Yu Yiming

Andulka
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
DEAR READER

#extradirty

pixel skylines

tannertan36
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Product Placement

shark vs the universe
Jules of Nature
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Three Goblin Art
Misplaced Lens Cap
will byers stan first human second

Kiana Khansmith

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Lint Roller? I Barely Know Her
Keni
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@therealkingallant
Yu Yiming
Nujabes - World Without Words
lost in berlin the city sun setting over me
10.2.16 Sofia,Bulgaria
The Memories Of The Future: Photographer Nuno Assis Captures Fantastic Photos Of Hong Kong
Portuguese Nuno Assis’s photos show that there’s more to Hong Kong than the Big Buddha and the skyline. His photos reflect the architect’s eye for symmetry and composition. We totally dig his love for reflection, especially the puddle series.
by Denny Bitte
(by coastalcreature)
This blog will make you feel at peace
Nagoya night. Street photo by gotto510 on Flickr.
photos by colin cameron from his home in the isle of lewis, in the outer hebrides. the island is home to the callanish standing stones, seen in several of the photos, which were erected about five thousand years ago.
Crescent Dunes by Reuben Wu
From the window of an airplane high above Nevada, the Crescent Dunes Solar Energy Facility is a bright flash on the landscape. You can really only appreciate its enormity from the ground: 1,670 acres of desert blanketed with 10,347 billboard-sized mirrors that generate enough electricity to power 75,000 homes.The power plant sits outside Tonapah, a dot in the desert midway between Las Vegas and Reno. Each mirror is 37 feet wide and 24 feet tall, and focuses thermal energy on a tower filled with molten salt, which is used to generate steam, which spins turbines that generate electricity.
Reuben Wu first saw the sprawling solar farm a few years ago flying from Chicago to San Francisco. “I was startled by how bright it was,” he says. “It looked like a fake sun.”He finally visited the place in March. He worked at dusk and dawn, when the light is best and the mirrors make their most dramatic movements to align with the sun. Despite their size, they move almost silently amid the sound of the wind blowing through the structures. Wu used a Phase One 100XF camera for stills and a Canon 5D to make a time-lapse video of the array following the sun, with music composed by Zak Marcom. He even got to drive under the mirrors. “It was like being in a forest of metal and glass,” Wu says. A forest of metal and seen from the sky but best appreciated from the ground.
(Wired: THE BURNING BEAUTY OF SOLAR ENERGY IN THE NEVADA DESERT Words: CHARLEY LOCKE 12.01.16.)
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