Fantasy writer

21 yrs old aspiring writer and artist I write about vampires, werewolves, and Demons amongst other things 🔮 Current book WIPs Gift of Life(subject to change) Midnight (Inspired by Underworld movies) The Awakening

[writerfae]

⊱ A Study of Lambs and Wolves ~ Ben’s Guide to the Children of the Night ⊰

ℭ𝔬𝔪𝔪𝔲𝔫𝔦𝔱𝔶

Vampires have a high sense of community. Contrary to the popular theory that vampires prefer a solitary existence, they are very social individuals.

Though they avoid contact with humans most of the time, Vampires do maintain acquaintances with their own kind on a regular basis.

For the sake of completeness, it needs to be mentioned that there still are Vampires that prefer to live alone, however, it is unusual.

They usually live in groups, also referred to as circles in some regions of the world. Depending on their habitat and way of existence, these groups differ in size.

Keep reading

[writerfae]

Starting with a little writing piece I’ve done during my absence, shall we?

Did I ever mention I have a Hades and Persephone AU for Talon and Aiden? No? Well now you know :)

✨

Aiden breathed in the small gust of fresh air coming from above, closing his eyes as a familiar smell washed over him.

"It's time for spring." Hopeful, he turned to his lover, who stood in the near shadows.

"Will you wait for me?"

Talon smiled. It was a sad smile, but a promising one. He gripped Aiden's hands.

"I will. Always."

Now Aiden smiled, too.

He leaned up to place a soft kiss against his lover's lips, light like the spring breeze.

"See you in fall," he said, smile wide on his face.

It was a promise that filled Talon with anticipation.

The God of Death squeezed Aiden's hands one last time, then he let him go, taking a step back.

"See you in fall," he whispered as he watched his love disappear, to go and bring spring to the people of earth.

To bring them light and give them hope. Just like he had done for Talon these past months.

And would again, next fall.

And in all the dark months yet to come.

general tag list: @deadlycupid @writing-is-a-martial-art @writingamongther0ses @blueinkblot @wildswrites @abiandwriting @theroyalcoven @myhusbandsasemni @authortango @charleeyy @formulatingfiction @shiishki @gr3y-heron @bloodlessheirbyjacques @imstillherebitch

[theroyalcoven]

Day 5- Lucian and Nikita

[theroyalcoven]

Day 4- they were human Nikita would die first then Lucian. Théa would be the last to die if she does at all

[theroyalcoven]

Starting The November OC challenge (Template from Instagram account tothemoonandback) feel free to join and sorry I haven't been posting or active lots has been going on lately.

Day 1:

Lucian(Pureblood/Hybrid vampire), Thea(Sorecerss), and Nikita(Pureblood/Hybrid vampire)

Day 2:

If I had to say the happiest backstory it would have to be Nikita and Lucian because they've always had each other being brothers and all.

Day 3: (Because it's already 12:25 Nov 3rd)

Currently, no one is broke but if we go back in the past Théa would've been.

[ace-fluxing]

Reblog if you believe everyone on the asexual spectrum is VALID

I need to prove a goddamn point 

[kittenwitchandthebadvibes]

Helpful and Preventative Stretches for Writers, Artists, and Gamers 💪🎨✍🎮

If you type, write, draw, game, or generally use your hands a lot (especially if you’re prone to RSI or Carpal Tunnel!) try these stretches as both a preventative measure, and on the spot relief. Take care of yourself and your body, friends!

Start with hands up, fingers stretched out.  Stretch your thumb as far as you can over your palm. Hold and repeat 4 times.

Touch each finger to your thumb. Hold each for 30 seconds. Repeat on each hand 4 times.

Start with a fist. Open half way, hold for 2 seconds. Stretch fingers out, hold for 2 seconds. Repeat 4 times.

Start with one arm out, palm up. Pull your fingers back with your other hand. Hold for 10 seconds. Do the same with your other hand. Repeat 4 times

Start with arms up, palms out. Bend wrists down until you feel the stretch, but keep your fingers loose. Hold 10 seconds. Bend wrist upwards, until you feel it in your wrist and arm. Hold 10 seconds. Repeat 4 times.

