Belle Ăpoque 0.60ct Diamond and Pearl Cat Brooch, c.1880s

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"I'm Dorothy Gale from Kansas"
sheepfilms
he wasn't even looking at me and he found me
taylor price

titsay

shark vs the universe
cherry valley forever
art blog(derogatory)
trying on a metaphor
wallacepolsom

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Discoholic đȘ©
I'd rather be in outer space đž
Lint Roller? I Barely Know Her
Jules of Nature

oozey mess

⣠Chile in a Photography âŁ
RMH

Kaledo Art

seen from United States
seen from Brazil

seen from Indonesia
seen from United Kingdom
seen from Romania

seen from United States
seen from India
seen from United Kingdom

seen from Hungary
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Spain

seen from India

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@thearchivehermit
Belle Ăpoque 0.60ct Diamond and Pearl Cat Brooch, c.1880s
Marthe de Florian's 19th Century Parisian apartment, untouched since 1939.
A Maison Worth voided velvet and pale green wool tea gown
c. 1896
Kerry Taylor Auctions
Budapest, Hungary c. 1907
On Our Backs portrayed lesbian sex and sexuality, with real lesbians.
Created by, for, and about lesbians, On Our Backs came about in the tumult of the âfeminist sex wars,â a deeply polarizing internal debate in the feminist movement regarding sex, sexuality, pornography, erotica, and BDSM. Divided into sex-positive and anti-porn camps, the sex wars saw rabid disagreement on what the nature of things like pornography were doing for lesbians and for society as a whole. Many feminists argued that pornography and erotica were inherently objectifying and abusive. Writer and theorist Andrea Dworkin argued that not just pornography but heterosexual sex as a whole was a âmeans of physiologically making a woman inferior,â and claimed that anyone aroused by porn that depicted sexualized violence (whether real or scripted) âwas evidence of a mind thatâs absorbed the propaganda of the patriarchy and eroticized the subjugation of women.â On the flipside, sex-positive feminists argued that pornography itself was not an inherent evil, but rather its morality was dependent upon the creators and participants. Rubin, one of the founders of the lesbian feminist BDSM group Samois, believed sexual liberation was a key component of the feminist movement and that public expressions of female sexuality were crucial in asserting womenâs existence as fully realized beings.
On Our Backs portrayed lesbian sex and sexuality, with real lesbians.
Created by, for, and about lesbians, On Our Backs came about in the tumult of the âfeminist sex wars,â a deeply polarizing internal debate in the feminist movement regarding sex, sexuality, pornography, erotica, and BDSM. Divided into sex-positive and anti-porn camps, the sex wars saw rabid disagreement on what the nature of things like pornography were doing for lesbians and for society as a whole. Many feminists argued that pornography and erotica were inherently objectifying and abusive. Writer and theorist Andrea Dworkin argued that not just pornography but heterosexual sex as a whole was a âmeans of physiologically making a woman inferior,â and claimed that anyone aroused by porn that depicted sexualized violence (whether real or scripted) âwas evidence of a mind thatâs absorbed the propaganda of the patriarchy and eroticized the subjugation of women.â On the flipside, sex-positive feminists argued that pornography itself was not an inherent evil, but rather its morality was dependent upon the creators and participants. Rubin, one of the founders of the lesbian feminist BDSM group Samois, believed sexual liberation was a key component of the feminist movement and that public expressions of female sexuality were crucial in asserting womenâs existence as fully realized beings.
hi did you know that ancient mesopotamians buried their dead under the floors of their own houses to always be close to them? i can't write a poem about this but by god i will write a master's thesis
hey, remember this? i just successfully defended this master's thesis and i'm now officially an archaeologist
@enkidusbi I know I'm late to the party on this, but could you drop some resources? I'm teaching a class about ancient civilizations and I'd love to incorp(s)orate this into my Mesopotamia unit next week!
happy to! here's a basic list of English-language sources on burial practices, with links if the article/book is available online without a paywall
Baker, H. D. 1995: Neo-Babylonian Burials Revisited. In: Campbell, S. â Green, A. (eds.): The Archaeology of Death in the Ancient Near East.
Katz, D. 2003: The Image of the Netherworld in the Sumerian Sources.
Katz, D. 2007: Sumerian Funerary Rituals in Context. In: Laneri, N. (ed.): Performing Death. Social Analyses of Funerary Traditions in the Ancient Near East and Mediterranean. MacDougal, R. 2014: Remembrance and the Dead in Second Millenium BC Mesopotamia.
van der Toorn, K. 2008: Family Religion in Second Millennium West Asia (Mesopotamia, Emar, Nuzi). In: Bodel, J. â Olyan, S. M. (eds.): Household and Family Religion in Antiquity.
my favourite weird/creepy bits of scottish folklore
19th century "mermaid" sighting on the island of Benbecula.
13th century Hobgoblin Hall allegedly build by a wizard at Yester Castle.
The prophecies of the Brahan seer
The Dunvegan fairy flag.
