randomly spotted someone had uploaded a scene from the original version - out of context this may not mean much, but hitting where it did when I watched the full story for the first time, it left the song forever burned in my head and associated with this show
... so yes, this episode is shaping up to be rather more serious than the last one.
Back at the chapel...
Fuller’s updating them on the case being built against the dealer they nabbed at the burger joint. He’s out on bail at the moment, and has a history of dangerous violence, so the McQuaids need to be careful with their cover.
“Because if he finds out who you are, he will kill you. And that generates massive paperwork, so don’t let it happen.”
Looks like Tom isn’t reporting his little encounter with Diane yet.
Night, somewhere? Then a shot in an alley, then a pair of shiny shoes walking, not sure where we’re going with this.
A hand fumbles with a doorknob, then searches the area for a spare key...
... Doug is innocently asleep on the couch, unaware that someone is trying to get inside...
The shadowy figure slips through the door and creeps quietly through the house...
“FREEZE! Don’t even blink!”
“Doug, it’s me!”
It’s 4 in the morning, but Tom has come over because he’s desperate to talk.
Doug’s bleary. “Why didn’t you call?”
“You wouldn’t have let me in.”
“I know! Why didn’t you call?”
(Doug’s apartment is weird and full of scattered stuff but I’m not going to try and document all of it.)
Tom’s nervous and requires multiple reassurances that they’re friends, this is off the record, you wouldn’t turn me in, right? before finally explaining the problem.
“She asked you to participate in a special circumstances class-A felony murder? Of her father? .... I’m telling Fuller.”
“You said you were my friend!”
“And now I’m implicated.”
(I’m not sure that Doug shouldn’t have let them discuss it a bit first, but this probably IS a thing you should tell your boss unless you have a reason not to trust him? I guess?)
Back at the chapel, Tom has found a loophole that he claims will cover Doug’s ass - write up a report on the subject, give it to Tom, Tom ‘forgets’ to turn it in, and Doug is no longer responsible. He doesn’t like it, but he’s apparently willing to give in.
Fuller comes by (uh, nice sweater?) and is unhappy to see the boys “skipping school”. They don’t tell him what’s up, of course.
Back at school, Diane hints that she’s got the money for him. He suggests they go somewhere more private.
She takes them into an empty classroom, saying the teacher gives her permission to study there when she has a free period. (note the Sweet Little Girl pink ribbon)
Then she tries to give him the money. He refuses it, saying he didn’t promise to do anything, didn’t even promise to think about it. He’ll take payment if he does the job... but he wants to know why.
“Why does it matter? I’m paying you!”
He insists. “Is it money? Is he a hard guy? Does he beat you? You got bruises on those pretty little arms of yours?”
“... Just take the money.”
“Nothing you can say will surprise me.”
Yeah, he’s probably figured out where this episode is going, hasn’t he? But she’s not going to admit it. All she’ll say is that this is the only way. He sighs, says he’ll let her know, and she should be more careful with that money. Then he leaves.
And we return to the chapel, where Harry intercepts Tom.
“So, who’s the girl?”
Looks like Tom has asked Harry to do a background check on Diane, quietly, trying to keep Fuller from noticing.
“Not much there. Family disturbance, once, but it’s not surprising there’s little record. It’s not hard to quash something like this when you have rank.”
Yep. Diane’s dad is a cop. Head of the administrative branch, even. No surprise Diane can’t report whatever her problem is...
But this gives Tom an idea.
In full uniform, he wanders over to request Captain Nelson’s file, and with a lot of winking and grinning insinuates that Captain Nelson himself wants to look at it, for potentially dodgy reasons, and you’d better not make any fuss about this or leave any trail unless you want your ass busted onto janitor duties.
Sadly stills can’t give you the impression of gum-chewing dumb malevolence he’s projecting.
Desk dude buys it and Tom saunters back into records.
The next thing we see is a door opening, and Tom’s face, in shadow, looking unhappy. He’s gone to see...
Guess it’s time to come clean?
Still hidden in shadow, Tom asks, “Can I trust you?”
Fuller doesn’t give an easy answer. “I don’t know. I don’t know you that well yet. Maybe you can, maybe you can’t. Your call.”
Slowly, Tom approaches the desk, and tosses a folded bit of paper at him (probably Doug’s report?) He’s upset, explaining that he didn’t know what to do when this happened. He doesn’t have twenty years of experience on the force, he’s pretty new at all this.
“This is a request for a special circumstances murder, which in this state means she could go to the chair for this. You sat on this?”
(Call me crazy, but I’m not sure killing a kid for plotting to have someone else killed is really the moral high ground. Of course, the death penalty was even more widespread back then.)
Fuller calls Doug in to give them a scolding - don’t try to play this ‘my partner did X’ crap, and don’t hide felonies. Then he asks if that’s all.
Tom explains who the father in question is, and that he scammed his way into getting a look at the guy’s personal records. There are multiple quashed family disturbances and a bunch of other weird gaps in the record that suggest illegal activities.
Fuller: “And how would you classify your activities, Officer Hanson?”
After a pause to think it over, Fuller orders Tom to officially turn down the request and write a report for him to sit on. He’ll try to look into the hidden side of Captain Nelson’s records.
Back at school, a couple of guys (probably the ones that we had a rumble with in the beginning of the episode) watch Doug go by. “It’s the other one that carries the gun, right?” Looks like they have revenge in mind...
Turns out Doug’s still able to handle two of them.
A janitor comes in and looks annoyed.
“I know, I know. Gotta go see the principal. Perils of being a McQuaid.”
“Where’s McQuaid number 2?”
“Good question.”
He’s off telling Diane no - he won’t do the job, and his brother won’t either.
She pleads, then gets upset and yells at him to go away.
Elsewhere Doug is trying to explain to the principal that it was all just a bit of bathroom redecorating. It doesn’t go over well, and Doug ends up officially suspended for the next few weeks.
He doesn’t seem too bothered.
Back at the chapel, Tom’s not happy that Doug has managed to weasel out of school, leaving him stuck behind. Doug says it wasn’t his idea but he had to fight a little harder since there were two of them, so things got out of hand.
They go in to see Fuller.
Who seems uncertain. He spent a lot of favors to get hold of Nelson’s records, but it’s inconclusive. After Diane’s mother died, there were a number of quashed disturbances, a family court date that got canceled, and Diane ran away from home and lived with an aunt for a while. A recommendation for counseling is also on the file, but the details are too classified for even Fuller to get to it.