[introvert-unicorn-deactivated20]

Words to describe facial expressions

Absent: preoccupied 

Agonized: as if in pain or tormented

Alluring: attractive, in the sense of arousing desire

Appealing: attractive, in the sense of encouraging goodwill and/or interest

Beatific: blissful

Black: angry or sad, or hostile

Bleak: hopeless

Blinking: surprise, or lack of concern

Blithe: carefree, lighthearted, or heedlessly indifferent

Brooding: anxious and gloomy

Bug eyed: frightened or surprised

Chagrined: humiliated or disappointed

Cheeky: cocky, insolent

Cheerless: sad

Choleric: hot-tempered, irate

Darkly: with depressed or malevolent feelings

Deadpan: expressionless, to conceal emotion or heighten humor

Despondent: depressed or discouraged

Doleful: sad or afflicted

Dour: stern or obstinate

Dreamy: distracted by daydreaming or fantasizing

Ecstatic: delighted or entranced

Faint: cowardly, weak, or barely perceptible

Fixed: concentrated or immobile

Gazing: staring intently

Glancing: staring briefly as if curious but evasive

Glazed: expressionless due to fatigue or confusion

Grim: fatalistic or pessimistic

Grave: serious, expressing emotion due to loss or sadness

Haunted: frightened, worried, or guilty

Hopeless: depressed by a lack of encouragement or optimism

Hostile: aggressively angry, intimidating, or resistant

Hunted: tense as if worried about pursuit

Jeering: insulting or mocking

Languid: lazy or weak

Leering: sexually suggestive

Mild: easygoing

Mischievous: annoyingly or maliciously playful

Pained: affected with discomfort or pain

Peering: with curiosity or suspicion

Peeved: annoyed

Pleading: seeking apology or assistance

Quizzical: questioning or confused

Radiant: bright, happy

Sanguine: bloodthirsty, confident

Sardonic: mocking

Sour: unpleasant

Sullen: resentful

Vacant: blank or stupid looking

Wan: pale, sickly

Wary: cautious or cunning

Wide eyed: frightened or surprised

Withering: devastating

Wrathful: indignant or vengeful

Wry: twisted or crooked to express cleverness or a dark or ironic feeling

[she-who-fights-and-writes]

Hello! Do you have any advice on writing enemies to friends to lovers? Thanks!

How to Write Enemies to Friends to Lovers Romance

It's the dynamic we've all come to know and love. The pièce de résistance of romantic tropes that has ascended to popularity through various series like The Cruel Prince, These Violent Delights, Red White & Royal Blue.

Featuring couples that start off hating each others' guts (but eventually wind up together in the end), the enemies to friends to lovers trope is quite possibly the most sought-after romance at this current time, blowing away the era of the love triangle and childhood friends to lovers.

But the only problem is that, despite the demand, this trope is quite possibly the most difficult to write, as it involves were complicated and intertwined character relationships that can be easy to mess up or misrepresent.

Here are some tips to help your scuffling protagonists finally realize that they were meant to be!

1. Heavy on the "Enemies" Makes the "Lovers" All the Sweeter...but don't make it TOO heavy

A lot of fanfiction and even some published books that feature Enemies to Friends to Lovers often fall into the trap of rushing the romance. The authors are desperate to make characters fall in love, and the constant dancing around and angry bantering between their characters is awfully exhausting to write.

However, without enough time to relish in the frustrating arguments, backstabbing, and almost-understandings that end in disaster, the readers won't have the full experience of appreciating when they finally give in and make out.

"Enemies" has to be more than "He bullied me in second grade and now I hate him and refuse to believe he's changed even though we're both 20 now."

Misunderstandings are NEVER a good conflict, even when it doesn't come to enemies to friends to lovers.

Have them both be at fault, doing each other wrong to the point where you can't possibly think it could be forgivable.

Here are some ways your future main pairing can rip each other apart:

Breaking/Stealing each other's stuff

Insulting/Threatening each other's friends/companions/family

Bringing up dead relatives/past tragedies in each other's lives

Attempted murder!

Sabotaging each other's plans

Pranking each other in mean ways (itching powder, salt bomb their food)

Embarrassing each other in front of other people

Making fun of things they like

Sure, all of these things are sure to make your characters seem like assholes, but in the end it's all forgivable to some degree, though most take longer than others (This also depends on exactly how they cross the line between Enemies and Friends, which will be discussed later).

However, even though this is all in good fun, you have to understand where it goes too far.

Some things really are well and truly unforgivable, and if the relationship continues it'll most likely viewed to be unhealthy or toxic rather than a genuine connection.

