As an extremely pretentious woman, one who has lived around London, worked in a record shop, played baby groupie, and simply lived and breathed the British and Irish music scene for the entirety of her youth, I'd like to think I know about music.
I love punk rock, so the one thing I cannot fucking stand is the Sex Pistols. How did this group of whiny, untalented men manage to become the face of one of the most important subgenres of music history? Besides having a name just a just as whiny 18 year old boy would find cool and the styling of Vivienne Westwood, that band fucking reeked of attention-seeking mania that's only akin to debauched football hooliganism. They wore leather and scraps while playing out-of-tune guitars. They made one album. Hoo-ra.
I'm so saint nor am I only a lover of saintly things. I fucking adore when an artist or public figure is willing to get nasty and dangerous. Punk is nasty and dangerous, but what is nasty and dangerous without the means for it? Negating its aesthetic approaches and only focusing on the ideologies, messages, and dogma of punk, the Sex Pistols have fuck all. Ain't nothing punk about beating up venue workers, smashing bottles over audience heckler's faces, and wearing Nazi symbols on your top. When your most radical piece of work is bashing Elizabeth II as if every other working-class young person with a working brain was not doing so then and now.
Nothing about this band outside of an image is punk, because punk is The Clash. Not just that image of Paul Simonon smashing his guitar on stage, and not even their iconic rockabilly aesthetic. It's Joe Strummer penning White Riot after the Notting Hill Carnival of 1976. An altercation of complete power imbalance between Black youths and an abusive police force. In the band's very first official music video, Strummer is wearing an H-block T-shirt in support of the Irish Republican political prisoners. It's Tommy Gun. Guns of Brixton. It's fucking Rock the Casbah. That's what fucking punk is.
Punk is that sneering and angry stutter when Roger Daltrey lets out "I hope I die before I get old" in My Generation.
When Patti Smith said how Jesus died for somebody's sins but not hers.
Jimi Hendrix when he lit his strat on fire at the Monterey Pop Festival. Coaxing those flames out like some psychedelic pagan god.
It's Stevie Nicks speaking in tongues while in tears during an infamous performance of Sisters of the Moon in 1982. That's fucking punk.
I believe punk is rejection; it's magic, it's fight, and it's vulnerability, but courage and anger just as much.
Punk is everyfuckingthing Bob Dylan and Joan Baez were singing for. It's Billie Holiday. It's The Pill by Loretta Lynn. Army Dreamers by Kate Bush. Ozzy Osbourne singing about environmental destruction. Cat Stevens. Donovan. Sam Cooke.
Everything the Manic Street Preachers stood for, and continue to do so. If You Tolerate This Than Your Children Will Be Next........
It is not his overwhelmingly public personal troubles and messy behavior but his endless passion towards art of the past and the atrocities of the present and future that make Peter Doherty a punk legend. The two leading singles of The Libertine's debut album both waxing rock n roll poetic on violence, God, and police brutality.
It's Johnny Cash and Sinéad O'Connor's entire careers.
It's the gorgeous and unashamed androgyny of Bowie and Jagger. It's Kurt Cobain and Nicky Wire hopping on stages in front of thousands adorned in little floral baby-doll dresses.
Punk is k.d. Lang being an openly sensual and handsome butch lesbian in the early 90s. Accepting an award in a horrid, gaudy wedding dress, prancing about after being criticized for wearing men's suits in 1985. Her face is youthful and blushed, her hair cropped, and her words being "I will only sing for what's right."
Punk is Madonna. End of sentence.
Funny enough, there is something about Noel Gallagher complaining about politics yet having numerous references to a lower/working-class perspective within his work.
Just because an artist is not clad in leather or rasping into a microphone does not make them a symbol of a genre or movement. Anyways, fuck the pistols.