if i look back, i am lost
Kiana Khansmith
Aqua Utopia｜海の底で記憶を紡ぐ
⁂
Keni
let's talk about Bridgerton tea, my ask is open
izzy's playlists!
#extradirty
styofa doing anything
NASA
RMH
Claire Keane
Sade Olutola
Kaledo Art
No title available
Xuebing Du
ellievsbear
we're not kids anymore.
i don't do bad sauce passes
Origami Around
seen from Malaysia
seen from India
seen from United Kingdom
seen from Australia
seen from Malaysia
seen from India
seen from Germany
seen from United States
seen from Türkiye
seen from India
seen from Germany
seen from United States
seen from Germany
seen from United States
seen from Australia
seen from Türkiye
seen from United States
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seen from Canada
@therestofusdoco
It seems like things might be a little stressful for some members of the fandom right now, so we’ve got some good news to share with you to hopefully help you take your mind off things.
And if you’re not someone who’s stressed right now, then maybe this will brighten your day anyway!
Check it out.
"but will continue to watch with intrigue." will you also keep working on the doco? You've been very quiet and I was wondering if that's because you are busy editting or because you took a break until the crazyness is over.
It’s actually a combination of a couple of things.
The editing slowed down while Tim was in New York on holidays. He’s only recently come back to Australia, so things should pick up again fairly soon.
There is a LOT of craziness at the moment, and it’s a bit of a struggle to keep up with it all and work out how to incorporate everything that’s happening into the documentary. We’re always working hard to make sure the doco series is accurate, and serves the fandom in the best possible way.
And yes, we are also busy watching and editing hundreds of hours of footage, and reading articles, and trying to keep up with everything that happens in the fandom. It’s a bigger task than probably anybody realised, but we’re still working away at it.
But please don’t think we’ve stopped working on it altogether. We’re still going strong, just a little more quietly at the moment.
UPDATE:
We have literally no idea what’s going on, but will continue to watch with intrigue.
Nat and Tim announce an update before proceeding with the remaining episodes of the documentary.
Check out what they have to say.
Just a timezone reblog for anyone that missed the latest video.
Nat and Tim announce an update before proceeding with the remaining episodes of the documentary.
Check out what they have to say.
Just a timezone reblog for anyone that missed the latest video.
Nat and Tim announce an update before proceeding with the remaining episodes of the documentary.
Check out what they have to say.
Louis talking about Project No Control backstage at Billboard Awards
“We say it a lot of time but we literally cannot thank them those people enough. They’re the reason we’re here tonight and that’s the reason we have a pretty great job so, well done. They’re great.”
Just a small update:
Nat is in Melbourne this weekend so that Nat and Tim can work out some doco things.
There’s been a lot going on in the world of One Direction and we need to rethink what we’ve previously planned out.
It would be really great if you wanted to send on some thoughts of what you want to see from the doco. We have some thoughts about the direction (lol) of the documentary, but as this is about the fans we are always keen to hear your feedback and ideas.
Also if there are some areas of the fandom that you think should be talked about please send us some details. i.e. Project No Control.
The fandom is a powerful place and we are so pleased to be a part of it. You are unstoppable.
Thanks,
Tim and Nat
#ProjectNoControl
(It’s timpdriver‘s favourite from FOUR.)
So,
Some of you have probably been wondering where the latest episodes of the documentary are.
Some of you may have started to wonder if there even were going to BE any more episodes of the documentary.
And some others among you have remained hopeful, that one day soon, we will crawl out from the abyss that is keeping up with One Direction, to release new episodes.
Hopefully, this video will answer some of your questions.
New episodes coming soon!
-Tim and Nat :)
Don’t forget to subscribe for more!
In case you missed it.
So,
Some of you have probably been wondering where the latest episodes of the documentary are.
Some of you may have started to wonder if there even were going to BE any more episodes of the documentary.
And some others among you have remained hopeful, that one day soon, we will crawl out from the abyss that is keeping up with One Direction, to release new episodes.
Hopefully, this video will answer some of your questions.
New episodes coming soon!
-Tim and Nat :)
Don’t forget to subscribe for more!
SONY HACK/LEAK
Hi peeps,
We’ve got a video coming soon explaining what’s happening with the documentary, but in the mean time:
CAN ANYONE PROVIDE A LINK TO A DETAILED ACCOUNT OF WHAT’S HAPPENING?
We’re both a bit busy at the moment, and trying to catch up with what’s happening with the Sony leak, and what people are thinking is happening, is incredibly difficult.
Has anyone compiled a summary of the leak that we could read to catch up?
