Richard Gere as Jesse in Breathless (1983), dir. Jim McBride
noise dept.
No title available
cherry valley forever
"I'm Dorothy Gale from Kansas"
🪼
Monterey Bay Aquarium
No title available

#extradirty
Jules of Nature

祝日 / Permanent Vacation
AnasAbdin
Today's Document
let's talk about Bridgerton tea, my ask is open

★
Game of Thrones Daily

Love Begins

Janaina Medeiros
No title available
Sweet Seals For You, Always

PR's Tumblrdome

seen from Singapore
seen from United States
seen from United States
seen from Czechia
seen from United States

seen from Malaysia
seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from Türkiye

seen from Malaysia

seen from Singapore
seen from Malaysia

seen from United States

seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from Philippines
@thescrapbookedit
Richard Gere as Jesse in Breathless (1983), dir. Jim McBride
photo credit Lance Mercer
The Fallen Angel, Alexandre Cabanel.
The Fallen Angel directs our attention to the figure of the scorned Lucifer. The painting depicts a moment in the story of the War in Heaven, possibly the instant after he was expelled from the heavenly realm and arrived in the terrestrial. It was Lucifer’s prideful character and unbridled ambition which caused him to lust for power exceeding that of God. As a result of his failed attempt at insurrection, Lucifer was cast out of heaven and fell from grace. Interestingly enough, the War in Heaven has little to no biblical foundation: the event itself lacks presence as a story in scripture and is only vaguely referenced in a few books throughout the Bible. Cabanel’s painting is instead inspired heavily by John Milton’s epic poem “Paradise Lost”, which retells these events in a dramatic narrative. The psychological implications behind Lucifer’s expression are many: his tearful gaze is a reaction to shame, ego, rebellion, frustration, and exclusion at once. Lucifer’s covering of his face is very possibly a reaction to the skyscape behind him, a wounding reminder of both his fall from grace and a dimension he can no longer exist in. Concealment becomes the devil’s final safeguard from admission of defeat, an act which would strip him of the last thing he retains: dignity. And yet, upon closer inspection, his eyes tell us that the story is far from over, that the true act of rebellion has yet to begin, and that Satan’s motivation is rooted in revenge. It seems as if, even following this moment of total failure, Lucifer has not yet understood that insurgency against God will return him to the same place time and time again.
Written by Francisco Rivera.
L’Or n’est en rien éternel (Nothing Gold Can Stay) Fletcher Sibthorp
crista cober by david bellemere for vogue paris,august 2015.
Birgit Kos Vogue Germany (April 2019) photo: Chris Colls makeup: Stephane Marais
Robert Mapplethorpe, Neck, 1988
Eddie, Edgefest 1992
Credit to owner
via @/wild.vedder on instagram
Helena Christensen by Herb Ritts
Claudio Bravo
Freeway Interchange, Los Angeles, Photo by Ansel Adams, 1967
To Agistri (The Hook), 1976
Zendaya wearing Balmain at the 78th Venice International Film Festival
Undine Rising from the Fountain by Chauncey Bradley Ives
The West Wind by Thomas Ridgeway Gould
Gia Carangi