Iasonas Kampanis, The Wall, photography series, 2017
http://www.iasonaskampanis.com/

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Iasonas Kampanis, The Wall, photography series, 2017
http://www.iasonaskampanis.com/
Iasonas Kampanis, The Wall, photography series, 2017
http://www.iasonaskampanis.com/
Somewhere in Rapentossa forest April 2015 - Postcard to A. Huxley.
Childhood or a construction site, Philadelphia Pennsylvania USA, June 2015.
RODRIGO MOREIRA
Fusion - In order to increase the time spent in front of each image, photographs are frozen in ice blocks and observed while they melt. During the fusion process, while the image gradually becomes apparent, I invite collaborators to observe the process and take notes on their memories and emotions evoked by the photographs.
After the fusion process is complete, a chart is produced recording the intensity of each feeling that was generated. A chart plots Time versus Intensity based on the notes that were taken, and the participants then decide which of their records are more or less intense. Finally, this data is checked against data from the other participant and based on the points of overlapping graphs, new stories and images are produced from the intersection of individual records
‘eos’
by *iasonas kampanis*
Mark Rubenstein
Iasonas Kampanis - Portrait V
http://www.iasonaskampanis.com/
Jannis Varelas between Miriam Cahn (left) and Anna Bjerger at the Chicken or Beef? Transcontinental Survey of Figurative Painting exhibition assembled by Danish curator Jesper Elg in V1 Gallery, Copenhagen, 2013
Iasonas Kampanis, acrylics on canvas mounted on wall, 240 x 410 cm, 2014
http://www.iasonaskampanis.com/
Fayum mummy portraits, encaustic painting or tempera, wooden boards attached to mummies during the Coptic period, 3rd century
Tom Phillips / Tate Collection / Presented by the Institute of Contemporary Prints, 1975
http://www.tomphillips.co.uk/
Musée Picasso Paris, on October 18, 2014.
Finance and Investment icons by Martin Azambuja Twitter || Source
Jackson, 1982 Jean-Michel Basquiat
Ernst Haas. Crosswalk NYC. 1980.
Iasonas Kampanis, ‘The Line’, acrylics on wood, 72 x 102 cm, 2014
Depicting Euclid’s theorem: A straight line segment can be drawn joining any two points.
http://www.iasonaskampanis.com/