Dorothea Tanning, 1943

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AnasAbdin
Lint Roller? I Barely Know Her
One Nice Bug Per Day
trying on a metaphor

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Love Begins
will byers stan first human second
ojovivo
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@thebadmanneredprophet
Dorothea Tanning, 1943
L'amour braque dir. Andrzej Żuławski
Jean Rollin, from an interview with “Video Watchdog” (nº 31), 1996. (x)
Valerie Galloway
Suffering that is limitless, suffering that is stubbornly enclosed within the circle of its own mania, suffering to the point of distraction, of self-mutilation,
Bruno Schulz, tr. by Celina Wieniewska, from “Sanatorium Under the Sign of the Hourglass,” (via violentwavesofemotion)
Posters for “Salò or the 120 days of Sodom”, 1975
dir. Pier Paolo Pasolini
Bruno Schulz - The Stallions and the Eunuchs. 1920
Matter is the most passive and most defenseless essence in cosmos. Anyone can mold it and shape it; it obeys everybody.
Bruno Schulz, The Street of Crocodiles (via talesofpassingtime)
Nikolai Lutohin
Luigi Kasimir - etching
Bruno Schulz — Infanta and her Midgets (cliché-verre, 1920-22)
Koloman Moser (1913-1915), Self portrait with Mermaid, 1914.
Bruno Schulz — The Book of Idolatry (cliché-verre, 1920-22)
Max Ernst (German, 1891-1976), Forêt et soleil [Forest and Sun], 1926. Oil on canvas, 65 x 54 cm.
Roland Topor — Novels in Three Lines V (lithograph, 1975)
Vojtěch Preissig, 1907
More Art Nouveau
René Magritte - Le rêve de l’androgyne, 1924