when u haven’t masturbated in ages and
damn imma stop masturbating for a while so i can grow cannons on my back and launch torrents of water at people
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almost home
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if i look back, i am lost

shark vs the universe
KIROKAZE
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

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occasionally subtle
Monterey Bay Aquarium

@theartofmadeline

Kaledo Art

Andulka
Jules of Nature

Product Placement
trying on a metaphor
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#extradirty
Cosimo Galluzzi

seen from Australia
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seen from United States
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seen from United States

seen from Australia
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seen from Malaysia
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seen from United States
seen from Türkiye
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@themagicalworldsofband
when u haven’t masturbated in ages and
damn imma stop masturbating for a while so i can grow cannons on my back and launch torrents of water at people
**likes your sexual post to let you know I’m down**
it’s so funny how we’re on this app like “yeah i wasn’t loved as a child and have a poor relationship with my parents, anyway here’s a video of me cumming with sound, i really like the idea of being fucked at knifepoint u know .. what’s your name btw?”
gorgeous illustrations by ~vigshane
The Muppet Christmas Carol - Overture
La soundtrack è bellissima e io ogni volta piango come una deficiente visto che il natale mi mette tristezza XD
The Falcon and the Winter Soldier (2021) | 1.01 New World Order
Spectromagic (Orchestral Version)
“When hinges creak, in doorless chambers. And strange and frightening sounds echo through the halls. Whenever candlelights flicker, where the air is deathly still, that is the time when ghosts are present. Practicing their terror, with ghoulish delight!"
An easy Indoor Percussion show based off the famous Disneyland/Disney World Dark Ride, The Haunted Mansion.
Journey into the Haunted Mansion with the Ghost Host as your guide where you’ll encounter many ghouls and ghosts and wall to wall creeps…Can you find a way out?!
Written for: Snares, Tenors, 5 Tonal Basses, Marching Cymbals, Bells, Glock./Crotales, Xylophone, 2 Marimbas, 2 Vibraphones,Synth 1 (Organ), Synth 2 (Strings), Synth 3 (Samples), Bass Guitar, Timpani, Percussion 1&2.
Optional: Colorguard/ Actors.
How “Happily Ever After” Inspires Pro-Activity Through Classic Storytelling
On May 11, 2017, Disney presented its final showing of “Wishes”, a show that has been kissing guests good night for a good thirteen years, enough to solidify it as a favorite among many Disney Parks fan. Right out of the blue, Disney has announced the conclusion of this show in favor of a brand new show that would be on-par with the other state of the art nighttime extravaganzas around the world at both Disney parks and even rival theme parks. This was, obviously, met with a lot of mix reactions as fans both mourned “Wishes” and reminisced about all the memories they created around that show, but were also ecstatic to see what Disney could create with all the new technology and modern stories they had at their disposal.
Just a mere 24 hours after “Wishes” bid us farewell, “Happily Ever After” made its grand debut to near universal acclaim. While there were still many detractors that claimed the show had too much flair too it and lacked the warmth and nostalgic sincerity of “Wishes”, the overall reaction has been beyond positive, with guests quickly embracing the show as one of the best Disney has created in recent years.
As someone who was there to witness its grand debut, I sense that the overwhelmingly positive reaction deals with more than just nostalgia, extraordinary technology, and that trademark Disney showmanship; “Happily Ever After” may just be one of the most inspiring shows yet, presenting us a Disney that celebrates pro-activity in achieving life goals and ambitions through the celebration of classic and modern stories and characters. It’s a show that doesn’t just represent modern Disney as a whole but also the lofty goals and ambitions its guests carry in their hearts and souls each day as they pass through the main gates of the park.
This matters a lot because for decades, Disney has received more than their share of criticisms for indirectly implanting unrealistic expectations about life goals in children; from making ANY sort of dream a reality, despite how impossible they may seem, to obtaining true love with just a dance and a kiss. Critics have stated that setting up high expectations at such a young age may create a frustrated adulthood due to the realization that life-long terms and goals take more than just wishing for them.
Many may balk at the idea of fiction influencing youth, but it has been proven that we are emotionally impacted by the stories and characters we are introduced to, especially at such a young age. We tend to admire fictional heroes more than real world ones. This can become a double edged sword in that while we can gain significant life lessons from these characters, and fiction often draws a lot of inspiration from the real world, we can also take them for granted and only see them at surface level (ie, they are pretty, they gain what they want, therefore it’s what we want, too).
