#author problems

[abbielauren2024]

[depraveddame]

feels like fake news

[quillver]

Historical fiction writers at 2:46am be like

– how long does it take to bleed out in a field – could someone stab you with a hairpin – how did medieval people mourn – would a queen notice if her ring was stolen – did people think thunder was a sign – how loud was it inside a castle during storms – did anyone ever die from a broken heart in history

[k-m-nightwell]

Being a writer means I get to torture those I hold dear.

It builds character!

[thewriteadviceforwriters]

i wrote a villain who was right and it broke my brain

okay so try to picture this: you're deep in your manuscript, probably three coffees past reasonable human consumption, and you're writing this villain monologue. you know the one, where they explain their master plan and you as the author get to flex your "look how evil and wrong they are" muscles.

except.

except they start making points.

good points.

points that have you staring at your screen like "wait… are they… are they RIGHT?"

this happened to me last month and i'm still recovering. my villain, let's call her vera because i'm not ready to say her real name out loud yet... was supposed to be this corrupt politician type who wanted to tear down the magical council system in my fantasy world. classic power-hungry antagonist, right? wrong. (i promise you the plot is good, it sounds basic, but its good.)

turns out the magical council system i'd built was actually a bureaucratic nightmare that perpetuated class inequality and suppressed innovation. vera wasn't power-hungry, she was FRUSTRATED. she'd tried working within the system for decades and watched it fail people over and over again.

and suddenly i'm sitting there at 1am realizing my protagonist has been defending a broken system this entire time just because it's "traditional."

soooo the thing nobody tells you about writing morally complex villains is that sometimes you accidentally write someone who's more ethically consistent than your hero. and that's when the real work begins.

because now you have options:

option one: rewrite vera to be more obviously wrong. add some puppy-kicking or unnecessary cruelty. make her methods so extreme that her valid points get overshadowed. (this is the coward's way out and also boring)

option two: lean into it. let vera be right about the problems even if her solutions are questionable. make your protagonist grapple with the fact that the world they're trying to save actually sucks for a lot of people.

option three: the galaxy brain move, realize that vera isn't actually your villain. she's your protagonist's wake-up call. maybe the real antagonist is the system itself, and both your protag and vera are just people trying to navigate it.

i went with option three and it changed everything. suddenly my story wasn't about good vs evil, it was about different approaches to change. my protagonist had to evolve from "defender of the status quo" to "person who recognizes that sometimes revolution is necessary."

but here's what really broke my brain: i started agreeing with vera more than my protagonist. like, significantly more. to the point where i had to step back and ask myself if i'd accidentally written the wrong person as my main character.

(spoiler alert: i had)

the weirdest part? this made my story SO much better. because when your villain has legitimate grievances, your protagonist can't just sword-fight their way to victory. they have to actually engage with the problems. they have to grow. they have to earn their hero status instead of just being born into it.

so if you find yourself nodding along to your villain's speech, don't panic. you might have just accidentally written a story with actual moral complexity.

just maybe don't tell your beta readers you're team villain until after they finish reading.

trust me on this one.

—rin ✨

[thescarletone]

Future me

[thecrimsonchariot]

Every time you make a character, make sure you know their motivations. Otherwise, you will go through the story struggling to write this character because you lack the most basic thing a character needs to be in the story: Its want.

On top of that, you will need how you can prevent them from getting it. Otherwise this character will appear rather one-note or boring.

Now this doesnt mean you need to show the full want right out of the gate, but they must have at least a surface-level want, even if you show the true want later on.

[pucksandpower]

Eternally cursed to write about the type of love that only exists in fiction