Doug asks, “I don’t get it. What does all that mean?”
“I think I know.”
(Yeah, he’s known where this is going for a while...)
But it’s Fuller who finally says it. “I think we’re looking at sexual molestation.”
“And this guy’s a cop.”
“Maybe you should whack him. Maybe I’ll do it for you.”
(No, Doug, that kind of kneejerk reaction doesn’t really help.)
Tom plays voice of reason. “We could be wrong. We could be misreading all of this.”
Fuller says that they might be wrong, but if not, they need to get the girl out of there... and to do that, they need to get her to file charges.
Tom thinks that’ll be pretty difficult, so Fuller threatens to drop the whole thing and leave it as it is, which pricks him to say that he’ll find a way to get it done, even if she hates him for it afterwards.
(There are no good ways out of this mess. If the father weren’t a cop, and they weren’t cops, and there weren’t a little sister involved, hiding Diane long enough for her to get out might be better, but...)
For some reason, he next approaches her in the supermarket. (Why is a teenager doing the family shopping? Or is it another of the wife roles she was pressed into?)
“I’m not who you think I am.” He followed her here to see her outside of school so he could show her his badge. “I’m a cop.”
Surprisingly, she doesn’t panic. “What do you want?”
“Your father... he touches you, doesn’t he?”
She tries to deny that anything is happening, but he keeps pushing, tells her to file charges. She points out that she’s called the cops before, multiple times, and it never helps. He insists that he’s not just some random beat cop, he knows her and believes her. She hesitates... but then says no, she won’t file charges. Go away and never contact her again.
We open in the chapel, with Penhall calling Tom over. “You gotta see this. I discovered this guy...”
Ah. There’s Blowfish.
So yeah, this guy is the janitor. “Go on, show him!” Doug pleads.
“I gotta fix the heater...”
“You fixed the heater last week!”
“If I fixed the heater permanently, I’d be out of a job.”
Doug calls over Judy and Harry to see the trick, and just before the credits roll, we get:
... up against the window.
RL, this is what the guy got hired for. Well, that and being an old buddy of Johnny Depp’s. He’ll be hanging out in the chapel and occasionally chatting with the guys for a season or so.
Anyway, on to the plot!
Another episode, another highschool. And a song starting up... whoa. It’s a Concrete Blonde song? (This surprises me because I don’t remember them being a thing until years later... in fact, we’re going to have a Jump Street episode named after a Concrete Blonde song a few years down the line, iirc. Guess I missed the first albums.)
Anyway, we get a bunch of establishing shots of different high school kids joking around or staring sadly out windows, most of whom don’t seem important. The camera lingers slightly on
in a way that suggests she’s probably an important character (we’ll see if I guess right), and the music fades away as two guys approach the school...
Two notes here! One, pre-Twin Peaks Sherilyn Fenn! So yeah, that girl is definitely a major plot character. And also, while it may be hard to tell, that’s Doug and Tom coming in together, Tom looking all tough with rags tied round his head, which means this is probably the first appearance of their cover identity as The McQuaid Brothers.
Tom is grumbling about his cover backstory involving manslaughter. (”It got put there so nobody will think you’re a wimp!”) They’re apparently here looking for a fight of some kind?
“We’re the McQuaid brothers! We’re rougher, tougher, and we buy better drugs!”
They wander into a crowd of guys and immediately tackle a pair of them. Dialog suggests they’ve been undercover here for weeks building up their terrible reputation and trying to find their way to the main drug supply in order to bust it.
Nearby, a lost Weasley watches. (What is he WEARING?)
Pummeling continues, with a brief shot of the girl from the opening also watching.
Eventually, teachers come out and break it up, but they don’t appear to be punishing anyone, just pulling them off each other and telling them to get to class. Doug and Tom saunter off cockily.
She catches Tom’s eye. “No one thought you were gonna show.”
He grins at her. “We’re the McQuaid brothers. We had to show.”
Cut to the ‘brothers’ slamming open a bathroom door, yelling ‘Hello!’ in unison, and throwing everyone else out, except for Jacket and Weasley, who are apparently their drug connections. They chuck $1500 at Weasley.
Some dialog about how they’ve been steadily ordering larger amounts, and then Tom starts pushing these guys to deliver them a full kilogram.
Jacket hesitates. Tom asks to be taken to their supplier in exchange for a finder’s fee.
Back at the chapel, Doug is unhappy with how high Tom has raised the stakes, but Fuller’s on board with it, even if it does mean the department has to cough up 25 grand. As long as the bust is set up in public, the McQuaids can be arrested along with the dealers and juvied out later, keeping the cover rep for later use. Tom seems pleased that they’ll be able to lay this act to rest... except as he says that, he and Doug start horsing around in character. The boy protests too much.
Fuller says no, they have to go back to the school and stay in for at least a week or two after the bust to ensure everything’s wrapped up.
Now, if you have a sense of narrative timing and flow, you might have gathered that it’s unlikely this drug bust is the real plot of the episode... but what is?
Cutting back to the school, we see our mystery dark-haired girl (name now revealed as Diane) coming in to visit someone in the school office.
She says she wants to apply to yet another college and therefore wants to xerox her letter of recommendation (Not exactly how this sort of thing worked IME but...)
Office lady starts to protest that students should not be accessing those files... but then decides that Diane “doesn’t look too dangerous” and lets her poke around.
She flips for the file labeled “Nelson, Diane”, but right before that is...
Quietly, she snags both folders and heads for the photocopier, keeping up friendly chatter with the office lady all the while. She has a little sister, too young for high school. Her father missed the last PTA meeting - Diane says it was his birthday so they went out to dinner...
Sudden cut to a little red car, and a new song - Cold Part Of Town.
Outside shot of a retro diner, and
the McQuaids having burgers and shakes with Jacket and Weasley. So this must be the drug sting.
This is apparently the bigwig - but he’s too genre savvy to be actually carrying the kilo himself. He gave it to Jacket earlier in preparation for this deal.
The transaction happens with paper bags under the table, out of sight.
“Aren’t you gonna count it?” Doug asks.
“Nah. If it’s not all there, I’ll kill you. So why should I count it?”
Fuller and Ioki arrive in uniform. Dealer says not to worry, they’re just here for lunch, stay cool... Fuller wanders by and starts hassling them about being off-campus during a school day. They get up to leave, and he spots the paper bag Doug’s carrying.
