You should start thinking about that. @terror1978 - Tumblr Blog

you have destroyed and betrayed yourself for an amazing reason

So like an hour ago I just lear🪨︵︵ned that— what the fuck was that. Someone just skipped a rock across my post did you see that

kikmessenger

sits on my own blog like it’s the edge of a lake wistfully

kikmessenger

skips a stone over a few posts

what wheels do i get for school

heelies

wheelchair

bike

car

Remaining time: 3 hours 18 minutes

alkemylabz

when the setting/location in a story is also a character in itself

#the lejuene farm

pjackk

I need 1 keybump of the Ocean

dogpuppy

starlinedsword-deactivated20240

addicted to overanalyzing music and applying it to my ocs

quillith

wolfram-blorbos

having a resting bitchface is so funny because i'll be doing something relaxing, and really enjoying myself and my face will look like this

vulcan-moon

ive been rewatching ouran

64mpg

everyone has parasites and nobody can afford a house

cookbookbutch

The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment

The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.

2026/07/16