my beloveds, transplants (lol)

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ellievsbear
Three Goblin Art
will byers stan first human second

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
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let's talk about Bridgerton tea, my ask is open

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todays bird
noise dept.
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tannertan36
KIROKAZE
$LAYYYTER
hello vonnie
almost home
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@thedancingwalrus-blog
my beloveds, transplants (lol)
The Golden Lyre of Ur, from the Royal Cemetery of Ur, Sumerian, circa 2550-2450 BC
Housed at the National Museum of Iraq
練習
Annie Choi, Studio Ghibli
Ancient Architectural Capitals
This image presents a variety of ancient architectural capitals, highlighting different styles and regions from ancient civilizations.
Capitals are the uppermost parts of columns, providing both decorative and functional elements in classical architecture.
The following styles are illustrated:
Egyptian Papyrus Capital
– A design inspired by the papyrus plant, common in ancient Egyptian architecture, symbolizing the Nile's vegetation.
Egyptian Date-Palm Capital
– This capital features palm leaves, a motif representing fertility and abundance in ancient Egypt.
Persian Animal Capital
– Notable for its intricate carvings of animals, this style reflects the opulence and symbolic artistry of ancient Persia.
Greek Doric Capital
– A simple, sturdy design characterized by its plain, rounded shape, representing the earliest and most austere form of Greek architecture.
Greek Ionic Capital
– Famous for its scroll-like volutes, this elegant style is more ornate than Doric, used in many temples and buildings in ancient Greece.
Greek Corinthian Capital
– Highly decorative, featuring acanthus leaves, this capital became prominent in later Greek and Roman architecture for its intricate beauty.
Roman Corinthian Capital
– Derived from the Greek Corinthian style, the Roman version is more detailed and elaborate, reflecting the grandeur of the Roman Empire.
Indian Foliage Capital (150 B.C.)
– Marked by lush, detailed carvings of plant forms, this style illustrates the naturalistic artistry prominent in ancient Indian architecture.
Indian Plain Capital (400 A.D.)
– A more restrained, straightforward design, this capital highlights the evolution of Indian architecture towards simplicity during later periods.
These capitals showcase the diversity and evolution of ancient architecture across cultures, blending aesthetics with symbolism and structural support.
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That wasn't a bat. that was art. that was a piece of paper folded to fly like a bat. the video is a tutorial on how to fold a flying bat.
my favorite calvin and hobbes comic is the one where his dad just rolls up and casually destroys his entire night by pointing out some neat trivia about record players
@nightcrawler-fan
#his expression in the last panel is black comic gold #the best part is that his dad was trying to be nice
are you sure. are you sure calvin’s dad is not a seasoned elder trickster. are you sure this isn’t the exact outcome he was hoping for
ok but that’s actually canon
You forgot this one
*looks pointedly at ETD*
Calvin’s dad is basically a Calvin who has learned that he can’t get away with running outside naked or throwing snowballs at neighborhood girls, but he is still precisely the same little shit under the thin veneer of civilization.
@lyricwritesprose Calvin and Hobbes has been one of my favorite things since I could read and Calvin’s dad one of my favorite characters, but that last comment blew my mind wide open. Of course that’s what he is. Of course.
one of the most subtly delightful things about calvin and hobbes is that you can SEE that calvin is his parents’ kid: his dad is so playful and imaginative, and his mom has a heck of a temper and a good sense of what’s right and wrong. calvin is a smart, passionate, imaginative kid who gets really upset when he thinks things are stupid or unfair. he drives his parents crazy sometimes because he’s a kid. but they were probably a lot like calvin themselves, when they were little.
good morning snake
I love how snake skulls can just do that
Another glow-in-the-dark sculpture – Pyjama Squid. Hope it brightens your day! (ノ◕ヮ◕)ノ*:・゚✧
Aït Benhaddou, Morocco (September 2023)
© optikestrav
I think that these particular illustrations from Cults of Runequest: The Lightbringers might be some of my favorite illustrations of fictional gods. They're really good at both conveying a sense of power and dynamism and maintaining a very "mythological" appearance that other artwork of fantasy gods doesn't usually do.
