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❣ Chile in a Photography ❣
Three Goblin Art
Origami Around
Sade Olutola
Janaina Medeiros
we're not kids anymore.
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2025 on Tumblr: Trends That Defined the Year
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Keni
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@thelupusvampire
The Devil High-Priestess.
The performance included an echoing of negative-self talk followed by self-flagellation as ritual. The performer would then ask a question and pull a tarot card to relieve anxiety / compulsion.
Performed at Drama Club Gallery.
©Ruby Bassford / @thelupusvampire
Performance lecture: "Becoming the Monster"
Horror is the genre that has portrayed disabled people the most, for better or worse. "Becoming the monster" explores how disabled people are portrayed in three parts: referencing Martin O'Brien's Zombie time, queer vampiric blood-transfusions, the werewolf as metaphor for the uncontrollable sick body, and a ghost for thousands of lives lost due to ableism, medical trauma, and inequity.
©Ruby Bassford / @thelupusvampire
current shots of my installation in progress titled "I'm too soft for this world/I'm trying to make a home out of this body"
©Ruby Bassford 2024 / @thelupusvampire
home is a ghost, is a guilty conscience. 2021.
Copyright Ruby Bassford / @thelupusvampire
Alopecia and Hair Jacket. 2022.
Jacket created from collected hair over a three year span of it falling out and growing back again.
Copyright Ruby Bassford / @thelupusvampire
Masking. 13" x 10". 2020.
Copyright Ruby Bassford. @thelupusvampire
Where You End and I Begin. 10" x 13". 2020.
Award: 2nd Place Juror's Award, Washington County Museum of Fine Arts, Juror Beth Saunders
"Two queer, gender-non conforming, and disabled bodies morphing together, becoming one monstrosity. A visual of codependency in relationships, and more specifically, the blurred lines of where disability care ends and intimacy begins."
Copyright Ruby Bassford. @thelupusvampire
Migraine. 10" x 13". 2020.
© Copyright Ruby Bassford. @thelupusvampire
Table. 2020. 10" x 13". Photo from Objectification Series.
"The photo series explores the objectification of Disabled and Queer folks and uses kink to reclaim that objectification as a form of role-play. In this particular case, oppression and identity were explored through BDSM."
Copyright Ruby Bassford. @thelupusvampire