Guillermo please
YOU ARE THE REASON
Claire Keane
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ellievsbear
TMBGareOK. The Official They Might Be Giants tumblr
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"I'm Dorothy Gale from Kansas"

bliss lane
I'd rather be in outer space đž
sheepfilms
đ©” avery cochrane đ©”

if i look back, i am lost
Cookie Run:Kingdom Official!
h
hello vonnie
The Bowery Presents
Not today Justin

romaâ
Game of Thrones Daily

#extradirty
seen from United States
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seen from Uruguay
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seen from T1
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seen from United States
@thereisnoexithere
Guillermo please
Vulnerable. We are all vulnerable. I never understood the value of this until I started showing my naked transsexual body to the world 20 years ago. I have been gifted many opportunities because of my naked body. I have been given strength through vulnerability. I met a man named @marcquinnart in 2009 and he asked me to model for him. To make this sculpture. He then asked if I knew a trans woman. I said @missallanahstarr is my sister. Together we posed for this life size sculpture. It traveled the world. Places like Turkey where they kill people like us. It has helped people see us as humans. As a part of not a threat to. I have been given the gift of vulnerability. To change the world. Sometimes I cry because I am alive and I remember when I wanted to be dead. Now all I want is to feel alive. Remember Pride is a celebration but how can we celebrate when so many of us are still suffering? My hopes for us during Pride is that we see not only the change that we have made but also the suffering that still exists with in our broken community. Stand proud and tall in your shoes not others. To demand that your voice and your choices are heard and not just the agenda of some. This is how change is made. â€ïžTranpa #Repost @marcquinnart ă»ă»ă» To celebrate @pride month and the @lgbt community my portrait of the great @buckangel and @missallanahstarr made in #bronze #2009 #marcquinn #pride #accelerateacceptance https://www.instagram.com/p/BzTl7YSAwMi/?igshid=1p6ejqn5tseu9
a couple of pride requests i did for people on twitter! gay taakitz, pan magnus, and trans blupjeans.
[id: three images. the first one is of taako and kravitz. kravitz has his arm around taako, and taako is giving a peace sign. theyâre both smiling. kravitz is a black human with long black dreadlocks pulled up into a bun on the top of his head. he has a gay pride t-shirt and necklace on, and he has the gay pride flag painted on his cheek. taako is a slender, tan elf with long, dark brown hair pulled into a braid. heâs wearing a t-shirt that says âmove, iâm gay,â some colorful scarves, and a rainbow striped tie.
the second image is of magnus. he is a tan, muscular human. he has black hair that is shaved on the sides pulled up into a bun and bushy sideburns that are longer than his beard. heâs smiling very widely. his shirt says âpan cakeâ on two separate lines, and the letters of âpanâ are pink, yellow, and blue, the colors of the pan pride flag.
the third image is barry and lup. barry is grinning with his eyes closed, looking embarrassed, as lup leans over and kisses him on the cheek. barry is a fat, pale human with short graying brown hair and large glasses. heâs wearing a blue shirt that says âi (heart) my trans wife,â and the heart is in the colors of the trans pride flag. lup is a slender tan elf with long, dark brown hair shaved on her left side and left down in waves on the other side. sheâs wearing a red tanktop with a black halter top underneath. her shirt says âi (heart) my trans husband,â with the heart colored like the trans flag also. the fonts on their shirts match.]
btw! tumblr stopped showing my posts in tags, so if you like this, please consider reblogging it so people can see it! thank you!
If you call pedophilia a kink please unfollow me and never talk to me again
Isnât it disgusting that 23 people just unfollowed me
Unfollow me too
this goes double if you call paedophilia a disability. unfollow me twice
and if you call pedophilia an âorientationâ or in any way compare it to being LGBP+ you can unfollow, delete your blog, and set yourself on fire.Â
I just lost 50 followers.. bye
clearing out the trash
GO ON AND S M A S H THAT UNFOLLOW BUTTON
BUHBYE U McNASTIES
Iâve seen this circulating forever and genuinely thought âno way do I have any of them following meâ until this week when it turned out I had all these fuckin âMAPâ (pedophile) followers sad to find out Iâm an âantiâ (normal person) Please leave and also please get guinea worm.
GET THE FUCK OUTTA MY BLOG
I reblogged something similar to this a while ago but again:
if you support pedophilia,
kindly get the fuck off of my blog.
Thanks.
I reblog these regularly.
STAY OFF MY BLOOOOOOG
Shoo fly, donât bother međđŸ
Pedophilia is not welcome in the LGBTQ+ community nor are MAPs or pedophilia apologizers welcome on any of my blogs. If you support pedophilia, unfollow me. My blog is a safe space but I will not tolerate the sexualization of children.
Get out of blog.
Probably the only non-quotes thing Iâll post, but seriously, pedophilia is sick and twisted so if you are MAP or MAP supporter, gtfo now.
