Malcolmās Pit ViperĀ (Trimeresurus malcolmi), family Viperidae, Mount Kinabalu, Borneo
Venomous.
photographs byĀ Will Hunt

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@theauthorinblue
Malcolmās Pit ViperĀ (Trimeresurus malcolmi), family Viperidae, Mount Kinabalu, Borneo
Venomous.
photographs byĀ Will Hunt
Reminder to self: A file folder of outlines and character notes and half-written scenes is the equivalent of an artistās sketchbook and holds just as much value to the creative process.
If a framed canvas isnāt the only worthwhile expression of visual art, then a fully edited and polished piece of significant length is not the only worthwhile expression of writing.
I feel like a very important part of worldbuilding for any universe with a magic system is asking yourself āhow would people use this to do crime?ā
patterns left by woodworms on driftwood
PLEASE search "beetle gallery" and look at images. The patterns larval beetles leave behind under the bark of trees while feeding are so so beautiful
Urutu aka Crossed Lancehead (Bothrops alternatus), family Viperidae, found inĀ South AmericaĀ (Brazil,Ā Paraguay,Ā UruguayĀ andĀ Argentina)
Venomous. (very)
photographs: Giono Rossi & Venom Central
things in fic I'm used to people kind of faking their way through writing about:
the city of los angeles
the city of new york
sex
how drinking alcohol works
how getting high works
how a child of any age speaks
how nuclear physics work
how [my job] works
how debilitating being shot in the shoulder is
how hypothermia works
things I have never before seen someone fake their way through writing about, until today:
what french toast is
read through the notes on this one trust me
Here's some of the notes, starting with the things multiple people brought up:
SHRIMP COCKTAIL:
banahbanah: #flashback to that one fic where Peter Parker frets about drinking shrimp cocktail because of the alcohol
generaldeliciousness: adding: what a prawn/shrimp cocktail is
#why is your character turning it down because they're under 21 #do you think prawn cocktail is a cocktail #this lives in my brain rent-free constantly #the rest of the fic was so normal #and good enough that i'll still re-read it #but bro
And then many, MANY, people wondering if this was actually authour mistake, since Peter really would do this!
POMEGRANATES:
zhajhassa: #haha where's that post that was like someone describing someone eating a pomegranate but they ate it like an apple
thornhands: #once someone wrote persephone biting into a whole Pomegranate #had to stop and stare at a wall for a minute
sungsingsanguine: I once saw someone very confidently write about a character eating slices of pomegranate.
FRUIT TREES:
zagreuses-toast: #given a very endearing glimpse into a writers blindspots by seeing them describe someone sitting under a ''pineapple tree''
salatrash: I remember something about picking watermelons... OF A FUCKING TREE
baander: #cranberry trees
DOUGH/BATTER:
maycelium: #I'm a chef so I'm really used to people not accurately describing how to cook food #But I was surprisingly flabbergasted when someone was writing making a cake and was kneading it. Which uh #Not necessary for cake. It was interesting for sure but just bizarre
livebloggingmydescentintomadness: #the one that drove me nuts was when a character set aside a batch of PASTA DOUGH 'to rise' #pasta doesn't have yeast!! #it does need to REST but it will never RISE #you do not want an airy crumb on your noodles
lovesodeepandwideandwell: #THE ONE WHERE THEY MADE COOKIES BY LADLING BATTER INTO A TRAY
Some other topics:
me (crazy eyes, covered in blood): I NEED to finish writing my fanfic. so I can start writing a different fanfic.
She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
prayer to whichever dead catholic person is most appropriate: may I not have to run a whole week of surprise camps on crutches. in a knee brace.
Im agnostic raised liberal protestant, but absolutely the catholics got saints right. Sometimes your problem is so fucking specific you need Some Guy. If you're listening, Guy of Workers Who Have Strain Injuries,
No fucking WAY, there's actually a knee injury Guy? Catholicism accidentally reinventing the medical specialty system......
I know you're wondering: are there slutty pictures of him revealing his knees?
