Yellow Bird by Martin Denny. Exotic Moog is currently my favorite Moog album.

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@theplasticcowgoesmoooooog
Yellow Bird by Martin Denny. Exotic Moog is currently my favorite Moog album.
Opening track on Mike Melvoin's The Plastic Cow Goes Mooooog. It might be the best one, too.
Music for Supermarkets (1983)
Who is The Man from Caldara's A Moog Mass
Youtube description:
"Written for the early electronic instrument, the Ondes Martenot (above), Olivier Messiaen's "Oraison" is a beautifully mellow and plaintive piece of music. The Ondes Martenot is a close relation of the theremin, and like the theremin was frequently used (and abused) on sci-fi film and tv soundtracks throughout the 40's, 50's and 60's, but also gained a foothold in many "serious" orchestras. I first heard "Oraison" on the box set "Ohm;The Early Gurus of Electronic Music", as recorded by Ensemble d'Ondes de Montreal."
Beethoven's Moonlight Sonata, by Mike Hankinson on his album The Unusual Classical Synthesizer. Looking at that outlet makes me nervous as hell.
Dick Hyman's The Moog And Me from The Electric Eclectics of Dick Hyman. Beck sampled the intro for his single Sissyneck.
While I still don't love the spoken intros before each song, the music itself is revelatory. It has that other-worldly feel that sacred music should have. After all, if God is not of this world, then the music used to praise him should be the same. Amazing stuff, and highly recommended!
A stunningly beautiful piece of music, with a theremin performance by one of the legends. Off of Rockmore's Lost Theremin Album.
Info from YouTube:
Air from Orchestral Suite No 3, BWV 1068 by Johann Sebastian Bach Clara Rockmore, Theremin Nadia Reisenberg, Piano
"The public misconception of the Moog synthesizer, in my opinion, is that it's a bloodless, body-less sound-producing machine. This came to be the case because so many Moog albums, in the past, have relied on Moog effects rather than communicative musicianship for their foundations. This album is based on musicianship, performances, and repertoire more than effects. I think it's the first pop electronic album with a soul. It's a very human electronic album."
-- Mike Melvoin