Autumn in Sweden (by Marie Granelli)
Madison Fowler - far too talented.
Pink forest, Ireland
Kaba Hiawatha Kamene, who is an acclaimed teacher of African history and culture, poses the argument that the disciplines of science and mathematics were created by Black women. Kamene argues that necessity truly is the mother of invention. He says that men, who were fundamentally the hunter-gatherers of antiquity, had no fundamental reason to learn how to count. âIt was women who invented science and mathematics in the first place, men did not create math and science,â Kamene asserts in his lecture entitled âThe Evolutionary Process of how Human Life Came into Being.â  He says that it was necessary for women to develop a system of numbers in order to chart their menstrual cycles, which mirror the lunar cycle. Kamene explains that African women developed the lunar calendar after making this careful observation thousands of years ago. âFor thousands of years sistas passed [the science of numbers] down from mother to daughter,â says Kamene in the lecture. This partially explains why the moon was usually symbolic of the Black goddess, namely Auset, in ancient Kemet (Egypt). Kameneâs premise that Black women were the first mathematicians is further legitimized by the fact that the worldâs first calendars were lunar, having 13 months, each about 28 or 29 days long. From a common sense standpoint, the idea that the original calendars were lunar in nature makes perfect sense, because it is easier to chart the four phase changes of the moon than it is to chart the rising and setting of the sun.
temples/altars/halls/portals
âFascism is capitalism plus murder.â
~ Upton SinclairÂ
âIndigenous like corn, like corn, the mestiza is a product of crossbreeding, designed for preservation under a variety of conditions. Like an ear of corn-a female seed-bearing organ-the mestiza is tenacious, tightly wrapped in the husks of her culture. Like kernels she clings to the cob; with thick stalks and strong brace roots, she holds tight to the earth-she will survive the crossroads.â â Gloria Anzaldua
Sakimori
there are 1.6 billion Muslims in the world and the vast majority of them are not Arab
carpets and horses are âArabian,â people are not
people are not âArabicâ either, Arabic is a language
no part of Africa is or ever has been part of the âArab world.â even people in parts of Africa colonised by Arabs are indigenous Africans
âAllaahâ is not âthe Muslim god"â Â itâs literally just the Arabic word for "God.â non-Muslim Arabic speakers use it too
there are at least 30 âhomeâ dialects of Arabic across Western Asia and North Africa and many of them are mutually unintelligible
âMiddle Easternâ =/= Arab, there are over twenty ethnic groups native to Western Asia and Arab is only one of them
âSearching the critical work of postcolonial critics, I found much writing that bespeaks the continued fascination with the way white minds, particularly the colonial imperialist traveler, perceive blackness, and very little expressed interest in representations of whiteness in the black imagination⊠My thinking about representations of whiteness in the black imagination has been stimulated by classroom discussions about the way in which the absence of recognition is a strategy that facilitates making a group âthe Otherâ. In these classrooms there have been debates among students when white students respond with disbelief, shock, and rage, as they listen to black students talk about whiteness, when they are compelled to hear observations, stereotypes, etc., that are offered as âdataâ gleaned from close scrutiny and study. Usually, white students respond with naive amazement that black people critically assess white people from a standpoint where âwhitenessâ is the privileged signifier. Their amazement that black people watch white people with a critical âethnographicâ gaze, is itself an expression of racism. They have a deep emotional investment in the myth of âsamenessâ even as their actions reflect the primacy of whiteness as a sign informing who they are and how they think. Many of them are shocked that black people think critically about whiteness because racist thinking perpetuates the fantasy that the Other who is subjugated, who is subhuman, lacks the ability to comprehend, to understand, to see the working of the powerful. In white supremacist society, white people can âsafelyâ imagine that they are invisible to black people since the power they have historically asserted, and even now collectively assert over black people accorded them the right to control the black gaze. An effective strategy of white supremacist terror and dehumanization during slavery centered around the white control of the black gaze. Black slaves, and later manumitted servants, could be brutally punished for looking, for appearing to observe the whites they were serving as only a subject can observe, or see. To be fully an object then was to lack the capacity to see or recognize reality. These looking relations were reinforced as whites cultivated the practice of denying the subjectivity of blacks (the better to dehumanize and oppress), of relegating them to the realm of the invisible.â
â
: Â
bell hooks, âRepresenting whiteness in black imaginationâ, in L Grossberg, et al. (eds), Cultural studies, Routledge, New York, 1992.
(via processedlives)
Art by Frank Frazetta