If you’ve got any other summaries of the recent events in One Direction, we’d love to read those too.
Thanks!
-Tim and Nat :)
timpdriver and nattygb89 share life goals.
Copyright, licensing, trademarks and the One Direction/Coca Cola ad
I can’t believe this is something I’m doing today, but here we go.
I’ve seen some confusion about how the approvals might have worked for the new Coca Cola ad featuring a 1D song, and what appears to be, at least, a Harry Styles look-a-like.
FIRST:
I’m not a lawyer. I work in the creative industries, and have to deal with copyright all the time. It’s also a weirdly specific area of interest for me, because if you don’t LEARN to be interested in it, you end up getting into trouble.
SECOND:
I’m pulling on years of working in this area, and checking facts by referring to “Owning It” a book on intellectual property law SPECIFICALLY written for the creative industries in AUSTRALIA. I happened to go to the book launch for this book just last night.
THIRD:
Laws in Australia are different, but similar to laws in the US and the UK. If my research is accurate, then the following SHOULD apply globally, but there might be some specifics I miss.
Here we go:
Copyright
Music copyright is held by whoever did the intellectual or physical work. In One Direction’s case, the copyright for the song Clouds is held by the writers, the performers, the people who did the recordings (the recording studio), and -usually- by whoever commissioned the recording in the first place (Sony/Columbia).
Copyright cannot be sold. This is an important distinction. It can expire, and all copyright eventually does expire, but you can’t sell your copyright. One Direction (and all its moving parts) continue to own the copyright for Clouds.
Each part of the process is copyrighted separately, and can be licensed separately:
-Lyrics
-Melody
-Performance
-Recording
Licensing
What you CAN sell however is the license to use/sell/edit/recreate/etc to your work. So, in this case, One Direction (and all the associated parts which own a stake in the copyright of Clouds) can make an agreement with someone (Sony/Columbia or a management company) that allows that person or company to use the copyrighted work.
ONE of the licensing deals, which would form parts of the management and recording contracts, might be that 1DHQ can allow commercials to license a track from One Direction. They can create a license that allows a company to use the track in advertising worldwide, for a specific territory, or for a time-limited period. The terms of the license are negotiable, but MOST licenses are granted for worldwide use because everything gets uploaded to YouTube eventually.
Trademarks
This is important because at least one of the characters in the ad appears to be a Harry Styles look-a-like.
You can’t trademark a “style”. For instance, Fleetwood Mac can’t trademark their particular, unique sound, which is why they can’t sue One Direction for Fireproof. One Direction isn’t claiming to BE Fleetwood Mac in Fireproof, but it does sound like a Fleetwood Mac song. If they’d used chords from a Fleetwood Mac song, that’s a different story, but hopefully you now understand that style can’t be trademarked.
A LIKENESS however CAN be trademarked (it’s insane the number of things you can trademark, including colours, sounds, movements!). I, personally (and I have no evidence for this) don’t believe that Harry’s likeness has been trademarked. If it has, I’ll update this. That just means that people can look like Harry Styles without getting into trouble, and without seeking permission. If his likeness has been trademarked, then a license would have to be negotiated to create a look-a-like character.
So what does it mean?
There are organisations that organise the royalties for songs used in advertising. ASCAP etc. collect and distribute those royalties to the copyright holders. They do not NECESSARILY negotiate with brands wanting to use songs that they work with.
When it comes to advertising, LICENSE holders (not copyright holders) can negotiate with brands to have the song/s they hold the licenses for included in advertising. If the license holder gave their licensing powers to ASCAP, then ASCAP would negotiate with the brand (unlikely).
1DHQ (management, Sony/Columbia), I believe, would have had to negotiate directly with the representatives from Coca Cola about the use of Clouds.
1DHQ holds a license which would allow a third party to perform the LYRICS and MELODY of Clouds. The performer in the commercial then holds the copyright of his performance, and licenses his performance to Coca Cola.
It doesn’t matter that the amount of song used is less than thirty seconds. That’s not a real rule.
It doesn’t matter that the song is modified from the original by the inclusion of the bottle drumming (incidentally, the copyright of which is held by whoever performed the bottle drumming), as the song is not substantially different from the original.
The final bars of the actual song Clouds is licensed a separate song, once which they would have to pay more for, as there are additional copyrights held on that song.
Conclusion
1DHQ would have had to have had approval of the use of the song in that commercial, EVEN if they didn’t know exactly the content of the commercial. Unless they specifically requested a final-cut approval (where they could veto the commercial if it didn’t match their One Direction branding goals) they would not have seen the commercial before it went to air.