Spooktober Celebrationâ”đâ” Location | Lily Dale, New York
Lily Dale, New York, is a unique community known for its rich history in spiritualism, founded in the late 19th century. Established in 1879 as a campground for spiritualists, it became a hub for those seeking to communicate with the spirit world. The community flourished with the help of prominent figures like the Fox sisters, who were instrumental in popularizing spiritualism. Over the years, Lily Dale developed into a year-round settlement, featuring various mediums, healing practices, and events centered around spiritualism. Today, it remains one of the largest spiritualist communities in the U.S., attracting visitors for its seances, workshops, and tranquil, reflective environment.
Spooktober Celebrationâ”đâ” Location | Seances
Seances have a rich history that dates back to the early 19th century, when interest in spiritualism began to flourish, particularly in the United States and Europe.
The Fox sisters, Margaret (1833-1893) and Kate (1836-1892), played a pivotal role in popularizing this movement after they claimed to communicate with spirits through mysterious rapping sounds in 1848. This sparked a wave of interest, leading to the establishment of spiritualist churches and the practice of seances as a means to contact the dead.
Prominent figures like Allan Kardec (1804-1869), who founded Spiritism and published "The Book of Spirits" in 1857, further developed these ideas, systematizing the beliefs surrounding spirits and their interactions with the living.
Throughout the late 19th and early 20th centuries, seances gained notoriety through the work of mediums like Madame Blavatsky (1831-1891) and Harry Houdini (1874-1926), who both contributed to the dialogue around spirituality, the supernatural, and skepticism, respectively. This blend of mysticism and inquiry established seances as a cultural phenomenon that continues to intrigue and captivate people today.
Spooktober Celebrationâ”đâ” Occult Studies Aesthetic
"The path to paradise begins in hell"
Spooktober Celebration  ┠ đ ┠Spirit Photography
With the end of the U.S. Civil War and the rise of Spiritualism, spirit photography became a means for people to connect with lost loved ones. At least, that was goal. Fraud photographers would use double exposure (a process where one frame is placed upon another), which make a ghostly figure appear behind the person.
Key photographers: William Mumler, William Hope, David Duguid, Edward Wyllie
Believers: Sir Arthur Conan Doyle, Mary Todd Lincoln,
Disbelievers: P.T. Barnum, William S. Marriott, Harry Houdini
Spooktober Celebration  ┠ đ  ┠White Lady
The white lady is a term given to a female spirit who appears in a white garment. These spirits are often associated with rural areas or with tragic stories of betrayal and unrequited love. Early references to the white lady are in medieval legends where her appearance meant a family member is soon to die. The legend of the white lady appears across the world, where she is called: Dama Branca (Brazil), OnryĆ (Japan), La Llorona (Mexico), Babae sa Balete Drive (Philippines), and many others.Â
Spooktober Celebrationâ”đâ”Spiritualism Movement
Spiritualism became a social and religious movement toward the end of the 19th century. In which, followers believed in a static afterlife, the ability to contact spirits, and that these spirits had moral and ethical insights. Scholars claim Emanuel Swedenborg as the father of Spiritualism.
By 1897, it is believed that spiritualism had 8 million followers across the United States and Europe. Most of these followers: came from upper and middle classes, were women, and supported abolitionism and suffrage.
The movement would weaken from accusations of fraud, but spiritualism is still prevalent today regardless.
Queer gaze in art and photography of the past
Konstantin Somov, A Reclining Man, 1936. Somov was gay, and quite openly. Here he painted his lover and muse Boris Snezhkovsky
Paul Cadmus, Jerry, 1931. Cadmus painted Jared French, another artist, while they, as a couple, were travelling around Europe
Alice Austen, Gertrude Dancing, 1899. Alice Austeen, a pioneering female photographer, met Gertrude Tate in 1897. They lived together, travelling, throwing tea parties, and riding automobile, until Alice's death in 1952
Wilhelm von Gloeden, Two Men Talking, c. 1895. Von Gloeden was famous for his homoerotic photography and made Italy popular among gay men and lesbians. Although this photo is likely just that, a photo, its meaning is clear
Louise Catherine Breslau, The Toilette, 1898. Breslau lived with Madeleine Zillhardt, fellow artist, for over forty years. She drew her often, like in this tender painting. There's now a street in Paris called Place Louise Catherine Breslau & Madeleine Zillhardt
Andreas Andersen, Hendrik Andersen and John Briggs Potter in Florence, 1894. Andersen depicted his brother Hendrik, a sculptor and the lover of Henry James who caled him his beautiful Henrico. Hendrik met artist John Potter before James, in 1894, through his brother Andreas. The three travelled together in Italy
Jean-Michel Basquiat
Etiquette of the Edwardian Era and La Belle Ăpoque: Tea
This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI. I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.
Today will be focusing on the rules of tea with this time period.