Saint Roch, by Francesco Ribalta, c. 1625, Museo de Bellas Artes, Valencia
[image id: st. Roch staring soulfully and hiking up his robe to show that his thigh has a bubo on it, also sluttily revealing his knees]
what the dog doin
Had been thinking about this post (which is a fake excerpt from an imaginary narrative written to mock 'tumblr prose'), and how most "no actually this is good" comments are highlighting how the construction of individual sentences is interesting, how some of the language is evocative, how it Goes Hard. Because that post is written badly in a very thoughtful manner that focuses on core structural issues rather than going for low hanging fruit of poor technical proficiency with the written word, it is not bad in the most "obvious" of ways. So I think this is a legit learning opportunity, but also I don't want to dunk on anyone so instead I will just preach to the choir of My Followers.
But yeah like to be more constructive than just going "lol tumblr prose bad", really the issue in Large part that characterizes "tumblr prose" (which to be clear I don't think is a discrete thing and at most is a combination of several writing tendencies influenced by the medium of Online) comes down to the lack of real contrast in Any aspect of narrative construction, and an obsession with being quotable and constantly being at 100% of Going Hard (which go hand in hand).
In that post, the character voice is indistinct from that of the narration, and the characters quote one-liners that look Meaningful as excerpts and are borderline nonsensical as dialogue. There is no more than the faintest, most generic hints of characterization; these people exist as vague concepts to say deep words for the reader. The sentence length has little variation from its staccato beat, and so it is awkward to read and fails to complement the action or accomplish anything with the pacing (save for the slight slowdown when the torturer feels all that damp animal electricity). The timing is awkward and exaggeratedly dramatic. The description is a flowery kind of tryhard visceral and seems avoidant of describing anything too directly ("something dark and arterial" where there's nothing being accomplished by conveying uncertainty about what is currently gushing out of the injured character and the simple use of "blood splashed across the stones" would actually be 10x more effective), in a way that does disservice to what is supposed to be a torture scene, and leaves it weightless and ungrounded. In fairness to the people saying "this is good", that is MUCH easier to say when reading this fake excerpt as the standalone piece it actually is, but this kind of writing Cannot function in an actual narrative and is not what an excerpt from well constructed narrative fiction is going to look like basically ever.
It reflects a lot of very typical amateur writing issues that just about everyone has to grow out of (the minimal diversity in sentence length, simulated non-attention to scene pacing and timing), and issues common to fanfiction-influenced writing on social media (allergy to paragraph lengths of more than two sentences, little to no description of the characters or setting because, in fanfiction, the reader already knows their physical characteristics and mannerisms and it doesn't need to be lingered upon, Unlike In Original Fiction). But this particularly hits on an issue I think is semi-unique to narrative writing in the social media milieu, which is a focus on being quotable. This may not even be a conscious impulse at all But It's There. This kinda apparent terror of any moment not being as beautiful and hard hitting as possible (or for comedy, any moment not being A Joke). Everything "Goes Hard", so nothing actually does. A lot of "tumblr prose" type writing is less a narrative, more a string of quotes loosely assembled into narrative that vaguely gestures at things like Plot and Character. It substitutes depth for Suggestions of depth by utilizing stock symbolism without building it into the narrative, and by gesturing at weighty contexts without actually engaging with them. There can be little contrast or effective use of tone, pace, description when your story is a series of Hard Hitting Quotes.
I'm reading Watership Down right now and I think it's a great novel overall and can work as an example of how important it is to utilize contrast in your writing.
This segment is the lengthy first description of the titular down, which the rabbits are now encountering for the first time:
Adams is slowing the pace here to introduce us to the setting of the next segment of the book. The average sentence length is very long and keeps us lingering in the sensory detail, while still varied and thus smoothly readable. This new place is introduced by simultaneously conveying its physical description in vivid detail and conveying its feeling and character, and getting the most out of every described feature to do so. The thorn trees are "wind stunted". The air is "scented". The language takes on a very flowery character and heavily utilizes simile and metaphor. Woodland is "tumultuous with evening", sunlight filters through grass "like a wind" to the small creatures below, in contrast to laying "like a gold rind" on the hill when seen from a distance. This grandiose description is heavily functional and conveys both exhaustive physical detail and a feeling that this place is beautiful, awe inspiring to something like a rabbit, and full of life, though not without quiet hints of danger. It hits because Not Everything In The Book Is Described This Way. It means something that we're lingering like this and stopping to get a sense of this place on every possible level, and moving away from more direct, simple prose to convey the feeling of the place in depth.