If Person A killed Person B's Parents/friends on purpose with the sole intent of hurting B...then I don't think they'll be eligible for redemption in their eyes.

(You can totally still write it! But the readers are gonna be a bit wary of their relationship and may not consider it to be healthy.)

2. The Most Crucial Part is the Transition from Enemies to Friends

Friends can easily become lovers, but enemies cannot easily become friends.

Friendship is built on a foundation of trust and connection that romance can flourish in, but the barren grounds of archrivals are hardly a place for love to grow--sexual tension perhaps, but certainly not love.

In order for this romance to be the most believable, you need to justify why these two characters decided to offer each other flowers instead of knives to the throat.

Here are some ways your characters can become friends:

Character A realizes that Character B was right the whole time and apologizes

One of them saves the other's life or the life of a loved one

They are forced to combine their efforts and realize they work very well as a team

Sexual/aesthetic attraction is irresistible, and once they get to know each other they can overlook past misdeeds (This is enemies to lovers, in case you wanted to ditch the whole "friend" part)

One of them helps the other on a whim, and that small act of kindness snowballs into multiple acts of kindness

They get to know each other and realizes their feud was childish

Of course, there are definitely more examples that I can't think of off the top of my head, but I would certainly suggest using the "one of them saves the other's life" for more severe cases of enemies. The bigger the trespasses, the more extreme the apologies must be.

3. Suggestion: Take It Slow...perhaps even in an "enemies to friends to lovers to enemies to lovers again" kind of way

People who read enemies to friends to lovers are usually not looking for a quick fix. They're looking for heart, for dedication, for the endgame to be held tantalizingly out of reach.

Unless you well and truly don't feel like it, don't have your characters' relationship evolve linearly. They need ups and downs, stops and starts, fights and forgiveness.

I understand that people aiming to write professionally and need to keep their word count down cannot do this too much, but if you're doing fic, what's stopping you from making this the slowest burn possible? The kind of slow burn where they don't even become friends until 50k in?

Of course, you don't have to make it agonizingly slow just for it to be good, but consider how fantastically rewarding it will be when they finally confess their feelings for one another!

Hope this helped, and happy writing!

[rwhague]

[she-who-fights-and-writes]

Hi. I hate filler scenes, they drive me up the wall BUT i'm currently drafting one of my stories and notice that it needs a filler scene. Do you have any advice on how to make filler scenes feel less like they are a waste of words and feel more like they belong in the story?

How to Fix Your Filler Scenes

The whole reason a scene would be considered "filler" was if it offered no contribution whatsoever to plot, worldbuilding, or character development within the narrative. Filler takes up space, can make the pacing drag, and often adds quantity but not quality to your story.

You never want ANY 100% filler scenes in your work, especially if you plan on publishing traditionally and need to keep your word count down, and unfortunately, there aren't many exceptions to this.

However, a lot of people rely heavily on filler to provide a segue into the next part of their story and keep the pacing steady, so in that case, how do you make these filler scenes worthwhile?

Here are some ways to fix your filler scenes to make them meaningful (and essential) to the story!

1. Make it About The Characters and Their Relationships

A good way to make a scene not filler is if you use it to help develop your characters or the relationships between them.

Maybe you can use this time to make your protagonist and their love interest grow closer, or maybe you could use it to reveal some backstory that you weren't sure where to piece into the narrative beforehand.

Maybe your protagonist has a revelation about themselves or about the others in their group, whether through a meaningful conversation or by observing their behavior.

This could be a good time to show how your characters view the world around them, having philosophical conversation about love or death or anything in between, or to show them changing their views based on their experiences and the experiences of others.

All in all, if you make your scene an important aspect of your story when it comes to character development, then it's not filler at all, and will serve the story well in not only connecting two important events, but also allowing the reader to learn more about the people they've invested in.

2. Make it About the Worldbuilding

Worldbuilding is an important part of any story, especially in high fantasy and Sci-Fi. If you need to take a break from your plot in order to make sure things aren’t going by too fast, perhaps take some time to develop the world that your characters live in. 

Now, I’m not saying to use this time to infodump everything there is about your character’s world, but instead show it off in a beautiful and poignant scene that can be coupled with character development. 