“What, you bring your lunch here?”
“You got a warrant?”
Time to play Bad Cop. Doug gets slammed to the table and cuffed while Ioki goes after the dealer. Jacket and Weasley just sit there, stunned.
Cut back to school, where the story has already become a thing of legend involving 30 cops and a pack of wild drug dogs. “They needed them! Tommy McQuaid always carries a gun. You know, he killed someone once? You know how they say ‘when the smoke clears’? You know how many bullets you have to fire for there to be smoke?”
(hall doors slam open) “HELLO!”
“What’s the matter, you guys never heard of bail?”
They strut down the hall, shouting and showing off. “Sorry, we couldn’t come to class, we wuz in jail!”
And she watches them go by...
Tom grumbles. “Two more weeks of school with nothing to do but go to school.”
“Yeah, but you forget - “
(unison) “WE’RE THE MCQUAID BROTHERS!”
They find the nearest nerd, demand that he give up his table and leave them his jello. (Boys, you may be enjoying this more than you want to admit.)
And then, suddenly, Diane comes up to their table. Doug is baffled that such a nice-looking girl wants to sit with THEM. “Does your momma know you’re here?”
She stares at Doug until he realises he’s apparently a third wheel here, and gets up to go get more sauce. Tom spins his milk carton on the table. “Okay, what do you want? Lowdown on the big bust? Gonna write an editorial for the school paper?”
“You really did the things people said you did. I know they’re true,” she says. “I know it.”
Tom has no idea what she’s getting at. Doug comes back, and Tom shoos her off. Doug jokes that being lowlife scum really is a great way to pick up chicks, even girl-scout types like Diane.
But is that really what she was on about?
Afterschool, raining. Tom’s in his Mustang waiting for Doug to come out, when suddenly...
... Diane, soaked despite her umbrella, opens the door and hops inside.
“That’s my brother’s seat.”
She doesn’t look at him. “I need to know if it’s true that you’ve killed someone.”
He rolls his eyes. “Let’s say it is. Which is even more reason for you not to be here.”
“Would you do it again?”
“... I don’t know, I suppose I would if I had to, why? What’s up?”
“Would you do it for money?”
“... Diane, I don’t think you want to do this.”
“I have $1700 saved. All I want to know is if you’ll kill someone. You’ve done it before.”
“Diane, did someone give you a hard time in study hall? Give it a couple of days, it’ll pass.”
“I have $1700 saved, it’s all I have. I want to give it to you, if you’ll...”
Lauren is not thrilled to find out that Judy’s a cop.
“So neither one of us is who we said we were! Lauren, I know there’s no house in Connecticut, no Porsche, no father... I know what you’re doing.”
“What I do is no different from what every other woman ends up doing.”
There’s an argument to be made that the distinction between prostitution and marriage-for-financial-gain may be arbitrary.
Judy points out that Lauren is also involved in burglary and tries to push for more information, but...
... Lauren just drives away.
Jumping back to the kids...
... playing around on their new toy, as the song “So Many Women, So Little Time” starts.
They spot some girls checking them out.
“They’re jailbait, man.”
“So are we!”
The older one insists they should go into a bar, looking for “full figured women”.
The younger one wants to hit the arcades instead. He eventually wins and drags his friend over to the girls.
Cut back to the dismayed parents, who’ve been getting a report on all the ridiculous things the boys have spent money on so far.
Honestly I hate this plotline. The boys aren’t interesting at all, they’re just running around being dumb. Lauren at least has issues that are interesting to talk about. I can’t remember these kids names and I only want them to be punished at the end, which I’m afraid they’re not going to be.
“The boys bought a motorcycle? ... Did they buy helmets?”
Tom and Doug remind them that the money the boys have belongs to the bank and that the police are still looking for them, but so far they seem to be safe.
“Let me ask you something. The stuff they’ve bought so far... Who gets that?”
(We can only imagine the eyeroll, because the show cuts straight from that line to Lauren coming home.)
“Mom?”
Song time! It’s called “Got To Make a Comeback”, by Robert Cray again.
Unfortunately...
... looks like someone else is here.
“I’m just visiting,” he smarms.
She pushes him aside and rushes in.
“Mom? Mom, are you okay?”
“... We was just havin’ a little party, honey...”
“How could you do this?! You promised me!”
“One time won’t hurt...”
She rushes back out to confront Mr Mustache, calling him an animal for doing this to her mother. He pushes her away.
“I didn’t do anything. She called me. All I did was help out a friend.”
“Just get out of here before I kill you.”
He laughs.
“We got some business to talk over first.”
Apparently Lauren’s cut from the last job has been spent on today’s drugs. He leaves, as she tries to think of any way to get her mom away from here.
A bit later...
Judy says they’re going to arrest her on suspicion of conspiracy in the burglaries. Lauren asks if she can cut a deal. Judy says that’s up to the DA. Lauren’s depressed enough by this point to give out Mustache’s contact information anyway, what she knows of it.
Lauren worries about what will happen to her mom. Judy says she needs to think about what’s good for her. They’re not going to take her in right away but she “will have to come down to the station later”.
“All I was trying to do was start over...”
Looks like they have a lead on the boys. And another song.
Tom’s grousing about the youth of (80s) today. “These kids are pouring out twenty bucks a night into these machines. You think they worked for that money?”
“These kids are young! They’re gonna be working the rest of their lives, they should have fun while they still can.”
Hey, guys, Lauren did work for her spending money, but somehow that makes her bad too, to you.
Anyway, the arcade owner recognised one of the kids from a flyer the cops put up. He points the boy out (after trying to get a reward).
“... I’m finally starting to have fun, and NOW you guys show up?”
He explains to the girl that he’s a thief. She thinks that’s awesome. “I got caught shoplifting once!” and manages to kiss him as Tom and Doug are cuffing him. “I’ll wait for you!” she calls.
“You hear that? That’s your future daughter talking, pal.”
“My kid would never get caught shoplifting.”
Looks like Mustache is being arrested. Judy and Harry are here with a warrant to check out his uhaul full of stolen goods.
And because he’s the designated creepy asshole, he says not only that he’ll be out in a few hours, bu that Judy should look him up because she could make great money as a prostitute for him. What a winner.
Judy and Harry go to look for Lauren, to try and relocate the family while Mustache is still at the station and unable to interfere. But no one’s answering, and the picture on the wall is missing. Looks like Lauren took her money and ran.