Disney’s modern-day productions, though, have caught onto that, and have slowly evolved to represent that; films like “Frozen” have celebrated love beyond just between a man and a woman, showing us a female lead that becomes queen without being forced into marrying a significant other. “Moana” also showed us a young lead that endures a dangerous journey to save her home. Even Merida from Pixar’s “Brave” represents the universal bond between mother and child, something that has been presented in fiction as the evil queen and beautiful princess trope in fairy tales.
These stories have shown us how far we as a society have come; we draw far more inspiration from characters that brave the worst just to get what they want out of their life, often facing many failures before reaching success. That’s not to say that Disney’s classic staple of characters like Snow White and Cinderella can’t be inspiring. On the contrary, they also teach us that compassion and forgiveness are very important. But their stories are, if you were to ask a modern scholar, are about being a passive participant in what you want out of life. Not necessarily a bad thing, but don’t represent what audiences believe in nowadays or what society as a whole wants out of them.
With all of that being said, what does all of this have to do with Disney’s two nighttime shows? Well, “Wishes” represented the passive Disney that once told us that believing in wishes and faith could be strong enough to make things a reality, all drawing inspiration from Walt Disney’s masterpiece, “Pinocchio”. The show relished itself in its nostalgic and innocent views on life, with beloved characters wishing out loud their biggest desires, the key word being WISHING, not proactively getting out there to make it happen themselves.
As stated earlier, Disney has shown more progress in how its themes and characters are presented to a more discerning audience. With 2009′s “The Princess and the Frog”, Disney finally stated that it takes more than wishing to make dreams and goals a reality; it also takes courage, determination, sacrifice, and most importantly, pro-activity, and that sometimes even that doesn’t guarantee success. So it makes more than enough sense that a new fireworks spectacular would reflect that new, forward thinking Disney, and “Happily Ever After” more than succeeds in that regard thanks to a mix of characters, themes and songs that beautifully reflect that.
The following WILL contain spoilers for the show, so if you are saving your viewing of the show for a future park visit (which I highly recommend witnessing in person as crowd reactions add so much to it), the spoilers will be presented right after the cut.
Keep reading
I’m re-listening to dndaddies and I’m pretty sure Beth May is an oracle at this point
SPOILERS
Transcript:
[Episode 2]
Henry: So you guys all had that dream? I mean, we all have that dream at some point in our life, but you guys all had that dream last night?
Ron: Yeah, I saw a man wearing my father’s bright purple cloak.
Freddie: His bathrobe.
Ron: His bright purple bathrobe that he always wore.
Henry: Wow, so we all saw Ron’s dad.
Glenn: Gartok, did you dream about Ron’s dad?
Gartok: No, I did not.
Ron: Consider yourself lucky.
[Episode 28]
Tall Purple Robed Figure: All of your wives will be safe, and all of your children will be raised by people who know what the fuck they’re doing. Now, what say you -
Anthony: And as he says “What say you”, Ron Stampler sneaks behind the medium-sized one and pulls his hood down and you see someone that you don’t recognize at all. This is a face that’s completely unfamiliar to you. This is also the same person that Darryl shook the hand of. But, Henry - you are looking into the face of Barry Oak. Your father. And as the other two Purple Robes turn and see that you’ve unrobed Barry Oak the tall one goes like -
Tall Purple Robed Figure: Ugh, I guess we’re just doing this. I was going to do it dramatically but sure, fine.
Anthony: And he pulls down his hood revealing the face of Willy Stampler.
Beth: Oh my god.
Anthony: And the third one pulls his down - the short one - and you see the face of Bill Close. And you’re looking at, at least three of the four, of your fathers.
"How To Explain To Your Parents That Antifa Isn't An Organization But If It Was You'd Be In It"
friendly reminder that you didn’t waste your year. any moments of happiness or comfort, any small accomplishments, they all matter. this has been a really hard year, and simply surviving is something to be proud of.
no other social media platform has lore quite like tumblr’s
the gods that haunt this place are unlike any others
having adhd is like im so tired of music. im so tired of sleeping. every day i decide what to eat for dinner
only people with adhd will understansd this post
i walk a lonely road
daily reminder that there is absolutely nothing normal about being expected to waste a majority of your life at a corporation to survive instead of indulging in better life experiences ✨
In the 1960s it was a common speculation that by 1980 the typical work week would consist of 4 days. And by the year 2000 we’d be working no more than 3 days a week.
Because of computerization, automation, and better efficiencies in workflow.
Guess what happened instead?