It’s the night before a big event. The lovers sneak out of the motel to enjoy a drink at the bar at the far edge of the intergalactic satellite they’ve docked at to refuel. Perhaps while drunk, one of the characters reveals something about their past they’d meant to keep hidden?

A character takes their foreign friend shopping in a bazaar unlike anything you’ve ever scene before. Perhaps they find an item of interest there that helps them along their journey?

These scenarios make sure that the “filler” is actually an important aspect of the story that would actually take away from the overall quality if it were removed. 

3. Make it About Suspense

It's night. The sun is going down. The fire crackles and sputters.

Tomorrow, the characters will be off to battle. They know that they might be sitting in a room with people who will be dead by the following evening. They wonder if this will be the last time they see each other alive, if this will be the last conversations they ever have while they're all in one piece.

Suspense is a great way to make your filler scene important, building up the tension leading up to the next scene. Of course, this scene can only be used to segue into a very, very integral moment in the story, perhaps even the climax, so use it wisely.

Suspenseful scenes often benefit from an interesting setting and high-tension description and dialogue, and can also be paired with character development to show how your protagonists react in the face of fear.

4. Understand that Sometimes Cutting the Scene May Be For the Best

Sometimes, things just don't work out with the above ideas. Perhaps it's too late in the story to develop characters or worldbuilding, or maybe the subsequent event isn't important enough to prompt an entire scene dedicated to suspense.

In that case, it's probably best to just cut the filler scene. To keep from the timeskip being weird, have the event you want to segue into be at the beginning of a new chapter, or maybe re-work the narrative so that it weaves together more easily.

It'll be difficult to do this, especially if you've grown attached to what you've written, but I promise it'll work out all the better in the end; each aspect of the story is supposed to mean something, and I wouldn’t want you to put in all that effort and time into crafting a scene that, in the end, doesn’t really do much for the narrative.

Hope this helped, and happy writing!

[thatwritergirlsblog]

Tips for Writing a Difficult Scene

Every writer inevitably gets to that scene that just doesn't want to work. It doesn't flow, no matter how hard you try. Well, here are some things to try to get out of that rut:

1. Change the weather

I know this doesn't sound like it'll make much of a difference, but trust me when I say it does.

Every single time I've tried this, it worked and the scene flowed magically.

2. Change the POV

If your book has multiple POV characters, it might be a good idea to switch the scene to another character's perspective.

9/10 times, this will make the scene flow better.

3. Start the scene earlier/later

Oftentimes, a scene just doesn't work because you're not starting in the right place.

Perhaps you're starting too late and giving too little context. Perhaps some description or character introspection is needed before you dive in.

Alternatively, you may be taking too long to get to the actual point of the scene. Would it help to dive straight into the action without much ado?

4. Write only the dialogue

If your scene involves dialogue, it can help immensely to write only the spoken words the first time round.

It's even better if you highlight different characters' speech in different colors.

Then, later on, you can go back and fill in the dialogue tags, description etc.

5. Fuck it and use a placeholder

If nothing works, it's time to move on.

Rather than perpetually getting stuck on that one scene, use a placeholder. Something like: [they escape somehow] or [big emotional talk].

And then continue with the draft.

This'll help you keep momentum and, maybe, make the scene easier to write later on once you have a better grasp on the plot and characters.

Trust me, I do this all the time.

It can take some practice to get past your Type A brain screaming at you, but it's worth it.

So, those are some things to try when a scene is being difficult. I hope that these tips help :)

Reblog if you found this post useful. Comment with your own tips. Follow me for similar content.

[writerfae]

Things I tell myself when it comes to writing

Write for yourself. Other people's validation is always nice, but what's most important is that you like your writing and that you have fun writing it.

Don't force yourself to write. If you don't have inspiration or motivation to write, don't do it. Forcing yourself won't help, it'll only make you frustrated.

Write what you want to write, not what others want to read. Don't worry too much about whether people will like your writing choices. It's enough that you like them. It's your story after all.

Don't be so hard on yourself. A bit of self-criticism is fine, but don't overdo it. Be forgiving with yourself. Take breaks. And don't ever tell yourself that you're not a good writer.

Allow yourself to write badly. Learn from it instead of worrying about every little mistake. Only when you let yourself make mistakes you grow as a writer.

Be proud of your writing. Love it. Reread it as often as you want. It's not vain, it's self-love. Don't hate your writing just because it isn't perfect.