“I guess she just got tired of being used... by Eddie, by her mother, by me...”
Cut back to the annoying kids’ parents.
They’re extremely excited, because apparently they’re getting offers for film deals about those stupid boys’ adventures, for tons of money.
Doug and Tom happily point out that it’s illegal to benefit from a crime like that, and all proceeds will be donated to the state.
Out in the back yard, the kids are giving local news interviews. They’re apparently getting only six months probation, and are now famous, have tons of friends, and are even hitting on the reporter. Oh, and they appear to have still kept 5 grand of the money, which Tom and Doug are trying to figure out how to get out of them.
And that’s the end of the episode.
I really did not like this episode, which made it harder to finish recapping it. The boys’ plotline was annoying in way too many ways, and instead of blending neatly together with the themes of the other plotline, it made that plotline seem more unfair. It’s hard to feel like Lauren should be punished for her part in the burglary ring when she had so much motivation and THESE little creeps get slaps on the wrist.
Lauren’s date offers her a beer. “Oops... I broke a nail.”
He promises that his parents won’t be home for hours as he leads her upstairs.
Kissing ensues, and the guy seems somewhat overwhelmed by her hungry come-on. Maybe he’s never done this before.
“Hey, it’s okay, honey,” she reassures him. “Don’t be nervous. We’ve got plenty of time... and you’ve got plenty of money.”
Tom and Doug are following the kids’ trail to a swanky hotel, where they apparently reserved the presidential suite, claiming themselves to be ‘Mr Steel’ and ‘Mr Bond’. The cops can’t believe the hotel went along with that. The waitress said she thought they were just rich kids having fun until she saw their pictures in the paper.
“They were excellent guests. They paid up-front in cash. They tipped well. They even filled out the evaluation form.”
“Everyone’s worried that these kids are dead, and they’re out there auditioning for Lifestyles of the Rich and Famous...”
Cut to a mysterious dude with a mustache knocking on a door. It’s Lauren who answers. “Hi, baby,” he says.
“I told you to keep away from my place.”
“What is it with you? You think I’ve got nothing to do but wait around for your phone call?”
“The deal was, you never come around here... Where’s my money?”
“Take it easy! I never got this kind of attitude from your mother. Two years we were in business, no problem.”
“A $400-a-day fix was ‘no problem’?”
She protests that the money is little and late. Surely the stereo should have been worth more. He says it was Korean and not as desirable.
She passes on the info from the house her ‘date’ was in last night - what looks new and valuable, where the master bedroom is, and how to put in the security code. She expects more returns from this job.
He pauses at the door. “Mind if I say hello to your mother?”
She closes the door in his face.
Inside, Lauren reassures her mother that it was no one important at the door, and that they totally have enough money for a down payment on a nice new home somewhere. She’s been saving from her night job.
Mom worries about what that night job entails. “You made me a promise, Lauren...”
“A promise to get you clean, off the streets, and away from scum like Eddie. And I’m going to do it.”
“That’s not the promise I’m talking about.”
“Come on, Mom, who’d pay for this?”
In the locker room, her date is now bragging to the boys about how insanely wild she was in bed. “She gets so crazy, she even breaks a nail ripping my clothes off!”
The audience appreciates (and I wish we got a better shot to appreciate Harry listening. Is he wearing cowboy boots?)
After the ‘stud’ walks out, one of the kids asks Harry if he thinks it’s true. Harry says he’ll find out - he’s got a date with her. “But yesterday you didn’t even know her name!”
Someone else cuts in - “That attitude is why you will die a virgin.”
“I am not a virgin!”
One of the other boys admonishes Harry to rip up the security code after he enters the house - I guess he’s borrowing another student’s home for the date rather than getting one provided by the department this time. Which doesn’t make much sense, since he’s only been at this school for a few days. Who’s going to loan him a house with keys and security info? Mister Plot Handwave, obviously.
Harry passes on the latest locker-room rumors (including the broken nail) to Judy, who continues to be upset about the whole thing. Boys are all so stupid!
Judy runs into Lauren in the bathroom. Lauren claims to be tired from spending all night conjugating verbs with her dad in preparation for the big test... and then Judy spots the broken nail. Lauren says that happened loading the dishwasher, but now Judy is beginning to wonder.
.... and now the kids are thinking about obtaining a ‘flashy car’ to pick up chicks.
“When are we going home?”
“We go home when the money’s gone! After I find you a woman, to make you a man.”
However, this time things aren’t working out, not even with a pile of cash for the down-payment.
“There seems to be some problem with your credit. You haven’t got any.”
They look briefly put out, then the dark kid gets a new idea....
Just how many fifties did they manage to steal anyway?
Cut back to Judy warning Harry to be careful and avoid entrapment (mostly for the benefit of the viewers) and that she’ll be right across the street if he needs her, or Lauren tries to run.
Harry worries that this case is clearly upsetting her, and offers to handle the situation himself.
Judy (now that she’s doubting Lauren) apologises for being so snappy with him before. Harry gives her a pretty sweet look (I used to ship these two, a bit), forgives, and asks if there was a reason.
Judy says when she joined the force, she worked in Vice for a while, and there was an officer who liked the way she looked dressed as a fake hooker. He kept making advances, she told him to back off and he finally did, and then he told all the new recruits in the department that she was a real hooker he’d rescued off the streets and brought to the police force to work for her redemption. Ouch.
“I’m sorry Lauren didn’t pan out.”
“Hey. It’s okay. If she’s dirty, she gets busted.”
Lauren and Harry’s date, and him apparently not noticing her breathing down his neck to memorise the code.
She sends him to get a drink, and goes back to the door to mess with the security box herself, which Judy, across the street, sees and looks concerned.
She runs off to a phone booth and contacts someone to... get the phone number for the house Harry’s in? Shouldn’t he have given her that beforehand?
Inside, Lauren’s being aggressive again. Harry keeps trying to drop little hints about the price but she doesn’t seem to care about negotiating. The phone rings, and he manages to get away from her to try and answer it.
It’s Judy, warning him not to bust Lauren yet, as she’s just made the connection with the burglaries and that’s much bigger than a minor prostitution collar.
... sure, totally looks like a high-schooler.
Anyway, this leads Harry to make a lame excuse and call off the night’s activities.
At the chapel, Judy says she thinks she can get the information out of Lauren about the burglary ring by talking to her before arresting her.
“What has she done to deserve this special handling besides lie to you from the start?”
