I shall not be drinking vinegar.

[electripipedream]

Dorothea Tanning, 1943

[bedgazm-deactivated20220917]

[a-ltrove]

L'amour braque dir. Andrzej Żuławski

[marypickfords]

Jean Rollin, from an interview with “Video Watchdog” (nº 31), 1996. (x)

[grigiabot]

Valerie Galloway

[violentwavesofemotion-deactivat]

Suffering that is limitless, suffering that is stubbornly enclosed within the circle of its own mania, suffering to the point of distraction, of self-mutilation,

Bruno Schulz, tr. by Celina Wieniewska, from “Sanatorium Under the Sign of the Hourglass,” (via violentwavesofemotion)

[johannesbrahms]

Posters for “Salò or the 120 days of Sodom”, 1975

dir. Pier Paolo Pasolini

[drakontomalloi]

Bruno Schulz - The Stallions and the Eunuchs. 1920

[talesofpassingtime]

Matter is the most passive and most defenseless essence in cosmos. Anyone can mold it and shape it; it obeys everybody.

Bruno Schulz, The Street of Crocodiles (via talesofpassingtime)

[70sscifiart]

Nikolai Lutohin

[geritsel]

Luigi Kasimir - etching

[jareckiworld]

Bruno Schulz  —  Infanta and her Midgets    (cliché-verre, 1920-22)

[jes68]

Koloman Moser (1913-1915), Self portrait with Mermaid, 1914.

[jareckiworld]

Bruno Schulz  —  The Book of Idolatry   (cliché-verre, 1920-22)

[thunderstruck9]

Max Ernst (German, 1891-1976), Forêt et soleil [Forest and Sun], 1926. Oil on canvas, 65 x 54 cm.

[jareckiworld]

Roland Topor  —  Novels in Three Lines V  (lithograph, 1975)

[elyssediamond]

Vojtěch Preissig, 1907

More Art Nouveau

[metalonmetalblog]

[talisman]

René Magritte - Le rêve de l’androgyne, 1924