Don't compare yourself and your writing to others. Everyone writes different and that's okay. Your writing style is different from others, not worse.

You don't have to stick to one wip, you can work on several at once without feeling bad about it. Write on whatever makes you happy. If a wip doesn't make you happy anymore, don't be afraid to abandon it.

It's okay to use tropes in your stories. That's what tropes are for. No tropes, no stories. Use as many as you want, even when they are cliché. As long as they are not offensive to others, go for it.

Give your characters flaws. Flaws give your characters depth. No one is perfect after all.

Not everything is black and white. Always keep that in mind when writing. That applies to characters and everything else story-related too

[writerfae]

I'm so happy this post suddenly gained lots of notes??? Because this is actually a very important message to me personally.

[theroyalcoven]

I definitely need this reminder ❤ thanks 🙂

[heywriters]

My collection of clothing references for writing. 

[humanityinahandbag]

@samanthafrank

[mynowherenothing]

i want to be a vampire,,,not bc of the aesthetic but bc i could live a thousand years & major in so many subjects & just learn.

[dear-yandere]

The Tumblr writing community is dying.

It’s something I’ve noticed over the past two years of using this site. It was gradual, imperceptible at first, something that most would brush off as a silly concern, or fault Tumblr algorithm for. While it’s true that Tumblr’s engine leaves a lot to be desired, I’ve noticed that even popular blogs have started to dwindle in terms of interaction or motivation. There could be a lot of reasons for this, but the biggest two I’ve noticed, experienced myself, and asked fellow writers about is this: (1) content being stolen, and (2) lack of feedback or interaction. I’ve never seen any logical person defend content being stolen, so I want to address point 2 instead.

Lack of feedback and interaction. I’m not saying this on my behalf so much as I’m saying this for friends and smaller blogs who have lost motivation to write. I was looking at my yandere writing blogs list the other day and noticed that a good majority of them no longer write. I usually update the list every few months, and by that point, more and more writers have stopped writing entirely. This isn’t a problem confined solely to the yandere fandom; in fact, there’s less writing blogs in general these days, especially ones that are active. I used to run a very popular BNHA blog with some friends, but that dissolved after our content was stolen and our followers stopped interacting as much. Out of our 8,500 followers, we hardly got 0.015% notes (~128 notes) on an average post. Tumblr is to blame for the lack of eyes seeing our posts, for sure, but that also means that at least 128 people saw one post and didn’t leave a comment or ask. We were considered a big blog; imagine what it’s like on a small blog.

My friend recently made a post that summed this up perfectly: 

“I’ve seen people say “Be grateful that people even lurk on your page.” and, while I get the message they’re trying to say, it’s more dismissive and hurtful in my opinion. Like you’re saying, “Oh your writing is mediocre, you should be grateful people even LOOK at it.”

Me personally? I’ve heard the argument that AO3 is a better place to post fanfics, and while that might be true, I’ve had friends experience firsthand the lack of interaction there too. I’ve heard the argument that interacting with some writers is intimidating (me included). I’ve heard that argument that followers might be too shy to interact. I’ve heard the argument that writers should write for themselves and not for views / likes / reblogs / etc, and while that’s ideal, it’s not sustainable for everyone. What works for one writer won’t work for another, but you know what will? Interaction.

That comment or ask that took you 2 seconds to write? We remember it. That reblog with the compliments in the tags? We remember it. Every single ‘named’ anon we get (heart anon, sunflower anon, etc)? We remember them. And the best part is? It’s actually easier to do these things on Tumblr since you have the option to send anonymous asks or make a sideblog specifically for reblogs! Trust me, whether the lack of interaction is the cause of a lack of motivation or what have you, every writer appreciates feedback (don’t be shy to offer some critique or compliments) or even a simple keyboard smash with some emojis. Even sitting down for 5 min a day per week to comment on your favorite writers’ new pieces makes a huge difference. Personally, since Tumblr’s activity feed is beyond terrible and I have over 1,500 posts, I don’t always see new reblogs or comments on my content; asks though? Always see those, can never go wrong with those. If you don’t want to reblog or leave a comment, then you can never go wrong with an anonymous ask. 

As my wise friend says: writing is an art, and in order to improve that art, we need other people’s eyes to see what we don’t.

For the sake of every writer (past, present, and future) on this platform, please share this post.

