The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising.
--Stephen King
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@thecrimsonchariot
The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising.
--Stephen King
Sometimes writing is just sitting at your desk and editing like three paragraphs across 5 pages. Other times you spew 5 pages worth of content in 2 hours.
Working in bursts has all its pros and cons. I picked back up my main WIP and was somewhat lost in what needed to happen next in the story. Lucky for me I left bullet points. But still I feel like there are some bits I forgot about and didn’t write down.
Make sure the rules of your setting remain consistent unless you have a good explanation for the rules changing mid-story. If the reader doesn’t question it and makes sense to the story you’re telling, then the suspension of disbelief will hold and keep the reader intrigued.
Is okay to have a character that is not the main character to be your favorite. As long as they don’t derail your story and take the spotlight.
Taking from personal experienced when it comes to emotions is the best example you can have in order to put it into words. Describing how something felt at one point in your life can help you transfer those feelings onto your characters.
Stuck on ideas for characters? Sit down a d people watch. It can help you come up with quirks, clothing styles, etc. for your characters.
All characters should serve a purpose for the story. Even if that purpose is to be fucking useless dead weight.
Reminder:: Inspiration can come from anywhere, at any time, from anything. If you need places that are unique or fuel for your scenes, you can also drive around town and see places that strike ideas to your noggin. Take pictures of said places and save them for later. They may mot be relevant today, but will be useful tomorrow.
Been having a really rough month so its been hard to post here.
I need to post here more but Im honestly like -__-
I just started working on my WIP of the second book of The City of Laohz again. Chapter 11 specifically and I just sat down and wrote 1900 words in one sitting. Or four pages.
So when someone makes you feel inadequate over not writing every day, remember that some people write in bursts with weeks/months in between (like I do) and it still works.
Write at the pace that WORKS for YOU. Not what everyone else tells you it needs to be the pace. There is no one-size fits all when it comes to writing and the amount of time/how often you need to do it. As long as you get to the end goal, that’s all that matters. You got this!
Also, please check out my book on Amazon, The City of Laohz: Kannon. And if you like it, also buy it. It would mean the world to me.
Sometimes ideas are not meant to be developed right this second. Maybe you can save it for later. Maybe you need more life experience, writing experience, etc. to be able to work that idea into something usable.
Just go at your own pace. Sometimes you’ll write a whole chapter in 20 minutes, other times all you get is one sentence. But just keep chipping away. You got this.
Dont worry if you dont write every day. As long as you keep writing, you will get there.
Writing Siblings
Birth order influences the way children act and how their parents react to them. If you're writing a character that has a few siblings, one of the most important things to note is that the same childhood ≠same experience.
Common Roles & Archetypes
Golden child: All families with multiple kids have the golden child. might be the youngest, might be the smartest. This is the favoured one; the one that's babied and gets showered with all the attention. If there's ever any fighting or arguing between siblings, this is the one the parents care about more and will believe them over the others.
The responsible one/caretaker: Typically the oldest one, especially in bigger families. This is the one that had to take care of their siblings as a parent would, and often causes resentment. This is the 'parentified' sibling. The sibling that isn't allowed to hang out with friends or make plans because they need to babysit their little brother/sister. Their childhood was cut short.
The invisible one: This always ends up being the middle child. The forgotten one. They rarely cause problems, or are part of the problems, but they are the one that don't receive support or attention.
The black sheep: This one is the rebel, the scapegoat, the one that's always in trouble. This one could be the middle or the youngest, but is rarely the oldest. They're blamed for arguments and they're the first one to get kicked out. Constantly grounded and constantly fighting to get attention.
The roles stick with them through life, even into adulthood. Conflict styles vary from passive aggression, to loud, physical fights or even just screaming at each other through the door.
Communication
Arguing/fights: Siblings fight. It's part of their key communication structure, especially in their younger ages. Siblings fight over everything, don't be afraid to throw in the most ridiculous points of conflict. Tension over attention (or lack thereof) from others: teachers, parents, boys/girls at school or even other siblings.
Conflict style: Stick to a conflict style. Are they loud? Do they scream and throw things? Silent resentment? Do they just get over it eventually?
Shared History: Growing up together means nicknames, inside jokes, sarcastic quips and specific gestures that mean things only to them. This also means they know exactly what triggers each other, things that annoy them, fears, ambitions. They know where to strike when they know everything about each other.
But it's not always about fighting
Emotional awareness: They know the signs when one is upset, or if something is wrong.
Loyalty: Siblings may feel protective over each other. This can be anything from waiting at the school gate to walk the youngest home, or running a form of 'reconnaissance' on a new boyfriend/girlfriend.
Distance: Separation can change how they interact, and shift dynamics. But old patterns come back, even if they've matured slightly.
Finally worked some more on my main WIP and I think I’m close to finishing chapter 10. Needed to delete a few things and write in a different direction. Now I need to think on where to take it all to the next chapter and what happens next.
This is not the first draft but it feels like it since I had to rewrite and restructure the whole story to make it make sense. I wish I could say this is the final pass but it is not. I should get my bootstraps on and finish this WIP, which seems it will be longer than I thought it would originally.