Si· gahr· Boks

My name's Ethan... in my attic I have a cigar box filled with worthless treasures. I like to think of this tumblr as the manifestation of that box-for things I like. 26, male, in love, and happy

[sonsyejin-deactivated20210429]

#my last two brain cells

[nevver]

Some girls, Tina Berning

[thesaltandpepperhoroscope]

11/24/2018

Because comedy is truly what I am grateful for, along with the bizzare sense of humor that is Monty Python

Aires:

Taurus:

Gemini:

Cancer:

Leo:

Virgo:

Libra:

Scorpio:

Sagittarius:

Capricorn:

Aquarius:

Pisces:

[henricavyll]

You should never underestimate the predictability of stupidity Snatch (2000) dir. Guy Ritchie

[stevesfriend]

[the-absolute-best-posts]

aquaman that is bullshit and you know it

[newyorker]

Once upon a time, depression was generally seen as a purely psychological disturbance; these days, people are likely to think of it as a tidy biological syndrome. In fact, it’s hard to make sense of the distinction. Most depressive disorders are now thought to involve a mixture of reactive (so-called neurotic) factors and internal (“endogenous”) factors; depression is seldom a simple genetic disease or a simple response to external troubles. Resolving the biological and the psychological understanding of depression is as difficult as reconciling predestination and free will.

Read the full story, “Anatomy of Melancholy,” here. 

[rogerdeakinsdp]

Cinematography by: Claudio Miranda TRON: Legacy (2010) Directed by Joseph Kosinski Aspect Ratio: 2.39 : 1; 1.78 : 1 (IMAX 3-D version)

“In the digital world, lighting was very much driven by the costumes that the actors wear, which contained battery operated electro-luminescent panels. “We wanted them to have a glow, and when people got close to them, we wanted people to light each other. So it was really important to us to get as much light to the camera sensor as possible,” Miranda said. As an example of the result, he cited a sequence where the characters Cora (Wilde) and Sam (Hedlund) meet in a hallway. “In that scene, you can actually see them giving light off to each other,” he said.

While shooting the scenes that take place in the digital world, Miranda used some unconventional lighting to create the look. “Everything had a different feel, even the streetlights in these scenes. I found some LED off-road lights and I used those as streetlights to light the backlot.”

“This was a big approach to the movie, not looking at your standard fare of lightbulbs to light the set,” he added. “We had a really long prep to figure out all these lighting situations.” — British Cinematographer

[elizabeths-banks-deactivated201]

The Man from U.N.C.L.E. (2015) dir. Guy Ritchie For a special agent, you’re not having a very special day, are you?

[jackballs-deactivated20200213]

don’t even let me talk to hot people I’ll just be like

[thecigarbox]

I. Don't. Even. Know.

[copiaskw]

The finished version of my Fallout D&D character sheet. Hoping to playtest soon with @katzbj, and @machinedoggerism.

[probablyrpgmechanicsideas]

Hhhhh this is so good

[castiel-and-the-losechesters]

idk if anyone has done this yet but i noticed something

[fuckyeahchinesegarden]

©laopao photography ​​​​

[liberalsarecool]

Conservatives go to mass, hear petitions for vulnerable children around the world, respond ‘lord, hear our prayer’ [when I went to mass], then when it comes to helping children in need, they enable Republican family separation policies that systematically target and destroy the minds of children. That is straight up demonic.

[woodywombpecker]

[the-absolute-best-posts]

ignore them as long as possible

[did-you-know]

Watermelons used to taste awful. The fruits, which are technically berries, originated in Africa, where they were only harvested for their water content. At that time, they had a nasty, bitter flavor, but centuries of selective breeding made them extra tasty. Source Source 2

[thecigarbox]

Uh to all you haters......that means ALL watermelons are GMO!

[gretagerwisg]

I’m my own bitch now!

Atomic Blonde (2017) dir. David Leitch

[anxietyproblem]