(Let me point out, though, that they still don’t actually have ANY evidence Lauren’s a hooker, only that she’s promiscuous. We know perfectly well the nail wasn’t broken the way the guy said it was, and even if it were, that’s not evidence she took money for sex. With Harry, she kept not caring about the money. Obviously this is because she gets more from the burglaries but the point is, they can’t 100% say she’s lied to them, they didn’t ask her THAT yet.)
“Her mother’s a pro, her father’s nonexistent, she was probably raised in the back room of a massage parlor, she never had a chance!”
(Oh, I guess NOW Judy finally did the background check on Lauren.)
“Hoffs, we are police officers, not social workers.”
Judy promises that if she can’t get Lauren to confess and give evidence on her partner, she’ll bring the girl in.
In the main area, Harry grabs Tom and Doug, says he’s been looking for them. They’ve been out sticking up lost-kid posters on every cool expensive hangout they can think of.
Harry says the thieves in the van who originally damaged the ATM have been caught. Comparing their proceeds to what’s missing from the ATM, they gather that the kids made off with $12K.
Tom is super frustrated about having to chase them around the city as they attempt to buy BMWs and whatnot. “Can’t we just wait until they run out of money?”
(That money isn’t theirs, you know...)
Fuller insists they’re still missing and the cops still have to find them. They can yell at them once they’re home and out of danger.
“Ah, but they’re still in danger, because I’m gonna break their necks.”
So, can we get something less depressing this time around?
We open with someone walking in a city street at night, and a song I can actually locate! It’s Robert Cray, “No Big Deal”.
The figure walks along, kicks a can, tries a doorknob (locked)...
tries another, also locked, and pounds his fist once under the ‘Deliveries’ sign. Finally reaches a door labeled ‘Artie’s Deli’, which opens, and he goes inside...
We get a couple of ‘stalker’ shots, where we see only the footsteps of the intruder and then his camera angle moving in on this unsuspecting kid from behind...
“Any last words, kid?”
“Yeah. Where’s dessert?”
Apparently they were hoping to filch something from another store but the delivery door was padlocked.
Sharing pinups with your buddies, like you do.
(Also, this kid is Scott Schwartz, whose life I can’t sum up in a convenient tagline.)
They’re planning minor fun times (either playing pinball for free or stealing the quarters from it, not sure) when they hear a van drive by outside. Seems weird at this time of night...
... so they go to look, and put themselves in position to see...
guys in sockmasks breaking into an atm with powertools.
After staring for a few seconds, one of the boys suggests calling the police?
“I’ve got a better idea.”
Uh-oh.
His brilliant idea is to trigger the deli’s security alarm, which blares loudly, scaring the would-be thieves away, and then...
... he goes out to investigate the damaged ATM for himself.
After a brief hesitation
both kids start stuffing their jackets with money.
And then we see a van drive up. Possibly the thieves got over being scared. The two boys run for it, leaving a trail of loose fifties behind them.
Roll opening credits!
Inside, Fuller briefs the team. These two kids were last seen by some other witnesses to the ATM robbery, but disappeared after legging it.
Tom is concerned that they might have been killed by the robbers to keep them from telling what they’d seen. Penhall is more hopeful that they’re just scared and hiding. They’re assigned to talk to the families and friends.
Fuller also notes there’s been another in a spate of robberies in a particular neighborhood, no idea how this ties in yet, but it’s TV, it’s got to mean something.
Last, he mentions a gym teacher who’s reported a rumor that there’s a prostitute taking paying customers in a school?
“Sounds like a story a guy like Penhall would make up.”
“Find out who it is, get a date with her. If she’s a pro, bust her.”
So that’s their assignment. A-plot/B-plot, or will it all tie together somehow?
Tom and Doug prepare to talk to the family, Tom warning Doug not to get their hopes up.
“All right, I’ll be as pessimistic as possible, what the heck’s the matter with you?”
The parents are outraged that the police have sent “a couple of kids” to do the investigating.
We get some dialog to demonstrate that this dad is really out of touch with his kid and doesn’t actually know what he’s doing these days. One of the mothers sadly comments, “It’s just that we all work full-time.”
“Those poor babies... I can’t bear to think of what’s happened to them...”
(cut to)
“We’ll have two vodka martinis. Shaken, not stirred.”
The waitress asks for ID, and he promptly bribes her with a fifty. And she takes it.
“What’d I tell you, Jordy? Everybody’s got a price. Fortunately, we can afford it.”
Jordy’s worried. They’ve been spending money like crazy, it won’t last forever, the other crooks may still be after them, and maybe they should just go home. Older friend pressures him into enjoying it while it lasts, and not calling their parents.
Cut to gym class. They’re picking teams, and Harry ends up Picked Last for no obvious reason. They hate Asians or something? (He’s very obviously fitter than the competition.) Maybe it’s meant to be some sort of joke because it’s basketball? But he’s not even the shortest...
On the sidelines he tries to chase the prostitute rumor. The nerdy boys have heard it but they don’t really believe it. A slightly more sporty guy comes by to join the conversation and insists that it’s true and that he’s got a date with her. “It’s worth a few bucks to take a shortcut.”
(I guess today’s theme is ‘money can buy anything’.)
He provides a name.
“Lauren Carson? Girl’s probably got no idea what the guys are saying about her.”
Harry’s used to guys lying about a girl being easy, but not sure why they’d make up the idea of having to pay for it.
Judy finds the girl in the library and tries to make friends.
She’s looking through the real estate listings in some paper. Apparently her father has been promoted to a new job in Connecticut. Her mom’s upset because they’ll lose the current country club, but her dad has promised her a horse?
(Either her family is loaded or she’s lying to sound that way.)
Some girls wander by to harass her. “Hey, Lauren, interviewing a new candidate for the massage parlor?”
Judy asks what that was about, Lauren implies that she dated the wrong guy and refused to go all the way, thus rumors. No big deal.
Posted so you can appreciate the locker.
Harry chases after her and asks her on a date. She initially turns him down, but after a bit of “aw, please?” agrees to go out with him tomorrow night. No money is ever mentioned.
He catches up with Judy to let her know about his progress. She thinks this is a waste of time.
“Come on, Harry, we’ve dealt with working girls before. Does she really strike you as one?”
(You’ve also dealt with plenty of rich kid thieves, Jude, don’t judge!)