[she-who-fights-and-writes]

Tips On How to Write Characters with Wings (For both fanfic writers and original content writers)

So I’ve been reading a lot of fics lately where people are either

A) Putting wings onto canon characters

B) Making OCs with wings

So I decided that, with the influx of people who are writing winged characters (and therefore the influx of errors that come with writing winged characters), I’d make a little thing to help you slap a pair of wings onto anyone!

This is also a bit personal, too, because the MC in my upcoming novel has wings!

1. Know that there are a lot of types of wings to choose from

Part of being a writer is the desire to take something (whether it be a pre-existing work or an idea in your head) and make it into your own. So, instead of just going with the classic bird wings, why not spice it up a bit? If your character is an angel, you certainly don’t have to stick to the classic depictions of angel wings. Why not give them butterfly wings or dragonfly wings?

Here’s a small list of different types of wings to choose from:

Bat wings

Beetle wings

Bird wings

Butterfly/Moth wings

Dragonfly wings

Note that these wings are for animals who can fly. There are also animals who can “fly” that actually glide, such as sugar gliders and flying squirrels.

Yeah, so the options are pretty limited, but feel free to make up your own kinds of wings that aren’t necessarily based on a pre-existing creature’s wings!

2. Be familiar with the anatomy of your character’s wings and their limits

If your wings are completely unique, draw them out. A diagram or picture is key when it comes to things like description. I’m not gonna tell you what everything does and give you Animal Wing Anatomy 101, that’s for you to research. Know that there are different types of wings and that they have different uses, strengths, and weaknesses.

3. Never use the full extent of your research! 

Surprise, surprise!

“But wait, Maddy!” you cry, writing utensil in hand and poised to stab me. “I thought we were supposed to were supposed to show our research!”

Well, you are. Technically that’s not wrong. But, readers don’t want to know ALL of it. Over-described wings are sometimes worse than under-described wings; what sucks more than not knowing what a character’s wings look like is having to look up wing anatomy in the middle of the chapter!

Only use the most basic of vocabulary when it comes to describing the parts of the wing. Most of the time, you just have to say “bat wing” or “feathery wing” and the readers get the basic idea. (Like seriously, do you think the readers know what a dactylopatagium brevis is????? It’s a part of skin on a bat’s wing btw)

4. Don’t bring your character’s wings up only when they’re needed!!!!

Unless your character’s wings can fade away when they’re not needed, wings are a 100% real, 24/7 thing! It’s bothersome when writers mention the wings in one chapter and then only bring them up when there’s a daring escape that needs to be performed! Most of the time, I forget that the characters even have wings at all!

There is also the fact that wings aren’t all pros and no cons. If they’re functional, they’re probably big, and if they’re muscular, they’re probably bulky. If your character is clumsy, they’ll probably knock things over constantly, and if they’re not clumsy, they’ll still knock things over constantly.

Your wings are two (or four, or five, or six quintillion) extra appendages; they’re a part of your character! You don’t have to spend every second reminding the readers that they’re there, but don’t go long stretches of time without even mentioning them.

5. Your character’s wings can be a good way to indicate their mood or to provide for that little bit of description that you think you make be lacking

Why wouldn’t you want to describe the wings? I mean, you don’t want to describe every minute detail over and over again, but it’ll boost your word count a lot more than you think. They can also be used to convey your character’s feelings without explicitly telling the reader! It’s like a new set of facial expressions!

See? You can tell he’s wary and ready to fight from the movement of his wings! Also he’s crouching next to a dead body but that’s not relevant right now

Here’s a list of wing language (?) that you can incorporate into your story that will not only increase your word count, but will also add to the sustenance of your story!

Nervous

Twitch

Flutter

Ripple

Fold tightly

Fidget

Flap

Angry

Flare

Bristle

Fluff up

Ripple

Beat

Raise up

Snap open

Happy

Flutter

Curl up

Ripple

Wave

Flap

During Battle

Bludgeon

Smack

Bat

Clout

Whack

Kick someone’s legs out from under them

Snap someones neck (only for muscular wings like bat and bird wings)

Problems that may come with having wings

Poke out from under blankets and let all of the cold air in

Stepped on

Get pins and needles from being folded for too long

Squashed on chairs/ in beds/ in crowded hallways

Vulnerable in battle

Molting (for bird wings)

Hope this helped!!!

[theroyalcoven]

This will be so helpful for me thanks