#we're throwing him like a rag doll 💕
MATTHEW RHYS as TOM LOFTIS in WIDOW'S BAY S1 (2026)
Cosimo Galluzzi

ellievsbear
The Stonewall Inn

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Aqua Utopia|海の底で記憶を紡ぐ
Show & Tell
noise dept.
Jules of Nature
Misplaced Lens Cap
Keni
Fai_Ryy
tumblr dot com
hello vonnie
we're not kids anymore.
No title available
Lint Roller? I Barely Know Her

#extradirty
taylor price

bliss lane

Product Placement
seen from Thailand

seen from Türkiye
seen from Japan

seen from Brazil
seen from Dominican Republic
seen from Dominican Republic

seen from United States

seen from Singapore
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Brazil
seen from Vietnam
seen from Germany

seen from Russia
seen from Australia
@the-phooey
#we're throwing him like a rag doll 💕
MATTHEW RHYS as TOM LOFTIS in WIDOW'S BAY S1 (2026)
It's only a 12 hour experience. Oh, my God!
MATTHEW RHYS as TOM LOFTIS in WIDOW'S BAY 1x05 (What to Expect on Your Trip)
What I'd ask you in return, Arthur, is what town doesn't have a checkered past? You know, if we go back far enough in our country's timeline. Right?
Widow's Bay (2026–) | S01x01 "Welcome to Widow's Bay!"
She was one of those people who was born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengance, and for the most sublime forms of heroism but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother's sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman made for maternity, abundance, action, and ardor- was consuming herself.
Isabel Allende, The House of the Spirits
Greed is an animal that hungers for blood.
KILLERS OF THE FLOWER MOON dir. Martin Scorsese
HAROLD AND MAUDE dir. Hal Ashby
I haven't lived. I've died a few times.
Harold and Maude (1971) dir. Hal Ashby
Sherlock Jr. (1924) dir. Buster Keaton
A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.
Donna Tartt, The Goldfinch
KASTLE 2017, 2019, 2026
The Punisher: One Last Kill dir. Reinaldo Marcus Green | 2026
After a lifetime of being used as a puppet by all these men. Daddy, brother…
the punisher | daredevil: born again (x)
The guilt of not showing up when I should have has led me to sense offense when none was intended, to assume resentment lingered in them the way shame did in me.
Angela Flournoy, The Wilderness
O Agente Secreto (2025,🇧🇷), dir. Kleber Mendonça Filho
One Battle After Another (2025) dir. Paul Thomas Anderson
And all that burgeoning physicality is held within yourself as a sort of secret, even as it is also the actual surface that you present to the world, so that you’re left absurdly exposed, unsure whether the world knows everything about you or nothing, because you have no way of knowing whether these experiences that you’re having are universal or entirely specific.
David Szalay, Flesh