She rants a bit about how guys make this shit up and never think about how it affects the girl. “I’m sure she’s just been stuck with a bad rep.”
(Cut to)
Lauren snogging tonight’s date (the one from gym class) She goes into his house with him, and watches curiously as
he disables the home security system.
Ah. So that’s how the burglaries are going to fit into the plot...
It’s a bit strange on the surface that at the end, Tom is all cuddling up to Judy in a comforting way, soothing her as if she were fragile, when she’s one of the people who had the easiest day. Doug also had it pretty good, but he was at least in a state of deep worry over whether Hanson was alive or not, before he got into the school. Harry’s taken several hard knocks and probably should be checked over by a medic. Tom saw his life flash before his eyes at least twice today, more if you count just the threats and not the ‘i’m dying RIGHT THIS SECOND’ moments.
Compared to the others, Judy was relatively safe and in control all episode.
Of course if you’re desperate to go deeper, you can read it as him giving her the comfort that he really wishes for himself but will never openly reach for. He’s a bit of a buttoned-up guy, our Hanson.
Harry’s climbing through the air vents, which TVTropes warns us is actually going to make way too much noise to be any use for stealth.
Judy’s stirring the pot, digging out Reggie’s file to show that he got non-terrible SAT scores (The dialog acts like it was a good score, I’m confused because to me it’s not, but whatever) and an A in English. He tries to grab it from her.
The gangers are surprised at these good grades. Tom, who got a failing grade in shutting up, cuts in with “Hey, Reggie, if you’re so smart, how come you’re so dumb?”
You can imagine how well that goes...
“I am sick and tired of you telling me I don’t know what the hell I’m doin!”
Doug stays cool, munching around a mouthful of pizza. “What are you doin?”
Judy chimes in. “This has been fun, but I don’t plan on spending the rest of my life in this place.”
Exasperated, Reggie throws up his hands “What do you want?!?”
The phone rings.
Outside, Fuller’s trying to move things ahead. “We can talk to the judge for you, work something out. Just tell us what you want.”
Reggie looks around the room, lost. “Anybody want anything?”
Doug says he wants his money. Judy says she wants to go to the bathroom.
Finally Reggie comes up with a demand. He describes a car in detail (I don’t care about cars) that he’d like, along with a thousand dollars cash - no, wait, ten thousand. And a map.
Judy nods at him approvingly.
We flash to Harry, still trying to find his way to the principal’s office through the vents (What is ONE guy bursting in going to do? We proved with Hanson earlier that it’s useless!) and then back to Fuller on the phone.
Fuller tries to get him to promise to release everyone in exchange for the car. Reggie hesitates. “How do I know I can trust you?”
“You can trust me.”
... And then Harry falls through the ceiling and into the pizzas. GREAT PLAN.
“You better not be another cop.”
We cut away to the car he requested being delivered..
and then back to show what’s happened to Harry
Black eye, but still nobody shot.
Doug, who still hasn’t been found out, rambles inanely about what life was like for him in high school, and tries to feed the principal some pizza. Harry snorts a laugh at one of Doug’s stupid lines, and gets slapped again.
(Elderly background lady is so calm!)
Reggie, on the other hand, is freaking out. He feels trapped and betrayed, surrounded by cops everywhere. He doesn’t know what to do.
“It’s all getting too complicated...”
“What did you expect, Reggie?” the principal snaps. “You can’t hold us here forever.”
“Shut up! You got us into this.”
“You’re smarter than that, Reggie...”
“I’m sick of you telling me how smart I am!”
Reggie waves everyone off and sits to think. Even his gangers start telling him to chill out.
Outside, Fuller signals that the car is ready.
Reggie and Judy go to the window to check it out and she compliments the wheels.
“That’s our end of the deal. So what are you going to do now? Going to leave your boys here to clean up after you?”
(Tom, why do you keep trying to provoke him?)
Reggie doesn’t seem worried. “All they’re gonna do is six months as juvenile offenders.”
“You’re gonna leave us here, Reggie?”
“Hey, you’ll be all right, man! I’ll come back for you.”
He then snaps at Judy to get ready to leave with him, despite her protests.
“Hey, man, you can’t do this...”
“It’s better this way. Even the cops will tell you that.”
He leads Judy out, leaving the rest to their own devices.
Outside, Judy’s classmate has delivered the gun and badge to the police.
Before they can worry too much about what it means, Reggie emerges, using Judy as a hostage.
He gets them into the new car, keeping her carefully covered, and they drive off.
Fuller passes their direction on to the department but tells them not to move in while Judy is at risk.
Inside, the remaining Bloods are shocked and confused. “I can’t believe he left us here.”
“What, you think he cares about you?” (Tom, SHUT UP.)
The gang members decide to grab the hostages and use them as shields to escape individually. They start to untie Tom and Harry.
Glances are exchanged...
The odds being now much more even, as soon as both Tom and Harry have their hands free, all three cops attack the gang members. Somehow, nobody actually manages to fire a gun in all this. There’s a whole lot of punching, Tom whams someone in the face with a phone receiver, Doug picks one of the punks up and holds him while he struggles, and Harry gets all martial-arts-kicks on them.
The principal is nonplused to discover that Doug is yet another undercover cop.
We cut away to Reggie and Judy driving (and some music intro starts! Darn it, it’s that mysterious ‘Slammin’ song again that I couldn’t find before) He suggests they’re heading for Indiana, and that she’ll love it.
“Oh, I’m sure I will...”
(She fiddles with her skirt, presumably hoping to distract him)
Finally, he sets the gun on the dashboard and takes the bait...
But before things go any further
looks like the car the cops provided wasn’t exactly well-equipped.
“Aw, c’mon! I’m running out of gas?!?”
As he looks around frantically trying to figure out what to do now, Judy slams him in the face with her elbow and grabs the gun.
“You’re not going to Indiana, Reggie. You’re under arrest.”
We cut to the rest of the Jump Street gang, in a car frantically consulting maps and trying to figure out where Reggie’s likely to be by now. “Man, I hope Judy’s okay,” Tom says.
.... yeah, guys, she’s got things under control.
The episode wraps up with some interactions between the rest of the squad and Fuller, as he tries to look like less of a hardass and invites them all out for pizza (they look very unimpressed). No actual followup on the various decisions in the episode and whether they were good or bad calls or not, although really, in front of Reggie is not the right time to hash that out.
It was their first case as a new team and it was a sort of rough one, but they made it through. Hopefully next time will be a little easier on all of us.