I don’t know who holds the license for One Direction songs being used in commercials, but my GUESS would be Columbia Records.
The curious thing then, is that Columbia and Sony have a LONG history with Pepsi, so the use of one of “their” songs in a Coca Cola commercial is certainly unusual and interesting, but might mean nothing.
Any questions?
There’s a lot of talk about this at the moment, so Tim did some clarifying.
Why do One Direction fangirls bother people so much? Why do their emotions, and the way they perform that emotionality, seem to anger complete strangers? Why do adults parade their ignorance of a staggeringly successful pop act—and why do they feel the need to scold, mock, or offer the girls who love it “a bullet through the head”? Why are screaming girls, overcome with excitement for a group they love, considered a punch line, the pinnacle of immaturity, and something extraordinarily shameful, when the largely male, adult crowds at sporting events openly weep, bellow, paint their naked bodies in bright colours, clutch each other, and even commit physical violence due to emotion, both when their teams lose and when they win? There might be a lot of screaming and crying at a boy band concert, but when was the last time someone punched a fellow fan at one, or set fire to a car out of joy? … If you scoff at the parallels I’m drawing, you need to question why. Because the disparity here is directly related to gender, and being a girl is used as an insult more often than it’s celebrated.
Elizabeth Minkel (via aimmyarrowshigh)
Oh look it’s basically the entire premise of the documentary, perfectly articulated.
This is a great quote.
Go well Zayn.
It is incredibly sad news we woke up to this morning that Zayn has left One Direction.
These boys work incredibly hard, and are pushed to the edges of their abilities almost every day. Their ability to deal with the public, their ability to sing through so many shows, their ability to process fame and its effect are all stretched every single day.
Zayn leaving the band isn’t a sign of weakness, or one of which he should be ashamed. It shows an incredible strength. He chooses to look after himself and his well being, which is always the strongest, bravest, best choice a person can make. If there’s one example you can take from Zayn, it’s that choosing yourself first is ALWAYS the right choice.
We don’t know yet what this will mean for One Direction as a whole, and we hope that it means a decent break after this tour. We see how hard these boys work, and how much of themselves they give to this band, and our wishes for them are only that they stay safe, healthy and happy.
As for the documentary:
We are going to pause for a little bit on the documentary, as we determine exactly how to proceed. Obviously, One Direction is still a band, and the fandom still exists, so the project must continue because our message is still important. To pause though, feels like the right thing to do, so that we might respect Zayn and appropriately honour his time in the band.
We’re sorry for those who are hurt by this, we are certainly shocked and saddened right along with you.
Band together and support him, and the other boys. They need your support right now as they lose their brother and best friend from their every day lives.
We wish Zayn only the very best, and hope he gets the rest and time he needs to feel like himself.
We wish the fans, especially the fans of Zayn all the very best too. Today is a heartbreaking day, and we cry with you as we say goodbye to OT5 One Direction.
With much love,
-Tim and Nat
In case you missed it.
Go well Zayn.
It is incredibly sad news we woke up to this morning that Zayn has left One Direction.
These boys work incredibly hard, and are pushed to the edges of their abilities almost every day. Their ability to deal with the public, their ability to sing through so many shows, their ability to process fame and its effect are all stretched every single day.
Zayn leaving the band isn’t a sign of weakness, or one of which he should be ashamed. It shows an incredible strength. He chooses to look after himself and his well being, which is always the strongest, bravest, best choice a person can make. If there’s one example you can take from Zayn, it’s that choosing yourself first is ALWAYS the right choice.
We don’t know yet what this will mean for One Direction as a whole, and we hope that it means a decent break after this tour. We see how hard these boys work, and how much of themselves they give to this band, and our wishes for them are only that they stay safe, healthy and happy.
As for the documentary:
We are going to pause for a little bit on the documentary, as we determine exactly how to proceed. Obviously, One Direction is still a band, and the fandom still exists, so the project must continue because our message is still important. To pause though, feels like the right thing to do, so that we might respect Zayn and appropriately honour his time in the band.
We’re sorry for those who are hurt by this, we are certainly shocked and saddened right along with you.
Band together and support him, and the other boys. They need your support right now as they lose their brother and best friend from their every day lives.
We wish Zayn only the very best, and hope he gets the rest and time he needs to feel like himself.
We wish the fans, especially the fans of Zayn all the very best too. Today is a heartbreaking day, and we cry with you as we say goodbye to OT5 One Direction.
With much love,
-Tim and Nat
