And with the end of consciousness, so too is her soul destroyed.
Flesh shall consume her.
Blood shall drown her.
Help her. She is dying.
The Bowery Presents
let's talk about Bridgerton tea, my ask is open

Discoholic 🪩
occasionally subtle
taylor price
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gracie abrams
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trying on a metaphor

roma★
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tumblr dot com
Xuebing Du
Lint Roller? I Barely Know Her

Origami Around
Jules of Nature
I'd rather be in outer space 🛸
Sweet Seals For You, Always

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seen from Germany
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@themarchingbandshowling
And with the end of consciousness, so too is her soul destroyed.
Flesh shall consume her.
Blood shall drown her.
Help her. She is dying.
Fish...?!
every friend group has a corpse in it. if you think yours doesn't, YOU'RE the corpse.
The rise of overly dark Magical Girl shows, which contain suffering for no other purpose than to display said suffering, largely stems from a complete misunderstanding of what Madoka was, and what made it great.
Madoka spends two and a half episodes setting up a happy, cheerful, Magical Girl show, and then spends eight and a half episodes rejecting that premise, showing that hope only leads to despair, that a wish will lead to a curse, that things cannot fundamentally improve, and that trying to make things better will only bring suffering upon yourself and others. This is what derivative "tragical girl" shows were about; the suffering of young women for its own sake, as if that was the point of Madoka, as if the suffering was the entire point.
The last episode, however, has Madoka herself rejecting the show's entire premise. She's told hope leads to despair, and exclaims "If someone says it's wrong to have hope, I will tell them they're wrong every single time.". She's told that the very foundation of the universe leads to suffering being inherent, constant, and that the only thing one can do is to endure said suffering as long as one can bear, before falling to despair and inflicting the suffering one has experienced unto others; she's told that any wish will become a curse, yet ends the show saying "All those Magical Girls who held onto their hopes and fought against witches, I don't want to see them cry—I want them to stay smiling until the end. If any rule or law stands in my way, I will destroy it. I will rewrite it. That is my wish, that is my prayer.""
Walpurgisnacht had been set up as the most terrible witch to ever exist up until that point, and the viewer had been led to believe they'd fight to the death against it, and inevitably lose—as a Magical Girl seemingly always does in the Madoka universe. Madoka does not fight her, Madoka shows compassion, simply stating "It's okay. It's okay now, you don't have to hate anyone anymore, you don't have to curse anyone anymore. I'll go back, before you took that form, and shoulder that burden for you". There was no fight, and Madoka simply took on her despair, as she took on everyone else's, allowing them to once again have hope.
That's why the ending of that silly meduka meguca copypasta does make me cry every time; we pray, never to forget, that being Meguca was suffering. It's not anymore, there are struggles, but there always are in life; the Magical Girls who held wishes in their hearts prevailed against the very concept of the show, with the ending showing that you can make the world a better place through love, compassion, and the power of a wish. The twist in Madoka Magica isn't episode 3, where the first explicit death is shown—it's in episode 12, in which it shows itself to have been a completely normal Magical Girl show all along.
Re-reading Lucky Day to tide me over until my preorder of @drchucktingle's Fabulous Bodies drops, and also because his work really helps sustain me when my own body is being weird.
I cannot overstate how much I appreciate that Vera is not okay. Her mother was rotten to her and she still felt so much pain at losing her that it broke her, and everything that happened after drove her deeper and deeper into nihilism. She went through horrific trauma and she's actually traumatised. Our hero is a mess, because deep down she's the kind of person who buys cat food for a stray even when she's determined to collapse into nothingness.
Whereas our villain, Agent Layne, is able to be incredibly positive and bright and cheerful and happy, because he doesn't actually give a shit. He killed people in the Low Probability Event and it doesn't bother him. It got him out of his rut. He's pleased he has no oversight because it means he gets to do whatever the hell he wants to get results. Every kindness he shows to Vera is for the purpose of making her a more useful tool. Because that's ALL people are to him.
And damn if I don't just love that. That the nihilist is actually full of compassion and empathy even when she hates it. That the optimist only cares about himself and his own experiences. Because it resonates. I struggle with depression and anxiety and ASD and ADHD and there are times when the blackness would be so easy to slip into. But it's always little acts of kindness that become the rope I drag myself out by.
Love is real. Love is so real.
Author: どよ子 Translation: Yuri Review
part of being an adult is figuring out what eveyone else's definition of "going crazy" is. to you it is not sleeping for 60 hours, writing 80k words in one sitting and expiriencing enough anxiety to kill a horse. to beth from accounting its buying a ticket to Columbus, Ohio. and to your friend its consuming so much ketamine you lose all of your posessions and wake up with five broken bones in a ditch somewhere and then proceeding to do it again the next day. to your other friend its writing a letter to their favourite actress about how much they appreciate her work. to your neighbour its laughing loudly in a grocery store whilst in pajamas. maya from uni hears the voice of her dead father making jokes with no punchlines and she considers that to be quite normal - to her going crazy would be hearing her husband instead. your downstairs neighbour will take night walks naked sometimes and claim there is nothing weird about him. there are literally no rules to life and all meaning is in the eye of the beholder.
love it when pmmm artists get weird with it. the labyrinths were one of my favorite parts of the show
some days i feel like going full sayaka miki from the hit anime never go full sayaka miki
Doodle in honor of the new PMMM movie coming out soon! (And a bonus Madoka in the corner.)
(Pen, Colored by layering Sharpie highlighters as a color theory/mixing study.)
sayaka drawing i never finished oops
sketchbook witch
Mikiiii
Sayaka Miki 🎼🧜♀️