(A lot of action means a lot of screenshots, I’m afraid.)
Outside, the SWAT teams arrive.
And the media.
And the rest of the Jump Street team. (Say hi to Robert Picardo over there if you’re a Star Trek Voyager fan - he’s playing Ralph Buckley, Hostage Negotiator.)
Buckley reports that the principal appears to be still alive, though smacked around a little, and they think Reggie is holed up in the principal’s office, but all the doors to the school are chained. Says Reggie’s been on the phone a lot making threatening statements, but no clear demands. He estimates 4 or 5 other armed gang members, and at least 200 student hostages.
“You got two undercovers in there, also,” Capt Fuller says.
“They found one of them already.”
Buckley pulls out Tom’s badge and drops it onto the car they’re crouching behind. “Tossed that out the window.”
Ioki and Penhall look concerned - what happened to Hanson? - but Fuller stays focused. At least they haven’t caught Hoffs. Yet.
As Reggie prepares to punch the principal a bit more, a guy comes in with Judy. “Look what I found!”
He likes what he sees, but doesn’t recognise her. She says she’s new - which, after Tom, raises their suspicions. So of course they search her, but she’s clean.
“Let me know if you find something you like.”
We get a shot of Tom sitting nearby, apparently unharmed other than some bruises, just under guard like the principal is.
Reggie pulls out Judy’s file to look over, while she plays unconcerned. She’s down for very good grades and school activities, but attitude problems, mouthing off to teachers, shoplifting, and punching a fellow student. He seems amused.
Judy tries to move things forwards. “So, I guess I’m a hostage now, huh? What are you gonna ransom me out for, a new Corvette? Swap the principal here for a plane ride to Cuba?”
Reggie smiles. “You sound like you’re a player. I’m a player too. Let’s see if we like the same games.”
He puts his arms around her and guides her over to the Principal.
“You ever shoot a gun?”
“Not at anybody who didn’t deserve it.”
They pause for a moment here, and then he moves the two of them away, changing the target...
“You ever kill a cop?”
Now she’s nervous.
“Relax. Just aim for his head.”
“This isn’t funny. You’re scaring me.”
“I’m just kiddin’. See?”
He jerks their hands upwards, and the gun goes off into the ceiling. Tom (who couldn’t see the movement) flinches. Poor boy probably needs new pants after this episode.
Reggie looks disappointed. “I thought you were a player.”
Judy looks away. “I’m not a killer.”
And then Tom, despite everything, pipes up. “Yeah, well, neither is he.”
(Tom, honey, why you trying to provoke him? He obviously doesn’t want to kill anyone but if you call him chicken hard enough, he might.)
“Why don’t you just admit it, Reggie? You didn’t think this thing through. You got no plan.”
Reggie blusters that maybe his whole plan was just to kill the principal. Tom says that if he pulls that trigger, his life is over.
“My life was over a long time ago.”
We cut back to the teams outside. Ioki and Penhall are desperate to do something to save their friends. Fuller’s looking over the school blueprints but not going to act without a plan. And they can’t make a good plan as long as they don’t know what Reggie wants. Which could mean they’re going to be stuck here for a long time.
Inside, the hostages are being herded into the school auditorium.
Reggie’s decided to dress up for the occasion.
Gangers fire into the ceiling to shut everyone up, and Reggie starts speechifying. “I am Reginald Brooks, the acting principal!”
“And the Warden has been relieved of his duties!”
He walks around the stage. Judy’s sitting up there with his other goons. So is his other pet hostage.
“See this guy?”
“He’s a cop.” He grabs Tom’s head by the hair, pulls it in, plants a mocking kiss on the top of his head. “How you doin’, cop?”
Reggie turns back to the audience. “That’s right, they’re sending cops into the school! Cops that look like kids, like you and me! Cops that sit and eat with us, go to class with us...”
A teacher yells from the audience. “With students like you, we need cops on campus!” Ganger shoves him, but he won’t sit down. “What in God’s name do you want?”
Cut back outside. “He’s got a demand.”
Fuller takes the phone.
“I’ll tell you what I want,” Reggie says.
“I want 20 pizzas and 20 cases of beer.”
Fuller asks what they get in exchange. Reggie is confused and has to consult his followers. What are twenty pizzas worth?
Judy suggests trading them for the sophomore class. “Those guys are wimps anyway.”
Reggie shrugs and agrees. Fuller says okay - but no beer. (Seriously, Captain? In a hostage situation, you’re more worried about promoting underage drinking?)
Reggie doesn’t even seem to care. “I want ten with sausage, ten with pepperoni, and no anchovies. I see one anchovy, I kill the librarian.”
In the auditorium, the guy with the gun fires again (they keep doing that! Can’t you just use the mic?) and asks the sophomores to identify themselves. Mouthy teacher is concerned. “What are you going to do with them?”
“SHUT UP!”
After they nervously raise their hands, he tells them to go home.
And the good little students sit still as only the requested class gets up to leave. (It’s hard to know who to trust.)
Outside, the media crew are eagerly reporting that the students are being released in exchange for pizza.
A kind of dorky-looking pizza truck drives up onto the grass, and the driver pulls out a stack of boxes from the back.
Inside, the gangers look excited. “Pizzas are here!” Reggie sends someone to go get it.
Of course, it’s Doug playing delivery boy. “Hey, where’s the money?”
“What??”
“Somebody owes me a hundred-sixty dollars for all these pizzas. You might as well shoot me, ‘cuz Tony will if I come back without the dough.”
Baffled, the gang members drag him inside rather than shooting him (This is a weird bluff, Doug.)
As for Ioki, looks like he’s decided to play ninja. He climbs onto the roof wearing a radio headset and giving updates to the team outside.
Looks like he’s planning to infiltrate via Conveniently Large Vents. Fuller gives him directions from the blueprints, then he takes off the headset before going in.
Inside, Reggie is suspicious of Doug and insists he be searched, though the others say he’s too stupid to be a cop. He keeps whining about being paid. When he comes up clean, Reggie tells him to shut up and eat some pizza.
There’s an ironic statement to be made somewhere about me having to force myself to come back and finish this, so much later.
When we left off, the school had been taken over by an armed gang, and Tom (still wandering the halls in nerd guise) was watching them chain the doors shut.
Unfortunately at this point his luck runs out and the roaming gang members spot him...
... so he punches a guy and flees up the stairs, apparently not believing they’ll shoot him in the back.
