[themindisapowerfulmotif]

thought i’d let y’all know that i can only follow ppl & like posts from this blog but i’m a lot more active on @bisexualmotif (you’ll find things abt nbc hannibal, movies/shows, music, aesthetic images, cute animals, art, poetry, random shitposts/memes & more on there)

[bisexualmotif]

When Fuji Used to Be a Mountain & Wind & Fast Forward, Split Reality, sculptures, 1990 Peter Weibel

[geryone]

Obit, Victoria Chang

[lovelightwords]

[mothprincess]

Sylvia Plath, from “The Moon and the Yew Tree,” Ariel

[mournfulroses]

Anne Michaels, from "Infinite Gradation," originally published in October 2017

[geryone]

Overland, Natalie Eilbert

[scatterghosts-deactivated202411]

Up The Wolves by The Mountain Goats // Minotauro by Jordi Garriga Mora

[inkpressedpetals]

[ssmhhh]

Miles Johnson

[weltenwellen]

Alysse Kathleen McCanna, from “Success That Is Partly The Results Of Chance; Or, An Uncertain Course Of Events” 

[geryone]

Good Girl and Other Yearnings, Isabelle Correa

[sunsbleeding]

Letters from a cowboy pt. I

[flowerytale]

Sylvia Plath, from The Unabridged Journals of Sylvia Plath

[starrover]

“I like the paradox within horror film: take the worst of the human condition and transform it into art, into beauty. It’s the only genre that offers this kind of dialectic and I have always found this idea very moving – to create emotion with the saddest, most depressing things in existence. I’ve always felt that horror was a melancholy genre.”

— Martyrs director Pascal Laugier (for Electric Sheep Magazine)

[gnossienne]

Anne Carson, Plainwater

[bisexualmotif]

1. Louisa Gagliardi (Swiss, 1989) - Boiling Point (2022) // 2. art by @heavensghost // 3. an accident by erin m. riley, 2020, wool & cotton, 82 × 100 inches // 4. art by @heavensghost