This segment describes the rabbit Bigwig being found caught in a snare:
The prose here here has the opposite approach of the first excerpt. The language is concise, direct, and brutal. It only veers slightly away from the literal to describe Bigwig's voice as 'bubbling out' from his mouth, both conveying that the saliva and blood in his mouth is literally bubbling as he speaks, and implying the unsettling way his voice sounds as he's being strangled. The sentences are much shorter on the whole, as fit for the pacing of a tense and rapidly changing scene, and the timing closely complements the action - "There was a pause" not only conveys That There Was A Pause but interrupts the rhythm of this segment; the moment of uneasy stillness is echoed in the act of reading itself.
The scene this is excerpted from is extremely effective and does in fact Go Hard, it's well constructed in of itself but its effectiveness mostly lies in its place in the narrative. It's the culmination of a long, tense buildup as the reader becomes more aware that something is deeply Wrong about the place the rabbits are in, and the payoff is effective in being blunt and visceral, which hits because Not Everything In The Book Is Described This Way. Nothing about these excerpts are particularly quotable because that is actually not what good narrative writing is about.
š¦š
[designs a character specificslly for Me] wow⦠drawing them is so fun⦠[looks at drawings] theyāre Gorgeous does anyone else know about this?
Uptown fuck you up
OC habits ask game
š£ļø Voice 1. Are they talkative? 2. Is their voice quiet or loud? 3. Do they have unusual speech patterns? 4. Do they have an accent or dialect? 5. Do they like to sing? Are they good at it?
šļø Hands 6. Left handed, right handed, ambidextrous? 7. Neat or messy hand writing? 8. Do they draw/paint a lot? 9. Are they good or bad at making handicrafts? 10. Do they need their hands occupied a lot? If so, what do they do?
š Food 11. What's their favorite food/least favorite food? 12. Are they a picky eater? 13. Any food they avoid for reasons other than taste? 14. How are their table manners? 15. Do they rather eat too much or too little? 16. Do they prefer to eat alone or with company? 17. Are they good at cooking?
šļøSleep 18. Morning person or night owl? 19. Easy to fall asleep or insomniac? 20. Light or heavy sleeper? 21. Do they move around a lot while sleeping? 22. Are they used to sleeping around others or alone? 23. Do they snore? 24. Other sleeping habits?
i could imagine them having a happy ending but I could also imagine them tragically dying in each other's arms and one of those is way more fun
people in my replies arguing for their fav white guy???
CRITICAL THINKING QUESTIONS:
1. Do you think a post pointing out an issue with fandom racism and misogyny is an appropriate place to bring up your favorite white male character? Why or why not?
2. Did this post call you racist for relating to a white male character? If you thought or think so, consider why you got defensive.
3. Think about the disproportionate amount of art and writing about white male characters in fandom spaces. Do you think this is, across all boards, due to them being written better or more relatably than the POC protagonist?
a. If so, consider why you notice the writing of white male characters more often. Are white male characters written "better" than the POC protagonist, or do you have an internalized fear of relating to non-white characters that you need to work through?
b. If not, consider what ingrained biases might lead to this phenomenon in fandom spaces.
c. If you read a. and thought that white male characters literally just are usually or always written better than the POC and/or female protagonist, accept you are wrong and consider some self reflection.
4. Have you researched how to write and draw characters that are non-white and/or non-male? If not, does this limitation lead you to gravitate towards characters you feel "qualified" to make content about, therefore inflating the issue?
5. If people are telling you to reconsider your point of view in my replies section, did you stop to consider what they said apart from your human instinct to be defensive? Have you considered that arguing against those trying to educate you about fandom racism and misogyny, which can be difficult to see in yourself, in the notes of a post talking about fandom racism and misogyny, might be short-sighted and counterproductive?
6. If you are inclined to defend your favorite white male character, pause. Are all of your other favorite characters also majority white? Are they majority male? Are they either of these and NOT the main character of the show, movie, or game they originate from?
a. If not, this comic is not for you. Please move on and give it a reblog if you're feeling generous.
b. If so, consider this pattern. If you want to break it, ask someone for a reccomendation for characters or media similar to your favorites. Expand your horizons, and engage with your community rather than fighting against them.