prophecy child!
and since her own powers (that people also want to make her use against her will) are linked to her blood, the mutations might cancel those out too (if they aren't failing for other reasons)!
she gets to retake definitive agency over her own body, eliminating the reasons she's spent most of her life either hiding or on the run in one fell swoop, while simultaneously getting to become like the people she grew up with & admired & loved like family!
Take a rowdy Skelliger, a brave knight or a tough witcher - you all end up wrapped around some woman’s finger.”
Countdown is going… with yet another look at Lambert’s costume because it’s awesome :)
Alzur’s Legacy premiers on YouTube on December 7th
Alzur’s Legacy Lambert! lookit! xD
By Lei Min
A second chance.
under the red moon
Quick art to lift me spirits 😩
Hii i have a question abt tlol u mihht know thr answer to. ❤️
While geralt and ciri fight their enemies on the stygga castle, geralt tells ciri several times yen wants to look at the sky. (If i temember correctly it was yen) Why?? Its so random? Does it have a hidden meaning? Does it refer to vilgefortz quote 'You Mistake Stars Reflected In A Pond For The Night Sky' ?
i can’t be certain that it’s not a reference to something elsewhere in literature, but i just interpret it as an expression of weariness and exhaustion. as geralt’s emotions are described:
He didn’t feel anger, resentment or hatred. He felt only weariness. And a huge desire to be done with all of it. (…)
as geralt learns from ciri, by a shake of her head, the rest of his company (cahir and angouleme) also did not survive. so he realizes all of his friends were lost. and that there is nothing left for them here.
‘Let’s get out of here,’ he repeated.
‘Yes,’ said Yennefer. ‘I want to see the sky.’
‘I’ll never leave you both,’ Ciri said softly. ‘Never.’
* funny mistake here - in the official english translation, it was printed that yennefer says “I want see the sky” :’)
so they go to leave:
In front of them was a stairway, a great stairway drowning in smoke, in the twinkling glow of torches and fire in iron cressets. Ciri shuddered. She had seen that stairway before. In dreams and visions.
Down below, far away, armed men were waiting.
‘I’m tired,’ she whispered.
‘Me too,’ admitted Geralt, drawing the sihill.
‘I’ve had enough of killing.’
‘Me too.’
‘Is there no other way out?’
No. There isn’t. Only this stairway. We must, girl. Yen wants to see the sky. And I want to see the sky, Yen and you.
they want to get out of stygga castle, but between them and escaping it is one final battle, for at the end of the staircase they see stefan skellen and his men, who they know they will have to kill in order to leave from here.
they are tired, they are wretched after having killed so much. the moral weight of killing is a huge theme in the witcher, and here is no exception - it’s not glorified that the heroes brandish their swords, the heroes feel the weight of them.
they don’t want to kill anymore. but they have to, in order to get out of the place where they killed.
it’s like ‘the only way out is through.’
“seeing the sky” = an end to this episode, freedom from this place of killing and death, escape from this black citadel, return to life
why the sky?
a significant reminder here is that they cannot see the sky from within stygga castle. for it had no windows (which was mentioned in chapter 2, but likely ceases to be present in the mind by the time you get to chapter 9). but essentially, it’s dark in that stone castle, hewn from rock:
The tapestry measured about five foot by seven and its tassels rested on the floor. It showed a rocky cliff over a tarn, and a castle carved into the cliff, which seemed to be part of the rock wall.
The castle didn’t have any windows through which she could see the surrounding terrain, or even the sun to try to orient herself.
(what a horrible place, as percieved by our human heliophilia!)
i think generally, darkness/light symbolism (or cave/sky symbolism… hi plato) is very ancient, even primal, even biological.
another analogy might be finishing a work shift at a retail store where you’ve been under flourescent lights for eight hours, and now want to leave this infernal place and finally see the sky above. there’s a feeling of exhaustion, horror, nausea whenever you’ve been separated from the sky for so long
haven’t drawn them in Forever.
some general hanza sketches but primarily a lot of of angoulême, and thinking about some of her dynamics with the rest of the group :,)
sword of destiny
edit: audio from the polish audiodramas, not hexer. full clip with english subs here
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