Character Designs for HeroQuest Glorantha
I worked on these for the gloranthan sourcebook The Coming Storm about 10 years ago - I did 75 characters in total! They were a blast. If you’re a Runequest player I’d love to know if you’ve played The Coming Storm and what you made of the enormous cast!
There's a post I keep seeing go around that's like, "quick, list five things you like that aren't a piece of media," and every time I see it, I get the very petty urge to respond with, "teaching media literacy, studying media history, analyzing media, using media as a lens to study historical trends, and finding ways to connect people's interest in pop culture to important social issues."
I have plenty of hobbies that aren't media-related, sure. I love my garden, my pets, baking, and sewing. I just get rather tired of "media is evil, actually, and if you're really into it is is actually rotting your stupid little brain" rhetoric. If your goal is to get people to broaden their horizons and engage in multiple hobbies beyond passive media engagement, leading with shame (and social media posts that function as OCD traps) is a BAD FUCKING APPROACH. Shame is not a motivator. Shame only serves to condescend and shut people down.
This week I'm working on lesson plans to lead a six-week class on media literacy skills for a pack of homeschoolers. What the fuck kind of teacher would I be if I used an approach of "you're stupid for liking cartoons, go do something WORTHWHILE!" instead of "let's develop these skills by talking about a piece of media you already enjoy!"
To say nothing of the fact that this is the fandom and media website. This is literally where people come to engage with their fandom/media hobby. It's a cow farm, there are going to be cows outside. If that's not how YOU use tumblr, that's fine, but let's not pretend like "people into fandom" isn't a core demographic that this site actively markets itself toward. If you see someone being over-the-top about a piece of media, it's a fool's conclusion that they clearly must never log off and only ever do fandom stuff.
It's like reading a recipe website that focuses on cookies and cakes, and concluding that the recipe authors clearly must never eat anything that isn't chocolate, chocolate is the only thing they care about, and they think literally everyone in the world should eat only chocolate.
Attended a rattlesnake conference yesterday and one of the presenters was talking about public attitudes towards snakes, specifically how showing them in a non-aggressive context helps to create more positive attitudes, and. Y'all. I NEED to show you the image he used as an example
Look at him. Look at this smiley newborn sidewinder sitting in a bottle cap. He is so small and so happy he is EXACTLY the right size to sit comfortably in a bottle cap
i hate viruses so fucking much. literally getting attacked by a fucking shape. a concept. consumes no energy. responds to no stimuli. its only existence is to fuck with you. like fuck offf
prev's tags are too good not to save
This is related to some 'don't try to critique fanfic where the author hasn't requested it and doesn't want it, you total dweebs' posts I've seen going by, but I think this is worth stating:
Giving critique on writing is bloody hard work.
Yes, taking critique and knowing what to do with it is a tricky, often uncomfortable thing to experience, that you need to go into with an open mind and a toughened skin.
But it's equally tricky to identify exactly what would improve a piece of writing, bearing in mind both what the author is going for and the limitations of your own tastes. I've taken part in a few writers' groups over the years and sometimes, yeah, it's very easy to point to what's wrong, why something didn't work for you, and so on. Sometimes, though, you'll be trying to articulate a vague feeling without the words or technical nous to zero in on what the author could do to resolve it.
There is a reason proof-reading and editing are professions. And a lot of the time, the solution to any particular problem won't come from you but from the author going away and mulling over a bunch of different factors. So it's certainly not an interaction that will bring any immediate catharsis.
If all you want to do is feel smug and superior then it's easy to be mean and call it a day. But that won't achieve anything constructive and if you genuinely want to be constructive, you've got to put as much thought into your words as the author.