Gang member pursues him and tackles him to the ground.
Tom grabs his gun (the ganger’s, I think, not his own)
but appears to have forgotten that he’s outnumbered. Checkmate.
Back in the office, Reggie is issuing orders. He has the secretary call a local TV station and wants her to deliver a message about how nobody messes with the Frasier Bloods.
“You’re going to go to jail for a long time over this.”
“Looks like you’re the one who’s in jail right now.”
Reggie puts on a jaunty beret, grins, and smacks the principal across the face.
“Ain’t that right?”
Satisfied with his power, Reggie peeks through the blinds to see what’s happening outside, but is distrated by the sound of some of his goons dragging in Tom.
“What’s with him?”
They call him a wannabe-hero who was trying to break out.
“You must be new here, boy,” he smirks, and holds out his hand. “Reggie Brooks.”
“Nice to meet you.”
“Is it?”
(I don’t know WHAT part Tom’s trying to play here, other than ‘not a cop’)
Reggie looks at him. “So, how do you like it here?”
“Well, I heard this was a tough school, but this is ridiculous...”
“Ain’t nothin’ ridiculous about getting punched around in front of your friends by some principal who don’t know nothin’.”
“So... what are you going to do?” Tom asks.
Reggie smiles. “Ain’t you gonna stick around long enough to find out?”
Gulp. “... Am I?”
“Maybe not.” He smiles. “Kill him.”
(And no, Tom is not perfectly cool under this, even if he can’t manage much more than a lot of flinching and a strangled ‘No!’)
“No, don’t,” Reggie smiles. “It’s a joke.”
He shrugs and orders his goons to “check this new boy out”. Which, from the following command to turn around, probably means they’re going to search him. Which, under the circumstances, is bad.
The only advantage Tom has is that, at this exact moment, they’re not expecting him to have any fight left in him.
So, despite that he’s surrounded by guys with guns, he still manages to grab one of them, shove him at the others, and duck behind the desk before anyone can react.
But he’s not running away.
“Police officer! Freeze!”
(Is drawing at this point an improvement to the situation? Probably not, but he WAS low on options at this point. Running didn’t sound very safe or helpful either.)
“I’ll blow his head off, I swear!”
“Don’t do it, man. Nobody’s been killed yet.”
“That’s right. Put that gun down or there will be.”
A little bit more back and forth, and Tom apparently decides that the pressure he’s adding is more likely to make things worse, not better, so he does give up the gun.
So... how are we going to get out of this?
Cut back to the French classroom with Judy. The principal’s voice comes on over the intercom, trying to calmly announce that there is a serious situation underway.
Judy’s gaze stays fixed coolly ahead, on (we assume) the gang member watching the class, but her hand strays down to her purse.
Casually, slowly, doing nothing to draw attention to herself, she takes out her gun and badge....
... and deposits them in the purse of the girl in front of her.
(Huh. Looks like this episode may actually be going with the theory that sending in the undercover cops armed was a bad plan!)
One can assume that Judy is not trying to get this other girl in trouble, but that she wants to be free to make her own move without any giveaway evidence on her. If other girl keeps quiet, nobody should have a reason to check her bag.
So she turns back around and says nothing, as the principal continues to explain that they have been taken hostage by the Frasier Boulevard Bloods, and that anyone who tries to leave will be shot.
Now that she’s prepared, the gang member finally decides to comment on how pretty Judy is.
She smiles enticingly. Maybe now she’s got a shot.
(That was a ton of screenshots for only about three minutes of episode, but it was an intense three minutes.)
Cut to the school, and a car pulling up out front.
Oh look, it’s our gang friends.
We also get a song, which all my attempts to ID are so far failing. If anyone knows what this is PLEASE let me know and I will replace with proper credits, but neither lyrics search nor song apps are finding any matches: Slammin’
It’s almost a full minute of pure music as these guys swagger into the school, wish I could tell what it was!
Hoffs shows up for French class, chewing gum. The French teacher keeps speaking to her in french, which she ignores and mouths off in English (though her responses suggest she understands what’s being said). Finally the teacher suggests her previous school may not have been very good and perhaps she will find second year french less intimidating.
Judy’s replying rant in French (much longer than this) is helpfully subtitled. The class laughs, the teacher frowns and says she’ll let it slide... but warns her that they have a principal who knows how to deal with attitude.
On the other side of the coin...
Tom is being inserted as a massive nerd. He’s all concerned about his new school having ‘mainframe access’.
Cut to someone getting out of a cab (possibly the expelled gang member we’re worrying about?)
and back to Tom asking for a hall pass, before walking out and passing
this fellow who asks if Madigan is in...
Tom pauses briefly, but apparently isn’t jump-to-conclusions enough to assume that this is a murder waiting to happen, so just says he’s in and goes on his way.
Ominous clock lingering shot. Mystery black guy with briefcase passes by the lady Tom got his hall pass from, who tries to tell him he can’t go in, before...
... looks like Tom should have been more suspicious after all.
“You pushed around the wrong guy this time!”
As Tom walks obliviously off to his first class
Reggie comes out dragging his hostage (still unharmed) and fires a warning shot. (Of course, I wonder how ‘warning’ it is. Will a bullet go through the floor and hit someone upstairs? I don’t know enough about ballistics.)
Tom hears the shot and comes running back, a bit late.
Reggie lines the staff up on one side of the room and tells them he’ll kill the boss if anyone steps out of line.
If you’re a sniper you might be able to get the guy from here without hitting anyone else but this is not a good situation.
For some reason, he checks the time...
... apparently because his gang has coordinated a 9am rampage.
In several different classrooms, red-banded gangsters with guns burst in and take control.
Tom is wandering around the halls, peering into doors, looking more and more distressed. He can’t figure out a safe action to take.
In the occupied french room...
the gunman’s eye falls on Judy.
He stares, but nothing is said.
Tom peers around a corner to see a gang member chaining the doors of the school shut.
... honestly I think I’d better leave this episode to recap at another time, this is getting awkward. I can’t help but think how different it was to watch this pre-Columbine, not to mention pre everything else that’s happened since.
It’s the perfect fantasy of “having someone on the inside with a gun”, for people who think that would help. I don’t remember where it’s going or who IS going to get shot, if anyone. Certainly Tom as we see him so far is not trying to solve the situation by shooting everyone he sees!
theartofmadeline
gummygunk
janainaart
snowghoul
prguitarman