Tea was a staple in society, not only as a comforting beverage but as a social gathering beset by strict rules. Etiquette at tea is not only important for guests but is a sign of respect to one's host.
High Tea vs Afternoon Tea
You're reading both terms and you're thinking high tea is the formal version and afternoon is informal. In fact, no. It is the opposite. High tea was actually served far later, about 6pm/7pm and focused on more savoury, substantial dishes. High tea was more of a lower class tradition, designed to fill the stomachs of hungry workers. The word "high" is derived from the tall tables used. Afternoon tea is served at 4pm, designed to fill the gap between lunch and dinner. Afternoon tea is served at low tables with all the guests seated and involve a lighter meal, more nibbles than anything.
Hosting and Attending Tea
Tea is an event that happens every day, it's not an excuse for a snack, it's a ritual. One can have tea served in one's own home or at the home of a friend. One must be invited to tea, one can't just show up and expect to get fed. Tea was typically served in libraries or drawing rooms and done times outside in the gardens if weather permits. One had to dress for tea usually in comfortable but appropriate clothing. Men would wear suits, women would wear tea gowns or a simple gown - keeping their hats upon their head, if they are visiting. Tea was not poured by the footman but by the host or if it is a large party, by one assigned guest. The hostess or designated tea pourer would serve themselves last.
The Tea Set
Tea sets are highly coveted and much remarked upon at tea. One would usually inherit a service (that's what the collection was called) or be gifted it at one's wedding. Services would all match and most households had different kinds, the best usually reserved for important guests.
Teapot: the tea pot held the hot water and tea leaves was was usually made of china and decorated.
Cups: the cups were generally low, shallow.
Saucer: a small plate for the cup to rest on
Tea cannister: where dried tea leaves would rest until needed.
Sugar bowl: was a small container made of china with a cover to protect the sugar from moisture.
Milk jug: a container for the milk
Slop basin: was a porcelain dish used for disposing tea leaves left behind with the dregs of tea.
Tea spoon: small spoon used to stir tea
Side Plate: small serving plate used for food.
As you might have noticed, other than a tea spoon, cutlery is not listed. There would be a spoon for jam and a knife for a scone, most food was designed to be eaten with one's hands.
There is also one instrument not listed here and it's the most recognisable thing at afternoon tea.
The Tiered Tray
The tiered tray is a set of trays stacked upon one another holding on each one, a different course. Sandwiches and savouries were served on the bottom (Favourites include smoked salmon, cucumber, cress, egg salad sandwiches), scones on the second and sweeter delights served on the top (sponge cake, macaroons, pastries etc). One would begin ay the bottom and work one's way upward.
Making the Perfect Cup of Tea in the Edwardian Era/Belle Epoque/Gilded Age
Disclaimers: Let's make one thing clear. Tea is not prepared one way for all. Tea is culturally important across the world and every culture has their own rules about how tea is consumed and served. There's no one right way.
I will be discussing the English way of brewing tea in this post.
As mentioned before, tea is held in a cannister before use. Tea leaves were added to the hot water and lightly stirred.
Controversially for most people, milk was commonly added first.
One would then set a strainer in one's cup, tilting the pot. The strainer will catch the leaves and leave your cup almost tea-pulp free.
With the tea added, one could add in sugar. The trick is not to make a show about it or be too loud. One simply should gently turn your spoon from the 6 o'clock position to the 12 o'clock position. Also, the spoon rests on the saucer when not in use and doesn't stay in your cup.
When drinking your tea, put your pinky down. That's an American myth. Simply lift your cup to you, lifting the cup to your mouth by the handle. Saucers are not lifted unless your cup is far away. Don't slurp it, there's plenty more where that came from.
Etiquette at Tea
Afternoon tea is for light conversation, do avoid heavy topics.
Listen attentively when being spoken to.
Don't talk with your mouth full or stuff your mouth. Typically everything should be polished off with 2-3 bites.
Gloves should be removed at tea because one is eating with their fingers.
If one is leaving the table to go to the bathroom or a breath of air, simply turn to your neighbours and excuse yourself. No explanation needed.
Napkins should be removed from the table and set across one's lap when one is sitting down. When finished with tea, set it beside your plate before you rise.
Also you daub, not smear.
Don't cut your scone but break it.
Don't lick your fingers.
Don't bang the spoon on the side of the cup.
Also there's no dunking biscuits into your tea. It's just not done at afternoon tea.
Never thank the staff for fetching anything - or at very least, don't be overhead doing so.
Always say your goodbyes to the hostess and compliment the tea, even if you had a rubbish time.
Also most importantly, never criticise somebody else's manners. That's the height of rudeness.